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`EntryID` bigint(21) NOT NULL auto_increment,
`title` varchar(60) NOT NULL default '',
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Larkay da Sawaal \r
*******************\r
\r
Saadi enj dee wife hoay.\r
5\'6" jeddi height hoay,\r
Jeans tight tight hoay,\r
Chehra jedda bright hoay,\r
Umar 22 to 27 hoay,\r
Enj dee saadi Wife hoay.\r
\r
Sarrak tay saaray kaheN key cute hoay,\r
Peerr which saaray kaheN side howay, side hoay,\r
Pindi, Islamabad ya Peshawar dee paidaish hoay,\r
Sass dee khidmat jeddi khwahish hoay\r
Enj dee saadi Wife hoay.\r
\r
Parrosi jiddoon gall karan tay hatth which knife hoay,\r
Dinner day waqt candle light hoay,\r
Assan tay tuwaday which kaddhi naa koi fight hoay,\r
Millan day baad dil delight hoay,\r
Enj dee saadi Wife hoay.\r
\r
**************\r
LARKI dA JAWAB \r
**************\r
\r
6\'-6\'2" jeddi height hoay\r
jeans tillih magar body tight hoay\r
beewi daa her nakhra chukkay, aina mizaaj ohdda light hoay\r
husband saada enj da bright hoay\r
\r
uff tak na kare ainaa quiet hoay\r
dinner banaye oh jiddon wee romantic night hoay\r
shopping ker ke jiddon wee aawan, bolay begum tu kinni nice hoay\r
husband saada enj da bright hoay\r
\r
mainnon rani bana kay rakhay, tay fir zindagi delight hoay\r
sass soarray day sammnay kaway, jaan tu hamesha right hoay\r
hamesha oh haar mann jaway, jiddon wee kaddhi fight hoay\r
husband saada enj da bright hoay\r
\r
jitthay chahnwan jawaan, jo chahnwan karran, kujh ess tarran dee life hoay\r
her doojay hafftay kummann phirann dee flight hoay\r
enj ho jaway tay mein urraan aasman which, jaissnaan kay kite hoay\r
husband saada enj da bright hoay\r
\r
****Comments:****\r
Name : sohail\r
I am master student . I am discussing about LOVE Vs ARRANGE MARRIAGE. \r
This is right that arrange marriage is best. Because if after marriage any problem couple faced , parents should be involved to solve that problem. But in love marriage parents says (apni passand ki shadi ki thee na ab knud he sambalo).\r
But in other hand if u love any one and your love is true, u should done love marriage . because if did not do that u desolate your life, not only u but some other persons also because I think in these days with our life stile and our media every one is in love.\r
Some says love marriage is not live longer this is wrong , if married life if one made any mistake second should say (no problem, try that u can not do that again) and if second made any mistake first should also that. Its mean if one is in angry position second should be cool. Life can going very sweety. But if both are hot minded lifes can not walk together.\r
sohail\r
\r
\r
(NAME) FATIMA ARIF\r
I AM NOT AGAINST THE ARRANGE MARRIGE,BECAUSE WHO THOUGT BEST ABOUT US EXCEPT OUR PARENTS..\r
BUT I THINK THAT THE LOVE MARRIGE IS LONG LASTED INSTEAD OF ARRANGE MARRIGE, BECAUSE THERE IS UNDERSTANDING BETWEEN TWO PARTENERS BEFORE THE MARRIGE, AND THEY CAN EASILY FACE THE PROBLEMS\r
I AM A \'TEEN AGER\' , AND SOME TIMES I REALLY SURPRISED WHEN I HEAR ABOUT THE AFFAIRS OF MY CLASS FELLOWS.... "I WANT 2 TELL THE TEENAGERS THAT IT IS NOT GOOD 4 THEM TO MAKE DESION OF THEIR LIFE WITHOUT THEIR PARENTS" IT IS AGE OF STUPID THOUGHTS.... MANY TEENAGERS R IN LOVE WITH OTHERS, IT IS NOT GOOD WELL, BUT WHEN THEY R IN AGE OF 20, THEN THEY CAN THINK BETTER 4 THEIR SELF AND CAN DESIONED THAT WHAT IS BETTER 4 THEM LOVE MARRIGE OR ARRANGE OK! ALL OF U TAKE CARE AND THINK THE BEST , AND SELECT THE BESTEST WAY 4 U.... BECAUSE IT IS UR LIFE AND U KNOW TO SPENT IT IN THE BEST WAY\r
(YAROO ZINDIGI BAR BAR NAI MILTI)\r
\r
(NAME) Farwa Rizvi\r
Arrange Marrige vs Love Marrige\r
Salam ppl, I would say that it really makes a difference when u r in love with someone and wanna be with that person. I think in arrange marrige there is nothing like that. There is no charm to be with that person. You are with the person because ur parents pick that person for u. Its feels so formal . When two ppl planing to spend their life together their should be love and understanding.\r
Thanks\r
Farwa\r
\r
(NAME) Jahangir\r
The asking discussions not necessory to this importent matter, the boteh disissions are depands on a person\r
\r
(NAME) Anonymous\r
I am not the person who shakes this world with this pen but since i get a chance to write something on Arrange Marriage, i will do so. By reading all of the posted messages below, i concluded that Arrange marriage lasts longer.\r
There\'s nothing wrong with Love marriage but Timidness and Hesitation don\'t exist in Love marriage which is "Mandatory" in Long Lasting Marraiges. My sound is prefering EAstern Culture eventhough living in West. Responding to some messages listed below, achieving your love does not mean "a successful marriage." I am living in a place where most of the marriages are "love marraiges", reader will shock to hear that the divorce rate is 50-50 here means. \r
\r
(NAME) Irfan\r
hey guys salaam...!\r
well I think it doesn`t really matter if its love marriage or arranged cuz u gotta get with someone whose meant 2 be 4 u no matter what u say or do.....i believe its already decided by allah about everyones soul mate so love or arrange don`t make no differece\r
well my opinion\r
neway go with what u think is right 4 u\r
byebye\r
\r
(NAME) saima\r
MY DISCUSSION HERE IS ABOUT THE ARRANGE MARRIAGE/LOVE MARRIAGE.\r
I THINK MARRIAGE IS JUST MARRIAGE DONT MATTER WHAT KIND OF MARRIAGE IT IS THE MEANING OF MARRIAGE IS THAT HAVING PEACEFULLFAMILY HAVING FUN BUT IN LOVE MARRIAGE I WOULD SAY THAT 2 PPL KNOW ABOUT EACH OTHERS NATUREAND YES LOVE MARRIAGE HAVE PROBLEM SO DOES ARRANGE MARRIAGE EVER Y MARRIAGE HAS PROBLEMS I HAVE HEARD IF THERE IS NO ARGUMENTS IN A MARRIAGE THEN THER IS NO NO GOOD MARRIAGE.SO I WOULD SAY WELL ONLY THINGS HAPPEN WHICH IS IN UR DESTINY\r
TAKE CARE\r
GUYS\r
KH \r
\r
(NAME) daniel\r
I have just returned from a trip to Pakistan to visit my relatives and i found that many of my cousins are in loveless arranged marriages where the parent simply did not care about the outcome or worse, there was some financial incentive to marry two young people that simply did not know better.\r
the most alarming side of this practice is that many of the arranged marriages in Pakistan endure domestic violence at the smallest provocation. One of my cousins is caught in such a situation.\r
How can this be a good outcome?\r
\r
(NAME) maria\r
ok..we all know that arranged marriages last longer than love marriages...we all know that what your parents do is the best thing for you, we all know that in Islam arranged marriage is the only way to go as far as marriage is concerned. So what the hell...just get an arranged marriage, what\'s the big deal?\r
\r
\r
(NAME) imrana \r
i think seriously arranged marraiges r much better than love ,they obvouisly do last longer and keeps usually everyone happy.on the other hand love marriages brings billions of problems which make the marriage fall apart in no time.im sure everyone knows parents know best.theyre (u may not wanna realize but know)extremely smart.we think we know more just cuz we know how to use the computer and they dont.so give urself a break just sit back and let ur mommy pick people for u dont go out there and tire urself to look for that"perfect\r
1"cuz chances r u wont find them. :) !!!!!smile now cry later!!!!!\r
\r
(NAME) waqar\r
dear fellows, There is nothing wrong in love marriage BUT traditionally in our culture,we have seen that arranged marriages last much longer.The reason I guess is that any negative trait in your partner is not a shock to you.You dont feel cheated.Also, a mariage which does\'nt have the blessings of the parents is surely not going to be a bliss.Having said that,there is no harm if 2 people are in love and the parents approve of the marriage.In fact , this is the ideal situation.\r
\r
(NAME) mehwish\r
Marriage is one of the most important events in a person\'s life. The person that one marries ultimately affects our whole entire life. It is critical that we have an understanding with that person. One should know how the other person thinks and views this world, and if their views conflict with ours, it will be a problem. The whole idea of having a love marriage is to marry someone who will help you grow as a person, and this can only be found out if one talks and gets to know the person. Arranged marriages do not allow a person to get to know their mates. First of all, our culture automatically assumes that love marriage is dirty, and that is not the case. In fact, our parents will probably allow us to talk to the other person but only if they chaperone us. Its like saying they dont trust our judgement. Arranged marriage does not allow a person to fully understand how the other person is. A love marriage allows us to do that. Love marriage does not necessarily m! ean two people living in lust, there should be a mental connection. In fact, arranged marriaged is more based on looks and less on how each person will get along. A guy sees a girl and he decides to marry her, and his mother assures him she is \'\'nice\'\',but he doesnt even know it. I think our parents should trust us and let us make this important decision. I am not ruling out arranged marriages as a whole, but our parents do not know us as well as we do, and keeping this in mind we should be able to make our own decisions. We need to have open minds, and make our parents understand this. Most of the arranged marriages last, but its not because the marriage is working, but alot of these people do not have the courage to break it off, because of family pressure. People in love marriages are usually rebellious and unconventional, and thats y they probably break off the marriage. The point is that just because arranged marriages last, does not mean it is a good quality marriage, an! d just because some love marriages end does not mean they are not worthwhile. The whole process depends on the type of people entering these marriages. We should look less at statistics and make informed decisions about our life including marriage, and therefore love marriage is the way to go. I do not believe in premarital sex, and love marriage doesnt automatically mean lusty relations, we need to remind our parents that. They need to know that we can make mature educated decisions, and that they dont have to baby us around. We need to tell them we love them and seek their approval, but not for them to make all the decisions without us getting to know the other person.\r
\r
(NAME) Nasir Mukhtar\r
Love Marriage vs Arranged Marriage\r
Assalamu Alaikum Fellow Pakistanis\r
Marriage is ofcourse the most important step in ones life. In Britain, where I live, parents feel that "arranged marriages" are the only method prescribed by Islam. To them, an arranged marriage is where the parents (or one of them) chooses a "suitable" partner for their children and they have no say in the matter. They connote "love marriages" with the girl friend-boy friend scenario where pre-marital sex takes place, a system encouraged my the West. I think the current gulf between the two schools of thought is ridiculous because there is no such thing as an arranged marriage or a love marriage.\r
Marriage is simply marriage. The problem,I think, is twofold.\r
First, in the context of arranged marriages parents are misleading themselves in believing that it is an Islamic phenomanon.\r
There are three basic requirements for a valid marriage in shari\'ah:\r
1. Consent of the parties \r
2. Two witnesses for the purposes of Nikah and \r
3. The Mahr given by the groom to the bride as consideration of the marriage contract.\r
The second problem is that the element of \'love\' has become a taboo in that it stirs up images of immoral behaviour. Any marriage which lacks the vital element of love is a farce. In Islam, if anybody would bother to look, there is great importance attached to love in marriage and love in general. The current problems faced by Pakistani community in particular has everything to do with ignorance of Islam, illiteracy, Biradreism (preserving family interests) and stupidity. As long as a muslim marries a muslim it doesn\'t matter what caste, class or colour the other is. Let\'s wake up people and not make the gift of life a miserable hell. Make love and responsibility your priority and forget all else.\r
\r
Submitted by Zeeshan Ahmad \r
ROMANCE MATHEMATICS \r
Smart man + smart woman = romance \r
Smart man + dumb woman = affair \r
Dumb man + smart woman = marriage \r
Dumb man + dumb woman = pregnancy \r
OFFICE ARITHMETIC \r
Smart boss + smart employee = profit \r
Smart boss + dumb employee = production \r
Dumb boss + smart employee = promotion \r
Dumb boss + dumb employee = overtime \r
\r
SHOPPING MATH \r
A man will pay $2 for a $1 item he needs. \r
A woman will pay $1 for a $2 item that she doesn\'t need.\r
\r
GENERAL EQUATIONS & STATISTICS \r
A woman worries about the future until she gets a husband. \r
A man never worries about the future until he gets a wife. \r
A successful man is one who makes more money than his wife can spend.\r
A successful woman is one who can find such a man. \r
To be happy with a man, you must understand him a lot and love him a little. \r
To be happy with a woman, you must love her a lot and not try to understand her at all. \r
Married men live longer than single men, but married men are a lot more willing to die. \r
Any married man should forget his mistakes, there\'s no use in two people remembering the same thing. \r
Men wake up as good-looking as they went to bed. Women somehow deteriorate during the night. \r
A woman marries a man expecting he will change, but he doesn\'t. \r
A man marries a woman expecting that she won\'t change, and she does. \r
A woman has the last word in any argument. Anything a man says after that is the beginning of a new argument. \r
There are 2 times when a man doesn\'t understand a woman - before marriage and after marriage \r
\r
(NAME) Aisha Sarwari\r
Marriage is an institution that should be respected and safeguarded with our culture. Arranged marriages have come a long way, and have heald generations of people together, its true that they don\'t fulfill some needs properly and may get the wrong people together, but that can be flexibly changed. Sometimes the new generation makes it very difficult for their parents by being demanding on imposing their will on who to marry. Parents ahve a vast amount of wisedom and will alwaus want the best for their children. They also leave air open for discussion, and nowadays parents are flexible. As laong as a person has a good character and is a true believer, love will follow. Love isn\'t for one person, Its for a community and the world. If a person doesn\'t love himself/herself who will. people get married hoping someone will see their good points, but it doesn\'t work that way. One has to know themselves well before joining another to fulfill a mission. Arranged marriages work, love is when you make another and yourself reach the highest potential of achievement. Everyone deserves it, without limits. Love marriages, tend to follow the template of love stories in movies in songs. Its all so superficial! and real life meaning is forgotten.\r
Sincerly,\r
Aisha\r
\r
(NAME) nadz\r
yes, personally i think all love marriages are doomed to fail. Although we are bound to find years of happiness from love marriages, they rarely work. Nowadays love marriages are very common and are becoming increasingly popular but they hardly ever last. Im not saying love marriages are not a good thing, i believe that as long as a person can find \'some\' happiness out of the couple of years that love marriages \'do\' last, it is all worth it. Okay, parents know whats best for us, but do they know what will make us really happy? do they understand what we feel inside? Arranged marriages \'do\' last but they do not make a person entirely happy. Follow you heart people.\r
\r
(NAME) Mukhtar Ahmed Siddiqui\r
I think arraged marriage is better than the other one.\r
\r
(NAME) mushtaq ahmad shaker\r
I CAN DISCUSS THIS MATTER FACE BY FACE BUT I AM JUST ANSWERING UR QUESTION BY E MAIL. UR YOUNG FRIEND HAS A OPENION BUT NOT DECISSION. LOVE IS VERY SENSITIVE AND IT IS ALWAYS SAME BUT THE PEOPLE IGNORE IT AND DO NOT DEAL WITH IT SENSITVE. THERE FORE A VERY SOON CREATED MISUNDERSTANDIG. IN MY OPENION LOVE MERRAGE IS A ACTUALLY MERRAGE AND IT CAN CALLED BE A SHADI NOT A RISK OR JUWA. WITH OUT LOVE THE BOTH ENGAGED PERSON SEEKS WHAT WILL HAPEN. AND ALSO STARTS STUDY EACH OTHER IF THEY DO NOT HAVE UNDERSTANDING ,EVEN THEN THEY HAVE TO LIVE.BUT THE LOVEED PEOPLE KNOW EACH OTHER AS I SAID IT IS MOST SENSITIVE,BEFORE MERRIAGE LOVED PERSON IGNORE MAIN MISTAKE OF EACH OTHER BUT AFTER MERRIAGE THEY DO NOT IGNORE MINER MISTAKE. OK MORE DISCUSSION WILL BE FACE BY FACE. SHAKER\r
\r
(NAME) Saadia Bhatti\r
hello everyone, in my opinion i think love marriages are not necessarily doomed for faillure. it depends on the two individuals and how they plan on keeping thier marriage together. no marriage is perfect, both sides do have to bend towards each other not away from each other when they are disagreements. in my case i had a love marriage, howver things did not work out it lasted only 6 months, and we constantly argued and were miserable. i think we both tried to a certain effect howver in my case there were alot of other issues such as abuse that stemmed out of his anger. arragnged marriages on the other hand are no less secure or certain either. these days girls at the age of 17 - 18 are being arranged by thier parents to guys from their families either from back home or here and personally i think that is a very young age to get married. well anyways this is my two cents on to this topic. i could go on forever but i dont think anyone wants to sit here forever either.:0)\r
take care\r
Saadia Bhatti\r
\r
(NAME) Javaid Malik\r
Hello, - I\'m writing from California. I think arranged marriages can work. However the man and woman should be able to see each other before the actual marriage. The guy should know everything about the woman and the woman should know everything about the guy beforehand. The guy should be able to look at the mother of the girl, so he can see the future of his wife. If the mother is 500 pounds the daughter will surely follow her footsteps. SO beware!!! The man should also check out the facial hair situation of the woman. You want to make sure the woman doesn\'t shave. Otherwise one morning when you awake you might get a heart attack to see a sasquatch in bed with you with a full moustache and beird. The woman should also make sure the man has a good job, isn\'t a slob and has good morals. So if this is all checked out before the marriage commitment, arranged marriages are fine. I don\'t have a problem with my parents finding me a wife... \r
\r
(NAME) Sumaila Palla\r
I do not necesarrily think love marriages are bound to fail but these days in Pakistan, arranged marriages are what is happening....Maybe, pretty soon love marriages might start...but arranged marriages are lasting over there.\r
\r
(NAME) a girl\r
I don\'t think that any marriage is doomed to fail unless both parties that are involved think that. Have you heard the song by Junoon: Khudi? The words are Khudi ko kaar buland itna key haar taakdeer sey pehlay Khudah baanday sey yeh puchey "Baata teri raza kya hai"?\r
\r
(NAME) Farhina\r
Love marriage:\r
Problem start after 1 yrs of marriage.\r
Arrange marriage:\r
Problem start day after marriage okay a week.:) AQUL MAN KAYE LAYE ISHARA KAFI HOT HAI :).\r
PS: BUT EVENTUALLY WE LEARN TO COMPROMISE ALOT AND LIVE HAPPY EVER AFTER :)\r
LOL.\r
\r
\r
(Name) Khan Akbar \r
The sweet and short answer to the question is.one is doomed either way.\r
Once upon a time the "shair" of the jungle was getting married, one choha ( mouse ) was really dancing like crazy, He was ."masut" like nobodys business and as if there is no tomorrow.\r
After a while one of the fellow jungle animal asked him. "chohay mian, bohat kush ho. akhir es mey itni kushi ki kia baat hai." The choha replied " agg mai bhoat khosh hoon kuoon kai agg meray bhai ki shaddi hai"\r
The animal replied " shair kub say tumhara bhai bun giya" The choha replied with a smile on his face " shaddi say phelay mai be shair tha"\r
On a serious note, a marriage in our culture is the marriage of 2 families and not just 2 individuals. So whether it is a luv marriage or an arranged one the day you lose sight of this aspect the marriage is doomed. I have seen sucessful luv marriages and unsucessful arranged marriages and this marriage of 2 families has been the core of the make or break situation.\r
Thus the individual who has raised the question should know that there is no YES or NO answer to this question. Its upto the individual parties to the marriage how the view the situation.\r
Life is a roller coaster and so are ALL marriages, there are ups and downs!!!!!\r
I find it hard to maintain a serious mood for long so I will end with another light humor, some of you might find it humorous others might think I am a bit sick.\r
Hope you all enjoy reading the following.\r
Regards\r
Akbar\r
\r
Some of us might find some similarities !!!!!\r
:( is a sad face\r
:) is a happy face\r
Enjoy reading it!!!!!!!!!!!!!\r
\r
Shaadi ke pehle\r
Agar Tum Na Hote :(\r
Shaadi ke baad\r
Agar Tum Na Hote :)\r
Shaadi ke pehle\r
Maine Pyar Kiya\r
Shaadi ke baad\r
Ye Maine Kya Kiya?\r
Shaadi ke pehle\r
Kuch Kuch Hota Hai\r
Shaadi ke baad\r
Kuch Nahi Hota Hai\r
Shaadi ke pehle\r
Dil To Pagal Hai\r
Shaadi ke baad\r
Dil To Pagal Tha\r
Shaadi ke pehle\r
Ek Duje Ke Liye\r
Shaadi ke baad\r
Sirf Bachcho Ke Liye\r
Shaadi ke pehle\r
Dilwale Dulhaniya Le Jayenge\r
Shaadi ke baad\r
Baaki Log Sukhi Ho Jayenge\r
Shaadi ke pehle\r
Chandramukhi\r
Shaadi ke baad\r
Jwaalamukhi\r
Shaadi ke pehle\r
Kuwara Baap\r
Shaadi ke baad\r
Bechara Baap\r
Shaadi ke pehle\r
Titanic\r
Shaadi ke baad\r
Mortgage\r
Shaadi ke pehle\r
Hum Aapke Hai Koun?\r
Shaadi ke baad\r
Barbadi Ka Kaaran\r
Shaadi ke pehle\r
Yes Boss :)\r
Shaadi ke baad\r
Yes Boss :(\r
Shaadi ke pehle\r
Mere Sapno Ki Rani\r
Shaadi ke baad\r
Chutki Ki Amma\r
Shaadi ke pehle\r
Kabhi Kabhi\r
Shaadi ke baad\r
If you are lucky\r
Shaadi ke pehle\r
Aao Pyar Karen\r
Shaadi ke baad\r
Aur Bhi Kuch Kaam Karen?\r
\r
(NAME) Rabia\r
I dont think there is a guarantee in either love marriages nor is there in arranged marriages. People like to generalize and say which is better by using examples, however the bottom line is, there are successes as well as failures in both. As Tradition would have it, people used to compormise much better way back when, however now, priorities have changed, and with that so have views. I belive that if two people really want to be happy, itis not going to come to them, they have to work for it, be it that they were arranged, or that they fell in love, no matter what happens, they must always be willing to support as well as compromise with one another. This has no bearing on how the realtionship came to be. Therefore the love marraige vs. the arranged marraige saga can not be generalized upon, it is the indivisuals who constitute the marraige which need to be questioned.\r
','This article was taken from a discussion forum in the internet. It content ppl comment on arrange marriage & love marriage. Quite interesting to read and funny aswell.\r
','5',1,7,'Wed Jun 25, 2003 10:06:08',1056528368,'Kalwant Singh','5'),
(3,'PUNJABI LANGUAGE','The language of Punjab\r
\r
\r
Punjabi is a intercontinental language. Its speakers are spread all over the world. The natives of Punjab region of India and Pakistan speak this language. Basically the Punjabi is the language of Punjab. The word Punjab is made up of two words Panj and Aab. Panj means five and Aab means water, the land of five rivers. This name was probably given to this land of five rivers possibly in an era when this region came into close contact with persia. Prior to that period this region was known by different names at different times. Probably when at the height of its glory it was known as Sapta Sindhu, the land of seven rivers. Punjab lies in the North West of India. Being in the way of invaders from the North, Punjab has had to take a lot of bottle ring from the invaders. \r
\r
Punjabi speaking state, come into being during a period of religious revival in the 15the & 16the centuries. It was founded as a new religious order by Guru Nanak the Punjab was constituted a separate province of India in 1937.Punjabi in India is more open to Sanskrit and traditional sources where as Punjabi in Pakistan is trying to explore Perso-Arabic Sources. Punjabi is a member of Indo Aryan language family. It is more closely connected with the other Indo-Aryan languages.\r
\r
Indo-Aryan languages\r
\r
\r
Punjabi is a tonal language. Tone differentiates Punjabi from the other Indo-Aryan languages. There are three tones in Punjabi. High tone, mid tone and low tone. It is very important to piston to the pronunciation of a native speaker for getting an auditory impression of these tones and to imidate them for acquiring an accurate pronunciation. While producing these tones, there is neither priction nor stoppage of air in the mouth. They are pronounced always concurrently with a syllable. \r
High tone is higher then the other two tones and the syllable with this tone is also shorter than those with other two tones. High tone is marked by [/] above the vowel under tone. Mid tone is considered to be an intermediate in pitch between the high and the low tones. The syllable is of an intermediate height in typs case. Mid tone is not marked in the phonetic transcription low tone has been described as the lowest of the three tones. The pitch tends to fall. The syllable under this tone is longer in comparison with the other two. Low tone is marked by [\\] above the vowel under tone. \r
\r
Examples:-\r
\r
1. Kora (Horse) Kora (Whip) Kora (Leper)\r
2. Ca (peep) Ca (enthusiasm) Ca (tea)\r
\r
\r
\r
The Script of Punjabi language\r
\r
There are these basic vowel letters in the Script of Punjabi language. These are vowel carriers. With the use of matras ten vowel letters are created from these basic three letters. \r
\r
u, (e), i are short vowels and u, a, i, e, o, E, (e) are long vowels.\r
The long vowels are held longer and pronounced more tensely then the short vowels. These vowels are shown in the following table : \r
Front Central Back\r
-----------------------------------------------------------------------------------------------------------------------------------------\r
High i u\r
I U\r
-----------------------------------------------------------------------------------------------------------------------------------------\r
Middle\r
e o\r
E C\r
e\r
-----------------------------------------------------------------------------------------------------------------------------------------\r
\r
Low a\r
\r
The vowels in Punjabi\r
So there are ten vowels in Punjabi. These pure vowels also get nasalised. Nasilisation of final long vowels is extremely common, especially in dialects. Punjabi has a number of diphthongs. The first member of a diphthong is always a short and the second one is a long vowel. Ia, Io, Ic, ei, ee, eu, ua are the diphthongs in Punjabi. \r
The stress is an important feature of Punjabi. In general the number and distribution of long and short syllables determine the position of the stress in a word. \r
Gemination is also an important feature of Punjabi. All consonants except / n, r, r, l, h, y & v / occur as geminates. Geminates are preceded by short vowels. Gemination of consonants is phonemic. The table of consonants: \r
\r
Velar Palatal Retroflex Dental Labial\r
-------------------------------------------------------------------------------------------------------------------------------------\r
voiceless /k/ /c/ /t/ /t/ /p/\r
stop{ aspirates /kh/ /ch/ /th/ /th/ /ph/\r
voiced /g/ /j/ /d/ /d/ /b/\r
nasals /n/ /n/ /n/ /n/ /m/\r
flaps&trills\r
/r/ /r/\r
laterals /l/ /l/\r
sibilants{\r
voiceless\r
/s/ /s/\r
voiced \r
/z/\r
fricatives /x/ /f/\r
aspirates /n/\r
semi-vowels/y/ /v/\r
Punjabi Speech sounds\r
These are the consonants of Punjabi. Speech sounds life s., x, g., j. & f are Persian and Arabic sounds. These sounds are retained in the speech of educated persons. The sounds like x, g., j., f and respectively kh, g, j, ph, are in free variation. \r
Nouns in Punjabi are inflected for number, gender and case. There are two numbers in Punjabi singular and plural. All masculine nouns, pronouns, adjectives and verbs ending in /a/ are singular in number. The /a/ changes into /e/ in its plural from. There are two genders in Punjabi masculine & feminine. Mostly /a/ ending nouns are masculine and /i/ ending nouns are feminine. But this rule is not fixed. There are some nouns, which are /i/ ending but are masculine. Similarly a number of /a/ ending nouns are feminine. A few /a/ ending masculine and /i/ ending nouns are feminine. But this rule is not fixed. There are some nouns which are /i/ ending but are masculine. Similarly a number of /a/ ending nouns are feminine. A few /a/ ending masculine nouns do not change in their plural form. The /i/ ending feminine nouns change into /ia/ in the plural form. \r
In Punjabi there are two ways of expressing relations between nouns in a sentence (1) Synthetic, which adds case endings to nouns and (2) Analytic which combines nouns in the oblique case with post positions. Pronouns are inflected for number and case in Punjabi. There are two types of adjectives are used in Punjabi. These are known as \'black adjectives or inflected\' and \'red adjectives\' or uninflected. The forms of black adjectives change according to the gender and number of noun. Red adjectives do not change in number & gender. \r
The Gurmukhi Script\r
\r
\r
Punjabi is written in the Gurmukhi Script which literally means \'from the mouth of Guru\' referring to its use in the Guru Granth Sahib, the holy scripture of the sikhs. Gurmukhi is written from left to right the orthography is called /PEti/ as the number of its letters are thirty five. As indicated Punjabi is tonal language. Gurmukhi script merges unvoiced consonant followed by falling tone on to tonal letters, i.e. x, M, Y, X, G To mark high tone, however, there is separate symbol \'u\' which is placed subliminally. \r
\r
Nasalisation is phonemic in Punjabi. In the Orthography two symbols are used for it. These symbols are known as /t. I p p i/ [] and /b I d i/ []. The signs of t. I p p i and b I d i are placed above the vowels. t I p p i is placed over inherant or clear vowel [a], [I] and with the mantras of [u] and [u]. b I d i is placed over other vowels e.g. [a], [i], [e], [E], [o], [c] and in the initial position of [U] and [u].\r
\r
\r
Germination is phonemic in Punjabi is indicated by the sign [u] called addak above the letter and before the consonant to be germinated. \r
Punjabi language has a number of regional dialects that are spoken in both India as well as in Pakistan. The main dialects of Punjabi in India are : Majhi, Doabi, Malwai and Puwadhi. The regional dialects like Pothohari, Lehandi & Multani and so on are spoken in Pakistan. In India the Punjabi is written in Gurmukhi script as far as in Pakistan it is written in Perso-Arabic Script.\r
\r
\r
It is commonly believed that, standard Punjabi as written in Gurmukhi Script, is based on the Majhi dialect. \r
Punjabi literature has its own significance. Right from its known roots Punjabi literature starts on a secular note with the poetry of Sheikh Farid in 12the centaury. This basic character of Punjabi literature continues all along the Bhagti movement. The Devotional Compositions of Guru Nanak are in the praise of God. In 1605 the 5th Guru Arjun Dev compiled all the poems of Guru Nanak, of his successors and various Bhagatas in Guru Granth Sahib. Muslim Sufi poets made important contribution to Punjabi literature through an entirely Indian and Punjabi spirit. A number of romances of love appeared to have existed in Punjab on which popular ballads were written. Modern Punjabi literature is known to have begun with works of the famous Sikh poet Bhai Vir Singh. His biographies on Guru Nanak and Guru Gobind Singh are also some of his pioneering work. He made a notable contribution to Sikh history and religion.\r
\r
Punjabi as a second & foreign language\r
\r
\r
Learning Punjabi as a second & foreign language it is important for the learners to be familiar with the following skills. These are four basic skills :\r
\r
Listening, \r
Speaking, \r
Reading & Writing \r
\r
Listening as a skill means that a learner is also to listen each meaningful sound, word, sentence, distinctively and with comprehension. The listener develops the Auditory perception through concentration or proper attention. Speaking is a major means of communication. The development of the skill of speaking means that the student is able to communicate ideas, thoughts and feelings with precision and clarity. The basic skill of reading is that a learner must be able to (1) recognize letters, group of letters, words and sentences along with all the secondary symbols or punctuation markers (2) read the written materially related to his interest, ability and need and (3) comprehend whatever he reads. Writing skill involves a wide range from the acquisition of script to the creative writings. A learner must learn letters of an alphabet, spelling system, joining of letters, writing of words, phrases and sentences along with the use of all the appropriate punctuation markers. \r
A language learner can learn a language more effectively with the following drills. \r
\r
\r
Response drill. \r
Repetition drill. \r
Substitution drill. \r
Transformation drill.\r
It depends upon the response of the learner about the sounds, words he has learned. The learner can develops his ability of learning language with the help of repeating the sounds, words again and again. After learning a particular level the learner is able to use the substitute word in the given sentence. The learner is able to transform the word and sentence from masculine to feminine and from singular to plural accordingly. So these drills are more useful for a second and foreign language learner. \r
\r
Source: The Punjab Heritage\r
\r
','Punjabi is a intercontinental language. Its speakers are spread all over the world. The natives of Punjab region of India and Pakistan speak this language. Basically the Punjabi is the language of Punjab. The word Punjab is made up of two words Panj and Aab. Panj means five and Aab means water, the land of five rivers. This name was probably given to this land of five rivers possibly in an era when this region came into close contact with persia. Prior to that period this region was known by different names at different times. Probably when at the height of its glory it was known as Sapta Sindhu, the land of seven rivers. Punjab lies in the North West of India. Being in the way of invaders from the North, Punjab has had to take a lot of bottle ring from the invaders.','','',1,'Tue Jul 08, 2003 08:44:46',1057646686,'Kalwant Singh',''),
(4,'Punjab','General Information about Punjab :\r
\r
Population: 21.6 Million\r
Area: 50,362 sq. km.\r
Capital: CHANDIGARH\r
People per Sq. Km: 433\r
Main Language: PUNJABI\r
\r
Punjab is an Indo-Iranian word meaning "the land of five rivers". Punjab lies at the cross-roads of the great civilizations of the world. Historicaly, the area west of Punjab was under the sphere of influence of the Persians, the east was the heartland of the Indian civilization, the south under the influence of the Arabs and the north under the Turko-Mongolian influence. Many great religious movements which found world-wide appeal grew in the fertile plains of Punjab. They include Budhism, Sikhism and many schools of Sufi thought in Islam . This ethnic and religous diversity is reflected in the cultural mosaic of todays\'s Punjab.\r
\r
The historical area of Punjab was defined to the east from the basin of the river Bias (including Dehli) to the basin of River Indus in the west. To the north it was bounded by the Himalayas of Kashmir and to the south it stretched as far as the plains of Cholistan and Rajasthan. Over different periods of history Punjab has seen its boundries expand and shrink. The high time for Punjab was during the reign of Mughal emperor Babur (and also during the time of Ranjit Singh more recently) when Punjab along with Babur\'s empire streteched from Dehli in the east to Kabul and Ghazni to the West. But never in the history, did the boundries of Punjab shrink so much as they did after the division of India in 1947. The tragic incident resulted in the division of Punjab into two parts as the Indian state of Punjab and the Pakistani province of Punjab. Indian Punjab was further divided twice for administrative reasons . Today\'s Punjab(Indian) is about one-fourth of the Punjab that existed before partition.\r
\r
Punjab suffered the most destruction and damage at the time of Partition of India. Prior to partition the Punjab extended across both sides of what is now the India-Pakistan border, and its capital Lahore is now the capital of the Pakistani state of Punjab. The major city in the Punjab is Amritsar, the holy city of the Sikhs. Chandigarh, a new planned city, was concieved and built in the 1950s to serve as the capital of the new Punjab. In 1966, Punjab underwent another split. It was divided into the predominantly Sikh and Punjabi- speaking state of Punjab and the state of Haryana. At the same time some of the northern parts of the Punjab were hived off to Himachal Pradesh. Chandigarh on the border of Punjab and Haryana, remains the capital of the two states, yet is administered as a Union Territory from Delhi.\r
\r
The Punjab\'s per capita income is nearly double the all-India average (in second place is Haryana). Although Punjabi\'s comprise less than 2.5% of India\'s population, they provide 22% of India\'s Wheat and 10% of its rice. The Punjab provides a third of all the milk production in India. Punjab also has a number of thriving industries including Hero Bicycles at Ludhiana. \r
\r
From the travellers point of view, the area has just one attraction -the beautiful Golden Temple in Amritsar. Apart from this the states are mainly places of transit for travellers on their way to the Himachal hill stations, Pakistan, and Kashmir. \r
\r
\r
\r
PLACES OF INTEREST \r
\r
AMRITSAR: \r
Visit the Golden temple - The sacred Sikh sanctuary, marbled, bronzed & covered with gold leaf wherein the Guru Granth Sahib- The Bible of the Sikhs is placed reverently. Also see the Community Kitchen where 10000 pilgrims are fed daily on voluntary and complementary basis. Visit the historic Jallianwala Bagh where Gen. Dyer\'s bullets killed scores of innocent Indians and the beautiful Ram Bagh Gardens. \r
\r
CHANDIGARH : \r
Chandigarh was Designed by Le Corbusier, is the state capital of Punjab and Harayana states. The famous French architect. Half day tour includes visit to the Secretariat, High Court, State Library, Assembly Chambers, University, Botanical Garden and the beautiful lake. Asia\'s largest rose garden, Zakir Gulab Bagh, spread out over 30 acres of land, boasting of 50,000 rose-trees of 1600 different species!!\r
\r
Covering an area of 56 square kilometres, Chandigarh is the first `planned\' city of India. The city has neatly laid out roads and parks, buildings ranging against mountain peaks, boulevards and streets lined by endless rows of trees and shrubs. The city is named after the Goddess Chandi Devi, whose white - domed temple stands on the slope of a hill in the north east of Chandigarh, on the edge of the Shivalik hills. Spread over an area of 114 sq. kms, it is a modern city, built in 47 sectors.\r
\r
','General Information about Punjab','','',2,'Tue Jul 08, 2003 11:27:45',1057656465,'Kalwant Singh','');
# --------------------------------------------------------
#
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`IP` varchar(60) NOT NULL default '',
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PRIMARY KEY (`ID`)
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#
INSERT INTO `articles_ip` (`ID`, `IP`, `EntryID`) VALUES (1,'202.155.84.14',2);
# --------------------------------------------------------
#
# Tabel structuur voor tabel `eguest`
#
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CREATE TABLE `eguest` (
`num` int(11) NOT NULL auto_increment,
`fullname` text NOT NULL,
`email` text NOT NULL,
`uin` text,
`homepage` text,
`location` text,
`comment` text NOT NULL,
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`ip` text NOT NULL,
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INSERT INTO `eguest` (`num`, `fullname`, `email`, `uin`, `homepage`, `location`, `comment`, `date`, `ip`, `reply`) VALUES (86,'mhhmmm ','mhhmmm ','','','Bombay ','mhhmmm... good boy...good job...!!! ','June 19, 2003 08:57:22 (GMT Time)','127.0.0.1',''),
(80,'Handeep ','hkaur2001@yahoo.com ','','','USA ','lol...nice website..funny too. And yea, dahl and roti is the best ','May 29, 2003 15:41:23 (GMT Time)','127.0.0.1',''),
(79,'Handeep ','hkaur2001@yahoo.com ','','','USA ','lol...nice website..funny too. And yea, dahl and roti is the best ','May 29, 2003 15:41:10 (GMT Time)','127.0.0.1',''),
(78,'Juan José ','alayavijnana@yahoo.es ','','','Spain ','Greetings to all spiritual people in the world! My name is Juan José and I live in Spain. The reason of this e-mail is to contact to a Sikh Master to have a spiritual experience. Please, if you are the Guru, write me back to complete our karma in a telepathic meeting. Waheguru Ji ka Khalsa, Waheguru ji ki fateh! Juan José alayavijnana@yahoo.es ','May 11, 2003 17:43:26 (GMT Time)','127.0.0.1',''),
(77,'eknam ','eknam@link.net.id ','','','jakarta ','great site..the jokes are very funny..:D thanx for signing my guestbook ','Febuary 7, 2003 14:24:44 (GMT Time)','127.0.0.1',''),
(76,'GreenGuy Cly ','herozteam@hehe.com ','','','Sabah, Borneo, Malaysia ','Good in touch in your cute homepage. Ahhh...sign mine ;) ','January 4, 2003 09:20:21 (GMT Time)','127.0.0.1',''),
(75,'Raja ','Raja1@ukgateway.net ','','','Leeds, England ','Nice to see Jatta De Poth have made it to all four corners of the Globe, Keep up the good work!!Regards Raja ','October 26, 2002 09:35:28 (GMT Time)','127.0.0.1',''),
(74,'sapinder ','becco@tds.net ','','','nairobi kenya NOW USA MADISON ',' ','October 22, 2002 00:26:55 (GMT Time)','127.0.0.1',''),
(73,'kalwant singh "chhalla" ','chhalla@yahoo.com ','','','chutianandan ','you are really chutia i love it bye from another chutia. ','August 12, 2002 05:46:20 (GMT Time)','127.0.0.1',''),
(72,'miss sharma ',' ','','','canada ','very funny - I think ur website was good - very entertaining...thanks for the good laugh ','July 31, 2002 16:48:17 (GMT Time)','127.0.0.1',''),
(71,'Ann ',' ','','','Vancouver Bc, Canada ','I came across your site by luck I guess. I love the jokes and everything else. Keep up the good work because your site is totally kickin rite now:) ','July 30, 2002 02:24:08 (GMT Time)','127.0.0.1',''),
(70,'Mandeep Singh Khosa ','punjabi_guru@hotmail.com ','','','Hong Kong ','shit son!!jour set ijj da bezt.keep it up.Punjabiyaan di shaan vakhri. ','July 24, 2002 16:52:06 (GMT Time)','127.0.0.1',''),
(69,' ',' ','','',' ',' ','May 18, 2002 08:54:15 (GMT Time)','127.0.0.1',''),
(68,'satnam singh mattu ','smattu@t-online.de ','','','germany ',' ','May 17, 2002 23:33:21 (GMT Time)','127.0.0.1',''),
(67,'~*~ GAGAN ~*~ ','jiya5@hotmail.com ','','','NY ','HeY nIcE sItE kEeP uP dA g0od worK~ iF yA waNa TaLk AIM: TeeTee432 YAHOO:Jiya4life MSN:JIYA5@hotmail.com>also email By dA wAy uR cUtE ByE Un0~~~ ','May 12, 2002 23:11:03 (GMT Time)','127.0.0.1',''),
(66,'eat me ','dnt have one ','','','rub jane ','update ur jokes i mean the love letter joke is sooooooooooooooooooooooo blody OLD if i remember i heard about it last year!! ','May 8, 2002 16:13:06 (GMT Time)','127.0.0.1',''),
(65,'sweeti ',' ','','','canada ','hi,kalwant. i like your site,and other thing i like AIS.thanks. ','May 1, 2002 22:46:42 (GMT Time)','127.0.0.1',''),
(64,'fifi ',' ','','','i am from singapure ','not bad..ur gergous man ','April 30, 2002 11:01:41 (GMT Time)','127.0.0.1',''),
(63,'eCosway ','-@-.- ','','','Asean ',' For All ASEAN Countries....!!! ','April 16, 2002 20:50:37 (GMT Time)','127.0.0.1',''),
(62,'Singhcm ','singhcm@yahoo.com ','','','Canada ','Very nice home page. wish u good luck and succes in life. ','April 8, 2002 06:50:33 (GMT Time)','127.0.0.1',''),
(61,'mrs vijai kumar ','Vna_2001 ','','','malaysia ','nice meeting you. keep in touch bye for now. ','April 4, 2002 08:24:09 (GMT Time)','127.0.0.1',''),
(60,'i love ashneil sigh ',' ','','',' ',' ','March 31, 2002 12:32:35 (GMT Time)','127.0.0.1',''),
(59,'-= [K a N i K a] =- ','xclusiv_kb@hotmail.com ','','','sydney australia ','hey, groovy sitr u got happeing ','March 31, 2002 12:31:44 (GMT Time)','127.0.0.1',''),
(58,'andi eka prasetia ','aesetia@yahoo.com.au ','','','Yogyakarta- Indonesia ','really good work, brother. You have "salam" from hendrikus panjaitan( Geology ITB 97), he is my friend at whispink, Maybe you are also. ','March 21, 2002 16:03:16 (GMT Time)','127.0.0.1',''),
(57,'SunnY DhilloN ','PrinceDhillon@jatt.com ','','','Cali ','oi bappu kidda? oh balle tuadi sohneya, i never think i will found any1 from indonesia on the net but ju def proved me wrong. hor ki haal chal yeh bhai? where did ju used to lived in medan before eh? how come i dont know u? about me, i used to lived in lubuk pakam before. so if u reading this email me back cause i got sum serious shyt to talk about. LOL rab rakha ','March 6, 2002 05:11:09 (GMT Time)','127.0.0.1',''),
(56,'Rajinder Pattar ','rstoor@shaw.ca ','','','Vancouver, Canada ','Good Work ','January 31, 2002 01:40:09 (GMT Time)','127.0.0.1',''),
(55,'Priyanka Sharma ','priyankasharma01@hotmail.com ','','','New Delhi, India ','Your site is really cool Kante. You seems to be a fun loving guy....itz nice to know about you. Add some more photographs for urs. Have u ever been to India?? ','December 24, 2001 08:54:14 (GMT Time)','127.0.0.1',''),
(54,'mindy Kaur ','no no no ','','','UK ','I came across this web site and I just want to say Kalwant...VADIYAAAAAAAAAAAHHHH!! It is a very good web site..welldone....I really did enjoy looking and reading it....it is very good!!!! ','December 17, 2001 15:15:34 (GMT Time)','127.0.0.1',''),
(53,'sonia ','eyezlens@hotmail.com ','','','london-birmingham ','hey dude ur funny ... ur pic on the site nick sum more stuff from oyher sites and get to us soooon ... check u later ','December 12, 2001 19:14:06 (GMT Time)','127.0.0.1',''),
(52,'Chithra ','chittuvenky@yahoo.com ','','','Singapore ','Wow KANTE, :) G8 Job a wonderful webpage. All the best!!! Chithra ','November 23, 2001 10:04:33 (GMT Time)','127.0.0.1',''),
(51,'Chithra ','chittuvenky ','','','Singapore ','Wow KANTE, :) G8 Job a wonderful webpage. All the best!!! Chithra ','November 23, 2001 10:02:41 (GMT Time)','127.0.0.1',''),
(50,'Amandeep Kaur ','amandeep27@about.com ','','','England ','Kulwant great homepage i have saved it on my favourites keep up the good work from Aman. ','November 16, 2001 10:43:27 (GMT Time)','127.0.0.1',''),
(49,'Jasprit Kaur Dhillion ','u_make_me_wana@hotmail.com ','','','Canada ','Kidhaaaaa Sohniya ?? Just saw your web site Kulwant Singh Ji...Bery Bery Gud :) So Kante :) You wanna know something...Mere bro da na v kulwant aa...and assin v usnu KANTA sad de aa :) Not that im calling you my BRO :) hehe Just saying Okay fir... Take Kare Jaspreet Oh sach... Haye Sohniya Ve Tenu Khich Ke Kalje Laun Nu Ji Krda ','November 13, 2001 17:32:37 (GMT Time)','127.0.0.1',''),
(48,'Rizki Akhwan ','r_akhwan@hotmail.com ','','','Indonesia ','boleh juga homepagenya, cuman terlalu rame! good job! ','November 8, 2001 13:50:16 (GMT Time)','127.0.0.1',''),
(47,'Patrick ','patricksahila@yahoo.com ','','','Jakarta-Indonesia ','Nice work, keep it up.... What about the Gurdawaras around Indonesia and India ','November 6, 2001 08:06:00 (GMT Time)','127.0.0.1',''),
(46,'Rajee ',' ','','','Leeds, UK ','Love what u did with Ash. Site is good -update ringtones though - bit of bhangra and that. ','October 21, 2001 16:15:52 (GMT Time)','127.0.0.1',''),
(45,'Ashish Singh Thakur ','thakur_ashish_singh@yahoo.com ','','','India. AHA ! ','very nice site, go for new ring tones also... really great.... ','October 19, 2001 06:28:35 (GMT Time)','127.0.0.1',''),
(44,'Ashish Singh Thakur ','thakur_ashish_singh@yahoo.com ','','','India. AHA ! ','very nice site, go for nwe ring tones also... really great.... ','October 19, 2001 06:28:08 (GMT Time)','127.0.0.1',''),
(43,'vcky rajput ','star_jatt@yahoo.co.in ','','','str8 from punjab...AMRITSAR ','i like ya site very much..n me want sum html clue..abt ur aishs pic..how did u put..the light image..in that pic...plss do mail me if ya can.,,.c ya ','October 16, 2001 19:11:28 (GMT Time)','127.0.0.1',''),
(42,'Gurvinder ','guvkaur@yahoo.com ','','','london ','wow!kulwant wahegur ji ka khalsa waheguru ji ki fateh...ure site is wicked..keep up the fab work! gurfateh! ','October 16, 2001 11:11:05 (GMT Time)','127.0.0.1',''),
(41,'navneet ','navneetkb@hotmail.com ','','','INDIA ','Kalwant,u have done a grrrreeaattt job.keep it up. i told my family about ur site. the jokes were toooooooo good. all the best for whatever u do... bye... gururakhaa... ','September 30, 2001 11:18:49 (GMT Time)','127.0.0.1',''),
(40,'Karim ','adatiak@libero.it ','','','Kenya ','great stuff yaar! ','September 28, 2001 01:06:49 (GMT Time)','127.0.0.1',''),
(39,' ',' ','','',' ',' ','September 21, 2001 01:18:30 (GMT Time)','127.0.0.1',''),
(38,'ROSI ',' ','','','INDIA ','AISHWARYA IS THE BEST. ','September 21, 2001 01:10:02 (GMT Time)','127.0.0.1',''),
(37,'GURPREETH SINGH AUJLA ','THE_BIG_GEE2000@YAHOO.COM ','','','DUDLEY>WEST MIDLANDS>ENGLAND>UNITED KINGDOM>GREAT BRITAIN>EUROPE ','I THINK THAT THE SITE IS ACE AND KEEP UP THE GOOD WORK CUZ ITS ONE OF THE BEST SITES THAT I VISITED YET!!!!!!!!! ','September 6, 2001 15:07:25 (GMT Time)','127.0.0.1',''),
(36,'top dog ','kaka@flysingh.com ','','','anywhere you want ','Join in the new revolution flysingh will fly the chundha ','September 5, 2001 22:12:14 (GMT Time)','127.0.0.1',''),
(35,'Vic ','Munch_Eater @yahoo.com ','','','Based in Germany ( Dallas) ','Nice to find someone as young as you who can make people round the world piss them selves while reading your stuf. Keep up good work my Indian Bro. E-Mail me if you get the chance. All the best From Vic. Keep up the good work, ','August 30, 2001 15:07:29 (GMT Time)','127.0.0.1',''),
(34,'Vic ','Munch_Eater ','','','US Army Based in Germany ( Dallas Texas ) ','Nice to find someone as young as you who can make people round the world happy,Just tto read a few lines. Keep up the good work my Indian Bro E-Mail me if you get the chance. All the best From Vic. Keep up the good work, ','August 30, 2001 14:59:15 (GMT Time)','127.0.0.1',''),
(33,'Arif ','m_arif_w@hotmail.com ','','','Sleman - Indonesia ','Cool. Please add some photos. ','August 24, 2001 02:39:21 (GMT Time)','127.0.0.1',''),
(32,'navneet ','leogal_200@hotmail.com ','','','Thailand, Bangkok ','well its really good after viewing this home page well i really satisfied with it , but sir as i am frm thailand on the top of that i am also a sikh .. so y cant i see any gurudwara which is established in thailand even if there are soo many gurudwarazz here soo plz do add our gurudwara in ur home page as well in order to let other sikhs know that there are also gurudwara in thailand soo whenever they have a chance to visit thailand will never miss the chance for visiting out gurudwara ,, thank ','August 11, 2001 15:52:54 (GMT Time)','127.0.0.1',''),
(31,'navneet ','leogal_200@hotmail.com ','','',' ','well its really good after viewing this home page well i really satisfied with it , but sir as i am frm thailand on the top of that i am also a sikh .. so y cant i see any gurudwara which is established in thailand even if there are soo many gurudwarazz here soo plz do add our gurudwara in ur home page as well in order to let other sikhs know that there are also gurudwara in thailand soo whenever they have a chance to visit thailand will never miss the chance for visiting out gurudwara ,, thank ','August 11, 2001 15:52:40 (GMT Time)','127.0.0.1',''),
(30,'Ajay ','stresserver@hotmail.com ','','','jakarta ','cool stuff u got going here,... ... ','August 9, 2001 03:29:49 (GMT Time)','127.0.0.1',''),
(29,'Minky Chana ','Minky_bhangrageedha@hotmail.com ','','','London ','Perfect site....particularly the jokes - made me laugh to tears...... I admire the quality of output you have potrayed in topics related to Marriages - coz there is a message there for all those youngsters who have become goreh sikh forgetting their culture and tradition - at the same time a message for the bujurghhhh who forget time is changing and life can never be as was at their time and ofcourse have the famous dialogue Aaj kaal dhe bacheah ! pai tobah tobah neh................. ','August 6, 2001 16:27:31 (GMT Time)','127.0.0.1',''),
(28,'Minky Chana ','Minky_bhangrageedha@hotmail.com ','','','London ','Perfect site....particularly the jokes - made me laugh to tears...... I admire the quality of output you have potrayed in topics related to Marriages - coz there is a message there for all those youngsters who have become goreh sikh forgetting their culture and tradition - at the same time a message for the bujurghhhh who forget time is changing and life can never be as was at their time and ofcourse have the famous dialogue Aaj kaal dhe bacheah ! pai tobah tobah neh................. ','August 6, 2001 16:26:19 (GMT Time)','127.0.0.1',''),
(27,'Rajinder S Toor ','rtoor@sutton.com ','','','Surrey, BC Canada ','Nice work, Keep it up ','July 3, 2001 18:15:45 (GMT Time)','127.0.0.1',''),
(26,'Mandip Bachra ','Mandip_2001uk@hotmail.com ','','','London ','kidda!!!! ur site is wicked man keep it up yaar ','June 27, 2001 10:11:43 (GMT Time)','127.0.0.1',''),
(25,'Narinder Sidhu ','nazsidhu@hotmail.com ','','','London ','kidda!!! u r the best keep it up!!! ','June 27, 2001 10:09:59 (GMT Time)','127.0.0.1',''),
(24,'SAADHIA MALIK ','SAADHIA_MALIK786@YAHOO.COM ','','','LONDON ','UR WEBSITE IS GOOD. ITS WICKED. U ROCK ','June 27, 2001 10:04:27 (GMT Time)','127.0.0.1',''),
(23,'Jack Sidhu ','JBraganz@AOL.com.au ','','','australia ','good work kalwant... ','June 23, 2001 08:15:56 (GMT Time)','127.0.0.1',''),
(22,'Prakash Pandya ','pkpbbl@yahoo.com ','','','ORISSA ',' ','June 20, 2001 18:15:10 (GMT Time)','127.0.0.1',''),
(21,'Darwinder Singh ','darwin21272@yahoo.com ','','','indonesia and usa ','good job,there is not many punjabi in jakarta that have a page like yours..keep up the good work ','June 1, 2001 05:06:20 (GMT Time)','127.0.0.1',''),
(20,'anita ','tengku_anita@yahoo.com ','','','jakarta ','nice homepage !!!! ','May 18, 2001 11:36:49 (GMT Time)','127.0.0.1',''),
(19,'Sanjiv Patel ','psupatel@hotmail.com ','','','USA ','Great site Kalwant! I originally came to it looking for info on Indonesia since i am planning a trip there this summer, but found your site really entertaining. Best of luck. ','May 17, 2001 04:54:41 (GMT Time)','127.0.0.1',''),
(18,'si ganteng ','siganteng@yahoo.com ','','','desa ','not bad ! ','May 15, 2001 07:45:14 (GMT Time)','127.0.0.1',''),
(17,'Aman & Aman ','aman4aman73@hotmail.com ','','','NY & CALGARY ','Everything is GORGEOUS........ ON THIS SITE. ','May 12, 2001 19:53:23 (GMT Time)','127.0.0.1',''),
(16,'Kanwaljeet Singh Khalsa ','satkan2k@yahoo.com ','','','SAS Nagar (Chandigarh) - India ','Guru fateh, no doubt, Really it is a magnificiant site developed by you and your team. I congratulate you for this and my vaheguru is always with you..... Moreover, i request you to please give me some detail regarding any gurudwara in Greece or which countrys gurudwara is nearby from Greece,.. i shall be very thankfull to you for this.. guru fateh ','April 30, 2001 18:11:36 (GMT Time)','127.0.0.1',''),
(15,'Arvinder Singh Garcha ','arvindergarcha@aol.com ','','','London England ','Wicked site singh ! Parles vous francias ? ','April 29, 2001 23:40:53 (GMT Time)','127.0.0.1',''),
(14,'Nicole ',' ','','',' ','!!!! ','April 23, 2001 06:33:26 (GMT Time)','127.0.0.1',''),
(13,'Aman ','amanak72@hotmail.com ','','','Canada ',' Now u know who i am.can u please give me address of a good doc cos u suggested me to see a doc(just kidding)..............44 times ha ha ha...................... ','March 3, 2001 03:24:15 (GMT Time)','127.0.0.1',''),
(12,'Much. Yani ','muchyani@yahoo.com ','','','Pertamina Prabumulih ','give me new information of production technology ','March 1, 2001 01:52:07 (GMT Time)','127.0.0.1',''),
(11,'Diah Agustina ','diah_agustina@astaga.com ','','','Krian ','Hi...nice to see u ','Febuary 28, 2001 08:01:16 (GMT Time)','127.0.0.1',''),
(10,'Aman ','amanak72@hotmail.com ','','','Calgary,Canada ','You did a great job.I liked it n ur tastes too.Keeeeeeeeeeeeeeeppppppppp it up! ','Febuary 13, 2001 00:51:17 (GMT Time)','127.0.0.1',''),
(9,'Mandip Singh Somal ','mssomal@yahoo.co.uk ','','','B ham, England ','a very good site. keep up the good work and keep adding more stuff to it. good luck! ','January 26, 2001 10:05:55 (GMT Time)','127.0.0.1',''),
(8,'Mandip Singh Somal ','mssomal@yahoo.co.uk ','','','B ham, England ',' ','January 26, 2001 10:05:09 (GMT Time)','127.0.0.1',''),
(7,'Jazz ','jazz@bhangrasounds.8m.com ','','','London ','Hey Singh nice site u hav here keep up the good work yeah! Come c my site to at NachNach.com ','January 23, 2001 12:18:58 (GMT Time)','127.0.0.1',''),
(6,'dal gangar ','gurdev.gangar@worldntlcom ','','','England ','good stuff on the net, feel that we can relate, your only a month older than me. im a young female punjabi looking for new things in life. thought i say your web page is good ','January 12, 2001 10:09:29 (GMT Time)','127.0.0.1',''),
(5,'Rajinder Pattar ','rtoor@sutton.com ','','','Vancouver Canada ','Nice home page. ','December 27, 2000 22:48:44 (GMT Time)','127.0.0.1',''),
(4,'renzo f ','shenkso@onthebeach.com ','','','mau tau ajah ','bagus euy...kapan dong ngajarin programnya....ditunggu lho martabaknya...dahh ','November 6, 2000 08:18:17 (GMT Time)','127.0.0.1',''),
(3,'kumplis ','kumplis@yahoo.com ','','','France ','J ai regarder tes descriptions. C est beau. Est que tu parles Francais? :) ','October 25, 2000 10:34:25 (GMT Time)','127.0.0.1',''),
(1,'aviv ','aviv_79@yahoo.com ','','','bandung ','cooooollll !!!! ','September 17, 2000 06:34:08 (GMT Time)','127.0.0.1',''),
(87,'nkd\'97','nkd97 @yahoo.com','','','medan,indonesia','keep up the goodwork! ','Tue, Jul 1, 2003 06:14:02','202.155.11.199',''),
(88,'Andieka','aesetia@yahoo.com.au','','','Jogjakarta','Hello ','Thu, Jul 17, 2003 19:28:38','10.204.21.10','');
# --------------------------------------------------------
#
# Tabel structuur voor tabel `ep_stats`
#
DROP TABLE IF EXISTS `ep_stats`;
CREATE TABLE `ep_stats` (
`ipaddress` varchar(15) default NULL,
`day` char(2) NOT NULL default '00',
`min` char(2) NOT NULL default '00',
`hits` int(9) NOT NULL default '0',
`visits` int(9) NOT NULL default '1',
`hour` int(2) NOT NULL default '0',
KEY `ipaddress` (`ipaddress`),
KEY `ipaddress_2` (`ipaddress`),
KEY `ipaddress_3` (`ipaddress`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `ep_stats`
#
INSERT INTO `ep_stats` (`ipaddress`, `day`, `min`, `hits`, `visits`, `hour`) VALUES ('oldtotals','04','00',329,176,''),
('212.78.204.45','28','32',1,1,2);
# --------------------------------------------------------
#
# Tabel structuur voor tabel `gurdwara`
#
DROP TABLE IF EXISTS `gurdwara`;
CREATE TABLE `gurdwara` (
`EntryID` bigint(21) NOT NULL auto_increment,
`country` varchar(60) NOT NULL default '',
`gurdwara_name` varchar(60) NOT NULL default '',
`gurdwara_detail` longtext NOT NULL,
`CMS_tsubmit` varchar(255) NOT NULL default '',
`CMS_author` varchar(255) NOT NULL default '',
PRIMARY KEY (`EntryID`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `gurdwara`
#
INSERT INTO `gurdwara` (`EntryID`, `country`, `gurdwara_name`, `gurdwara_detail`, `CMS_tsubmit`, `CMS_author`) VALUES (1,'Bangladesh','GURDWARA GURU NANAK','GURDWARA GURU NANAK \r
CHOWK BAZAAR \r
DACCA \r
','Mon Jun 23, 2003 14:05:24','Kalwant Singh'),
(2,'Bangladesh','GURDWARA NANAK SHAHI','GURDWARA NANAK SHAHI \r
NEELKET ROAD \r
RAMNA \r
DACCA \r
Tel: 50 4072 \r
','Mon Jun 23, 2003 14:06:06','Kalwant Singh'),
(3,'Bangladesh','GURDWARA SAHIB','GURDWARA SAHIB \r
SHIVPURI \r
MYMENSINGH \r
','Mon Jun 23, 2003 14:06:43','Kalwant Singh'),
(4,'Bangladesh','GURDWARA SANGAT TOLA','GURDWARA SANGAT TOLA\r
14 SURESH DAS LANE \r
BANGLA BAZAAR \r
DACCA \r
','Mon Jun 23, 2003 14:30:13','Kalwant Singh'),
(5,'Bangladesh','GURDWARA SRI GURU TEGH BAHADUR','GURDWARA SRI GURU TEGH BAHADUR \r
SANGAT TOLA \r
DACCA \r
','Mon Jun 23, 2003 14:30:40','Kalwant Singh'),
(6,'Bangladesh','SIKH TEMPLE','SIKH TEMPLE \r
PUNJABI LANE \r
PHAHARTALI \r
CHITTAGONG \r
','Mon Jun 23, 2003 14:45:34','Kalwant Singh'),
(7,'Bangladesh','SIKH TEMPLE','SIKH TEMPLE \r
CHOWK BAZAAR \r
CHITTAGONG \r
','Mon Jun 23, 2003 14:45:56','Kalwant Singh'),
(8,'Afghanistan','GURDWARA BHAI NAND LAL GOYA','GURDWARA BHAI NAND LAL GOYA \r
GHAZNI \r
','Mon Jun 23, 2003 14:46:15','Kalwant Singh'),
(9,'Afghanistan','GURDWARA KOTHA SAHIB','GURDWARA KOTHA SAHIB \r
GHAZNI \r
','Mon Jun 23, 2003 14:46:28','Kalwant Singh'),
(10,'Afghanistan','GURDWARA BABA NANAK DEVJI','GURDWARA BABA NANAK DEVJI \r
JALALABAD \r
','Mon Jun 23, 2003 14:46:48','Kalwant Singh'),
(11,'Afghanistan','GURDWARA BABA NANAK','GURDWARA BABA NANAK \r
JADE MEWAN \r
KABUL \r
','Mon Jun 23, 2003 14:47:00','Kalwant Singh'),
(12,'Afghanistan','GURDWARA BABA SRI CHAND','GURDWARA BABA SRI CHAND \r
KABUL \r
','Mon Jun 23, 2003 14:47:12','Kalwant Singh'),
(13,'Afghanistan','GURDWARA GURU HAR RAI','GURDWARA GURU HAR RAI \r
SHOR BAZAR \r
KABUL \r
','Mon Jun 23, 2003 14:47:23','Kalwant Singh'),
(14,'Afghanistan','GURDWARA KARTE PARWAN','GURDWARA KARTE PARWAN \r
MOHALLAH KARTE PARWAN \r
KABUL \r
','Mon Jun 23, 2003 14:47:40','Kalwant Singh'),
(15,'Afghanistan','GURDWARA KHALSA','GURDWARA KHALSA \r
SHOR BAZAR \r
KABUL \r
','Mon Jun 23, 2003 14:47:52','Kalwant Singh'),
(16,'Afghanistan','GURDWARA KHALSA DIWAN','GURDWARA KHALSA DIWAN \r
CHASHMA SAHIB \r
SULTANPUR \r
','Mon Jun 23, 2003 14:48:07','Kalwant Singh'),
(17,'Afghanistan','GURDWARA KOTHA SAHIB','GURDWARA KOTHA SAHIB \r
KABUL TASHKANT ROAD \r
AKSARA \r
KABUL \r
','Mon Jun 23, 2003 14:48:22','Kalwant Singh'),
(18,'Iran','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
HADAYAT AVENUE \r
KOOCH TONKA BUN \r
TEHRAN \r
Tel: 305125 \r
','Mon Jun 23, 2003 14:51:20','Kalwant Singh'),
(19,'Iran','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
HADAYAT AVENUE \r
KOOCH TONKA BUN \r
TEHRAN \r
Tel: 305125 \r
','Mon Jun 23, 2003 14:51:47','Kalwant Singh'),
(20,'Iran','GURDWARA SAHIB','GURDWARA SAHIB \r
P.O. BOX 11365-8417 \r
TEHRAN \r
','Mon Jun 23, 2003 14:52:40','Kalwant Singh'),
(21,'Iran','GURDWARA SAHIB','GURDWARA SAHIB \r
ZAHIDAN \r
BALOCHISTAN \r
','Mon Jun 23, 2003 14:53:00','Kalwant Singh'),
(22,'Japan','SRI GURU NANAK DARBAR','SRI GURU NANAK DARBAR \r
NOZAKI-DORA \r
2-CHOMBE, FUKIAI-KA KOBE \r
','Mon Jun 23, 2003 14:53:18','Kalwant Singh'),
(23,'Pakistan','GURDWARA PANJA SAHIB','GURDWARA PANJA SAHIB \r
HASAN ABDAL, ATTOCK \r
','Mon Jun 23, 2003 14:53:39','Kalwant Singh'),
(24,'Pakistan','GURDWARA NANKANA SAHIB','GURDWARA NANKANA SAHIB \r
NANKANA \r
','Mon Jun 23, 2003 14:53:54','Kalwant Singh'),
(25,'Philippines','KHALSA DIWAN SIKH TEMPLE','KHALSA DIWAN SIKH TEMPLE \r
1350 UNITED INTERNATIONAL AVENUE \r
MANILLA \r
','Mon Jun 23, 2003 14:54:13','Kalwant Singh'),
(26,'Malaysia','TITIWANGSA SIKH TEMPLE','TITIWANGSA SIKH TEMPLE \r
18 GOMBAK LAN \r
JALAN PAHANG \r
','Mon Jun 23, 2003 14:54:35','Kalwant Singh'),
(27,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
15 JALAN HAJJI SALLEH \r
SENTUL \r
','Mon Jun 23, 2003 14:54:55','Kalwant Singh'),
(28,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN KAMPONG PANDAN \r
','Mon Jun 23, 2003 14:55:13','Kalwant Singh'),
(29,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
24 JALAN RAJA ALANG \r
','Mon Jun 23, 2003 14:55:31','Kalwant Singh'),
(30,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
6 JALAM BATAIR POLIS \r
OFF JALAN BANDAR \r
','Mon Jun 23, 2003 14:55:52','Kalwant Singh'),
(31,'Malaysia','TATHA KHALSA DIWAN','TATHA KHALSA DIWAN \r
PERKINS ROAD \r
','Mon Jun 23, 2003 14:56:09','Kalwant Singh'),
(32,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
PETALING JAYA \r
JALAN UTARA \r
','Mon Jun 23, 2003 14:56:24','Kalwant Singh'),
(33,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
PORT SWETTENHAM \r
KUALA SELANGOR \r
','Mon Jun 23, 2003 14:56:47','Kalwant Singh'),
(34,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
5 SELAYANG BARU \r
SELAYANG P.O.BATU \r
CAVE SELANGOR \r
','Mon Jun 23, 2003 14:57:06','Kalwant Singh'),
(35,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
RAWANG SELANGOR \r
','Mon Jun 23, 2003 14:57:17','Kalwant Singh'),
(36,'Malaysia','KHALSA DHARMAK JATHA','KHALSA DHARMAK JATHA \r
51 PANTAI ROAD \r
PERAK \r
','Mon Jun 23, 2003 14:57:47','Kalwant Singh'),
(37,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
CHANG KAT \r
BATU GAJAH PERAK \r
','Mon Jun 23, 2003 14:57:59','Kalwant Singh'),
(38,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
NEW SIKH VILLAGE \r
BIDOR PERAK \r
','Mon Jun 23, 2003 14:58:13','Kalwant Singh'),
(39,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
N.V. BUNTONG \r
IPOH PERAK \r
','Mon Jun 23, 2003 14:58:25','Kalwant Singh'),
(40,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
9 GURDWARA ROAD \r
IPOH PERAK \r
','Mon Jun 23, 2003 14:58:36','Kalwant Singh'),
(41,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
CHANDIRANG \r
PERAK \r
','Mon Jun 23, 2003 14:58:49','Kalwant Singh'),
(42,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
GREEN TOWN \r
IPOH PERAK \r
','Mon Jun 23, 2003 14:59:00','Kalwant Singh'),
(43,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
KUALA KANGSAR PERAK \r
','Mon Jun 23, 2003 14:59:15','Kalwant Singh'),
(44,'Malaysia','SRI GURU SINGH SABHA GURDWARA','SRI GURU SINGH SABHA GURDWARA \r
23 JALAN STATION \r
TAIPING PERAK \r
','Mon Jun 23, 2003 14:59:27','Kalwant Singh'),
(45,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
MALIM NAWAR PERAK \r
','Mon Jun 23, 2003 14:59:39','Kalwant Singh'),
(46,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN STATION \r
TANJONG RAMBUTAN \r
PERAK \r
','Mon Jun 23, 2003 14:59:54','Kalwant Singh'),
(47,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
MAIN ROAD \r
TAPAH PERAK \r
','Mon Jun 23, 2003 15:00:05','Kalwant Singh'),
(48,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
20 JALAN HASSSAN \r
SEGAMAT, JOHORE \r
','Mon Jun 23, 2003 15:00:20','Kalwant Singh'),
(49,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
40 JALAN ZEBEDA \r
BATU PAHAT, JOHORE \r
','Mon Jun 23, 2003 15:00:34','Kalwant Singh'),
(50,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
1-B JALAN WONG AH FOOK \r
JOHOR BAHRU, JOHOR \r
','Mon Jun 23, 2003 15:00:47','Kalwant Singh'),
(51,'Malaysia','SIKH TEMPLE BATU PAHAT','SIKH TEMPLE BATU PAHAT \r
78 JALAN ABU BAKAR \r
BATU PAHAT, JOHORE \r
Tel: (07) 044 2121 \r
','Mon Jun 23, 2003 15:00:57','Kalwant Singh'),
(52,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN MOHAMADIA \r
MUAR JOHORE \r
','Mon Jun 23, 2003 15:01:11','Kalwant Singh'),
(53,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN GURDWARA \r
PONTIAN JOHORE \r
','Mon Jun 23, 2003 15:01:24','Kalwant Singh'),
(54,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN TENGKU PURA \r
KULIM, KEDAH \r
','Mon Jun 23, 2003 15:01:38','Kalwant Singh'),
(55,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
ALOR STAR \r
KEDAH \r
','Mon Jun 23, 2003 15:01:49','Kalwant Singh'),
(56,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
TANAH RATA \r
CAMERON HIGHLANDS \r
PAHANG \r
','Mon Jun 23, 2003 15:01:59','Kalwant Singh'),
(57,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
KUALA LIPIS \r
PAHANG \r
','Mon Jun 23, 2003 15:02:12','Kalwant Singh'),
(58,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
BENTONG \r
PAHANG \r
','Mon Jun 23, 2003 15:02:24','Kalwant Singh'),
(59,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
BAHAUN N.S. \r
','Mon Jun 23, 2003 15:02:34','Kalwant Singh'),
(60,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
69 TEMPLE ROAD \r
JELEBU N.S. \r
','Mon Jun 23, 2003 15:02:44','Kalwant Singh'),
(61,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
KUALA PILLAH N.S. \r
','Mon Jun 23, 2003 15:02:57','Kalwant Singh'),
(62,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN PANTAI \r
PORT DICKSON N.S. \r
','Mon Jun 23, 2003 15:03:07','Kalwant Singh'),
(63,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
138A JALAN PAUL \r
SEREMBAN N.S. \r
','Mon Jun 23, 2003 15:03:16','Kalwant Singh'),
(64,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
MAIN ROAD \r
TAMPIN NEGERI SEMBILAN \r
','Mon Jun 23, 2003 15:03:26','Kalwant Singh'),
(65,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
MANTIN \r
NEGERI SEMBILAN \r
','Mon Jun 23, 2003 15:03:36','Kalwant Singh'),
(66,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
JALAN FERRY \r
BUTERWORTH P.W. \r
','Mon Jun 23, 2003 15:04:09','Kalwant Singh'),
(67,'Malaysia','SRI GURU SINGH SABHA','SRI GURU SINGH SABHA \r
JALAN MAT SALLEH \r
KOTA KINABALU SABAH. \r
','Mon Jun 23, 2003 15:04:25','Kalwant Singh'),
(68,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
KUCHING SARAWAK \r
','Mon Jun 23, 2003 15:04:37','Kalwant Singh'),
(69,'Malaysia','SIKH GURDWARA','SIKH GURDWARA \r
KANGAR PERLIS \r
','Mon Jun 23, 2003 15:04:49','Kalwant Singh'),
(70,'Malaysia','SIKH TEMPLE','SIKH TEMPLE \r
KOTA BAHARU \r
KELANTAN \r
','Mon Jun 23, 2003 15:05:04','Kalwant Singh'),
(71,'Singapore','CENTRAL SIKH TEMPLE','CENTRAL SIKH TEMPLE\r
31 SERANGOON ROAD \r
SINGAPORE \r
','Mon Jun 23, 2003 15:05:17','Kalwant Singh'),
(72,'Singapore','GURDWARA KHALSA','GURDWARA KHALSA \r
(DHARMAK SABHA) \r
18 NIVEN ROAD \r
SINGAPORE 0922 \r
Tel: 338 0731 \r
','Mon Jun 23, 2003 15:05:40','Kalwant Singh'),
(73,'Singapore','KHALSA DIWAN SUDHAR SABHA','KHALSA DIWAN SUDHAR SABHA \r
86 SOPHIA ROAD \r
SINGAPORE 0922 \r
Tel: 3327 4805 \r
','Mon Jun 23, 2003 15:05:52','Kalwant Singh'),
(74,'Singapore','PARDESI KHALS DHARMAK DIWAN','PARDESI KHALS DHARMAK DIWAN\r
2-3 KIRK TERRACE \r
SINGAPORE 0922 \r
','Mon Jun 23, 2003 15:06:03','Kalwant Singh'),
(75,'Singapore','SEMBAWANG SIKH TEMPLE','SEMBAWANG SIKH TEMPLE \r
921 SEMBAWANG ROAD \r
SINGAPORE 2775 \r
','Mon Jun 23, 2003 15:06:15','Kalwant Singh'),
(76,'Singapore','SIKH TEMPLE','SIKH TEMPLE \r
SILAT ROAD \r
JULAN BUKIT MERAH \r
','Mon Jun 23, 2003 15:06:27','Kalwant Singh'),
(77,'Singapore','SIKH TEMPLE','SIKH TEMPLE \r
JALAN KAYU SELATAR \r
SINGAPORE 2879 \r
','Mon Jun 23, 2003 15:06:37','Kalwant Singh'),
(78,'Singapore','SINGAPORE KHALSA ASSOCIATION','SINGAPORE KHALSA ASSOCIATION \r
2 TESSENSON ROAD \r
SINGAPORE 0821 \r
Tel: (298) 6206, 1230 \r
','Mon Jun 23, 2003 15:06:52','Kalwant Singh'),
(79,'Singapore','SRI GURU SINGH SABHA','SRI GURU SINGH SABHA \r
90-92 WIKIE ROAD \r
SINGAPORE 0922 \r
Tel: 337 6301 \r
','Mon Jun 23, 2003 15:07:03','Kalwant Singh'),
(80,'Singapore','SRI GURU NANAK SATSANG SABHA','SRI GURU NANAK SATSANG SABHA \r
(GURDWARA KATONG) \r
17 WILKINSON ROAD \r
SINGAPORE 1543 \r
Tel: 348 5125 \r
GURDWARA SRI GURU SINGH SABHA \r
MALACCA \r
','Mon Jun 23, 2003 15:07:19','Kalwant Singh'),
(81,'Singapore','LABUAN GURDWARA SAHIB','LABUAN GURDWARA SAHIB \r
SU-2675, JALAN OKK ABDULLAH \r
P.O. BOX 80750 \r
87008, WILYAH PERSEKUTUAN LABUAN \r
Tel: (60) 87 415104 \r
','Mon Jun 23, 2003 15:07:41','Kalwant Singh'),
(82,'Australia','GURU NANAK FOUNDATION GURDWARA','GURU NANAK FOUNDATION GURDWARA\r
81 KISSING POINT ROAD \r
TURRA MURRA, SYDNEY, N.S.W. \r
','Mon Jun 23, 2003 15:08:06','Kalwant Singh'),
(83,'Australia','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
NIMBIB ROAD \r
MURRWILLUMBAH, N.S.W. \r
','Mon Jun 23, 2003 15:08:17','Kalwant Singh'),
(84,'Australia','GURU NANAK FOUNDATION GURDWARA','GURU NANAK FOUNDATION GURDWARA \r
462 MEURANTS LANE \r
PARK LEA SYDNEY, N.S.W. 2148 \r
Tel: 622 6994 \r
','Mon Jun 23, 2003 15:08:27','Kalwant Singh'),
(85,'Australia','SIKH SANGAT GURDWARA','SIKH SANGAT GURDWARA\r
P.O. BOX 1313 \r
PAMMATTA \r
SYDNEY, N.S.W. 2156 \r
','Mon Jun 23, 2003 15:08:35','Kalwant Singh'),
(86,'Australia','SRI GURU SINGH SABHA GURDWARA','SRI GURU SINGH SABHA GURDWARA \r
14 RIVER ROAD \r
REVESBY \r
SYDNEY, N.S.W. 2212 \r
','Mon Jun 23, 2003 15:09:48','Kalwant Singh'),
(87,'Australia','FIRST GURU NANAK SIKH TEMPLE','FIRST GURU NANAK SIKH TEMPLE \r
P.O. BOX 322 \r
HASTINGS STREET \r
WOOLGOOLGA, N.S.W. 2456 \r
','Mon Jun 23, 2003 15:09:57','Kalwant Singh'),
(88,'Australia','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE\r
P.O. BOX 96 \r
RIVER STREET \r
WOOLGOOLGA, N.S.W. 2456 \r
','Mon Jun 23, 2003 15:10:09','Kalwant Singh'),
(89,'Australia','Gurdwara Sahib of Western Australia','Gurdwara Sahib of Western Australia\r
Lot 123 Saddleback Grove (Off Nicholson Road)\r
Canning Vale WA 6155\r
Western Australia\r
','Mon Jun 23, 2003 15:10:18','Kalwant Singh'),
(90,'Kenya','RAMGARHIA SIKH SABHA','RAMGARHIA SIKH SABHA\r
P.O. BOX 180 \r
ELDORET \r
','Mon Jun 23, 2003 15:10:39','Kalwant Singh'),
(91,'Kenya','SRI GURU SINGH SABHA GURDWARA','SRI GURU SINGH SABHA GURDWARA \r
P.O. BOX 496 \r
ELDORET \r
','Mon Jun 23, 2003 15:10:50','Kalwant Singh'),
(92,'Kenya','WSO OF KENYA','WSO OF KENYA \r
P.O. BOX 86 \r
ELDORET \r
Tel: 2832 \r
','Mon Jun 23, 2003 15:11:04','Kalwant Singh'),
(93,'Kenya','RAMGARHIA SIKH SABHA','RAMGARHIA SIKH SABHA \r
P.O. BOX 270 \r
KERICHO \r
','Mon Jun 23, 2003 15:11:13','Kalwant Singh'),
(94,'Kenya','GURDWARA RAMGARHIA SINGH SABHA','GURDWARA RAMGARHIA SINGH SABHA \r
P.O. BOX 173 \r
KISUMU \r
','Mon Jun 23, 2003 15:11:29','Kalwant Singh'),
(95,'Kenya','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
P.O. BOX 180 \r
KISUMU \r
','Mon Jun 23, 2003 15:11:40','Kalwant Singh'),
(96,'Kenya','SRI RAMGARHIA SABHA GURDWARA','SRI RAMGARHIA SABHA GURDWARA \r
P.O. BOX 563 \r
KITALE \r
','Mon Jun 23, 2003 15:11:52','Kalwant Singh'),
(97,'Kenya','SIKH TEMPLE','SIKH TEMPLE \r
P.O. BOX 563 \r
MAKINDU \r
','Mon Jun 23, 2003 15:12:08','Kalwant Singh'),
(98,'Kenya','SIKH TEMPLE MERU','SIKH TEMPLE MERU \r
P.O. BOX 153 \r
MERU \r
','Mon Jun 23, 2003 15:12:19','Kalwant Singh'),
(99,'Kenya','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
P.O. BOX 83550 \r
MOMBASA \r
','Mon Jun 23, 2003 15:12:28','Kalwant Singh'),
(100,'Kenya','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA\r
P.O. BOX 83550 \r
MOMBASA \r
','Mon Jun 23, 2003 15:12:42','Kalwant Singh'),
(101,'Kenya','GURUDWARA SRI GURU SINGH SABHA NAIROBI','GURUDWARA SRI GURU SINGH SABHA NAIROBI \r
P.O. BOX 40496 \r
NAIROBI \r
Tel: (254) 2-210224 \r
','Mon Jun 23, 2003 15:13:20','Kalwant Singh'),
(102,'Kenya','EAST AFRICA NAMDHARI SANGAT','EAST AFRICA NAMDHARI SANGAT \r
P.O. BOX 11 308 \r
NAIROBI. \r
Tel: 744678 \r
','Mon Jun 23, 2003 15:13:30','Kalwant Singh'),
(103,'Kenya','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
P.O. BOX 40845 \r
NAIROBI \r
Tel: (254) 2-22128 \r
','Mon Jun 23, 2003 15:13:39','Kalwant Singh'),
(104,'Kenya','SRI GURDWARA BAZAR','SRI GURDWARA BAZAR \r
P.O. BOX 40597 \r
NAIROBI \r
Tel: 25792 \r
','Mon Jun 23, 2003 15:13:52','Kalwant Singh'),
(105,'Kenya','SRI GURDWARA RAMGARHIA','SRI GURDWARA RAMGARHIA \r
P.O. BOX 40703 \r
NAIROBI \r
','Mon Jun 23, 2003 15:14:01','Kalwant Singh'),
(106,'Kenya','SIKH SUPREME COUNCIL','SIKH SUPREME COUNCIL \r
P.O. BOX 39702 \r
NAIROBI \r
','Mon Jun 23, 2003 15:14:09','Kalwant Singh'),
(107,'Kenya','SIKH STUDENTS FEDERATION','SIKH STUDENTS FEDERATION \r
P.O. BOX 11295 \r
NAIROBI \r
','Mon Jun 23, 2003 15:14:16','Kalwant Singh'),
(108,'Kenya','SIKH WOMEN\'S SOCIETY','SIKH WOMEN\'S SOCIETY \r
P.O. BOX 32724 \r
NAIROBI \r
','Mon Jun 23, 2003 15:14:27','Kalwant Singh'),
(109,'Kenya','SIKH TEMPLE','SIKH TEMPLE \r
P.O. BOX 233 \r
NAURU \r
','Mon Jun 23, 2003 15:14:41','Kalwant Singh'),
(110,'Kenya','SIKH TEMPLE','SIKH TEMPLE \r
P.O. BOX 445 \r
THECA \r
','Mon Jun 23, 2003 15:14:53','Kalwant Singh'),
(111,'Kenya','SIKH TEMPLE','SIKH TEMPLE \r
P.O. BOX 233 \r
NYERI \r
','Mon Jun 23, 2003 15:15:03','Kalwant Singh'),
(112,'Tanzania','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
P.0. BOX 90 KISRAVE STREET \r
DAR-ES-SALAM \r
Tel: (051) 22965 \r
','Mon Jun 23, 2003 15:15:29','Kalwant Singh'),
(113,'Uganda','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
P.0. BOX 165 \r
KAMPALA \r
UGANDA \r
','Mon Jun 23, 2003 15:15:39','Kalwant Singh'),
(114,'Uganda','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE\r
KAMPALA \r
UGANDA \r
','Mon Jun 23, 2003 15:15:51','Kalwant Singh'),
(115,'Zambia','GURDWARA NANAK COUNCIL OF ZAMBIA','GURDWARA NANAK COUNCIL OF ZAMBIA \r
P.O. BOX 44 R W \r
LUSAKA, ZAMBIA\r
','Mon Jun 23, 2003 15:16:01','Kalwant Singh'),
(116,'United Kingdom','BHATRA SINGH SABHA SIKH TEMPLE','BHATRA SINGH SABHA SIKH TEMPLE\r
2 CLARENDON STREET \r
PRESTON LANCS \r
','Mon Jun 23, 2003 15:16:22','Kalwant Singh'),
(117,'United Kingdom','BRENT SIKH COMMUNITY CENTRE','BRENT SIKH COMMUNITY CENTRE \r
37 SUDBURYCOURT DRIVE \r
HARROW, MIDDLESEX \r
Tel: (81) 942 186 \r
','Mon Jun 23, 2003 15:16:34','Kalwant Singh'),
(118,'United Kingdom','BRISTOL SIKH TEMPLE','BRISTOL SIKH TEMPLE \r
71-75 FISHPONDS ROAD \r
EASTVILLE \r
Tel: (0272) 511 609 \r
','Mon Jun 23, 2003 15:16:59','Kalwant Singh'),
(119,'United Kingdom','BRITISH SIKH CULTURAL CENTRE','BRITISH SIKH CULTURAL CENTRE \r
114 ST MARK ROAD \r
EASTON \r
Tel: (0272) 521 318 \r
','Mon Jun 23, 2003 15:17:11','Kalwant Singh'),
(120,'United Kingdom','DAL KHALSA OF U.K.','DAL KHALSA OF U.K. \r
24 FARLERGH ROAD \r
LONDON N.16 \r
Tel: (01) 249 8955 \r
','Mon Jun 23, 2003 15:17:23','Kalwant Singh'),
(121,'United Kingdom','GURDWARA AMRIT PARCHAR','GURDWARA AMRIT PARCHAR \r
HARRIS ST, (OFF LEEDS ROAD) \r
BRADFORD \r
Tel: (0274) 724854 \r
','Mon Jun 23, 2003 15:17:34','Kalwant Singh'),
(122,'United Kingdom','GURU NANAK PARKASH SIKH TEMPLE','GURU NANAK PARKASH SIKH TEMPLE \r
8 ST MARKS ROAD \r
BRISTOL \r
Tel: (0272) 552 447 \r
','Mon Jun 23, 2003 15:17:48','Kalwant Singh'),
(123,'United Kingdom','GURDWARA SRI GURU GOBIND SINGH','GURDWARA SRI GURU GOBIND SINGH \r
61 UPPER CHARLTON ROAD \r
BROOKS BAR, MANCHESTER \r
Tel (061) 226 7233 \r
','Mon Jun 23, 2003 15:17:58','Kalwant Singh'),
(124,'United Kingdom','GURDWARA SIKH COMMUNITY CENTRE','GURDWARA SIKH COMMUNITY CENTRE \r
WELLINGTON AVENUE \r
LIVERPOOL \r
TEL: (051) 773-0076 \r
','Mon Jun 23, 2003 15:18:09','Kalwant Singh'),
(125,'United Kingdom','GURDWARA GRAYS','GURDWARA GRAYS \r
6 MAIDSTON ROAD \r
GRAYS, ESSEX \r
Tel: (0375) 76086 \r
','Mon Jun 23, 2003 15:18:25','Kalwant Singh'),
(126,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
SOMERSET ROAD \r
HANDSWORTH, BIRMINGHAM \r
Tel: (021) 551 3489 \r
','Mon Jun 23, 2003 15:20:05','Kalwant Singh'),
(127,'United Kingdom','GURMAT MISSIONARY COLLEGE','GURMAT MISSIONARY COLLEGE \r
276 SOHO ROAD \r
HANDSWORTH, BIRMINGHAM \r
','Mon Jun 23, 2003 15:20:15','Kalwant Singh'),
(128,'United Kingdom','GURU NISHKAM SEWAK JATHA','GURU NISHKAM SEWAK JATHA \r
14-20 SOHO ROAD \r
HANDSWORTH, BIRMINGHAM \r
Tel: (021) 551 1124 \r
','Mon Jun 23, 2003 15:20:25','Kalwant Singh'),
(129,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
PROSPECT STREET \r
HUDDERSFIELD \r
Tel: (0484) 23772 \r
','Mon Jun 23, 2003 15:20:34','Kalwant Singh'),
(130,'United Kingdom','GURDWARA SRI GURU TEG BAHADUR','GURDWARA SRI GURU TEG BAHADUR \r
23 EAST PARTK ROAD \r
LEICESTER LE5 4QD \r
Tel: (0533) 540 101 \r
','Mon Jun 23, 2003 15:20:47','Kalwant Singh'),
(131,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
5 NEW WALK \r
LEICESTER \r
Tel: (0533) 540 101 \r
','Mon Jun 23, 2003 15:20:55','Kalwant Singh'),
(132,'United Kingdom','GURDWARA SIKH COMMUNITY CENTRE','GURDWARA SIKH COMMUNITY CENTRE \r
WELLINGTON AVENUE \r
LIVERPOOL \r
Tel: (051) 773 0076 \r
','Mon Jun 23, 2003 15:21:04','Kalwant Singh'),
(133,'United Kingdom','GURDWARA NAMDHARI SANGAT U.K.','GURDWARA NAMDHARI SANGAT U.K. \r
96 UPTON LANE \r
FOREST GATE \r
LONDON E 7 \r
Tel: (01) 471 6826 \r
','Mon Jun 23, 2003 15:21:13','Kalwant Singh'),
(134,'United Kingdom','GURDWARA GURU NANAK DARBAR','GURDWARA GURU NANAK DARBAR \r
OLD MILL ROAD \r
PLUMSTEAD, LONDON SE 18 \r
','Mon Jun 23, 2003 15:21:25','Kalwant Singh'),
(135,'United Kingdom','GURDWARA DASMESH DARBAR','GURDWARA DASMESH DARBAR \r
97 ROSEBERY AVENUE \r
MANOR PARK, LONDON, E 12 \r
Tel: (01) 539 3818, 556 4732 \r
','Mon Jun 23, 2003 15:21:36','Kalwant Singh'),
(136,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
(NORTH EAST LONDON) \r
68 GLOUCESTER DRIVE \r
LONDON, N 4 \r
Tel: (01) 800 9923 \r
','Mon Jun 23, 2003 15:21:45','Kalwant Singh'),
(137,'United Kingdom','GURDWARA SIKH SANGAT','GURDWARA SIKH SANGAT \r
I-A CAMPBELL ROAD \r
LONDON, E 8 \r
Tel: (01) 980 2281 \r
','Mon Jun 23, 2003 15:21:54','Kalwant Singh'),
(138,'United Kingdom','GURDWARA NANAK DARBAR','GURDWARA NANAK DARBAR \r
136 HIGH ROAD \r
NEW SOUTHGATE \r
LONDON \r
Tel: (01) 368 7104, 361 0982 \r
','Mon Jun 23, 2003 15:22:06','Kalwant Singh'),
(139,'United Kingdom','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
TINDALE CLOSE \r
NEWCASTLE-UPON-TYNE \r
Tel: (0632) 738011 \r
','Mon Jun 23, 2003 15:22:16','Kalwant Singh'),
(140,'United Kingdom','GURDWARA KHALSA MERO ROOP HAI KHAS','GURDWARA KHALSA MERO ROOP HAI KHAS \r
2 DEAN TERRACE \r
SOUTH SHIELDS NE3 5LI \r
Tel: (0632) 555 697 \r
','Mon Jun 23, 2003 15:22:30','Kalwant Singh'),
(141,'United Kingdom','GURDWARA NANAKSAR','GURDWARA NANAKSAR \r
3 PETERBOROUGH ROAD \r
SOUTHAMPTON \r
','Mon Jun 23, 2003 15:22:46','Kalwant Singh'),
(142,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
128-130 NORTHUMBERLAND \r
SOUTHAMPTON \r
Tel: (0703) 333016 \r
','Mon Jun 23, 2003 15:23:01','Kalwant Singh'),
(143,'United Kingdom','GURU NANAK GURDWARA','GURU NANAK GURDWARA \r
629-631 STRATFORD ROAD \r
SPARKHILL BIRMINGHAM \r
Tel: (021) 771 0092 \r
','Mon Jun 23, 2003 15:23:16','Kalwant Singh'),
(144,'United Kingdom','GURDWARA GURU NANAK','GURDWARA GURU NANAK \r
(SIKH TEMPLE) \r
61 LIVERPOOL ROAD \r
STOKE-ON -TRENT \r
','Mon Jun 23, 2003 15:23:37','Kalwant Singh'),
(145,'United Kingdom','GURDWARA NANAK SAR','GURDWARA NANAK SAR \r
(SIKH TEMPLE) \r
BATH ROAD \r
STRATTFORD \r
Tel: 58590 \r
','Mon Jun 23, 2003 15:23:46','Kalwant Singh'),
(146,'United Kingdom','GURU NANAK GURDWARA','GURU NANAK GURDWARA \r
TITHE BARN ROAD \r
STRATTFORD \r
','Mon Jun 23, 2003 15:23:59','Kalwant Singh'),
(147,'United Kingdom','GURU NANAK SATSANG','GURU NANAK SATSANG \r
(SIKH TEMPLE) \r
204 CONNOCK ROAD \r
WOLVERHAMPTON \r
','Mon Jun 23, 2003 15:24:11','Kalwant Singh'),
(148,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
VERNON STREET \r
WOLVERHAMPTON \r
Tel: (0902) 50285 \r
','Mon Jun 23, 2003 15:24:19','Kalwant Singh'),
(149,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
206 LEA ROAD \r
WOLVERHAMPTON \r
','Mon Jun 23, 2003 15:24:28','Kalwant Singh'),
(150,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
SEDGLEY ST (OFF DUDLEY ROAD) \r
WOLVERHAMPTON \r
Tel: (0902) 50285/870914 \r
','Mon Jun 23, 2003 15:24:38','Kalwant Singh'),
(151,'United Kingdom','GURDWARA GURU NANAK DEV JI','GURDWARA GURU NANAK DEV JI \r
72 FORD END ROAD \r
QUEENS PARK \r
BEDFORD, BEDFORDSHIRE \r
Tel: (0234) 50092 \r
','Mon Jun 23, 2003 15:24:50','Kalwant Singh'),
(152,'United Kingdom','GURDWARA GURU NANAK DEV JI','GURDWARA GURU NANAK DEV JI \r
12-16 PORTLAND ROAD \r
LUTON, BEDFORSHIRE \r
Tel: (0628) 23507 \r
','Mon Jun 23, 2003 15:24:58','Kalwant Singh'),
(153,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
100 NORTH ST \r
BARKING, ESSEX \r
Tel: (01) 596 3940 \r
','Mon Jun 23, 2003 15:25:14','Kalwant Singh'),
(154,'United Kingdom','GURU NANAK SATSANG GURDWARA','GURU NANAK SATSANG GURDWARA \r
62 FOREST ROAD \r
NOTTINGHAM NG7 4EP \r
Tel: (0602) 781394 \r
','Mon Jun 23, 2003 15:25:24','Kalwant Singh'),
(155,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
41 NORMANDY ROAD \r
SCUNTHROPE \r
HUMBERSIDE \r
','Mon Jun 23, 2003 15:25:38','Kalwant Singh'),
(156,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
HADLEY PARK ROAD \r
HADLEY, TELFORD \r
','Mon Jun 23, 2003 15:25:48','Kalwant Singh'),
(157,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
WEST BROMWICH STREET \r
WALSALL, STAFFS \r
','Mon Jun 23, 2003 15:25:58','Kalwant Singh'),
(158,'United Kingdom','GURDWARA GURU HAR RAI SAHIB','GURDWARA GURU HAR RAI SAHIB \r
126-128 HIGH STREET \r
WEST BROMWICH \r
WEST MIDLANDS \r
Tel: (021) 525 3275 \r
','Mon Jun 23, 2003 15:26:07','Kalwant Singh'),
(159,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
8 EDWARD STREET \r
WEST BROMWICH \r
WEST MIDLANDS \r
Tel: (021) 553 1242 \r
','Mon Jun 23, 2003 15:26:17','Kalwant Singh'),
(160,'United Kingdom','GURU NANAK GURDWARA','GURU NANAK GURDWARA \r
130 HIGH STREET \r
SMETHWICK, WARLEYS \r
WEST MIDLANDS B66 3AP \r
Tel: (021) 558 2527 \r
','Mon Jun 23, 2003 15:26:30','Kalwant Singh'),
(161,'United Kingdom','GURU NANAK GURDWARA','GURU NANAK GURDWARA \r
65-67 WALSALL ROAD \r
WILLENHALL, WEST MIDLANDS \r
','Mon Jun 23, 2003 15:26:42','Kalwant Singh'),
(162,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
5 MARGATE ROAD \r
PORTSMONTH, HANTS \r
','Mon Jun 23, 2003 15:26:59','Kalwant Singh'),
(163,'United Kingdom','GURDWARA GURU NANAK DARBAR','GURDWARA GURU NANAK DARBAR \r
31 CRABTREE MANERWAY \r
BELVEDERE, ERITH, KENT \r
Tel: (0322) 432 847 \r
','Mon Jun 23, 2003 15:27:16','Kalwant Singh'),
(164,'United Kingdom','GURU NANAK SANDESH PARCHAR BOARD','GURU NANAK SANDESH PARCHAR BOARD \r
GURPURSAAD COTTAGE \r
20 PEACOCK STREET \r
GRAVESEND, KENT \r
Tel: (0474) 61834 \r
','Mon Jun 23, 2003 15:27:37','Kalwant Singh'),
(165,'United Kingdom','GURU NANAK DARBAR SIKH TEMPLE','GURU NANAK DARBAR SIKH TEMPLE \r
CLARENCE PLACE \r
GRAVESEND, KENT \r
Tel: (0474) 534 121 \r
','Mon Jun 23, 2003 15:29:27','Kalwant Singh'),
(166,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
62 TONG ROAD \r
ARMLEY, LEEDS \r
Tel: 636 525 \r
','Mon Jun 23, 2003 15:29:37','Kalwant Singh'),
(167,'United Kingdom','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
HIBERNIA ROAD \r
HOUNSLOW \r
MIDDLESEX TW5 OUF \r
Tel: (01) 577 2793 \r
','Mon Jun 23, 2003 15:29:48','Kalwant Singh'),
(168,'United Kingdom','KHALISTAN COUNCIL','KHALISTAN COUNCIL \r
12 TALBOT ROAD \r
LONDON W 2 \r
Tel: (01) 221 3859 \r
','Mon Jun 23, 2003 15:29:57','Kalwant Singh'),
(169,'United Kingdom','NEW SIKH TEMPLE','NEW SIKH TEMPLE \r
MONTON STREET \r
MOSS SIDE, MANCHESTER \r
','Mon Jun 23, 2003 15:30:11','Kalwant Singh'),
(170,'United Kingdom','RAMGARHIA BOARD','RAMGARHIA BOARD \r
51 D MAYNELL ROAD \r
LEICESTER \r
Tel: (0533) 760 765 \r
','Mon Jun 23, 2003 15:30:48','Kalwant Singh'),
(171,'United Kingdom','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
BEARTON AVENUE \r
HITCHIN, HERTS \r
','Mon Jun 23, 2003 15:36:19','Kalwant Singh'),
(172,'United Kingdom','RAMGARHIA SABHA','RAMGARHIA SABHA \r
53-57 OSWALD ROAD \r
SOUTHALL, MIDDLESEX \r
Tel: (01) 574 5635 \r
','Mon Jun 23, 2003 15:40:16','Kalwant Singh'),
(173,'United Kingdom','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
WESTBURY STREET \r
WOLVERHAMTON \r
','Mon Jun 23, 2003 15:40:28','Kalwant Singh'),
(174,'United Kingdom','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
BAYLIS ROAD \r
WOODLAND AVENUE \r
SLOUGH \r
Tel: (0753) 25458 \r
','Mon Jun 23, 2003 15:40:41','Kalwant Singh'),
(175,'United Kingdom','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
WILLMPOUNT STREET \r
MASON HILL, WOOLWICH \r
LONDON SE 18 \r
Tel: (01) 854-1786, 854 4694, 317 9701 \r
','Mon Jun 23, 2003 15:40:50','Kalwant Singh'),
(176,'United Kingdom','RAMGARHAI SIKH TEMPLE','RAMGARHAI SIKH TEMPLE \r
GRAHAM STREET \r
HANDSWORTH, BIRMINGHAM \r
Tel: (021) 236 5435 \r
','Mon Jun 23, 2003 15:41:00','Kalwant Singh'),
(177,'United Kingdom','RAMGARHIA SIKH GURDWARA','RAMGARHIA SIKH GURDWARA \r
1014 NEVILLE ROAD \r
LONDON \r
','Mon Jun 23, 2003 15:41:12','Kalwant Singh'),
(178,'United Kingdom','RAMGARHIA SIKH TEMPLE','RAMGARHIA SIKH TEMPLE \r
138 CHAPELTOWN ROAD \r
LEEDS \r
Tel: 625 427 \r
','Mon Jun 23, 2003 15:41:21','Kalwant Singh'),
(179,'United Kingdom','SANGAT BHATRA SAMPARADA U.K.','SANGAT BHATRA SAMPARADA U.K. \r
(GURDWARA SIKH SANGAT) \r
HARLEY GROVE \r
BOW, LONDON \r
','Mon Jun 23, 2003 15:41:31','Kalwant Singh'),
(180,'United Kingdom','SIKH ASSOCIATION','SIKH ASSOCIATION \r
(GREENWICH) \r
I CALDERWOOD STREET \r
WOOLWICH, LONDON SE 18 \r
Tel: (01) 854 4233 \r
','Mon Jun 23, 2003 15:41:41','Kalwant Singh'),
(181,'United Kingdom','SIKH ASSOCIATION, SOUTHFIELDS','SIKH ASSOCIATION, SOUTHFIELDS \r
13 KINGS CLIFFE GARDENS \r
LONDON, SW 19 \r
Tel: (01) 874 3518 \r
','Mon Jun 23, 2003 15:41:55','Kalwant Singh'),
(182,'United Kingdom','SIKH SHATRA TEMPLE','SIKH SHATRA TEMPLE \r
Las CROMWELL ROAD \r
PETERBOROUGH \r
Tel: (0733) 65133 \r
','Mon Jun 23, 2003 15:42:06','Kalwant Singh'),
(183,'United Kingdom','SIKH MISSIONARY SOCIETY','SIKH MISSIONARY SOCIETY \r
10 FEATHERSON ROAD \r
SOUTHALL, MIDDLESEX UB2 5AA \r
Tel: (01) 574 1902 \r
','Mon Jun 23, 2003 15:42:14','Kalwant Singh'),
(184,'United Kingdom','SRI GURU TEGH BAHADUR','SRI GURU TEGH BAHADUR \r
(SIKH TEMPLE) \r
8 CLOVELLY ROAD \r
SOUTHAMPTON \r
Tel: (0703) 224744 \r
','Mon Jun 23, 2003 15:42:23','Kalwant Singh'),
(185,'United Kingdom','SIKH STUDY FORUM','SIKH STUDY FORUM \r
85 INGLEHURST GARDENS \r
ILFORD, ESSEX lG4 5HA \r
Tel: (01) 550 5778 \r
','Mon Jun 23, 2003 15:42:34','Kalwant Singh'),
(186,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
CIRKLEWOOD ROAD \r
LONDON SE 18 \r
','Mon Jun 23, 2003 15:42:47','Kalwant Singh'),
(187,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
151 SOUTHFIELD ROAD \r
MIDDLESBOROUGH \r
','Mon Jun 23, 2003 15:42:57','Kalwant Singh'),
(188,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
20 NEWBURN STREET \r
BRADFORD \r
Tel: (0274) 75916 \r
','Mon Jun 23, 2003 15:43:06','Kalwant Singh'),
(189,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
33 CLARENCE STREET \r
LOUGHBOROUGH \r
','Mon Jun 23, 2003 15:43:13','Kalwant Singh'),
(190,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
4 KINGSHILL ROAD \r
BASINGSTOKE \r
HANTFORDSHIRE RG21 3JE \r
','Mon Jun 23, 2003 15:43:22','Kalwant Singh'),
(191,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
26 NOTHHINGHAM ROAD \r
SHERWOOD, NOTTS \r
Tel: (01) 221 3859 \r
','Mon Jun 23, 2003 15:43:31','Kalwant Singh'),
(192,'United Kingdom','SIKH FORUM','SIKH FORUM \r
(NORTH EAST) \r
5 HEALTHLANDS ROAD \r
KERSAL, SALFORD M7 OGH \r
','Mon Jun 23, 2003 15:43:48','Kalwant Singh'),
(193,'United Kingdom','SIKH GURDWARA SOUTH LONDON','SIKH GURDWARA SOUTH LONDON \r
142 MERTON ROAD \r
SOUTHFIELDS, LONDON SW 18 \r
','Mon Jun 23, 2003 15:44:05','Kalwant Singh'),
(194,'United Kingdom','SIKH TEMPLE','SIKH TEMPLE \r
NORTH STREET \r
SWINDON, WILTSHIRE \r
','Mon Jun 23, 2003 15:44:15','Kalwant Singh'),
(195,'United Kingdom','SINGH SABHA BHATRTA GURDWARA','SINGH SABHA BHATRTA GURDWARA \r
221 MARY ST \r
WALSALL HEALTH, BIRMINGHAM \r
','Mon Jun 23, 2003 15:44:26','Kalwant Singh'),
(196,'United Kingdom','SRI GURU NANAK SINGH SABHA TEMPLE','SRI GURU NANAK SINGH SABHA TEMPLE \r
26 WELLINGTON ROAD \r
DUDLEY, WORCS \r
Tel: (0384) 53054 \r
','Mon Jun 23, 2003 15:44:36','Kalwant Singh'),
(197,'United Kingdom','SRI GURU SINGH SABHA GURDWARA','SRI GURU SINGH SABHA GURDWARA \r
WAXHAM COURT \r
SHEEHY WAY \r
SLOUGH, BERKS SL2 5SS \r
Tel: (0753) 26820, 31826 \r
','Mon Jun 23, 2003 15:44:45','Kalwant Singh'),
(198,'United Kingdom','SRI GURU SINGH SABHA TEMPLE','SRI GURU SINGH SABHA TEMPLE \r
RADCLIFFE ROAD \r
HITCHIN, HERTS \r
Tel: (0462) 2993 \r
','Mon Jun 23, 2003 15:44:54','Kalwant Singh'),
(199,'United Kingdom','SRI DASMESH SIKH TEMPLE','SRI DASMESH SIKH TEMPLE \r
305 WHEELER STREET \r
LOZELLS, BIRMINGHAM \r
','Mon Jun 23, 2003 15:45:03','Kalwant Singh'),
(200,'United Kingdom','SRI GURU TEGH BAHADUR SIKH TEMPLE','SRI GURU TEGH BAHADUR SIKH TEMPLE \r
8 CLOVELLY ROAD \r
SOUTHAMPTON \r
Tel: (0703) 224744 \r
','Mon Jun 23, 2003 15:45:25','Kalwant Singh'),
(201,'United Kingdom','THE CENTRAL GURDWARA OF BRITISH ISLES','THE CENTRAL GURDWARA OF BRITISH ISLES \r
62 QUEENSDALE ROAD \r
SHEPHERDS BUSH, LONDON W 11 \r
Tel: (01) 603 2789, 0184 \r
','Mon Jun 23, 2003 15:52:23','Kalwant Singh'),
(202,'United Kingdom','THE MEDWAY TOWNS GURDWARA SABHA','THE MEDWAY TOWNS GURDWARA SABHA \r
COSSACK STREET \r
ROCHESTER, KENT MEI 2EF \r
Tel: (0634) 49782 \r
','Mon Jun 23, 2003 15:52:31','Kalwant Singh'),
(203,'United Kingdom','THE SIKH CULTURAL SOCIETY OF GREAT BRITON','THE SIKH CULTURAL SOCIETY OF GREAT BRITON \r
88 MOLLISON WAY \r
EDGWARE, MIDDLESEX HA8 5QW \r
Tel: (01) 94 2186 \r
','Mon Jun 23, 2003 15:52:39','Kalwant Singh'),
(204,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
30-32 CUMBERLAND ROAD \r
READING, BERKSHIRE \r
','Mon Jun 23, 2003 15:52:48','Kalwant Singh'),
(205,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
18 GRAND VILLE ROAD \r
WATFORD, HERTS \r
','Mon Jun 23, 2003 15:52:56','Kalwant Singh'),
(206,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
96-100 NEW STREET \r
LEAMINGTON SPA \r
WARWICHSHIRE \r
Tel (0926) 24297 \r
','Mon Jun 23, 2003 15:53:09','Kalwant Singh'),
(207,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
4 EDIT ROAD \r
CROYDON, SURRY \r
','Mon Jun 23, 2003 15:53:18','Kalwant Singh'),
(208,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
282 A CHAPEL TOWN ROAD \r
LEEDS \r
','Mon Jun 23, 2003 15:53:28','Kalwant Singh'),
(209,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
HAVELOCK ROAD \r
SOUTHALL, MIDDLESEX \r
','Mon Jun 23, 2003 15:53:42','Kalwant Singh'),
(210,'United Kingdom','WORLD SIKH ORGANIZATION OF U.K.','WORLD SIKH ORGANIZATION OF U.K. \r
P.O. BOX 76 \r
HOUNSLOW \r
MIDDLESEX TW5 OUF \r
Tel: (01) 572 5925 \r
Scotland\r
','Mon Jun 23, 2003 15:53:53','Kalwant Singh'),
(211,'United Kingdom','SRI GURU NANAK GURDWARA','SRI GURU NANAK GURDWARA \r
1-3 NELSON STREET \r
DUNDEE \r
Tel: (0382) 23383 \r
','Mon Jun 23, 2003 15:54:03','Kalwant Singh'),
(212,'United Kingdom','THE SIKH TEMPLE','THE SIKH TEMPLE \r
10 TAYLORS LANE \r
DUNDEE \r
Tel: (0382) 645770 \r
','Mon Jun 23, 2003 15:54:18','Kalwant Singh'),
(213,'United Kingdom','CENTRAL GURDWARA SINGH SABHA','CENTRAL GURDWARA SINGH SABHA \r
142 BERKELEY STREET \r
GLASGOW \r
Tel: (041) 221 6689 \r
','Mon Jun 23, 2003 15:54:28','Kalwant Singh'),
(214,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
32 ST ANDREWS DRIVE \r
GLASGOW \r
','Mon Jun 23, 2003 15:54:36','Kalwant Singh'),
(215,'United Kingdom','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
163 NITHSDALE ROAD \r
GLASGOW \r
Tel: (041) 423 8288 \r
','Mon Jun 23, 2003 15:54:46','Kalwant Singh'),
(216,'United Kingdom','GURU NANAK GURDWARA','GURU NANAK GURDWARA \r
11 ACADEMY STREET \r
LEITH, EDINBUROUGH \r
Tel: (041) 423 8288 \r
','Mon Jun 23, 2003 15:54:58','Kalwant Singh'),
(217,'United Kingdom','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
(RAMGARHIA ASSOCIATION) \r
27 OTAGO STREET \r
KELVINBRIDGE \r
GLASGOW \r
Tel: (041) 334 9125 \r
','Mon Jun 23, 2003 15:55:18','Kalwant Singh'),
(218,'Austria','GURDWARA NANAKSAR','GURDWARA NANAKSAR \r
LANGO BARDEN STRASS-47 \r
A-122 WEIN \r
Tel: 227 194 \r
','Mon Jun 23, 2003 15:56:24','Kalwant Singh'),
(219,'Belgium','GURDWARA SANGAT SAHIB','GURDWARA SANGAT SAHIB \r
HALMAL DROP-20 VZW \r
3800 SINT TRUIDEN \r
Tel: (32) 11 694 218 \r
','Mon Jun 23, 2003 15:56:36','Kalwant Singh'),
(220,'Denmark','GURDWARA SRI GURU SINGH SABHA','GURDWARA SRI GURU SINGH SABHA \r
GRONNEHOJ 1 2720 VANLOSE \r
COPENHAGEN \r
Tel: 714 229 \r
','Mon Jun 23, 2003 15:56:47','Kalwant Singh'),
(221,'France','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
(PARIS ASSOCIATION) \r
LOI 191 9 NO. 85-386 \r
16,18 RUE DE LA FERME \r
P3000 BOBIGNY, FRANCE \r
Tel: (48) 31 13 22 \r
','Mon Jun 23, 2003 15:56:58','Kalwant Singh'),
(222,'Germany','GURDWARA NANAKSAR','GURDWARA NANAKSAR \r
KLEYER STREET 4144 \r
6000 FRANKFURT-MAIN \r
GERMANY \r
Tel: (69) 738 1243 \r
','Mon Jun 23, 2003 15:57:30','Kalwant Singh'),
(223,'Germany','GURDWARA NANAK NIWAS','GURDWARA NANAK NIWAS \r
MOHRINGER STR \r
139 7000 STUT-TGART-1 \r
GERMANY \r
Tel: (711) 607 1147 \r
','Mon Jun 23, 2003 15:57:42','Kalwant Singh'),
(224,'Germany','BABBAR KHALSA INTERNATIONAL','BABBAR KHALSA INTERNATIONAL \r
D-5166 KREUZAN \r
GERMANY \r
Tel: 422 8786 \r
','Mon Jun 23, 2003 15:57:52','Kalwant Singh'),
(225,'Italy','GURDWARA SINGH SABHA','GURDWARA SINGH SABHA \r
VIA DEL MOLINO 1 U \r
','Mon Jun 23, 2003 15:58:19','Kalwant Singh'),
(226,'Switzerland','WORLD SIKH ORGANIZATION OF SWITZERLAND','WORLD SIKH ORGANIZATION OF SWITZERLAND \r
P.O. BOX 53 \r
3015 BERN, SWITZERLAND \r
Tel: (037) 36 2510 \r
','Mon Jun 23, 2003 15:58:49','Kalwant Singh'),
(227,'United States','IMPERIAL VALLEY KHALSA DIWAN SOCIETY','IMPERIAL VALLEY KHALSA DIWAN SOCIETY \r
453 COMMERCIAL AVENUE \r
P.O. BOX 1012 \r
EL CANTO, CA 92570 \r
Tel: (714) 352 9343 \r
','Mon Jun 23, 2003 15:59:10','Kalwant Singh'),
(228,'United States','INTERNATIONAL INSTITUTE OF GURMAT STUDIES','INTERNATIONAL INSTITUTE OF GURMAT STUDIES \r
1703 HACIENDA BLVD \r
CA 90631 \r
Tel: (310) 690 0117 \r
','Mon Jun 23, 2003 15:59:24','Kalwant Singh'),
(229,'United States','INTERNATIONAL INSTITUTE OF GURMAT STUDIES','INTERNATIONAL INSTITUTE OF GURMAT STUDIES \r
1703 HACIENDA BLVD \r
CA 90631 \r
Tel: (310) 690 0117 \r
','Mon Jun 23, 2003 16:00:52','Kalwant Singh'),
(230,'United States','INTERNATIONAL INSTITUTE OF GURMAT STUDIES, INC.','INTERNATIONAL INSTITUTE OF GURMAT STUDIES, INC. \r
P.O. BOX 59031 \r
LOS ANGELES \r
NORWALK, CA 95650 \r
Tel: (818) 333 0310 \r
','Mon Jun 23, 2003 16:01:10','Kalwant Singh'),
(231,'United States','INTERNATIONAL INSTITUTE OF GURMAT STUDIES, INC.','INTERNATIONAL INSTITUTE OF GURMAT STUDIES, INC. \r
1579 PEACOCK AVENUE \r
SUNNYVALE, CA 94087 \r
Tel: (408) 773 9878 \r
','Mon Jun 23, 2003 16:01:18','Kalwant Singh'),
(232,'United States','GURDWARA SAHIB FREMONT','GURDWARA SAHIB FREMONT \r
300 GURDWARA ROAD \r
FREMONT, CA 94536 \r
Tel: (510) 791 7089, 790 3375 \r
Fax: (510) 790 0408 \r
','Mon Jun 23, 2003 16:01:25','Kalwant Singh'),
(233,'United States','GURDWARA SAHIB SAN JOSE','GURDWARA SAHIB SAN JOSE \r
2785 QUIMBY ROAD \r
SAN JOSE, CA 95148 \r
Tel: (408) 274 9373 \r
','Mon Jun 23, 2003 16:01:32','Kalwant Singh'),
(234,'United States','GURDWARA SAHIB MODESTO-CERES','GURDWARA SAHIB MODESTO-CERES \r
5713 HATCH ROAD \r
HUDSON, CA 95326 \r
Tel: (209) 538 1470 \r
','Mon Jun 23, 2003 16:01:47','Kalwant Singh'),
(235,'United States','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
884-B STREET \r
LIVINGSTON, CA 95334 \r
','Mon Jun 23, 2003 16:01:52','Kalwant Singh'),
(236,'United States','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
8695 S MAIN STREET \r
SAN JOAQUIN, CA 93660 \r
Tel: (209) 693 9995 \r
','Mon Jun 23, 2003 16:01:58','Kalwant Singh'),
(237,'United States','GURU NANAK SIKH TEMPLE','GURU NANAK SIKH TEMPLE \r
8302 WHITAKER AVENUE \r
BUENA PARK, CA 90621 \r
Tel: (714) 739 9546, 739 2703 \r
','Mon Jun 23, 2003 16:02:04','Kalwant Singh'),
(238,'United States','GURU RAM DAS ASHRAM','GURU RAM DAS ASHRAM \r
1620 PREUSS ROAD \r
LOS ANGELES, CA 90035 \r
Tel: (310) 858 7691 \r
','Mon Jun 23, 2003 16:02:10','Kalwant Singh'),
(239,'United States','KHALISTAN AFRES CENTRE','KHALISTAN AFRES CENTRE \r
1400 COLEMAN AVENUE \r
SUITE # F 23 \r
SANTA CLARA, CA 95050 \r
Tel: (408) 984 1712 \r
FAX: (408) 727 3192 \r
','Mon Jun 23, 2003 16:02:16','Kalwant Singh'),
(240,'United States','NANAK SADAN SIKH TEMPLE','NANAK SADAN SIKH TEMPLE \r
18654 PARTHENIA STREET \r
NORTH RIDGE, CA 91324 \r
Tel: (818) 882 1825 \r
','Mon Jun 23, 2003 16:02:21','Kalwant Singh'),
(241,'United States','PACIFIC KHALSA DIWAN SOCIETY','PACIFIC KHALSA DIWAN SOCIETY \r
14335 S CEDAR AVENUE \r
FRESNO, CA 95326 \r
Tel: (510) 741 7089, 791 9923 \r
','Mon Jun 23, 2003 16:02:27','Kalwant Singh'),
(242,'United States','SACRAMENTO GURDWARA','SACRAMENTO GURDWARA\r
2301 EVERGREEN AVENUE \r
WEST SACRAMENTO, CA 95691 \r
Tel: (916) 371 9787 \r
','Mon Jun 23, 2003 16:02:40','Kalwant Singh'),
(243,'United States','SIKH ETHNIC VALUES ASSOCIATION','SIKH ETHNIC VALUES ASSOCIATION \r
PALO ALTO, CA 94305 \r
Tel: (415) 322 7382 \r
','Mon Jun 23, 2003 16:02:46','Kalwant Singh'),
(244,'United States','SIKH GURDWARA LOS ANGELES, INC','SIKH GURDWARA LOS ANGELES, INC \r
7640 LANKERSHIM BLVD \r
NORTH HOLLYWOOD, CA 91605 \r
Tel: (818) 765 9399 \r
','Mon Jun 23, 2003 16:02:52','Kalwant Singh'),
(245,'United States','SIKH SOCIETY OF SAN DIEGO','SIKH SOCIETY OF SAN DIEGO \r
CANYON VIEW ELEMENTARY SCHOOL \r
RANCH MARASQUITOS, CA \r
Tel: (619) 259 9422 \r
','Mon Jun 23, 2003 16:03:00','Kalwant Singh'),
(246,'United States','SIKH TEMPLE, GRIDLEY','SIKH TEMPLE, GRIDLEY \r
P.O. BOX 158 \r
LIVE OAK, CA 95953 \r
','Mon Jun 23, 2003 16:03:06','Kalwant Singh'),
(247,'United States','SIKH TEMPLE','SIKH TEMPLE \r
1373 5TH STREET \r
TURLOCK, CA 95380 \r
','Mon Jun 23, 2003 16:03:11','Kalwant Singh'),
(248,'United States','SIKH TEMPLE','SIKH TEMPLE \r
P.O. BOX 382 \r
FRESNO, CA 95334 \r
Tel: (209) 394 3282, 394 9894 \r
','Mon Jun 23, 2003 16:03:16','Kalwant Singh'),
(249,'United States','SIKH TEMPLE OF RIVERSIDE','SIKH TEMPLE OF RIVERSIDE \r
21725 BOX SPRINGS \r
RIVERSIDE, CA 92407 \r
Tel: (909) 685 9701 \r
','Mon Jun 23, 2003 16:03:22','Kalwant Singh'),
(250,'United States','SIKH CENTER OF THE PACIFIC COAST','SIKH CENTER OF THE PACIFIC COAST \r
3185 SOUTH MAIN STREET \r
SAN JOAQUIN, CA 93660 \r
Tel: (209) 693 9995 \r
','Mon Jun 23, 2003 16:03:28','Kalwant Singh'),
(251,'United States','PACIFIC COAST KHALSA DIWAN SOCIETY','PACIFIC COAST KHALSA DIWAN SOCIETY \r
1930 SOUTH GRANT STREET \r
STOCKTON, CA 95206 \r
Tel: (209) 946 9039 \r
','Mon Jun 23, 2003 16:03:38','Kalwant Singh'),
(252,'United States','SIKH TEMPLE YUBA CITY','SIKH TEMPLE YUBA CITY \r
2468 TIERRA BUENA \r
YUBA CITY, CA 90650 \r
Tel: (916) 673 9918 \r
','Mon Jun 23, 2003 16:03:44','Kalwant Singh'),
(253,'United States','PACIFIC COAST DIWAN SOCIETY','PACIFIC COAST DIWAN SOCIETY \r
2025 WEST CLEMENCEAU AVENUE \r
CARUTHERS, CA 93609 \r
Tel: (209) 864 9904 \r
','Mon Jun 23, 2003 16:03:50','Kalwant Singh'),
(254,'United States','SIKH TEMPLE RIVER SIDE','SIKH TEMPLE RIVER SIDE \r
9879 MISSION BLVD \r
RIVERSIDE, CA 92509 \r
Tel: (714) 685 9701 \r
','Mon Jun 23, 2003 16:03:55','Kalwant Singh'),
(255,'United States','SIKH TEMPLE OF ORANGE COUNTY','SIKH TEMPLE OF ORANGE COUNTY \r
2530 WEST WARNER AVENUE \r
SANTA ANA, CA 92701 \r
','Mon Jun 23, 2003 16:04:00','Kalwant Singh'),
(256,'United States','SRI GURU SINGH SABHA OF LOS ANGELES','SRI GURU SINGH SABHA OF LOS ANGELES \r
101 S CHAPEL AVENUE \r
ALHAMBRA, CA 91801 \r
Tel: (818) 284 5728, 576 9488 \r
','Mon Jun 23, 2003 16:04:07','Kalwant Singh'),
(257,'United States','SRI GURU NANAK SIKH TEMPLE','SRI GURU NANAK SIKH TEMPLE \r
2269 BOGUE ROAD \r
YUBA CITY, CA 95991 USA \r
Tel: (916) 671 9816 \r
','Mon Jun 23, 2003 16:04:12','Kalwant Singh'),
(258,'United States','THE SIKH CENTRE','THE SIKH CENTRE \r
SAN FRANCISCO, AREA B \r
3550 HILLCRREST ROAD \r
EL SOBRANTE, CA 94908 \r
Tel: (415) 223 9987 \r
','Mon Jun 23, 2003 16:04:17','Kalwant Singh'),
(259,'United States','THE SIKH SOCIETY OF SOUTH INC','THE SIKH SOCIETY OF SOUTH INC \r
7225 BENSON COURT \r
NEW ORLEANS, LA 70127 \r
Tel: (504) 246 3759 \r
','Mon Jun 23, 2003 16:04:28','Kalwant Singh'),
(260,'United States','THE SIKH TEMPLE','THE SIKH TEMPLE \r
1966 NORTH VERMONT AVENUE \r
LOS ANGELES, CA 90027 \r
Tel: (213) 664 0575, 666 9210 \r
','Mon Jun 23, 2003 16:04:35','Kalwant Singh'),
(261,'United States','GURDWARA OF ROCHESTER','GURDWARA OF ROCHESTER \r
P.O. BOX 2587 \r
ROCHESTER, NY 14625 \r
','Mon Jun 23, 2003 16:04:41','Kalwant Singh'),
(262,'United States','GURU RAM DAS ASHRAM','GURU RAM DAS ASHRAM \r
146 BERGAN STREET \r
BROOKLYN, NY 11217 \r
Tel: (718) 855 4856 \r
','Mon Jun 23, 2003 16:04:49','Kalwant Singh'),
(263,'United States','MID HUDSON SIKH CULTURAL SOCIETY','MID HUDSON SIKH CULTURAL SOCIETY \r
P.O. BOX 123 \r
FISHKILL, NY 12524 \r
Tel: (914) 896 8994 \r
','Mon Jun 23, 2003 16:04:54','Kalwant Singh'),
(264,'United States','NIAGARA FRONTIER SIKH SOCIETY','NIAGARA FRONTIER SIKH SOCIETY \r
68 OLD SPRING LANE \r
WILLIAMSVILLE, NY 14221 \r
Tel: (716) 689 6172 \r
','Mon Jun 23, 2003 16:04:59','Kalwant Singh'),
(265,'United States','SIKH ASSOCIATION OF CAPITAL DISTRICT','SIKH ASSOCIATION OF CAPITAL DISTRICT \r
P.O. BOX 7283 \r
ALBANY, NY 12228 \r
','Mon Jun 23, 2003 16:05:04','Kalwant Singh'),
(266,'United States','SINGH SABHA OF NEW YORK, INC.','SINGH SABHA OF NEW YORK, INC. \r
43-69 BROWNE STREET \r
FLUSHING \r
Tel: (718) 461 2612 \r
','Mon Jun 23, 2003 16:05:12','Kalwant Singh'),
(267,'United States','THE SIKH CENTRE OF NEW YORK, INC.','THE SIKH CENTRE OF NEW YORK, INC. \r
38-17 PARSONS BLVD \r
FLUSHING, NY 11355 \r
Tel: (718) 959 9520 \r
','Mon Jun 23, 2003 16:05:25','Kalwant Singh'),
(268,'United States','THE SIKH FORUM, INC.','THE SIKH FORUM, INC. \r
1065 OLD COUNTRY ROAD \r
PLAIN VIEW, NY 11803 \r
Tel: (516) 931 9304 \r
','Mon Jun 23, 2003 16:05:31','Kalwant Singh'),
(269,'United States','THE SIKH FORUM, INC.','THE SIKH FORUM, INC. \r
(Gurdwara Mata Shib Karu) \r
100 LATTINGTOWN ROAD \r
GLEN COVE, NY 11542 \r
Tel: (516) 674 6793 \r
','Mon Jun 23, 2003 16:05:37','Kalwant Singh'),
(270,'United States','THE SIKH CULTURAL SOCIETY, INC.','THE SIKH CULTURAL SOCIETY, INC. \r
95-30, 118 TH STREET \r
RICHMOND HILL, NY 11419 \r
Tel: (718) 846 9144 \r
','Mon Jun 23, 2003 16:05:42','Kalwant Singh'),
(271,'United States','THE METROPOLITAN SIKH CLUB OF NEW YORK, INC.','THE METROPOLITAN SIKH CLUB OF NEW YORK, INC. \r
27-14 DITMASS BLVD \r
ASTORIA \r
Tel: (718) 278 2818 \r
','Mon Jun 23, 2003 16:05:46','Kalwant Singh'),
(272,'United States','THE SIKH SOCIETY OF ALASKA','THE SIKH SOCIETY OF ALASKA \r
11651 HILLSIDE DRIVE \r
ANCHORAGE 99507 \r
','Mon Jun 23, 2003 16:05:53','Kalwant Singh'),
(273,'United States','SIKH RELIGIOUS SOCIETY OF PHOENIX','SIKH RELIGIOUS SOCIETY OF PHOENIX \r
8813 N, 86th STREET \r
SCOTTSDALE, AZ 85258 \r
','Mon Jun 23, 2003 16:05:58','Kalwant Singh'),
(274,'United States','GURDWARA SAHIB GURU NANAK','GURDWARA SAHIB GURU NANAK \r
2313 North Richland Street \r
PHOENIX, AZ 85006 \r
Tele: (602) 252 0931 \r
email: webmaster@phoenixgurdwara.org \r
','Mon Jun 23, 2003 16:06:07','Kalwant Singh'),
(275,'United States','SIKH SOCIETY OF CENTRAL NEW ENGLAND','SIKH SOCIETY OF CENTRAL NEW ENGLAND \r
39 FOREST HILLS DRIVE \r
FARMINGTON, CT 06032 \r
Tel: (203) 677 9430 \r
','Mon Jun 23, 2003 16:06:16','Kalwant Singh'),
(276,'United States','SIKH FEDERAL CREDIT UNION','SIKH FEDERAL CREDIT UNION \r
P.O. BOX 806 \r
SOMMERVILE, FL 08876 \r
Tel: (407) 241 3557 \r
','Mon Jun 23, 2003 16:06:21','Kalwant Singh'),
(277,'United States','THE SIKH STUDY CIRCLE, INC.','THE SIKH STUDY CIRCLE, INC. \r
1821 SOUTH HAIRSTONE ROAD \r
STONE MOUNTAIN \r
ATLANTA, GEORGIA \r
Tel: (770) 808 6320 \r
','Mon Jun 23, 2003 16:06:28','Kalwant Singh'),
(278,'United States','GURU NANAK DARBAR (AUGUSTA)','GURU NANAK DARBAR (AUGUSTA) \r
THE SIKH RELIGIOUS SOCIETY \r
2252 NELLIE DRIVE \r
AUGUSTA, GEORGIA 30906 \r
','Mon Jun 23, 2003 16:07:49','Kalwant Singh'),
(279,'United States','SIKH RELIGIOUS SOCIETY OF CHICAGO','SIKH RELIGIOUS SOCIETY OF CHICAGO \r
1280 WINNETKA STREET \r
PALATINE, IL 60067 \r
Tel: (708) 358 1117 \r
','Mon Jun 23, 2003 16:07:55','Kalwant Singh'),
(280,'United States','JUSTICE FOR SIKHS','JUSTICE FOR SIKHS \r
12917 COLUMBIA PIKE \r
SILVERSPRING, MARYLAND \r
Tel: (301) 384 2133 \r
','Mon Jun 23, 2003 16:08:00','Kalwant Singh'),
(281,'United States','GURU GOBIND SINGH FOUNDATION','GURU GOBIND SINGH FOUNDATION \r
ROCKVILLE, MARYLAND \r
','Mon Jun 23, 2003 16:08:07','Kalwant Singh'),
(282,'United States','SIKH DHARMA OF MASSACHUSETTS, INC','SIKH DHARMA OF MASSACHUSETTS, INC \r
368 VILLAGE STREET \r
MILLIS, MASS 02054 \r
Tel: (508) 376 4612 \r
','Mon Jun 23, 2003 16:08:12','Kalwant Singh'),
(283,'United States','MILFORD GURDWARA SAHIB','MILFORD GURDWARA SAHIB \r
204 EAST MAIN STREET \r
MILFORD \r
Tel: (508) 478 2469 \r
','Mon Jun 23, 2003 16:08:16','Kalwant Singh'),
(284,'United States','SIKH MISSIONARY CENTRE','SIKH MISSIONARY CENTRE \r
P.O. BOX 2664 \r
DETROIT, MI 48202 \r
','Mon Jun 23, 2003 16:08:53','Kalwant Singh'),
(285,'United States','THE SIKH SOCIETY OF MICHIGAN, INC.','THE SIKH SOCIETY OF MICHIGAN, INC. \r
990 EAST LINCOLN \r
MADISON HEIGHTS, MI 48071 \r
Tel: (313) 547 0927 \r
','Mon Jun 23, 2003 16:08:59','Kalwant Singh'),
(286,'United States','THE SIKH SOCIETY OF MISSISSIPPI','THE SIKH SOCIETY OF MISSISSIPPI \r
4324 WELOTA DRIVE \r
JACKSON, MS 39209 \r
Tel: (601) 922 8202 \r
','Mon Jun 23, 2003 16:09:05','Kalwant Singh'),
(287,'United States','SIKH STUDY CIRCLE','SIKH STUDY CIRCLE \r
116 WILLIS ROAD \r
ST PETRTERS, MO 63376 \r
','Mon Jun 23, 2003 16:09:10','Kalwant Singh'),
(288,'United States','SIKH GURDWARA, MIDWEST SIKH ASSOCIATION','SIKH GURDWARA, MIDWEST SIKH ASSOCIATION \r
6834 PFLUMM ROAD \r
SHAWNEE, MO 66216 \r
Tel: (913) 631 5947 \r
','Mon Jun 23, 2003 16:09:18','Kalwant Singh'),
(289,'United States','SIKH DHARMA','SIKH DHARMA \r
3525 WALNUT STREET \r
KANSAS CITY, MO 64111 \r
Tel: (816) 561 5337 \r
','Mon Jun 23, 2003 16:09:22','Kalwant Singh'),
(290,'United States','CENTRAL JERSEY SIKH ASSOCIATION','CENTRAL JERSEY SIKH ASSOCIATION \r
P.O. BOX 3113 \r
MERCERVILLE, NJ 08619 \r
Tel: (609) 799 2143 \r
','Mon Jun 23, 2003 16:09:33','Kalwant Singh'),
(291,'United States','GURDWARA BRIDGE WATER','GURDWARA BRIDGE WATER \r
PO BOX 171 \r
PLUKEMIN, NJ 07978 \r
Tel: (201) 658 9805 \r
','Mon Jun 23, 2003 16:09:39','Kalwant Singh'),
(292,'United States','GURU NANAK SOCIETY OF DELAWARE VALLEY','GURU NANAK SOCIETY OF DELAWARE VALLEY \r
DEPTFORD, NJ 08619 \r
Tel: (609) 464 9835 \r
','Mon Jun 23, 2003 16:09:45','Kalwant Singh'),
(293,'United States','SRI GURU SINGH SABHA, INC.','SRI GURU SINGH SABHA, INC. \r
541 PROSPECT ST \r
GLEN ROCK, NJ 07452 \r
Tel: (201) 447 9891, 444 6310 \r
','Mon Jun 23, 2003 16:09:50','Kalwant Singh'),
(294,'United States','SIKH TEMPLE','SIKH TEMPLE \r
790 E. SECOND STREET \r
RENO, NV 89502 \r
Tel: (775) 327 4322 \r
','Mon Jun 23, 2003 16:09:58','Kalwant Singh'),
(295,'United States','SIKH DHARMA OF NEW MEXICO','SIKH DHARMA OF NEW MEXICO \r
HACIENDA DE GURU RAM DAS \r
ROUTE 3, BOX 132-D \r
ESPANOLA, NEW MEXICO 87532 \r
Tel: (505) 753 9438 \r
','Mon Jun 23, 2003 16:10:03','Kalwant Singh'),
(296,'United States','GURU NANAK FOUNDATION, INC.','GURU NANAK FOUNDATION, INC. \r
3305 W. 25TH STREET \r
CLEVELAND, OH 44109 \r
','Mon Jun 23, 2003 16:10:08','Kalwant Singh'),
(297,'United States','GURDWARA GURU GOBIND SINGH','GURDWARA GURU GOBIND SINGH \r
SIKH SOCIETY OF CLEVELAND \r
38 TARBELL AVENUE, BEDFORD \r
CLEVELAND, OH 44146-3615 \r
Tel: (440) 232 1702 \r
','Mon Jun 23, 2003 16:10:16','Kalwant Singh'),
(298,'United States','GURDWARA SAHIB COLUMBIA','GURDWARA SAHIB COLUMBIA \r
3853 TRUSTLE COURT \r
COLUMBIA, OH 43201 \r
Tel: (614) 279 8080 \r
','Mon Jun 23, 2003 16:10:22','Kalwant Singh'),
(299,'United States','SIKH SOCIETY OF DAYTON','SIKH SOCIETY OF DAYTON \r
397 COLONIAL DRIVE \r
ZENICA, OH 45385 \r
','Mon Jun 23, 2003 16:10:26','Kalwant Singh'),
(300,'United States','SIKH CENTRE OF GULF COAST','SIKH CENTRE OF GULF COAST \r
8819 PRAIRIE DRIVE \r
HOUSTON, TEXAS 77064 \r
','Mon Jun 23, 2003 16:10:32','Kalwant Singh'),
(301,'United States','SIKH STUDY CIRCLE DFW INC','SIKH STUDY CIRCLE DFW INC \r
834 N. NURSERY ROAD \r
IRVING, TEXAS 75061 \r
Tel: (972) 579 9646, 644 5627 \r
Email: http://www.sikhstudy.com \r
','Mon Jun 23, 2003 16:10:38','Kalwant Singh'),
(302,'United States','THE SIKH TEMPLE OF NORTH TEXAS','THE SIKH TEMPLE OF NORTH TEXAS \r
506 GATEWOOD ROAD \r
GARLAND, TEXAS 75043 \r
Tel: (713) 466 6538 \r
','Mon Jun 23, 2003 16:10:46','Kalwant Singh'),
(303,'United States','THE SIKH FOUNDATION OF VIRGINIA','THE SIKH FOUNDATION OF VIRGINIA \r
7250 OX ROAD \r
FAIRFAX, VIRGINIA 22039 \r
Tel: (703) 323 5093, 323 8849 \r
','Mon Jun 23, 2003 16:11:03','Kalwant Singh'),
(304,'United States','SIKH SOCIETY OF SEATTLE','SIKH SOCIETY OF SEATTLE \r
1020 SW 15, 1st AVENUE \r
SEATTLE, WASHINGTON 98111 \r
Tel: (206) 653 5592 \r
','Mon Jun 23, 2003 16:11:12','Kalwant Singh'),
(305,'United States','SIKH CULTURAL SOCIETY INTERNATIONAL','SIKH CULTURAL SOCIETY INTERNATIONAL \r
(SIKH TEMPLE) \r
3911 MILITARY ROAD \r
WASHINGTON, DC 20015 \r
Tel: (202) 686 1340 \r
','Mon Jun 23, 2003 16:11:20','Kalwant Singh'),
(306,'United States','FORT MCMURRAY SIKH SOCIETY','FORT MCMURRAY SIKH SOCIETY \r
FORT MCMURRAY \r
ALBERTA T9K I K7 \r
','Mon Jun 23, 2003 16:11:25','Kalwant Singh'),
(307,'United States','GURDWARA NANAKSAR','GURDWARA NANAKSAR \r
4603-118 AVENUE \r
EDMONTON, ALBERTA T5W 1B2 \r
Tel: (403) 477 7981 \r
','Mon Jun 23, 2003 16:11:32','Kalwant Singh'),
(308,'United States','SIKH FEDERATION EDMONTON','SIKH FEDERATION EDMONTON \r
P.O. BOX, 11897 \r
MAIN POSTAL STATION \r
EDMONTON, ALBERTA T5J 2P7 \r
','Mon Jun 23, 2003 16:11:37','Kalwant Singh'),
(309,'United States','SRI GURU SINGH SABHA SOCIETY','SRI GURU SINGH SABHA SOCIETY \r
9750-47TH STREET \r
EDMONTON, ALBERTA T6E 5P3 \r
Tel: (403) 438 1472 \r
','Mon Jun 23, 2003 16:11:46','Kalwant Singh'),
(310,'United States','SRI GURU SINGH SABHA SOCIETY','SRI GURU SINGH SABHA SOCIETY \r
8762 155th STREET \r
EDMONTON, ALBERTA T8N 2V3 \r
Tel: (403) 246 1776 \r
','Mon Jun 23, 2003 16:11:51','Kalwant Singh'),
(311,'United States','SIKH HERITAGE ASSOCIATION','SIKH HERITAGE ASSOCIATION \r
8507-174TH STREET \r
EDMONTON, ALBERTA T5J 288 \r
','Mon Jun 23, 2003 16:11:55','Kalwant Singh'),
(312,'United States','SIKH SOCIETY OF ALBERTA','SIKH SOCIETY OF ALBERTA \r
14211-1133RD AVENUE \r
EDMONTON, ALBERTA T5L 4J8 \r
Tel: (403) 452 9616 \r
','Mon Jun 23, 2003 16:12:01','Kalwant Singh'),
(313,'United States','SIKH SOCIETY OF BROOKS','SIKH SOCIETY OF BROOKS \r
P.O. BOX 3802, STATION \'D\' \r
BROOKS, ALBERTA T2J OJO \r
','Mon Jun 23, 2003 16:12:08','Kalwant Singh'),
(314,'United States','SIKH SOCIETY OF CALGARY','SIKH SOCIETY OF CALGARY \r
719 - 81st STREET, S.W. \r
CALGARY, ALBERTA T3H 4C6 \r
Tel: (403) 246 1776 \r
','Mon Jun 23, 2003 16:12:19','Kalwant Singh'),
(315,'United States','SIKH YOUTH FEDERATION OF CALGARY','SIKH YOUTH FEDERATION OF CALGARY \r
P.O. BOX 746, STATION J \r
CALGARY, ALBERTA T2A 4X5 \r
','Mon Jun 23, 2003 16:12:24','Kalwant Singh'),
(316,'Ecuador','Khalistan Council, Khalistan House','Khalistan Council, Khalistan House \r
P. O. Box 193-C \r
Quito, Ecuador \r
Tel: 458 799 \r
','Mon Jun 23, 2003 16:15:41','Kalwant Singh'),
(317,'United States','ALBERNI VALLEY GURDWARA SOCIETY','ALBERNI VALLEY GURDWARA SOCIETY \r
5TH AVENUE \r
PORT ALBERNI, B.C. V9Y IM7 \r
Tel: (604) 723 9112 \r
','Mon Jun 23, 2003 16:18:47','Kalwant Singh'),
(318,'United States','CANADIAN RAMGHARIA SOCIETY','CANADIAN RAMGHARIA SOCIETY \r
6908 MACPHERSON AVENUE \r
BURNABY, B.C. V5J 4N3 \r
Tel: (604) 438 0846 \r
','Mon Jun 23, 2003 16:18:52','Kalwant Singh'),
(319,'United States','GOLDEN SIKH CULTURAL SOCIETY','GOLDEN SIKH CULTURAL SOCIETY \r
P.O. BOX. 1125 \r
GOLDEN, B.C. VOA 1HO \r
Tel: (604) 344 2965 \r
','Mon Jun 23, 2003 16:18:59','Kalwant Singh'),
(320,'United States','GURDWARA SAHIB','GURDWARA SAHIB \r
P.O. BOX 833 \r
100 MILE HOUSE \r
B.C. VOK 2EO \r
Tel: (604) 395 3325 \r
','Mon Jun 23, 2003 16:19:03','Kalwant Singh'),
(321,'United States','GURDWARA SIKH SANGAT','GURDWARA SIKH SANGAT \r
347 WOOD STREET \r
NEW WEST MINISTER \r
B.C. V3M 5K6 \r
Tel: (604) 521 3111, 521 6933 \r
','Mon Jun 23, 2003 16:19:13','Kalwant Singh'),
(322,'United States','GURU ARJAN DEV SIKH SOCIETY','GURU ARJAN DEV SIKH SOCIETY \r
P.O. BOX J213, \r
POWEL RIVER, B.C. V89 4Z6 \r
','Mon Jun 23, 2003 16:19:18','Kalwant Singh'),
(323,'United States','GURSIKH TEMPLE','GURSIKH TEMPLE \r
P.O. BOX 1719 \r
FORT STREET \r
JAMES, B.C. VOJ 1PO \r
Tel: (604) 996 7472 \r
','Mon Jun 23, 2003 16:19:44','Kalwant Singh'),
(324,'United States','KHALSA DIWAN SOCIETY','KHALSA DIWAN SOCIETY \r
33094 S. FRASER WAY \r
ABBOTSFORD, B.C. V2S 2A9 \r
Tel: (604) 859 5665, 854 1165 \r
','Mon Jun 23, 2003 16:19:49','Kalwant Singh'),
(325,'United States','KHALSA DIWAN SOCIETY','KHALSA DIWAN SOCIETY \r
P.O. BOX 684 \r
LAKE COWICHAN \r
B.C. VOR 2GO \r
Tel: (604) 749 6912 \r
','Mon Jun 23, 2003 16:19:55','Kalwant Singh'),
(326,'United States','KHALSA DIWAN SOCIETY PALDI','KHALSA DIWAN SOCIETY PALDI \r
P.O. BOX 7 R. R. 2 \r
DUNCAN, B.C. V9L 1N9 \r
Tel: (604) 748 9368 \r
','Mon Jun 23, 2003 16:19:59','Kalwant Singh'),
(327,'United States','KITIMAT SIKH SOCIETY','KITIMAT SIKH SOCIETY \r
P.O. BOX 7 \r
KITIMAT, B.C. V8C 2G6 \r
Tel: (604) 632 6870 \r
','Mon Jun 23, 2003 16:20:03','Kalwant Singh'),
(328,'United States','MACKENZIE SIKH SOCIETY','MACKENZIE SIKH SOCIETY \r
P.O. BOX 2407 \r
MACKENZIE, B.C. VOJ 2CO \r
Tel: (604) 998 3406 \r
','Mon Jun 23, 2003 16:20:08','Kalwant Singh'),
(329,'United States','MERRITT SIKH SOCIETY','MERRITT SIKH SOCIETY \r
P.O. BOX 1552 \r
MERRITT, B.C. VOK 2BO \r
Tel: (604) 378 2445 \r
','Mon Jun 23, 2003 16:20:14','Kalwant Singh'),
(330,'United States','SIKH CULTURAL SOCIETY','SIKH CULTURAL SOCIETY \r
700 CAMBRIDGE STREET \r
KAMLOOPS, B.C. V2B 5B6 \r
Tel: (604) 376 1454 \r
','Mon Jun 23, 2003 16:20:24','Kalwant Singh'),
(331,'United States','SIKH SOCIETY','SIKH SOCIETY \r
P.O. BOX 571 \r
HOUSTON, B.C. VOJ 1ZO \r
Tel: (604) 845 7914 \r
','Mon Jun 23, 2003 16:20:29','Kalwant Singh'),
(332,'United States','THE OKANAGAN SIKH TEMPLE','THE OKANAGAN SIKH TEMPLE \r
KELOWNA, B.C. V1X 4K5 \r
Tel: (604) 765 7477 \r
','Mon Jun 23, 2003 16:21:19','Kalwant Singh'),
(333,'United States','KHALSA DIWAN SOCIETY','KHALSA DIWAN SOCIETY \r
3210 SHERMAN ROAD \r
NANAIMO, B.C. V9R lW6 \r
Tel: (604) 754 4141 \r
','Mon Jun 23, 2003 16:21:24','Kalwant Singh'),
(334,'United States','VANCOUVER ISLAND SIKH CULTURAL SOCIETY','VANCOUVER ISLAND SIKH CULTURAL SOCIETY \r
3210 SHERMAN ROAD \r
P.O. BOX 136 \r
DUNCAN, B.C. V9L 3XI \r
Tel: (604) 746 5357 \r
','Mon Jun 23, 2003 16:21:30','Kalwant Singh'),
(335,'United States','SIKH SOCIETY OF MANITOBA, INC.','SIKH SOCIETY OF MANITOBA, INC. \r
1244 MOLLARD ROAD \r
WINNIPEG, MANITOBA R3C 2E8 \r
','Mon Jun 23, 2003 16:21:36','Kalwant Singh'),
(336,'United States','SIKH SOCIETY OF WINNIPEG','SIKH SOCIETY OF WINNIPEG \r
221 CATHCART STREET \r
WINNIPEG, MANITOBA R3R OS1 \r
Tel: (204) 889 3096 \r
','Mon Jun 23, 2003 16:21:41','Kalwant Singh'),
(337,'United States','SINGH SABHA WINNIPEG, INC.','SINGH SABHA WINNIPEG, INC. \r
LOT 11 STURGEON ROAD \r
WINNIPEG, MANITOBA R2Y OL4 \r
Tel: (204) 885 5495 \r
','Mon Jun 23, 2003 16:21:50','Kalwant Singh'),
(338,'United States','GLACE BAY SIKH SOCIETY','GLACE BAY SIKH SOCIETY \r
9 KHALSA DRIVE \r
GLACE BAY, NOVA SCOTIA BlA 5ZI \r
','Mon Jun 23, 2003 16:21:55','Kalwant Singh'),
(339,'United States','MARITIME SIKH SOCIETY','MARITIME SIKH SOCIETY \r
10 PARKHILL ROAD \r
HALIFAX, NOVA SCOTIA B3P lR2 \r
','Mon Jun 23, 2003 16:21:59','Kalwant Singh'),
(340,'United States','BURLINGTON SIKH ASSOCIATION','BURLINGTON SIKH ASSOCIATION \r
1301 CONSORT CRESCENT \r
BURLINGTON, ONTARIO L7M IJ7 \r
','Mon Jun 23, 2003 16:22:06','Kalwant Singh'),
(341,'United States','RAVIDAS SIKH TEMPLE','RAVIDAS SIKH TEMPLE \r
86 NEWPORT STREET \r
BRAMPTON, ONTARIO L6S 4S7 \r
','Mon Jun 23, 2003 16:22:11','Kalwant Singh'),
(342,'United States','SHIROMANI SIKH SOCIETY','SHIROMANI SIKH SOCIETY \r
269 PAPE AVAENUE \r
TORONTO, ONTARIO M4M 2V9 \r
Tel: (416) 463 3132 \r
','Mon Jun 23, 2003 16:22:16','Kalwant Singh'),
(343,'United States','SIKH ASSOCIATION OF BRANTFORD','SIKH ASSOCIATION OF BRANTFORD \r
P.O. BOX 1802 \r
BRANTFORD, ONTARIO N3R 7K8 \r
Tel: (519) 572 9898 \r
','Mon Jun 23, 2003 16:22:20','Kalwant Singh'),
(344,'United States','GOLDEN TRIANGLE SIKH ASSOCIATION','GOLDEN TRIANGLE SIKH ASSOCIATION \r
P.O. BOX 921 \r
WATERLOO, ONTARIO N2J 4C \r
','Mon Jun 23, 2003 16:22:24','Kalwant Singh'),
(345,'United States','GUELPH GURDWARA','GUELPH GURDWARA \r
40 MARKSAM ROAD \r
GUELPH, ONTARIO NIH IX2 \r
Tel: (519) 823 5743 \r
','Mon Jun 23, 2003 16:22:30','Kalwant Singh'),
(346,'United States','GURU RAMDAS ASHRAM','GURU RAMDAS ASHRAM \r
348 PALMERSTON BLVD \r
TORONTO, ONTARIO M6G 2N6 \r
','Mon Jun 23, 2003 16:22:41','Kalwant Singh'),
(347,'United States','GURU RAVIDAS SABHA','GURU RAVIDAS SABHA \r
2266 QUEENSWAY DRIVE \r
BURLINGTON, ONTARIO L7R 3T2 \r
Tel: (416) 333 1924 \r
','Mon Jun 23, 2003 16:22:47','Kalwant Singh'),
(348,'United States','SIKH CULTURAL SOCIETY WINDSOR','SIKH CULTURAL SOCIETY WINDSOR \r
5265 HOWARD AVENUE \r
WINDSOR, ONTARIO \r
Tel: (519) 966 5119 \r
','Mon Jun 23, 2003 16:22:51','Kalwant Singh'),
(349,'United States','SIKH CULTURAL SOCIETY SUDBURY','SIKH CULTURAL SOCIETY SUDBURY \r
179 CATHERINE DRIVE \r
CARSON, ONTARIO POM 1VO \r
','Mon Jun 23, 2003 16:22:56','Kalwant Singh'),
(350,'United States','GURSIKH SABHA CANADA','GURSIKH SABHA CANADA \r
905 MIDDLEFIELD ROAD \r
SCARBOROUGH, ONTARIO MIV 4Xl \r
Tel: (416) 299 4800 \r
','Mon Jun 23, 2003 16:23:02','Kalwant Singh'),
(351,'United States','SIKH DHARMA OF CANADA','SIKH DHARMA OF CANADA \r
348 PALMERSTON BLVD \r
TORONTO, ONTARIO M6G 2N6 \r
Tel: (416) 964 3841 \r
','Mon Jun 23, 2003 16:23:07','Kalwant Singh'),
(352,'United States','GURDWARA SIKH SANGAT HAMILTON','GURDWARA SIKH SANGAT HAMILTON \r
200 OLD GUELPH ROAD \r
DUNDAS, ONTARIO L9H 5X6 \r
Tel: (416) 525 5725 \r
','Mon Jun 23, 2003 16:23:11','Kalwant Singh'),
(353,'United States','SIKH PROFESSIONAL ASSOCIATION OF CANADA','SIKH PROFESSIONAL ASSOCIATION OF CANADA \r
25 BLUE HERON COURT \r
OTTAWA, ONTARIO Kl L 8J7 \r
Tel: (613) 748 7450 \r
','Mon Jun 23, 2003 16:23:17','Kalwant Singh'),
(354,'United States','LONDON SIKH SOCIETY','LONDON SIKH SOCIETY \r
37 CLARK SIDE ROAD \r
LONDON, ONTARIO N5W 5W5 \r
Tel: (519) 472 0716 \r
','Mon Jun 23, 2003 16:23:22','Kalwant Singh'),
(355,'United States','SIKH PROFESSIONAL ASSOCIATION OF CANADA','SIKH PROFESSIONAL ASSOCIATION OF CANADA \r
25 BLUE HERON COURT \r
OTTAWA, ONTARIO KI L 8J7 \r
TEL: (613) 748 7450 \r
','Mon Jun 23, 2003 16:23:35','Kalwant Singh'),
(356,'United States','ONTARIO KHALSA DARBAR','ONTARIO KHALSA DARBAR \r
7080 DIXIE ROAD \r
MISSISSAUGA, ONTARIO L5S IB7 \r
Tel: (416) 670 3311 \r
','Mon Jun 23, 2003 16:23:39','Kalwant Singh'),
(357,'United States','OAKVILLE SIKH CULTURAL ASSOCIATION','OAKVILLE SIKH CULTURAL ASSOCIATION \r
165 RIVER ROAD \r
NORTH YORK, ONTARIO L6H 5N5 \r
Tel: (416) 845 8580 \r
','Mon Jun 23, 2003 16:23:44','Kalwant Singh'),
(358,'United States','SIKH SANGAT OF CANADA','SIKH SANGAT OF CANADA \r
7305 WOODBINE AVENUE, SUITE 225 \r
MARKHAM, ONTARIO \r
Tel: (416) 477 4274, 286 5369 \r
','Mon Jun 23, 2003 16:23:48','Kalwant Singh'),
(359,'United States','SRI GURU SINGH SABHA','SRI GURU SINGH SABHA \r
331 OLD WESTON ROAD \r
WESTON, ONTARIO M6N 3A7 \r
Tel: (416) 656 5699 \r
','Mon Jun 23, 2003 16:23:55','Kalwant Singh'),
(360,'United States','SRI GURU SINGH SABHA','SRI GURU SINGH SABHA \r
R.R. 2 N BLENHEIM ROAD \r
CAMBRIDGE, ONTARIO NlR 5S3 \r
Tel: (416) 623 7972 \r
','Mon Jun 23, 2003 16:23:59','Kalwant Singh'),
(361,'United States','SRI GURU SINGH SABHA (MALTON)','SRI GURU SINGH SABHA (MALTON) \r
7280 AIRPORT ROAD \r
MISSISSAUGA, ONTARIO L5S 187 \r
Tel: (905) 671 1662 \r
','Mon Jun 23, 2003 16:24:04','Kalwant Singh'),
(362,'United States','OTTAWA SIKH GURDWARA','OTTAWA SIKH GURDWARA \r
84 RIDEAU HEIGHTS DRIVE \r
NEPEAN, ONTARIO K2E 7X6 \r
Tel: (613) 225 1281 \r
','Mon Jun 23, 2003 16:24:13','Kalwant Singh'),
(363,'United States','OTTAWA SIKH SOCIETY','OTTAWA SIKH SOCIETY \r
25 GURDWARA ROAD \r
NEPEAN, ONTARIO K2E 7A6 \r
','Mon Jun 23, 2003 16:24:17','Kalwant Singh'),
(364,'United States','PUNJABI FOUNDATION OF CANADA','PUNJABI FOUNDATION OF CANADA \r
25 BLUE HERON COURT \r
OTTAWA, ONTARIO Kl L 8J7 \r
Tel: (613) 748 7450 \r
','Mon Jun 23, 2003 16:24:23','Kalwant Singh'),
(365,'United States','RAMGARHIA ASSOCIATION OF CANADA','RAMGARHIA ASSOCIATION OF CANADA \r
1623 GORMACK CRESCENT \r
MISSISSAUGA, ONTARIO L5E 2P8 \r
','Mon Jun 23, 2003 16:24:28','Kalwant Singh'),
(366,'United States','RAMGARHIA GURDWARA (STONEY CREEK)','RAMGARHIA GURDWARA (STONEY CREEK) \r
290 LAKE AVENUE \r
NORTH HAMILTON, ONTARIO \r
','Mon Jun 23, 2003 16:24:32','Kalwant Singh'),
(367,'United States','RAMGARHIA SIKH SOCIETY','RAMGARHIA SIKH SOCIETY \r
4109 DURSLEY COURT \r
MISSISSAUGA, ONTARIO L4Z lJ6 \r
Tel: (416) 279 4078 \r
','Mon Jun 23, 2003 16:24:37','Kalwant Singh'),
(368,'United States','RAMGARHIA SIKH SOCIETY','RAMGARHIA SIKH SOCIETY \r
138 RIVALDA ROAD \r
NORTH YORK, ONTARIO M9M 2M8 \r
Tel: (416) 748 9442 \r
','Mon Jun 23, 2003 16:24:42','Kalwant Singh'),
(369,'United States','GURDWARA SAHIB QUEBEC','GURDWARA SAHIB QUEBEC \r
2183 WELLINGTON \r
MONTREAL QUEBEC H3K lXl \r
Tel: (514) 624 5696 \r
','Mon Jun 23, 2003 16:24:48','Kalwant Singh'),
(370,'United States','LE CENTER COMMUNAUTAIRE SIKH DE MONTREAL','LE CENTER COMMUNAUTAIRE SIKH DE MONTREAL \r
(SIKH COMMUNITY CENTER OF MONTREAL) \r
13088 GOUIN BLVD., P.O. BOX 104 \r
PIERREFONDS, QUEBEC H9H 4K8 \r
Tel: (514) 624 5696 \r
','Mon Jun 23, 2003 16:24:57','Kalwant Singh'),
(371,'United States','SIKH TEMPLE ASSOCIATION','SIKH TEMPLE ASSOCIATION \r
1091 ST JOSEPH BLVD \r
LACHINE, QUEBEC H8N 2Gl \r
Tel: (514) 634 3301 \r
','Mon Jun 23, 2003 16:25:01','Kalwant Singh'),
(372,'United States','SIKH SOCIETY OF REGINA','SIKH SOCIETY OF REGINA \r
639 PASQUA STREET \r
REGINA, SASKATCHEWAN S4T 4K5 \r
Tel: (306) 359 7700 \r
','Mon Jun 23, 2003 16:25:08','Kalwant Singh'),
(373,'United States','SIKH SOCIETY OF SASKATOON','SIKH SOCIETY OF SASKATOON \r
312 AVENUE 1 SOUTH \r
SASKATOON, SASKATCHEWAN S7M 1Y2 \r
Tel: (306) 653 4514 \r
','Mon Jun 23, 2003 16:25:15','Kalwant Singh'),
(374,'Indonesia','Yayasan Sosial Sikh','Yayasan Sosial Sikh\r
Gurdwara Shree Guru Arjun Dev Ji Medan\r
Jl. Mawar No. 152 Kel. Karang Sari Medan - Indonesia\r
Phone: 62-061-764965','Fri Jun 27, 2003 12:14:12','Kalwant Singh'),
(375,'Indonesia','Yayasan Missi','Yayasan Missi\r
Gurdwara Shree Guru Teghbhadur Shaib Ji Medan\r
Jl. Polonia No. 172 Medan - Indonesia (20157)\r
Phone: 62-061-546627\r
\r
','Fri Jun 27, 2003 12:14:38','Kalwant Singh'),
(376,'Indonesia','Yayasan Central Sikh Temple','Yayasan Central Sikh Temple\r
Gurdwara Shree Guru Nanak Dev Ji Medan\r
Jl. Karya Murni Gg. A Medan - Indonesia (20157)\r
Phone: 62-061-553606','Fri Jun 27, 2003 12:15:04','Kalwant Singh'),
(377,'Indonesia','Gurdwara Parbandhak Committee Medan','Gurdwara Parbandhak Committee Medan\r
Jl. T. Umar No. 14-16 Medan - Indonesia\r
Phone: 62-061-','Fri Jun 27, 2003 12:15:46','Kalwant Singh'),
(378,'Indonesia','Gurdwara Parbandhak Committee Binjai','Gurdwara Parbandhak Committee Binjai\r
Gurdwara Shree Guru Gobind Singh Shaib Ji\r
Jl. Tanjung Pura No. 14 Binjai, Sumut - Indonesia\r
Phone: 62-061-','Fri Jun 27, 2003 12:16:18','Kalwant Singh'),
(379,'Indonesia','Gurdwara Parbandhak Committee Tebing Tinggi','Gurdwara Parbandhak Committee Tebing Tinggi\r
Jl. Imam Bonjol No. 18 Tebing Tinggi, Sumut - Indonesia\r
Phone: 62-0621-\r
\r
','Fri Jun 27, 2003 12:16:54','Kalwant Singh'),
(380,'Indonesia','Gurdwara Parbandhak Committee Pemantang Siantar','Gurdwara Parbandhak Committee Pemantang Siantar\r
Jl. Thamrin No. 52 P. Siantar, Sumut - Indonesia\r
Phone: 62-\r
\r
','Fri Jun 27, 2003 12:17:22','Kalwant Singh'),
(381,'Indonesia','Yayasan Sikh Gurdwara Mission','Yayasan Sikh Gurdwara Mission\r
Jl. Pasar Baru Timur No. 10 Jakarta - Indonesia\r
Phone: 62-021-3843338\r
\r
','Fri Jun 27, 2003 12:17:55','Kalwant Singh'),
(382,'Indonesia','Yayasan Sikh Gurdwara Tanjung Priok','Yayasan Sikh Gurdwara Tanjung Priok\r
Jl. Melur IV No. 8 Jakarta Utara - Indonesia\r
Phone: 62-021-4304045','Fri Jun 27, 2003 12:18:25','Kalwant Singh'),
(383,'Indonesia','Yayasan Sikh Gurdwara Ciputat','Yayasan Sikh Gurdwara Ciputat\r
Jakarta Selatan - Indonesia\r
Phone: 62-021-','Fri Jun 27, 2003 12:20:37','Kalwant Singh'),
(384,'Indonesia','Yayasan Sikh Gurdwara Surabaya','Yayasan Sikh Gurdwara Surabaya\r
Surabaya - Indonesia\r
Phone: 62-031-\r
\r
','Fri Jun 27, 2003 12:23:12','Kalwant Singh'),
(385,'Indonesia','Yayasan Sikh Gurdwara Palembang','Yayasan Sikh Gurdwara Palembang\r
Palembang - Indonesia\r
Phone: 62-021-\r
\r
','Fri Jun 27, 2003 12:24:07','Kalwant Singh');
# --------------------------------------------------------
#
# Tabel structuur voor tabel `jokes`
#
DROP TABLE IF EXISTS `jokes`;
CREATE TABLE `jokes` (
`EntryID` bigint(21) NOT NULL auto_increment,
`title` varchar(60) NOT NULL default '',
`body` longtext NOT NULL,
`totalscore` decimal(20,0) NOT NULL default '0',
`numvotes` bigint(20) NOT NULL default '0',
`timesviewed` bigint(20) NOT NULL default '0',
`CMS_tsubmit` varchar(255) NOT NULL default '',
`CMS_telapsed` bigint(21) NOT NULL default '0',
`CMS_author` varchar(255) NOT NULL default '',
`avgvotes` float NOT NULL default '0',
PRIMARY KEY (`EntryID`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `jokes`
#
INSERT INTO `jokes` (`EntryID`, `title`, `body`, `totalscore`, `numvotes`, `timesviewed`, `CMS_tsubmit`, `CMS_telapsed`, `CMS_author`, `avgvotes`) VALUES (2,'Rules of Bhangra','RULE1:- Pirst of all males & pemales must not dance together when on the dance floor. They must stay in their own dance area which is allocated to them when they arrive at the wedding or parlty. If they go offside they bill be given a dirty look & classed as a slag or a stud by the opposite party. \r
\r
RULE2:- If juu are a pemale & at a wedding then juu must walk around in a circle pollowing the pemale in front of juu in an orderly pashion. As juu are walking around juu must wave your arms about & maybe twist a bit at the hips for added effect if you are peeling daring. You can glance & smile at the boyz, but make sure mummi-ji ijj not watching. \r
\r
RULE3:- If juu are a pemale & at a nightclub then make sure juu putta on plenty of makeup and wear skin tight clothes or miniskirts & half-tops so that there ijj no doubt that juu are a slag and want some tonight. As mummi-ji ijj not at the club watching juu, then juu do not have to dance in circle. Juu must dance & try to look sekjee by moving jour bottom in a sekjee way. Dis\' way your message bill be loud & clear -juu are the slag of all slags. \r
\r
RULE4:- If juu are a pemale over 40 at a wedding and tink that juu are just too good, then juu are allowed to do the "applaud" dance. Dis\' ijj where juu can break out the circle & dance in the middle wid another pemale who tinks\'s she ijj good too. Both of juu must lean slightly forward & raise your arms so they are parallel with jour head & shoulders & then juu clap jour hands violently as juu move in a circle. For added effect & if juu are peeling really daring juu can make a spitting sound as juu dance. \r
\r
RULE5:- Males:- The males have more freedom. Juu do not have to dance in a circle, or in an orderly pashion like the pemales. Juu must move your body as much as possible & must dance on every square inch of the dance floor. As juu dance juu must move jour arms & legs very violently & just punch & kick anyone who gets in your way. \r
','','',3,'Mon Jun 23, 2003 12:30:32',1056346232,'Kalwant Singh',''),
(3,'Vechara Singh','Oh what a great parlty\' said Vechara Singh to his newly wedded wife Preeto, but she shook her head as she couldn\'t hear him. The Dhol players were standing right behind where they were doing Bhangra. Vechara leaned forward and shouted into Preeto\'s ear `Meh khia WHAT A GREAT PAR.......,\' when suddenly he could feel a horrendously, horrible torrent of gas about to be released , he ran into the nearest field and `BWAAAAAAAGGHHHHHHHHHHHHHHHHH!\' He made the biggest pahdd(fart) in the history of mankind, it was so loud that he was almost knocked out by the smell. He knew drink and spicy meat curries was the cause of his pahdd problem but there was no way he could avoid it on his wedding night. The best he could do was to keep it a secret from Preeto. \r
\r
The wedding ceremony had been pretty boring earlier in the day, but these things have to be endured.......NOW THE PARTLY WAS GREAT. Vechara had never seen so much alcohol before and every one he met insisted he had a drink with them. Then the food, what could he say about the food...it was a meat-maniac\'s dream come true. He drank and ate to his heart\'s content....after all, this was his wedding party. \r
\r
He vomitted a few times that night and he farted almost continously. Any spare moments he had he would use to rush into the fields to relieve himself. But it was a great parlty and the hangover he had in the morning was so bad that he had to stay in bed for 2 days to recover.....but it was truly a GREAT PARLTY! \r
\r
One week later Preeto left her parents home to come and live with him. He renewed his vow to stay away from alcohol and meat curries. If Preeto found out he had a pahdd problem she would surely leave him. A few weeks passed like this, then one day a local village boy brought him a message from Preeto. She wrote, `Ajh gharr jaaldhi ajhi, I\'ve got a surprise for you\'. So Vechara left the fields at lunch time and as he took a short-cut through the town, the spicy aroma of meat curry wafted over from a small cafe. He couldn\'t resist and on entering the cafe he ate to his heart\'s content and washed it down with a couple of bottles of jack daniels. As soon as he left the shop, he could feel a horrendously, horrible torrent of gas about to be released, he ran into the nearest field and `BWAAAAAAAGGHHHHHHHHHHHHHHHHH!\' the pahdd came ripping out like thunder. He wasn\'t worried though, there were quite a few miles to walk before he got home and he felt sure his system would have cleared itself up by the time he reached Preeto. \r
\r
Before he\'d even entered through the front door, Preeto came running out full of youthful enthusiasm. She told him to quickly wash and clothe himself. He came back and she tied a blindfold on him. She made him promise not to peek even a little bit, lead him into the dining room she sat him at the head of the table. Just then one of the neighbour\'s servants came knocking at the front door, Preeto told Vechara to sit quielty blindfolded until she got back. Vechara could hear Preeto talking and suddenly felt a horrendously, horrible torrent of gas being released. He waved his arms about to get rid of the smell before Preeto came back. Just then he released another one,`BWAAAAAAAGGHHHHHHHHHHHHHHHHH!\' but this time it was so loud that he feared Preeto may have heard it. He heard Preeto finishing her conversation and shutting the front door, he felt around the table for a napkin and grabbing it by the edge he flapped it up and down to get rid of the smell. \r
\r
He could hear Preeto approaching the doorway, so he put the napkin down and folded his arms, put on an innocent smile and felt proud of himself for covering up the smell. \r
\r
Preeto apologised for taking so long and Vechara gave his word that he hadn\'t peeked out of the blindfold even a little bit. She quickly removed his blindfold and yelled, `HAPPY BIRTHDAY!\'. \r
\r
To Vechara\'s horror, around the dinner table were seated : both his in-laws, the local giani, as well as 5 of Preeto\'s girlfriends with their mothers!!!!!!!!!!!!!!!!\r
','','',3,'Mon Jun 23, 2003 12:32:55',1056346375,'Kalwant Singh',''),
(4,'3 Men Go to INDIA','An english man, scottish man and indian man all go to India to marry an Indian Princess. They arrived at the Kings palace where they stood in a line ready to meet the King. \r
\r
The King came to meet the 3 men. Personality wise all 3 men seemed suitable candidates for his beautiful daughter, but he really prefered the indian man to keep with tradition. However, the King was a man of equal oppurtunities and he couldn\'t turn down the scottish and english man because of their colour. \r
\r
The King then spoke - "You all must go out into the jungle and kill something and bring it back to me" \r
\r
The king thought that the man who showed the most bravery by killing the most feared animal in the jungle could marry his daughter. But the King was very cunning when he thought of this idea. He knew that the scottish and english man knew nothing about the jungle and was sure the indian man would come back killing the most feared animal. \r
\r
So all 3 men head for the jungle. 3 days later they arrive back at the palace after hunting for the most feared animal. They line up awaiting the king in his court. \r
\r
The King walks into his court with a big smile on his face, and sure that the indian man had killed the most feared animal and so would be the one to marry his daughter. \r
\r
The King goes to the english man - "What have you killed?" \r
\r
The english man reply\'s - "My King I have killed the tiger that terrorised the village people for so many years" \r
\r
The King goes -"Well done!" but he knew the indian man would have killed something more fearful. \r
\r
The King goes to the scottish man - "What have you killed?" \r
\r
The scottish man reply\'s - "My King I have killed the Lion that killed your son" \r
\r
The King goes - "Well done!, I will forever remember what you have done and you will be rewarded with all the gold you want" \r
\r
But he knew that the indian man must have killed something that would mean even more to him. \r
\r
So finally the King approaches the indian man and with great confidence and a smile he goes - "putt tuu ki mahria" \r
\r
The indian man reply\'s - "PAHDD"\r
','','',1,'Mon Jun 23, 2003 12:34:09',1056346449,'Kalwant Singh',''),
(5,'JAMES BOND','A boy goes up to his dad and goes - "dehddi dehddi, mennu paisa chaideh-a".\r
His dad goes - "putt kitneh paisa chaideh-a tennu".\r
The boy replys - "dehddi mennu phanj pornd chaideh-a".\r
Dad goes - "ittneh paisa ki karrnuu chaideh-a tennu?".\r
The boy goes - "dehddi meh cinema pilm dhekkun janni-a"\r
Dad replys - "PILM!....pilm kheddi dhekkni tuu?"\r
The boy goes - "dehddi, meh James Bond di pilm dhekkni-a"\r
Dad goes - "putt tuu James di bond dhekkunuu rendeh, tuu mheri bond dhekklaa"\r
\r
','5',1,6,'Mon Jun 23, 2003 12:34:57',1056346497,'Kalwant Singh','5'),
(6,'Arranged Marriage','REPORT: An investigation into the process of Arranged marriages in India. \r
\r
The Selection Process:\r
It is never easy finding a bride or a groom. That is the reason the Guy Upstairs created the middleman (vechola). Of course, in the space-age we live in it could also be a computer matching the couple-to-be, but more likely would be the "Wanted" ads in the major newspapers (des pardes) where a typical matrimonial for a bride runs as follows: \r
\r
\r
Wanted; Tall, fair, beautiful, cultured, professional girl for well-settled, Punjabi khatri boy in his late twenties, drawing a 5 figure income. Caste, creed, religion no bar. Sex baar-baar (baar-baar means Again and Again in Punjabi !!).\r
Translation: \r
\r
\r
We are desperate! We have a 29 1/2 year old son who\'s never been on a date. He earns very little which he blows on booze and gambling anyway. We don\'t give a shit who the girl is as long as she has a decent reputation. And the guy *is* getting desperate!\r
A typical matrimonial for a groom usually goes like this: \r
\r
\r
Wanted; Tall, handsome, well-settled, professional boy, 26-28 yrs. for fair, beautiful, homely Aggarwal girl finishing her MA this year. Send returnable photo.\r
Translation: \r
\r
\r
We are sick and tired of all these bozos we\'ve been seeing for our daughter! We want to marry her off before she starts getting ideas of a career and gets out of hand. Her boyfriends are beginning to become a pain in the ass. Non- Aggarwals need not apply! And dorks; stay away!\r
Either through the newspaper or the vechola (usually the massi\'s bhabhi\'s younger sister\'s friend\'s aunt who has nothing better to do than make matches and then bore the whole world with details of all the "successes" she\'s had with getting people together!) the respective parents finally narrow the list to the "good" prospects. Then comes the harrowing part of going to teas (and dinners) to meet the meat. The shopping is underway! \r
\r
Boy Meets Girl; Girl Meets Boy; Girl\'s Younger Sisters go to the Movies\r
This is the crucial stage! First impressions last for a long, long time and word-of-mouth about lousy first impressions can ruin ones future prospects. So, it\'s time for the finest silk and polyester to come forth and drape the girl and guy, respectively. The guy arrives in the traditional white pants (flared), 2" thick black belt, white "dress" shoes with brown heels, and hair (shoulder length) combed back with lots of brylcream. The girl\'s parents take one look and gasp for breath. "Was this the guy Maindhoondtihoon(I-will-search) Behen(Sister) recommended so highly!?" they wonder. The younger brother blurts out, "Hello, so you are the new bakra (goat)!?" and is quickly silenced and sent to the other room never to be seen or heard from again. \r
\r
After the usual "Namastes-jees" and "Beta idhar aake bethos" the BIG moment arrives. The bride-to-be-or-not- to-be arrives all decked out in the finest silk sari that her mom could borrow from the neighbors. Tea set in hand (which, of course, belongs to Mrs. Merateasetlelo(take-my-tea-set) down the street) she walks towards the groom-to-be-or-not-to-be a little hesitatingly. Her parents look at her adoringly forgetting for that instant all the hassles they had to go through to get her to agree to see this highly recommended catch. She peeks at the guy and almost faints! What are they all thinking about, you ask? Our extensive investigation indicate the following trains of thought and what they *actually* say when the girl enters: \r
\r
Bride-to-be-or-not-to-be: (Eeeks! I spend the rest of my life with *this*!?) Hello (to the guy) Namastejee (to the ma and pa) \r
Groom-to-be-or-not-to-be: (*Drool*drool*drool* Hmmm...I wonder if my drool is very obvious? Maybe I should wipe it off...?) Namaste (to the girl). \r
Guy\'s Dad: (Hmmm..I wonder if Mr. Ladkikabaap(Bride\'s father) knows anyone in the Ministry..) Namaste beti (to the daughter). \r
Guy\'s Mom: (Did I just see her stoop to the left a little when she walked...?) Beti mere paas aake baitho. \r
Gal\'s Dad: (Hmmm..I wonder if Mr. Droolerkabaap(Drool\'s-Dad) knows anyone in the Industry..) Beti chai idhar rakh do. \r
Gal\'s Mom: (God, I hope she doesn\'t drop the tea pot all over him... Yeh chai Hotbabe beti ne banai hai (This tea is made by our daughter Hotbabe). \r
\r
\r
With this the small talk takes over as everyone drinks the tea (prepared, of course, by the cook!). The usual questions are asked pertaining to the girl\'s life history in general. The guy just stares at his cup of tea wondering what to say or do. The girl\'s dad notices his daughter being grilled and decides to step in and save her with: \r
\r
Gal\'s Dad: Beta, tum bahut chup-chup hoe... \r
Guy: (Flustered) *Gulp* Jee, Jee... *Blush* (a manly one though) \r
Guy\'s Mom (to the rescue!): Ajee yeh tow aisa he hai. Zyaada bolta-balta nahi. \r
Girl: (Thinks -- Yeah, sure!) \r
Guy\'s Dad: Bhai aapki doosri ladkiyaan nahi dikhai deteen. \r
Gal\'s Mom: Woh, woh picture dekhne gayi hain... \r
Guy\'s Mom (the ever suspicious one thinks): Hmmm...I wonder why? Must ask Maindhoondihoon(I-will-find-someone) Behen(sister) about them.. \r
\r
\r
While all this is transpiring, the guy\'s mom is doing some fast thinking for the future of her son. Her suspicion of the "stoop while the girl walked" has blossomed into a "I\'m certain she stooped to the left while she was walking." She blurts out: \r
\r
Guy\'s Mom: Beti, zara chal ke dikhana... (Daughter, just show me your walk...) \r
Girl: Kya!?! \r
Guy: (Mouth open, drools -- a small puddle is now visible on the floor.) \r
\r
\r
A pregnant pause ensues. Things are definitely not going well. Besides, the samosas are too salty. Then the girl\'s mom diplomatically says: \r
\r
Gal\'s Mom: Haan, haan Hotbabe beti. Joe aunty kehti hain karke dikha do. \r
Girl: (A more disbelieving) Kya!?! \r
\r
\r
So, very reluctantly, she gets up to do "The Walk" that could well determine her fate and future. After a tantalizing (to the guy) and agonizing (to the girl) 2 minutes the guy\'s mom looks visibly satisfied realizing that the girl\'s stoop was an optical illusion created by the high refractive index of the silk Kanjivaram sari she is wearing. Meanwhile, the girl\'s looking at the guy as if asking, "Now, let\'s see *you* pull that off!" Seeing the obvious stare the guy gets a little flustered wondering, "Maybe she is \'forward\'. The way she\'s looking at me..." The meaning of the stare is completely lost on him. \r
\r
The Decision: \r
\r
The crucial point is fast approaching. A decision is to made about the future course of action and whether these two lonely hearts are to be united or an attempt at doing so looked into further. \r
\r
Girl\'s Mom: Haan, tho behenjee, phir aapka kya khyaal hai... \r
Guy\'s Mom: Ajee, behenjee, hamare kehne say kya hota hai. Aajkal ke zamane mein tho ladka-ladki maan jaye yahi kafi hai hamare liye. \r
Girl\'s Dad: Bhai, ladka bhi yahin hai aur ladki bhi. Inhe he baat karne do phir... \r
Guy\'s Dad: Haan, haan. Hum beech mein kabab mein haddi kyun bane. HA HA HA!! \r
Guy: (Looks all around with a what-did-I-do-to-deserve-this-agony look) *Gulp* \r
Girl: (Feeling a sense of euphoria coming on and realizing that *this* was *it* -- A ONE-ON-ONE!!) *Forced Blush* (Writer\'s Interjection: Yes, folks, it *is* possible to do that without much makeup. One just has to think of the time when one was caught necking with one\'s boyfriend in the park.) \r
\r
\r
The One-on-One (a.k.a. The End):\r
This is it! This is the moment she has been waiting for. Now there is no hiding behind mummyjee\'s generous behind for Mr. Shadi-karane-chale-the-bhaisaab(He-who-would-like-to-get-married)! In an effort to "take control of the situation" ouR hero initiates the talk... \r
\r
Guy: You look bhery one-durr-full... \r
Girl: (Controlling the smirk) Thanks. So, what are you doing these days? \r
Guy: I am between jobs now. Spend lots of time at home these days... \r
Girl: And what do you do at home ("Help mummy with the samosas I bet," she thinks)? \r
Guy: Oh, I read lots of magazines... \r
Girl: What are you favorite ones...? \r
Guy: Oh, Stardust, Femina, Eve\'s Weekly etc ...(All these are women\'s mags.) \r
Girl: (Almost rolls over in hysterics) Oh...mmmmmffff...achcha...(Oh Yeah) \r
Guy: Would you like to go summ-dhay to a ress-traant(resturant)... \r
Girl: Ummm...I don\'t think so... \r
Guy: (Devastated look) Oh... \r
\r
\r
The end is near (as any person can tell by now) to this entire ordeal for our heroine-of-the-moment. Of course, next time the tables could be turned and the whole situation reversed! The amazing thing is that when a rejection is conveyed it is always a two-sided deal. That is, the girl and boy reject each other simultaneously. One never hears that the girl/boy rejected the other. It\'s as if the decision is reached at the same instant in time. And so, after all this, we find that their respective egos are still intact for the next such encounter!\r
','','',1,'Mon Jun 23, 2003 12:38:12',1056346692,'Kalwant Singh',''),
(7,'THE WEDDING NIGHT (Suhaag Raat)','If you\'ve ever listened to Hindi songs on a regular basis you must have heard that famous Mukesh tune from the movie _Kabhie Kabhie_ (_Sometimes Sometimes_) that goes: \r
\r
\r
Man: "...suhaag raat hai, ghunghat utha raha hun main..." ("...it\'s the first night and I am lifting the veil ...hubba hubba, am I gonna have some fun!")\r
Now, one may wonder if all this was really that straight- forward. I mean, assuming that the ghunghat comes off. Then what? Now, don\'t get me wrong (especially all you married "experts" out there!). Before you start saying things like, "Geez! Where has this guy been all these years?!", think about all the things that could go wrong (and have gone wrong!) in the case of an ARRANGED marriage. I mean, here are two (almost) complete strangers who are suddenly put in a position (and I\'m not referring to the Kamasutra, yet) where they are expected to get intimate! Is it any surprise then that things may not be as smooth as one may expect? \r
\r
It may surprise and, yes, even horrify some of you, but recent research indicates that there may actually be more to it than meets the eye. In our recent research on the "Arranged Marriages" some startling revelations were made about really what goes on. In the never-ending quest for truth, justice, and the Indian way of life, what follows is a sequel (in keeping with the Summer Spirit) to the arranged marriage -- the Arranged Suhaag Raat and its aftermath (a.k.a. The Day After The Day). Since we are going to be delving deep into the Wedding Night of a couple that, for all practical purposes (and I do mean practical) hasn\'t even met yet, things could get pretty rough and sexually intense. Then again maybe not! In either case, I would recommend keeping a bucket of COLD water handy. \r
\r
The Preamble\r
We start with our heroine from the Arranged Marriage fiasco, Ms. Hotbabe Parayadhan(Someone-else\'s propoerty), who has since found her mate, Mr. Yeman A. Kyakiya(What-did-I-do), a well-settled professional drawing a five-figure income. Hotbabe has a very vague idea regarding what her naya-navela (brand new) hubby does for a living. As her mummy-in-law mentioned very eloquently, "...he works with computers..." Suffice it to say that he is not expected to be home most of the day. She\'s still quite uncertain what he expects her to call him and has made a mental note about asking him about that. She\'d definitely prefer "Honey" or "Darling" to the archaic "Ajee, sunte hoe" ("Hey you, do you listen") or, worse, "Suntay hoe, Chunnu, Munnu, Lallu, Phateechar ke bapu" ("Do you listen, Chunnu, Munnu, Wimp, Torn-Chair\'s (:-) dad"), but isn\'t quite sure of "his" reaction. Of course, she could venture to call him by his (gasp) first name, but is quite certain that mummy-in-law won\'t stand for it. So, for now he is just plain "He". \r
\r
The wedding over, the newly-weds are traditionally expected to spend the Suhaag Raat (Wedding Night) at an hotel. Far from the often irritating relatives and friends who insist on being part of each and every phase of the marriage. However, Mr. Kyakiya, mindful of how expensive hotel rooms have become has decided NOT to follow tradition. Instead the suhaag raat is to take place AT HOME, presumably under the watchful eye of everyone including his parents and Maindhoondtihoon behen, the go-between, who\'s staying over to make sure that her match is successful! Of course, Hotbabe is not aware of this change in plans, yet... \r
\r
Kyakiya Bhaisaab(Brother-Sir) is prepared. No, this is not the preparedness one would expect from a person taking a one week trip to Bangkok. Kyakiya-jee has recently been schooled in the facts-of-life vis-a-vis the opposite sex. A second cousin, thrice removed, and, more importantly, a woman, who happens to be a dentist, has been kind enough to furnish our hero with the basics so he doesn\'t mistake the word "Carefree" for chewing-gum and "periods" for what he had to endure during high-school. The cousin, Dr. Meera Adviselo(Take-My-Advice), has also clearly explained the significance of phrases such as "Mere sar mein aaj dard hai" ("I have a headache today") and "Abhi nahi, koi dekh lega" ("Not now, someone may see") and the associated subtleties. There is however considerable tension and uncertainty. After all one doesn\'t go through ordeals like this everyday. "Ordeal!" you exclaim? Well, of course, what else could Yeman be thinking given the fact that this is his third date with a woman and the second with this particular one? There is, of course, the anticipation of things to come, but the level of apprehension exceeds it. \r
\r
Meanwhile, Hotbabe is with her mummy-in-law who is busy giving Hotbabe a quick run-down on her beloved son. \r
\r
Mom-in-law: Beti, Yeman bahut light saleepurr hai. Koi bhi movement usse jagaa deti hai.\r
(Daughter, Yeman is a very light sleeper. Any movement and he\'s up and about.) \r
Hotbabe: (Thinks) Great, now tell me he snores too. (Says) Jee, achcha.\r
("Yes, o goddess of my future in this house.") \r
Mom-in-law: Aur woh kabhi-kabhi snore bhi karta hai agar usse zukhaam laga hoe...\r
(Sometimes he snores when he has a cold) \r
Hotbabe: Jee... \r
Mom-in-law: Vaise tumhe tho yeh sab chezayn pata he chal jayengee jaldi he (giving her a knowing smile followed by a nudge.)\r
(You will find out about all these things) \r
Hotbabe: (Thinks) No kidding!\r
(Says, with the appropriate shyness) Jee...jee.. \r
Mom-in-law: Arre, lo, isme sharmaane ki kya baat hai?\r
(Hey, give, what\'s the reason to be coy now?) \r
Hotbabe: Jee...woh...(thinks) Oh, God! Will this never end!? \r
Mom-in-law: (With a knowing smile) Oh, main tho bhool he gayi. Yeman tumhaare liye wait kar raha hoga\r
(Yikes, I almost forgot. That horny son of mine must be waiting for you.) \r
\r
\r
\r
Kabobs and Assorted Bones\r
Hotbabe is concerned. Very concerned. Is this what she really wanted? Was this THE GUY for her? All these uncertainties. All these doubts. Instead of being away from everyone, she is now in their very midst with almost no privacy. And to top it all, this was to be the night she was supposed to have waited for all this time. She could feel a headache coming on... \r
\r
Enter our hero, Yeman. He\'s a little uncertain on what to say. So, he blurts out the first thing that comes to mind: Yeman: "What\'s up...?" \r
\r
Hotbabe takes one look at him and almost bursts out laughing. She suppresses the urge to retort "You tell me" and instead intones a "Oh, nothing..." \r
\r
Yeman, realizing the question was kind of dumb, feels at a loss for words. Suddenly, a knock on the door... \r
\r
Yeman: (Thinks) Bachch gaya! (I\'m saved!) \r
Hotbabe: (Thinks) Great, just what I need. Another kabob-mein-haddi (bone-in-the-kabob). \r
Mom-in-law: (At the door) Beta, yeh garam doodh lay lo... (Son, take this warm milk). \r
Hotbabe: (Thinks) Wonderful! He drinks the milk and that\'s the end of that. First thing you know, he\'s fast asleep and snoring.\r
(Of course, she doesn\'t realize that sleep is the farthest thing from Yeman\'s mind...) \r
Yeman: Nahi, mummy-jee, rehne doe...\r
(No, mommy-dearest, leave it...) \r
Mom-in-law: Beta, doctor nay kaha hai...\r
(Son, the doc\'s said so...)\r
Hotbabe, eyebrows raised, looks at Yeman. \r
Yeman (to Hotbabe): Mujhe calcium deficiency hai...\r
(I got Calcium deficency) \r
(to his mom): Mummy-jee abhi nahi. Rehne doe...\r
(Mommy-dearest, not now. Leave it be...) \r
Mom-in-law: (Very reluctantly) Achcha... (okay) \r
Hotbabe: sigh \r
Yeman: Sorry...Mummy kabhi-kabhi overdo kar dayteen hain...\r
(Sometime-sometimes my mom overdoes it...) \r
Hotbabe: (A little uncertain on how to respond) Oh... \r
\r
\r
\r
Close Encounters \r
\r
\r
A pregnant pause ensues. Yeman\'s wondering what he should do. Should he just pile on, or is he expected to be subtle about the whole thing? What was it that his friend, Atul U. Subkuch, had mentioned the other day? Yes! Something about being REALLY patient and slow. He recalled Atul mention that marriage was more like a (cricket) test match(5-dya long!!!) than a one-day international and that he had to stay at the crease and not go all out right off the bat. Of course, all this could mean that Atul knew a lot about cricket and not much else! Yeman: (Thinks) I definitely don\'t want a repeat of that incident with Hema Yekyakarrahahai...\r
(Says) Tho aap kaise hoe...?\r
(So, how are you...?) \r
Hotbabe: Hot... \r
Yeman: (Appearing a little surprised and, yes, perhaps a little shocked at the sudden "forwardness" of his brand new wife) Oh... \r
Hotbabe: (noticing the gradual change in Yeman\'s facial expression from the usual I-am-so-confused to what appears to be insatiable lust realizes the significance of her reply) No, no! I mean it\'s hot in here... \r
Yeman: Oh, I\'ll turn on the AC... \r
Hotbabe: Nahi, rehne deejiye.\r
(No, let it be my so-called Lord-and-Master.) \r
\r
\r
\r
By this time Yeman\'s getting a little impatient. Obviously, his Atul\'s advice is doing the trick. In fact, he\'s not even sure what the trick\'s supposed to be! He slowly approaches Hotbabe admiring her facial features for the first time. Coming really close now he finds himself complimenting her. \r
\r
Yeman: You look very nice. \r
Hotbabe: (Mutters) Thanks... (Thinks) I wish he\'d brush his teeth and get rid of that beer stink. \r
\r
\r
\r
Seeing Hotbabe turn her face away from him doesn\'t do wonders for Yeman\'s fast deflating ego. By now he\'s wishing he\'d seen all those videos his friends used to rent. He did recall parts of "Debbie Does Delhi" but that particular one had very little relevance to his present predicament. \r
\r
Suddenly, Yeman recalls the missing link! Of course, it was that book Atul had giving him with a, "Boss, iss mein sab kuch hai joe tujhe chahiye. Iss kitaab mein information thoons-thoons kay bhari hai." ("Boss, this has everything you desire. This book stuffed with information.") Wondering where he\'d hidden the darn book (from mummy-jee, of course!) he quickly glances around. \r
\r
Hotbabe: (Thinks) Hmmmm...is he looking for the quickest escape route?\r
(Asks) Is something wrong...? \r
Yeman: No, no...can you wait a minute...? \r
Hotbabe: (Thinks) Well, where do you think I\'m going.\r
(Says) Nahi, nahi. Aap apna time leejiye. Main theek hoon.\r
("No, no. You take your time. I\'m fine here.") \r
\r
\r
\r
Watching Yeman head for the bathroom, she marvels at her hubby\'s nervousness. A little amused, but more concerned than anything else, she tries to recall her mom\'s advice to her the other day... \r
\r
\r
"Usse garam doodh muth peenay dena. Tumhare daddy nay doe glass piye thay aur phir bistar par letthay he neend aa gayi thi unhe." ("Don\'t let him drink any warm milk. Your dad had two glasses to drink and then promptly fell asleep the moment he hit the sack.")\r
Hotbabe: (Thinks) Hmmmm...I managed to do that. What else did she say...?\r
"Usse lead lene do. Aadmi logon ko patha hota hai kya karna hai." ("Let him take the lead. The men-folk know what to do in such situations.") \r
Hotbabe: (Thinks) Well, doesn\'t look like that\'s the case here. I just wish he\'d hurry up and come...(?!!) \r
\r
\r
\r
Meanwhile, Yeman is busy reading the "bible" Atul gave him as a wedding gift. We are, of course, referring to the Kamasutra. As couples embarking on a "new" life are often told -- "Don\'t leave home without it!" -- Yeman is trying to speed read his way through what appears to be a fascinating tome full of rather interesting pictures! Wishing he had looked at earlier, he now realizes that there are so *many* things to be learned. Suddenly recalling the all-knowing Atul\'s words of wisdom -- "Arre yaar, woh positions wallah section dekh leejo; baaki sab boring hai" ("Hey buddy, take a look at the positions section; all the other stuff\'s boring.") -- he proceeds to read... \r
\r
\r
"If, by means of some contraption, your lover suspends herself above you, places your linga in her yoni and pulleys herself up and down upon it, it is Utkalita."\r
Realizing quickly that this position would require the services of at least three other people and a pulley-like contraption, Yeman quickly discards this as an infeasible option. Then... \r
\r
\r
"When your skillful lady lifts crossed thighs and places both her heels on one of your shoulders, her buttocks being passionately struck by your penis driving rapidly, it is Nagara."\r
With this one Yeman has conceptualization problems. For him trying to visualize the position is harder than taking the JEE(Entrance exam for the IIT\'s). Besides, how "skilled" is the lady really supposed to be? The idea that Hotbabe may be "skilled" doesn\'t go down well with our hero\'s male ego \r
\r
Yeman: (Loudly) Aargh! Saali sab bakvaas cheezay likhi hain!\r
("Sister-in-law, they\'ve written all crap!") \r
Hotbabe: (From the other room) Jee...? Kuch kaha aapne?\r
("Yo! Did ya say something?") \r
Yeman: (Stuffing the Kamasutra book where he\'d found it)\r
Nahi, nahi. Tum soe jaao...\r
(No, no. You go to sleep...) \r
Hotbabe: (Not sure if she\'d heard correctly) Jee...! Kya!!? \r
Yeman: (Realizing his folly) Mera matlab hai...main abhi aata hoon...\r
("I mean... I\'m coming...") \r
Hotbabe: (Letting out a barely audible sigh) Oh... \r
\r
\r
\r
By this time, Yeman bhaisaab has almost given up any hope of coming up with a solution to his predicament. Then, in a blinding flash, his dad\'s words of wisdom come to mind... \r
\r
\r
"Beta, itna darne ki koi zaroorat nahi. Meri baat mano aur, jab time aaye, tho maidaan-e-jang mein kood padhna! Arre, mujhe he dekh lo na. Ek number ke sher the hum apne zamaane mein. Sher ke bachche ho tum!" ("Son, don\'t be such a wimp. Listen to my words of wisdom and, when the time comes, jump into the war- garden! Hey, look at me. In my time I was a bona-fide tiger. And that makes you a tiger\'s son!")\r
Yeman feels that sudden rush of adrenaline taking over his bodily functions with a renewed vigor. Yes! I am a MAN. Better still, I am a......to be continued\r
','','',6,'Mon Jun 23, 2003 12:41:06',1056346866,'Kalwant Singh',''),
(8,'Letter from Bollywood','Johnny Mera Naam\r
Piya Ka Ghar\r
Choukee No. 11\r
Teesri Manzil\r
China Town\r
\r
\r
Date: Nav Do Gyarah \r
\r
My Dear ‘Anamica\': \r
\r
You must be surprised to receive this ‘Prem Patra\' from me. Let me make my ‘Pahechan\' to you as ‘Dilwale Dulhaniya Le Jayenge\'. Though I am an ‘Awaara\', I am also your ‘Deewana\'. \r
\r
I am making you a ‘Prarthna\' to enter my ‘Zindagi\' as a ‘Priyatama\'. Even though I do not have any ‘Sambandh\' with you, I still consider you as my ‘Dream Girl\' with ‘Lal Dupatta Malmal Ka\'. There are only ‘Do Raaste\' left for me. One is to get your love by ‘Tyag\' or to go the ‘Rangeela\' way. \r
\r
Wouldn\'t you like to be ‘Mere Jeevan Saathi\' as you are ‘Lakhon Mein Ek\'? I also hope that you will ‘Guide\' me in ‘Bahar\' as we are made for ‘Ek Duje Ke Liye\'. \r
\r
We will live in ‘Naya Zamana\' where we will have a ‘Suhana Safar\'. In this ‘Himalay Ki God Mein\', our ‘Bandhan\' is going to tied with ‘Preet Ki Dor\'. I hope that we will have nothing but ‘Anand\' in ‘Ye Dillagi\'. \r
\r
Aren\'t you bored of ‘Akele Hum Akele Tum\' life? Let this ‘Baazigar\' be your ‘Boy Friend\' and we start ‘Pehli Mohabbat\'. This ‘Chahat\' is going to lead to a ‘Milan\' where you are going to call me everyday for ‘Aao Pyar Karen\'. \r
\r
Now, ‘Phir Kab Miloge\' as ‘Tumse Accha Kaun Hein\'? As you know my love is ‘Himalay Se Uncha\' and hopefully our ‘Mulakat\' will be ‘An Evening in Paris\'. ‘Aa Gale Lag Jaa\'! \r
\r
‘Hum Aapke Hain Koun...?\'\r
','','',1,'Mon Jun 23, 2003 12:42:34',1056346954,'Kalwant Singh',''),
(9,'SINGH N\' RAP I','SINGH\'N RAP I \r
\r
Now this is a story all about Jeet\r
Who lived on New York\'s 14th Street \r
\r
He graduated from college with a masters degree\r
In a field known as anthropology \r
\r
He soon got a job in a research lab\r
But always complained "why\'s life so drab!" \r
\r
He was constantly surrounded by geeks and nerds\r
With e equals m c squared their only words \r
\r
He was a hard-core desi, I must say\r
But his wildest spirits were being kept at bay \r
\r
Our desi veer could take this no more\r
So he decided to knock on his neighbor\'s door \r
\r
His neighbor was a girl of Italian descent\r
Who spoke with an intriguing Brooklyn accent \r
\r
Her name was Gina\r
And I wish I had seen \'er\r
Cause the way he had described her\r
Any guy would dig her! \r
\r
Jeet and Gina started to date\r
And would hangout together till pretty late \r
\r
"Meri Gori, Meri Sohni Gori" was all he\'d say\r
"No one can come in between us - no way!" \r
\r
But notorious Aunty Chugalkhor was on the prowl\r
She sensed something in the air - was it foul? \r
\r
Oh yes yes yes -\r
She was definitely in luck\r
This, of all her stories\r
Would be a slam dunk! \r
\r
She spotted her nephew in the mall\r
And that too ... oh gori de naal !!!\r
(AYE HAYE! Oh HO!) \r
\r
Well that surely did make Aunty\'s day\r
A successful field day for her, I must say! \r
\r
She headed straight back home to make a call\r
Undoubtedly to Jeet\'s mum in Balowall \r
\r
Jeet\'s mum could not believe her ears\r
"Oh mera beta," she cried, wiping her tears \r
\r
She tried and tried to get hold of Jeet\r
But each time she\'d call his answerer would beep! \r
\r
Where on earth could the dude be?\r
Well that\'s your imagination -\r
Don\'t ask me! \r
\r
Mum\'s patience finally started running out\r
So she left a message giving him the clout \r
\r
"Oh JINNY GORI noo chhadd dey\r
Te vapas aja aithay!" \r
\r
Jeet was obviously taken by surprise\r
Who the hell had blown his guise? \r
\r
But now was not the time to guess\r
He had to quickly get outta this mess \r
\r
He drummed up the courage to call his mum\r
But before he could speak,\r
someone shouted "YOU BUM!" \r
\r
Of course it was mother in a terrible mood\r
And now was not the time to be a dude! \r
\r
"OH tu Amrika vich kee karda phirda\r
Murrh ke aja te tera viah kardiyay aithay\r
Ik kurrhi hagayee barrhee piyarree\r
Te puree seva karugee teyree!" \r
\r
But Jeet was clearly not impressed\r
It was Gina with whom he was so obsessed \r
\r
He told his mum that that was no deal\r
And that his piyaar for Gina was the one for real \r
\r
Once again mother hit the roof\r
She could not believe that\r
Jeet was such a goof! \r
\r
She hung up the phone\r
And in the harshest of tones cried\r
"Mundiya - you\'re now on your own." \r
\r
Just the next day ...\r
Jeet and Gina tied the knot\r
And their happiness together was easy to spot \r
\r
The days went on ...\r
But with hardly a year gone ... \r
\r
Jeet Singh started to realize\r
What was happening\r
To his wallet\'s size! \r
\r
Was Gina just after his money?\r
Or did she really mean it\r
When she\'d say "Oh honey!" \r
\r
A few rotten thoughts crossed his mind\r
But he thought he was simply just going blind \r
\r
But one sad day, Gina spilled the beans\r
She said she was leaving for New Orleans \r
\r
She had met a guy called Tom,\r
And so wanted a divorce\r
Which left our young veer in such remorse \r
\r
He remembered his mum\'s favorite words:\r
"Goreeyan da koee parosa nayee hunda"\r
And thought to himself:\r
"Wasn\'t I a brainless munda" \r
\r
The divorce settlement did take place\r
And he lost half his assets -\r
Let alone his face! \r
\r
His despair could always be seen in his eyes\r
But everyone knows that "desiness" never dies \r
\r
He soon met Mad-Mats who taught him to rhyme\r
And ever since then:\r
"ARRANGED MARRIAGE, BUSS ARRANGED MARRIAGE"\r
- has been his constant chime !!!!!!\r
','','','','Mon Jun 23, 2003 12:44:04',1056347044,'Kalwant Singh',''),
(10,'Silly Jokes','An indian chap walked up to me and said "terra nam ki-a betteh"?\r
I replied - Terry Bond. \r
\r
Why did the indian sweet centre assistant slap the customer?\r
.....because he said - "Ohh kurrieh, I just love your gulab jaman\'s, there really round and juicy." \r
\r
Why did the indian girl slap the grooms drunk brother at her wedding?\r
.....because he dropped the roti and dahl over her outfit and started singing - "Duppata tera sat rang da!"\r
','','',9,'Mon Jun 23, 2003 12:45:28',1056347128,'Kalwant Singh',''),
(11,'ITALIAN-INDIAN Jokes','Read this with Italian and indian accent \r
\r
I am an Italiano. \r
\r
One day ima gonna India to bigga hotel. Ina morning I go down to eat breakfast.\r
I tella indian waitress-"I wanna two pisses toast".\r
She brings me only one piss.\r
I tella her-"I want two piss".\r
She say-"go to the toilet".\r
I say-"you no understand, I wanna two piss onna my plate".\r
She say-"Salleh, kutteh, behsharam...juu better no piss onna plate, you sonna ma bitch".\r
I don\'t even know the lady and she call me sonna ma bitch. \r
\r
Later I go to eat at the bigga indian restaurant in Bombaya. The indian waitress brings me a spoon and knife but no fock.\r
I tella her-"I wanna fock".\r
She tell me-"every gorra wanna fock here, that all they ever come for".\r
I tella her-"you no understand. I wanna fock on the table".\r
She say-"NO!...juu no understand, dis ijj not Italy where juu can just fock on table you sonna ma bitch". \r
\r
So I go back to my room ina hotel and there is no shits onna my bed.\r
I call the manager and tella him-"I wanna shit".\r
He tell me-"go to toilet".\r
I say-"what do you meana go to toilet".\r
He say-"Sorry Sir, are juu in pirst class or second".\r
I say-"I\'m inna second".\r
He say-"In that case Sir, stick jour bottom out di bindow and shit outside, i\'ll have room service bring juu up a bottle of mineral water".\r
I say-"you no understand. I wanna shit on my bed".\r
He say-"Haram-zadeh juu better not shit onna bed, you sonna ma bitch, dis may be India but we do have some moral standards".\r
\r
\r
I go to the checkout and the man at the desk say-"Hope juu had a berry, berry nice stay and let there be Peace on you".\r
I say-"let there be piss on you too, you sonna ma bitch, I gonna back to Italy !"\r
','','',1,'Mon Jun 23, 2003 12:46:30',1056347190,'Kalwant Singh',''),
(12,'The Search for Beauty','This article was written by someone from the USA. \r
\r
\r
( A collection of tips to find a beautiful wife)\r
If you are a typical, single, Indian man who lives in the USA, the time will come when it will dawn on you that the only chance you have to indulge in wedded bliss lies in the hallowed institution of the "Arranged Marriage". You probably left India when you were twenty-one, having squandered your adolescence striving to get here. At this point, you are twenty-five or older, and have been out of touch with the general Indian female population for more than a decade. All the women you know back home are married. This manual is written for those of you who harbor hopes of acquiring a beautiful arranged bride. \r
\r
If you belong to the rarified set of intellectuals to whom the external female form holds no charms, and those who evaluate others according to the quality of their inner selves, this manual is not for you. Before you stop reading, please accept my heartiest congratulations on your self control and ideological correctness. I am not worthy of even addressing you (kneel! kneel!). \r
\r
No, this manual is for the rest of you, mere mortals, who still have enough red blood in their veins so that you can admit, even to yourselves, that you rather like the idea of having a beautiful wife. \r
\r
Of course, before I even go about describing how to acquire beauty, it is necessary to define it. And this is where I expect the most disagreement. There will be those among you who proclaim, "But beauty is in the eye of the beholder!" And you would be partly right. \r
\r
If you are a man who equates beauty to facial attractiveness, there is not much that this manual can do for you. You are a very fortunate man, for Indian women have the most beautiful faces of any race in the world. You have a very large pool to choose from, and you do not need much help in choosing, because you can look at each prospective bride\'s face and decide whether she is beautiful or not. \r
\r
No, this is written for those who would like their wife to have a good figure too. For you, the job is harder. Typically, Indian women do not get much physical exercise, and consequently, if they are not scrawny, tend to be on the overweight side. Why do you think sarees are so popular in India? Because they can hide all the embarrassing bulk! Some men think that Indian women do not have shapely legs by reasons of genetics. I say to them, check out the figures of the IA (ABCD to you politically incorrect guys) women. They are on par with anything I have seen on any other race. This is because IA women work out and take care to keep themselves in shape. You cannot go covering yourself up around here, not if you want to get dates. \r
\r
If you are one of those academic types who have not given much thought to the matter, or merely one of those blighters who like to ask intelligent questions to which you already know the answers, and ask me, "But why does one NEED a beautiful wife?" I would reply that beauty is a double edged sword. It has its advantages and disadvantages, some of which I summarize below. \r
\r
Advantages of having a beautiful wife. \r
\r
a) A beautiful girl is much easier to adjust to than an unattractive one. You will be much more tolerant of her faults during the initial "adjustment" phase of marriage, simply because you will not have the heart to get irritated with someone so lovely. She will be much easier to forgive after a fight. \r
\r
b) If you are the typical desi engineer, you will not be exactly Adonis Reborn. If your wife is homely too, your child will probably look like the Swamp Thing, or the Blob. If you love your unborn children, you owe it to them to give them a beautiful mother. \r
\r
c) A beautiful wife enhances your social stature. People will look at you and think, "How the ^&*% did that !@## land such a gorgeous babe? He must have something that is not visible on the outside!" You will get invited to more parties, especially by men who want to spend the evening drooling at her. Conversely, if your wife is homely, you will be rather embarrassed to take her to gatherings of your friends, especially if they are all married to knockouts. \r
\r
d) And most importantly, sex will be much better if your wife is good-looking. Otherwise, after a couple of years when the pent-up horniness of the past 25+ years has worn off, you probably will not be even able to get it up, unless you resort to ungentlemanly and undignified tactics, like fantasising about Sridevi when you are in bed. \r
\r
Disadvantages of having a beautiful wife. \r
\r
a) If you are one of those for whom innocence, virtue, and chastity are important, beautiful women are not for you. My empirical research shows that, while beauty (or the lack of it) in a woman is in no way indicative of her intelligence, beautiful women are invariably very street-smart. They KNOW that they are good looking, and have got used to people bending over backwards to accommodate them. This dawns on them very early on in life, when they observe that teachers are much nicer to them than to their less-attractive friends, when almost all the men they encounter behave like brainless, testeterone-driven apes in their presense, when they observe that they get things done twice as quickly in a government office. \r
\r
As a teenager in college, a beautiful woman would have had lots of men vying with each other for her friendship and affections. She would have to be more than human not to have enjoyed the attention. She would have played the men one against the other, as women have done since time immemorial. She might have dated, and even had affairs. In the process, she would get to know men all too well, and would realize that they are but putty in the hands of a good-looking woman. \r
\r
b) A good-looking woman is more than a match for the average desi engineer. She will twist you around her little finger and make you jump through hoops. Things will get done her way nearly all the time. Of course, it will be fun to jump through hoops for someone as lovely as she is. A homely woman, on the other hand, will usually be so grateful to you for marrying her that she will treat you like a king. \r
\r
c) As I mentioned before, a beautiful woman is unlikely to be particularly virtuous or righteous. But that is okay, since too much virtue often goes hand-in-hand with rather undesirable traits. A virtuous woman may also be ugly, weird, boring, hyper-religious or frigid. \r
\r
d) A beautiful woman is more likely to "stray" after marriage too. This is the USA, and the fact that a woman is married does not make her off-limits to adventurers or would-be Casanovas. The more lovely a woman is, the more likely is she to be propositioned by her male colleagues or friends. Ergo, she is subject to much more temptation than her homely counterparts. Think about this... how would it be if women kept asking you, a man, to make love to them? How many times would you refuse? \r
\r
How to go about selecting a beautiful wife. \r
\r
First of all, there is the matter of mentioning the fact to your parents. If your parents are anything like mine, they will freak out when they hear that their dear devoted son is actually interested in earthy things like beauty (and, by extrapolation, sex). It is not considered good form to say that beauty is important to you in Indian circles. \r
\r
Here is a very important tip... do not leave bride-hunting to your parents! Beauty is going to be the last of their priorities, coming after caste, horoscopes, family background, perceived virtue of the girl etc. Make it very clear to them that beauty is high on your list of priorities. State in no uncertain terms that you will not marry anyone who does not measure up to your standards. That will prevent them from goofing off during bride-hunting, shirking their responsibilities and palming off some family-friend\'s daughter on you. \r
\r
Another unpalatable fact is that your mother will not want you to marry someone too beautiful. This often comes as a surprise to most sons, but the reason is simple. Mothers know that, sooner or later, there will be a tussle between her and her daughter-in-law over her son\'s affections and loyalties. Since women are extremely conscious of their looks and tend to rate themselves accordingly, a beautiful woman has a psychological advantage over a less attractive one in an argument. Also, your mother knows that a beautiful wife will tilt the scales against her as far as you are concerned, since such a wife will probably have you dangling by the balls, if you pardon the expression. So, left to herself, your mother will limit her search to women who are less attractive than she perceives herself to be. \r
\r
Before you start on your bride-hunting, you should convince yourself that you deserve a beautiful wife. Do not ever think, "But I am not so good-looking anyway, what right have I to demand a lovely girl?" Since Man started walking the earth, it has been the man\'s wealth that has been traded off for the woman\'s beauty. Rest assured that your looks will be the last thing on a girl\'s mind when she rates you as a prospective husband. (I am limiting myself to arranged marriages here). She will be weighing your earning potential, green-card potential etc. Even in this land of feminism, "Cosmopolitan" has articles on "How to hook a rich husband" and "The ten best places to meet successful men". \r
\r
You have worked hard, and wasted ten of the most wonderful years of your life getting where you are. You deserve to get something out of it. Do not squander your bargaining position. In other words, do not be ashamed to make your preference for beauty known. \r
\r
How to check whether she is beautiful. \r
\r
First of all, never consent to marry a girl whom you have seen only in photographs. PHOTOGRAPHS LIE!!!! Photography is an art that can make HKL Bhagat look like Zeenat Aman. All too often, photographs sent to prospective suitors contain only the face. Also, they usually have been so air-brushed and sanitized, all the pimples and other irregularities removed, that the end product has little in common with the original. Also, it is a certain fact that no woman will consent to send you photograph that presents herself in an unflattering light. \r
\r
These days, in the urban areas of India, it is often the practice to take an album-full of pictures of a girl when she gets to marriageable age. These pictures show the girl in various outfits, eastern and western. The album is then sent to prospective grooms-in-the-states. During my last visit to India, I learned from an authoritative source that many of these pictures are blatant forgeries, involving splicing the girl\'s head on to the figure of some other girl, sometimes professional models. In one case, pictures of a girl\'s good-looking sister were went out instead. Bottom line: do not make a decision based merely on photographs! \r
\r
Darshan \r
\r
Once you see the girl directly, you can easily check whether her face measures up. The figure is a different matter altogether. Women have conducted more research into packaging themselves than have been conducted on the entire US space effort. You should realize that, while you were struggling in your engineering program in undergraduate on grad school, women were learning the techniques of camouflage. She KNOWS that it is her looks that count. By packaging herself so that she seems attractive to a non-resident Indian for about 10 minutes, she can earn all that it took the NRI 10 years of hard work to realize. Women are extremely honest with their friends about their positive and negative points. They are intensely aware of their flaws, and work systematically towards concealing them. \r
\r
So, if she seems to have a liking for loose, flowing sarees or salwar-kameez, keep your mind open to the possibility that she may be overweight. That fold of her saree draped oh-so-elegantly across her midriff might be concealing a paunch. It it is wound demurely around her back, she probably has spare tires. Does she walk slowly and sedately, like an old Spanish galleon making its way across the seas? She is probably holding her paunch in. \r
\r
So what do you do if she always appears in such clothes? You cannot very well demand that she change clothes... that would be outrageously bad form. AND SHE KNOWS THAT! One way to approach such a problem is the following. Tell her that she cannot wear a saree in the states, that it would be embarrassing for you. Tell her that if she is not willing to wear jeans, shorts and pants on a regular basis, you are probably not a good choice for her. Subtly hint that you would like to see her in western clothes. If she refuses flat-out, my friend, you can be sure that she is hiding something. If she has a good figure, she will make damned sure that you see it. \r
\r
A large percentage of women in India have huge hips and very heavy thighs. This is mainly due to lack of exercise. In a saree or churidar, it is impossible to check for these, which is why they are so popular. If a woman states that she does not wear pants, warning bells should ring in her mind. One way to check for obesity under a saree or salwar is to note the relative positions of her bosom and midriff. For a woman with a good figure, the bosom should be at a considerably higher level. If she dresses so that the bosom does not stand out, it is almost surely because she has a paunch that comes to the same level. Or she may be droopy, saggy or totally flat. \r
\r
Let me reiterate, if a girl has something to show, she will make damned sure that you will see it. \r
\r
One way to see how your prospective bride looks when she is not dressed up is to ask to see her family albums. NOT the ones that they keep out ostentatiously but the ones that they keep tucked away at the corner of the shelf. A lot of overweight women go through crash diets during the wedding season, starving themselves or going to professional "fat-farms" to lose dozens of pounds, to get into presentable shape for the darshan. I know of one woman who lost 60 pounds in 8 months preparing for the wedding. She quickly gained it all back after the marriage. Pictures of the woman taken 2 or 3 years ago should tell you whether she is inclined to obesity. \r
\r
If, on the other hand, she is a thin woman who has padded herself up to look good on darshan day, there is no way on earth that you can tell. The best way to check for this sort of stuff is to enlist the help of a sympathetic, liberated, female, friend, sister or other relative. She can easily see through the disguise and give you unbiased estimates of the interior. So, if you have a sister, you had better start being nice to her. \r
\r
HAPPY HUNTING! ... UNITING!\r
','','',2,'Mon Jun 23, 2003 12:48:46',1056347326,'Kalwant Singh',''),
(13,'Bhangra Singer Valentines Letter','\'Mr. Lova Lova\'\r
\'GT Road\'\r
\'Sher Punjab\'\r
\r
\r
Date: \'Yeh Sama Hai Pyar Ka\' \r
\r
To My Dear ‘Sajna\': \r
\r
Please read this \'Dil Da Mamla\' from me. I do not wish to reveal my indentity to you but I can say I am \'Putt Jattan Da\'. \r
\r
The first time \'Tujeh Dekha\' you literally \'Dil Ley Gai Mera\'. Your \'Bilo Wargee Ankhen\', \'Gorra Gorra Rang\', you are truly \'Sabh Ton Sohni\'. \r
\r
Everytime our \'Ankhen Milaaon\' I feel that \'Kuch Kuch Hota Hai\'. Still today \'Dhol Vajda\' in my heart for you \'Sohnieh\', \'Chura Liya Mera Dil Tu\'. \r
\r
My dear \'Dil Cheez\', \'Ki Banu Duniya Da\' without you. You fulfill all my \'Kushiyaan\'. \r
\r
One thing remains and that is our \'Viah\'. I will ask \'Babbiye Ni Babbiye\' to become our \'Vecholni\'. I hope she agrees because it is \'Tere Mere Pyar Ka Muqabla\'. If \'Gal Ban Gayee\', then it will be all \'Kushian De Bhangrey\' \'Soho Road De Utteh\' and \'Appan Dovain Nachan-Gey\'. \r
\r
In the meantime \'Meri Mehbooba\', \'Menu Chudke Na Jauyi\'!\r
','','',1,'Mon Jun 23, 2003 12:49:54',1056347394,'Kalwant Singh',''),
(14,'Desi Love Letter!!','Dearest _______, \r
\r
I have a conpeshion to make. I luw juu sooooo much. I just luw to stare at your beautiful face all day long. Everyday I thank God for making Vicco Turmeric Ayurvedic Cream, "Ttchyachi raksha kare, ayurvedic cream" because without it your skin would not have that lovely scent of sandlewood or that lovely wheat coloured complexion just like a fresh baked roti. You are such a delicious specimin of a woman. Your lips are like nice, pink, sveet jilebi. Sometimes I vant to bite off your nose because it reminds me of a scrumptious looking pakora. Smelling your hair reminds of the days vhen I was back in the motherland and my mother used to rub coconut thel in my hair before I vould go to sleep. \r
\r
Vould juu like to frolick vith me in the meadows? I vill let juu be Madhuri if juu vill let me be Salman. We can dance around and if it rains, it vill be even better because then it vill be truly Hindi style with my already tight jeans clinging to my skinny legs and your sari stuck to ur plump stomach. But remember, no hanky panky. Atleast not yet. You can be riding my rik shah later. Sometimes I imagine vhat it vould be like if juu were not in my life. But then I can smell the curry powder on juu breath and I know juu vill be in my life forewer! \r
\r
I luwwwwwwwwwwwwwwwww juu wery wery much. Don\'t ewer porget. . .juu are my little samosa and I am jour chutney. Juu are my chicken curry and I am jour nan. Juu are my idli and I am jour sambar. Juu are my mango and I am jour lassie. Please accept this as a statement of my undying luw for juu porever and ever and ever\r
','','',2,'Mon Jun 23, 2003 12:53:11',1056347591,'Kalwant Singh',''),
(15,'Indian vs English','Our parents immigrated to the UK many years ago. They\'ve changed in many ways, become more westernised, started to live like the gorreh, become modern, but some things just never change:- \r
\r
Take the good old english cup of tea.\r
The english way to make tea for 1 person:-\r
-Fill the kettle with 1 cup of water and bring to the boil.\r
-Put tea bag and sugar in the mug.\r
-Add boiling water to the mug.\r
-Add milk and stir with spoon.\r
Thats 5 minutes to make a good old english cup of tea. \r
\r
The Indian way to make tea for 1 person:-\r
-Fill saucepan with 12 cups of water.(just in case we get guests)\r
-Place saucepan on the cooker and make sure the gas is at maximum.\r
-Add to water 2 chamuch PG Tips tea, 12 spoons sugar, half spoon lechia and sornf.\r
-Bring water to boil(takes about 10 minutes).\r
-When water is boiling, turn gas to half and let it simmer for 15 minutes.\r
-After 15 minutes, turn gas to maximum until water is boiling again.\r
-When water is boiling add milk.(As were only making tea for 1 person, then 1 bottle of milk will do)\r
-Bring this to the boil.(takes usually 10 minutes)\r
-When it is boiling, turn gas to half and let is simmer for 10 minutes.\r
-After 10 minutes, take out metal teapot(if you use china teapot it will crack from the intense heat of the tea)\r
-Put large tea strainer on teapot.\r
-Now the tricky part. Put gas to maximum and bring tea to boil again\r
-When boiling turn off gas, take saucepan and pour tea into metal teapot. (Do this in the sink as volcanic activity of the tea will cause it to splash everywhere)\r
-Now pour tea in GLASS cups and wait half an hour for it to cool down.\r
Thats 1 hour and 5 minutes to make a good old indian cup of tea. \r
\r
How about coffee??? \r
\r
English drink coffee first thing in the morning and then every hour on the hour till about 7pm. Yeah coffee keeps them awake and improves their performance at work, but is it any wonder they still don\'t get any work done, they waste half their day taking coffee breaks. How do you make english coffee:-\r
-You boil the water, whilst placing 1 teaspoon of coffee in each mug with sugar.\r
-When the water is boiling, pour into the mug and add milk. \r
\r
Indians drink coffee right before going to bed, but only when they have guests over, I wonder why??\r
This is the usual scenario.\r
Its usually 3am, everyones sitting in the lounge including the guests chatting about shit. Everyone wants to go to sleep but nones going to make the first move. Obviously because you have guests you have to serve food and drink at least every hour. So being so late the mother of the house offers everyone coffee. Everyone says no, but she goes and makes it anyway. How do you make indian coffee:-\r
-Water??.....what water??? there is no water in indian coffee\r
-Pour milk, enough for all guests into saucepan.\r
-Put saucepan on the cooker and make sure gas is at maximum\r
-If there are 5 people to serve put half teaspoon of coffee in milk.\r
-If there are 10 people to serve put half teaspoon of coffee in milk.\r
-If there are 20 people to serve put half teaspoon of coffee in milk.\r
-Add sugar.\r
-Bring milk to boil, when it boils turn gas low and let it simmer for 10 minutes and then bring to boil again\r
-Serve to guests.\r
By the time the coffee is cold enough for them to drink, it will be 5am. \r
\r
Sunday Lunch???\r
English like to sleep in Sunday mornings, so they don\'t have breakfast but usually have a large lunch. The Sunday Roast they call it. Big heavy meal that makes them tired and fall asleep in the afternoon again.\r
Indians since coming to this country have followed suite and come up with their own eqivalent - ALLOO DEH PAROTHEY. Yes.....every Sunday the mother will cook ALLOO DEH PAROTHEY. The whole house is full of a mist(the smoke from cooking) and the distinct smell of ALLOO DEH PAROTHEY is sure to wake the men up as the smoke reaches their bedrooms. \r
\r
Fish & Chips???\r
The english are well know for their fish and chips. If there is nothing else to eat then there is always fish and chips.\r
Indians felt that they needed something that would be common to them like fish and chips were to the english. After much thought that common food was - ALLOO DEH PAROTHEY. Yes.....not only could we eat them on Sunday but we could have them on any other day of the week too. \r
\r
Cooking???\r
-English work out how many people there are for dinner and then cook for that many people each day.\r
-Indians work out how many people there are for dinner and then MULTIPLY by 7 to cook to feed that many people for the week. You ever wondered why they have such big freezers?? \r
\r
Furniture???\r
English have 1 sofa set in their lounge, 1 table and 1 bed in each bedroom.\r
Indians???......go to an indian house and you\'ll think you\'ve walked into some bleedin furniture store. The typical lounge has at least 2 sofa sets, all multicoloured and covered in plastic. Any gaps are filled with stools and chairs. You\'ll have at least 2 coffee tables and the walls are covered with family portraits. Go up to the bedrooms and you\'ll find at least 2 double beds in each room and king size at that. I\'m sure if you look in some corner you\'ll find a matress or two. (All to accomodate the GUESTS they say.)\r
Look on top of the wardrobes and you\'ll find a pile of suitcases stacked to the ceiling, just don\'t look inside the wardrobe.\r
Have you ever seen a indian garage? Its supposed to be used to park their cars. What do indians use it for???.....to store all their junk thats what. They think it will come in handy one day.....maybe when their kids get married. \r
\r
Family???\r
An english man\'s immediate family is his mother, his father, his brother, his sister, his sons and daughters. \r
\r
An indian man\'s immediate family is his mother, his father, his brother, his sister, his sons and daughters, his taya-ji, phuffar-ji, his mammi\'s bhua\'s massis\'s chacha\'s sons, his paindoo\'s from India that his never met before, and every indian is his Uncle-ji, Aunty-ji, pah-ji or phen-ji.\r
','','',2,'Mon Jun 23, 2003 12:55:20',1056347720,'Kalwant Singh',''),
(16,'You are a Desi If ...','You are a Desi If ...\r
You might be a desi if, you have a bucket in your bath tub.\r
You might be a desi if, you use grocery bags as garbage bags.\r
You might be a desi if, you talk to Americans as if you represent your whole country.\r
You might be a desi if, you are compelled to visit ever major city in US, just so as to say that "Yes I have been there"\r
You might be a desi if, you know all the $1.50 theaters in your city.\r
You might be a desi if, you frequent to yard sales every week.\r
You might be a desi if, you decide to marry a girl/guy that your parents fixed you up with.\r
You might be a desi if, you have taken pictures of your car and mailed to your folks back home.\r
You might be a desi if, you know all of your friends salary.\r
You might be a desi if, you tried to talk in a phony accent with the freshie in the school.\r
You might be a desi if, there are more that 4 guys living in a 2-bedroom apartment.','','','','Tue Jul 08, 2003 11:39:00',1057657140,'Kalwant Singh',''),
(17,'Free Bees','Banta Singh rushed back angrily to the grocery shop from where he had purchased a packet of butter few minutes ago.\r
"Where is my free gift?" he shouted at the shop keeper.\r
"But Sir, there is no free gift on the purchase of butter." Shopkeeper answered politely.\r
"Dont fool me," replied Banta, "it is clearly written on the packet of the butter \'cholesterol free\'." ','','','','Tue Jul 08, 2003 11:46:26',1057657586,'Kalwant Singh',''),
(18,'Job Interview: Sardarji','While taking the interview...\r
The Employer: \'How long did you work during your last job.\'\r
Sardarji: \'30 years.\'\r
The Employer: \'What\'s your age?\r
Sardarji: \'20 Years.\'\r
The Employer(with surprise): How it is possible that you are 20 and have a experience of 30 years.\r
Sardarji: \'Overtime.\'\r
','','',1,'Tue Jul 08, 2003 11:49:49',1057657789,'Kalwant Singh',''),
(19,'Sardarji and a Barber','Once a Sardarji was travelling in a train. He felt sleepy so he gave the guy sitting opposite him on the train 20 bucks to wake him up when the station arrived.\r
This guy was a barber, and he felt that for 20 bucks, the Sardar ji deserved more service.\r
When the Sardar ji fell asleep, the barber quietly shaved off his beard. When the station arrived, the Sardarji was called and he went home.\r
Reaching home, he went to wash his face, and suddenly screamed.\r
Said his wife "What\'s the matter?"\r
Sardarji replied " The cheat on the train has taken my 20 bucks and woke up someone else." \r
','','','','Tue Jul 08, 2003 11:55:26',1057658126,'Kalwant Singh',''),
(20,'Sardarji on Train','Once a sardarji was travelling by train. It was high summer & the climate was too hot.\r
At a station came a handy-fan seller & entered the Sardar`s bogie.\r
All the passengers in the Sardar`s bogie bought the handy-fan but till the next station everyone`s fan-feathers fell off except for the Sardar`s.\r
All the passengers astonishingly asked him how did he manage to keep it fresh as before.\r
The Sardarji cooly answered,"Oye, pankha muhke aage rakh aur sirf teri mundi hilaa."\r
"(Hey, keep the fan in front of your face, and only move your head.)"\r
','','','','Tue Jul 08, 2003 11:57:03',1057658223,'Kalwant Singh',''),
(21,'Appontment Letter from Amrika','Appontment Letter from Amrika\r
Santa Singh sent his bio data to America to apply for a post in Microsoft.\r
A few days later he got this reply:-\r
"Dear Mr. Singh,\r
You do not meet our requirements. Please do not send any further correspondence.\r
No phone call shall be entertained.\r
Thanks"\r
Santa Singh jumped with joy on receiving this reply.\r
\r
He arranged a party and when all the guests had come, \r
he said "Bhaiyon aur Behno, aap ko jaan kar Khushi hogee ki mujhay Amrika mein Naukri Mil Gayee hai."\r
Everyone was delighted. Santa Singh continued, "Ab main aap sab ko apnaa Appointment Letter padkar sunaongaa, par letter English main hai Isliyen saath-saath Hindi main Translate bhee kartaa jaongaa."\r
" Dear Mr. Singh ----- pyare singh sahab\r
You do not meet ---- aap to miltay hee naheen ho\r
our requirement ---- humko to zaroorat hai\r
Please do not send any furthur correspondence ---- ab letter vetter bhejnay kee zaroorat nahee hai.\r
No phone call ---- phone vone kee bhee zaroorat nahee hai\r
shall be entertained ---- bahut khaatir kee jayegi.\r
Thanks ---- aapkaa bahut bahut shukriya" \r
','','','','Wed Jul 09, 2003 04:16:25',1057716985,'Kalwant Singh',''),
(22,'Desi @ American Campus speaking English Dialogues','Desi @ American Campus speaking English Dialogues\r
Galatfehmi ka shikar hona: to be hunted down by misunderstanding.\r
Izzat ko mitti me milana: To mix one\'s honor in mud\r
Meri izzat ki naak cut gayee: My honors\' nose has been chopped off\r
Kiske saath moonh kaala kiya?: Who have you blackened your face with?\r
naak mein dum karna: to strengthen the nostrils\r
heard in kitchen: No, No I don\'t need chair i can stand eating\r
"Do not smoke and spoil the botany of ur body"\r
"Why are you naat filupping the blanks ?"\r
Advice to father thinking about whether he should let his daughter continue her studies or get her married: "Vell, if you wantu study her, then study her. If you wantu marry her, then marry her."\r
Prof to students hanging around the corridors during exams: "Do not revolve in the corridors in front of the examinations"\r
An instructor explaining the working of pendulum: "Take an elephant of negligible weight"\r
Instructor: "Take a copper wire of any metal...and pour a liquid solution of sulphuric acid in a round bottom flask of any shape.. "\r
A gardener scolding three kids : "Both of u three, don\'t under-stand the tree"!!\r
"Open the windows, open the windows, let the climate come in"\r
"Open the doors of the window, and let the atmosphere come in "\r
"You three, both of you kneel down together separately"\r
"Louly hair cutting. Hair cutting, current drying. No shock."\r
"Florida paan shop. Prop: Raju . B.A, M.A."\r
"Repeat again please!"\r
"Mistake became wrong!"','','',2,'Wed Jul 09, 2003 04:25:46',1057717546,'Kalwant Singh',''),
(23,'Aisa Husband ya Boyfriend Ho!!!','6\'-6\'2" jiski height ho,\r
jeans dheeli magar body tight ho,\r
biwi ka har nakhra uthaye itna mizaaj uska light ho\r
husband apna aisa bright ho\r
\r
Uff tak na kare itna quiet ho\r
dinner banaye wo jab bhi romantic night ho\r
shopping karke jab bhi aaoon to bole, \r
Ê begum, tum kitni nice ho\r
husband apna aisa bright ho\r
\r
Mujhe rani bana kar rakkhe to phir zindagi delight ho\r
saas sassur ke samne jo kahe, Ê meri jaan tum hamesha right ho\r
hamesha jo haar maan jaye, jab bhi kabhi hamari fight ho\r
husband apna aisa bright ho\r
\r
Jahan chahoon jaaoon, jo chahoon karoon, kuchh is tarah ki life ho,\r
har doosre week ghoomne phirne ki flight ho,\r
aisa ho jaye to main udoon neelay aasman mein jaise ke udti kite ho,\r
husband apna aisa bright ho\r
','','',4,'Wed Jul 09, 2003 04:28:21',1057717701,'Kalwant Singh',''),
(24,'Driving Style in India','Driving Styles!\r
One hand on steering wheel, one hand out of window. - Sydney\r
One hand on steering wheel, one hand on horn - Japan\r
One hand on steering wheel, one hand on newspaper, foot solidly on accelerator... - Boston\r
Both hands on steering wheel, eyes shut, both feet on brake, quivering in terror - New York\r
Both hands in air, gesturing, both feet on accelerator, head turned to talk to someone in back seat - Italy\r
One hand on horn,\r
one hand greeting,\r
one ear on cell phone,\r
one ear listening to loud music,\r
foot on accelerator,\r
eyes on female pedestrians,\r
conversation with someone in next car - Welcome to India! ','','','','Wed Jul 09, 2003 04:32:48',1057717968,'Kalwant Singh',''),
(25,'AN INDIAN GUIDE ON HOW TO FALL OUT OF LOVE!','1. Look at her through a bottle of Smirnoff. \r
2. Take your kid brother and pet dog with you on your next date. \r
3. Get yourself photographed in a saree. Send her the photo, anonymously. \r
4. The next time you think of her, recite the Hanuman Chalisa. Repeat seven times for permanent results. \r
5. Recite the lyrics of Eir Bir Phatte whenever you meet her. \r
6. Ask her if she believes in pre-marital sex. \r
7. Stare at the negative of her photo for ten minutes for three days. \r
8. Tell her how AIDS is not such a dangerous disease, after all. \r
9. On Valentines Day, send her a short note on "The 76 causes for the degeneration of Indian society". \r
10. Go fall in love with another girl. ','','',4,'Wed Jul 09, 2003 04:35:58',1057718158,'Kalwant Singh',''),
(26,'We INdians!','Bengali\r
One Bengali is a poet\r
Two Bengalis is a film society\r
Three Bengalis is a political party\r
Four Bengalis is two political parties\r
\r
Bihari\r
One Bihari is Laloo Prasad Yadav\r
Two Biharis is a booth-capturing squad\r
Three Biharis is a caste killing\r
Four Biharis is the entire literate population of Patna\r
\r
Punjabi\r
One Punjabi is a 100 kg hulk named Pinky\r
Two Punjabis is a Pinky with his bigger brother Twinky\r
Three Punjabis is an assault on the McAloo Tikkis at the local McDonalds\r
Four Punjabis is a combined IQ equal to one\r
\r
Mallu\r
One Mallu is a coconut stall\r
Two Mallus is a boat race\r
Three Mallus is a Gulf job racket\r
Four Mallus is an oil slick\r
\r
UP Bhaiyya\r
One UP bhaiyya is a milkman\r
Two UP bhaiyyas is a halwai shop\r
Three UP bhaiyyas is a fist-fight in the UP assembly\r
Four UP bhaiyyas is a mosque-destruction squad\r
\r
Gujju\r
One Gujju is a share-broker in a Bombay train\r
Two Gujjus is a rummy game in a Bombay train\r
Three Gujjus is Bombay\'s noisiest restaurant\r
Four Gujjus is a stock market scam','','',1,'Wed Jul 09, 2003 05:09:17',1057720157,'Kalwant Singh',''),
(27,'an Aarti for "Computer Baba"','an Aarti for "Computer Baba"\r
Om Jai Computer Baba,\r
Swami Jai Computer Baba\r
Client logon ke sankat\r
Tu hi door karta. !!Om!!\r
H1 Tune Dilaya,\r
US Tune Pahunchaya.\r
Sunneyvale Ho Ya Fremont,\r
"ABCD" Har Jagah Hi Paya. !!Om!!\r
Oracle Ho Ya Sybase,\r
Sabka Beda Paar Ho Jata.\r
Programmer Ho Ya DBA,\r
Koi Waapis Na Ja Pata. !!Om!!\r
Tujh Bin Calculation Na Howe,\r
Tujh Bin Program Na Howe,\r
Tujh Bin Kuchh Na Ho Pata,\r
Swaami "CORE DUMP" Nahin Jata. !!Om!!\r
Yeh Computer Baba Ki Aarti\r
Jo Koi Nar Gata,\r
Uska H1 Bhi Jaldi Se\r
"HARA PATTA" Ban Jata. !!Om!!','','','','Wed Jul 09, 2003 05:17:57',1057720677,'Kalwant Singh',''),
(28,'Kaho na, pyaar hai!','Kaho na, pyaar hai!\r
Kyon chalti hai pawan, Because of evaporation.\r
\r
Kyon jhoome hai gagan, Because of earth\'s revolution.\r
\r
Kyon machalta hai mann, Because of excessive respiration.\r
\r
Na tum jaano na hum. But I just gave all the reasons!\r
\r
Kyon aati hai bahaar, Because of a change in season,\r
\r
Kyon lutata hai karaar, Because of mental tension.\r
\r
Kyon hota hai pyaar, Because of opposites attraction.\r
\r
Na tum jaano na hum. Like I said, these are all science phenomenon!\r
\r
Kyon gum hai har disha, Because you have a poor sense of direction.\r
\r
Kyon hota hai nasha, Because of drug addiction.\r
\r
Kyon aata hai maz! aa, But science gives us all the information.\r
\r
Na tum jaano na hum. I did my best to explain.\r
','','',3,'Wed Jul 09, 2003 05:20:52',1057720852,'Kalwant Singh',''),
(29,'SHAADI aur Bollywood!','SHAADI aur Bollywood!\r
Here is some warning given out in good faith!\r
\r
Shaadi ke pehle - Agar Tum Na Hote:( \r
Shaadi ke baad - Agar Tum Na Hote:) \r
\r
Shaadi ke pehle - Maine Pyar Kiya \r
Shaadi ke baad - Ye Maine Kya Kiya? \r
\r
Shaadi ke pehle - Kuch Kuch Hota Hai \r
Shaadi ke baad - Kuch Nahi Hota Hai \r
\r
Shaadi ke pehle - Dil To Pagal Hai \r
Shaadi ke baad - Dil To Pagal Tha \r
\r
Shaadi ke pehle - Ek Duje Ke Liye \r
Shaadi ke baad - Sirf Bachcho Ke Liye \r
\r
Shaadi ke pehle - Dilwale Dulhaniya Le Jayenge \r
Shaadi ke baad - Baaki Log Sukhi Ho Jayenge \r
\r
Shaadi ke pehle - Chandramukhi \r
Shaadi ke baad - Jwaalamukhi \r
\r
Shaadi ke pehle - Kuwara Baap \r
Shaadi ke baad - Bechara Baap \r
\r
Shaadi ke pehle - Titanic \r
Shaadi ke baad - Mortgage \r
\r
Shaadi ke pehle - Hum Aapke Hai Koun? \r
Shaadi ke baad - Barbadi Ka Kaaran \r
\r
Shaadi ke pehle - Yes Boss:) \r
Shaadi ke baad - Yes Boss:( \r
\r
Shaadi ke pehle - Mere Sapno Ki Rani \r
Shaadi ke baad - Chutki Ki Amma \r
\r
Shaadi ke pehle - Kabhi Kabhi \r
Shaadi ke baad - If you are lucky \r
\r
Shaadi ke pehle - Aao Pyar Karen \r
Shaadi ke baad - Aur Bhi Kuch Kaam Karen? \r
\r
Shaadi se pehle - Biviho to es\r
Shaadi ke baad - Bivi hai kesi ? \r
\r
Shaadi se pehle - Hero No. 1\r
Shaadi ke baad - Cooli No. 1 ','','',2,'Wed Jul 09, 2003 05:33:40',1057721620,'Kalwant Singh',''),
(32,'South Indian Name..','Name..\r
Once it so happened in a flight that, James bond was sitting besides a Telugu guy..\r
Both were traveling to US.\r
Telugu Guy : "Hello, May I know ur name please?"\r
James Bond : "I am Bond.. James Bond."\r
James Bond: "and you?"\r
Telugu Guy : "I am Sai... Venkata Sai... Siva Venkata Sai...Laxminarayana Siva Venkata Sai.... Srinivasula Laxminarayana\r
Siva Venkata Sai...Rajasekhara Srinivasula Laxminarayana Siva Venkata Sai...Sitaramanjaneyula Rajasekhara Srinivasula Laxminarayana Siva Venkata Sai ...Bommiraju Sitaramanjaneyula Rajasekhara Srinivasula Laxminarayana Siva Venkata Sai.."\r
\r
James Bond FAINTS. ','2',1,2,'Wed Jul 09, 2003 06:07:27',1057723647,'Kalwant Singh','2');
# --------------------------------------------------------
#
# Tabel structuur voor tabel `jokes_ip`
#
DROP TABLE IF EXISTS `jokes_ip`;
CREATE TABLE `jokes_ip` (
`ID` bigint(20) NOT NULL auto_increment,
`IP` varchar(60) NOT NULL default '',
`EntryID` bigint(20) NOT NULL default '0',
PRIMARY KEY (`ID`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `jokes_ip`
#
INSERT INTO `jokes_ip` (`ID`, `IP`, `EntryID`) VALUES (1,'202.155.84.14',5),
(2,'202.9.165.152',32);
# --------------------------------------------------------
#
# Tabel structuur voor tabel `php4u_bookmarks`
#
DROP TABLE IF EXISTS `php4u_bookmarks`;
CREATE TABLE `php4u_bookmarks` (
`id` int(10) unsigned NOT NULL auto_increment,
`dbase` varchar(128) NOT NULL default '',
`user` varchar(128) NOT NULL default '',
`label` varchar(128) NOT NULL default '',
`query` text NOT NULL,
PRIMARY KEY (`id`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `php4u_bookmarks`
#
# --------------------------------------------------------
#
# Tabel structuur voor tabel `ringtones`
#
DROP TABLE IF EXISTS `ringtones`;
CREATE TABLE `ringtones` (
`EntryID` bigint(21) NOT NULL auto_increment,
`title` varchar(60) NOT NULL default '',
`body` longtext NOT NULL,
`CMS_tsubmit` varchar(255) NOT NULL default '',
`CMS_author` varchar(255) NOT NULL default '',
PRIMARY KEY (`EntryID`)
) TYPE=MyISAM;
#
# Gegevens worden uitgevoerd voor tabel `ringtones`
#
INSERT INTO `ringtones` (`EntryID`, `title`, `body`, `CMS_tsubmit`, `CMS_author`) VALUES (47,'Ankhein - Title Song',' \r
(Tempo 100 Bmps)\r
\r
2*, 39, 488, 3, (hold 2)8, 399, (hold 7)9**, 28*, 39, 488, 3, \r
(hold 2)8, 3999, (hold 6)888**,0, 69, 7, 2*, 0, 08, (hold 6)8**, \r
69, 7, 2*, 08, (hold 4), (hold 4)8, 399, 0, (hold 6)88**, 69, 7, \r
2*, 0, 08, (hold 6)8**, 69, 7, 2*, 08, (hold 4), (hold 4)8, 3999, \r
28, 39, 488, 3, (hold 2)8, 399, (hold 7)9** \r
','Sun Jun 29, 2003 10:34:00','Kalwant Singh'),
(48,'Ankhein - Gustakhian','Ankhein - Gustakhian \r
Tempo 125 \r
\r
4c1 8g1 8f1 4g1 8f1 8#d1 4f1 8#d1 8d1 4#d1 8d1 4.c1 8g1 8f1 \r
8g1 8f1 8d1 8#d1 1f1 4c1 8g1 8f1 4g1 8f1 8#d1 4f1 8#d1 8d1 \r
4#d1 8d1 4.c1 8g1 8f1 8g1 8f1 8d1 8#d1 1f1 \r
\r
','Sun Jun 29, 2003 10:34:41','Kalwant Singh'),
(49,'Ankhein - Pathela Jaib','Ankhein - Pathela Jaib \r
Tempo 200 \r
\r
\r
\r
8a, 8a, 8a, 2a, a, a, 32a#., b, a, 8p, a, 8a, a, a, a, a, 32a#., \r
b, a, 8c#.6, c#6, 8c#6, b, p, 8c#.6, c#6, 8c#6, b, p, 8a, b, 8a, \r
b, c#6, a, a, 2a, a, e6, d6, b, a, a, 2g, g, g, 2a, b, b, 2a \r
\r
','Sun Jun 29, 2003 10:34:54','Kalwant Singh'),
(50,'Akhon Se Goli Maare Hai','Akhon Se Goli Maare Hai\r
Aakkh Jo Tujhse Lar Gayi Re \r
(Tempo 100 bmp) Key presses \r
\r
38, 6, 68, 6, 7, 6, 59#, 6, 7, 1*, 6**, 7, 2*, 18, 2, 1, 7**, 699, \r
(hold 6)8, 3*, 2, 18, 49, 3, 2, 1, 7**, 68, 1*, 7**, 5, 4, 39, 3, 6, \r
6, 7, 6, 59, 58, 1*, 1, 7**, 6, 68, 1*, 7**, 5, 4, (hold 3) \r
','Sun Jun 29, 2003 10:39:00','Kalwant Singh'),
(51,'Akhon Se Goli Maare Hai','Akhon Se Goli Maare Hai\r
Aakkh Jo Tujhse Lar Gayi Re \r
(Tempo 100 bmp) Key presses \r
\r
38, 6, 68, 6, 7, 6, 59#, 6, 7, 1*, 6**, 7, 2*, 18, 2, 1, 7**, 699, \r
(hold 6)8, 3*, 2, 18, 49, 3, 2, 1, 7**, 68, 1*, 7**, 5, 4, 39, 3, 6, \r
6, 7, 6, 59, 58, 1*, 1, 7**, 6, 68, 1*, 7**, 5, 4, (hold 3) \r
','Sun Jun 29, 2003 10:39:31','Kalwant Singh'),
(52,'Akkh Jo Tujhse Lad Gayi','Akkh Jo Tujhse Lad Gayi \r
Tempo: 160bpm\r
8f.1 4a#1 16a#.1 8a#1 8c2 16a#.1 8a.1 8a#.1 8c.2 16a#.1 4c#2 8a#.1 4c2 \r
8a#1 4d#2 8c#2 8d#2 4c#2 4a#.1 4a#1 16f.2 8d#.2 4f2 8d#2 8c#2 8d#.2 \r
16c#.2 2f#2 4f2 8d#.2 4c#.2 8a#1 8c#2 8c2 8a#.1 8f.1 8f.1 8a#.1 8a#.1 \r
8c.2 4a#1 2g#1 8g#.1 8c#.2 8c#.2 4c2 8a#.1 16a#.1 8c#.2 32c2 16a#1 \r
16g#.1 8f#1\r
','Sun Jun 29, 2003 10:40:04','Kalwant Singh'),
(53,'Gore Tan Se Sarakta Jai','Gore Tan Se Sarakta Jai \r
Key presses \r
\r
288#, 2#, 29*#, 2#, 28**#, 1#, 2#, 4, 28*#, 1#, 299#, 188#, 2#, 19#, \r
(hold 7)8**, (hold 6)99#, 28*#, 2#, 29#, 2#, 28#, 1#, 2#, 4, 2#, 19#, \r
7**, (hold 6)8#, (hold 5)#, (hold 6)#, (hold 7), (hold 6)#, (hold 6)9#, \r
(hold 6)8#, (hold 6)#, 19*#, 7**, 688#, 5#, 699#, (hold 5)#, \r
(hold 5)8#, (hold 5)#, (hold 6)#, (hold 7), (hold 6)#, (hold 6)9#, \r
(hold 6)8#, (hold 6)#, (hold 6)99# \r
\r
OR\r
\r
8e.3 4e3 4e3 8e.3 8d3 8e.3 4f#.3 8e.3 8d3 4d.3 2b2 8e.3 4e3 4e3 8e.3 \r
8d3 8e.3 8f#.3 8e.3 4d3 4c3 8b2 8a.2 8b.2 8c.3 8b.2 4b.2 8b.2 8b2 16c3 \r
2d3 4c3 32b2 16a.2 8b.2 4a2 8a.2 8a.2 8b.2 8c3 8b.2 2b2 8b.2 8b.2 2b.2\r
\r
','Sun Jun 29, 2003 10:40:25','Kalwant Singh'),
(54,'Akhiyon Se Goli Maare','Akhiyon Se Goli Maare\r
Jhumka Lagaake Naacho (Tempo 100)\r
\r
\r
(hold 5)88#, 59#, (hold 7)8, 19*#, 29#, 28#, 28#, 3, 2**#, 1*#, \r
79**, 78, 1*#, 19#, 7**, 5#, 5#, 6, 78, 1*#, 7**, 6, 59#, 5#, 1*#, \r
1#, 18, 1#, 1, (hold 6)**, 59#, 5#, 5#, 6, 78, 1*#, 7**, (hold 6),\r
59#, (hold 5)#, 599#\r
\r
','Sun Jun 29, 2003 10:40:41','Kalwant Singh'),
(55,'Akhiyon Se Goli Maare','Akhiyon Se Goli Maare\r
Jhumka Lagaake Naacho (Tempo 100)\r
\r
\r
(hold 5)88#, 59#, (hold 7)8, 19*#, 29#, 28#, 28#, 3, 2**#, 1*#, \r
79**, 78, 1*#, 19#, 7**, 5#, 5#, 6, 78, 1*#, 7**, 6, 59#, 5#, 1*#, \r
1#, 18, 1#, 1, (hold 6)**, 59#, 5#, 5#, 6, 78, 1*#, 7**, (hold 6),\r
59#, (hold 5)#, 599#\r
','Sun Jun 29, 2003 10:40:59','Kalwant Singh'),
(56,'Ladka Mud Mud Ke','Ladka Mud Mud Ke \r
Tempo: 180bpm\r
\r
8b.3 8d3 8d.3 4d3 4d3 4d3 4e3 4f#3 16d.3 4e.3 16c#.3 4d3 8c#3 8b2 4b2 \r
2b2 16b2 8a2 2a2 4d3 16c#3 8b.2 16b.2 8a2 8a.2 2a2 8b.2 32a2 16g.2 8a.2 \r
8g2 2g2\r
\r
','Sun Jun 29, 2003 10:41:14','Kalwant Singh'),
(57,'Aap Mujhe Ache Lagne Lage','Aap Mujhe Ache Lagne Lage\r
Titel Song \r
(Tempo 63 Bmps) (Key presses)\r
\r
\r
18**#, 38, 299#, 78**, 28*#, 199#, 188#, 39, 29#, 78**, 28*#, 199#, \r
188#, 7**, 69#, 79, 788, 6, 59#, 69, 688, 5#, 39, 69, 588#, 499#, 188#, \r
499#, 588#, 69, 4#, 29*, 188#, 7**, 699, 288*, 199#, 18#, 79**, 688, \r
59#, 5#, 79, 58#, 69, 588#, 499# \r
\r
','Sun Jun 29, 2003 10:41:29','Kalwant Singh'),
(58,'Awara Pagal Dewana','Awara Pagal Dewana\r
Title Song \r
(Tempo 180 Bmp) Key presses \r
\r
\r
3**, 2, 1, 3, 2, 1, 7**, 1*, 2, 1, 7**, 2*, 1, 7**, 6, 7, 1*, 7**, 6, \r
1*, 7**, 6, (hold 7), 68, (hold 5)99#, 0, 688, 6, (hold 6)99, 388, 3, \r
(hold 3)99, 0, 588, 5, (hold 5)99, 288, (hold 2)99, 08, (hold 1), 38, \r
(hold 7)9**, 38*, (hold 6)9** \r
','Sun Jun 29, 2003 10:41:48','Kalwant Singh'),
(59,'Awara Paagal Deewana','Awara Paagal Deewana\r
Jise Hasna Rona Hain \r
(Tempo 125)\r
\r
688#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 19#, 48, 5#, 29#, 28#, 2#, \r
2999#, 6888#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 1999#, 4888, 29#, \r
28#, 2#, 2999#, 6888#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 1999#, \r
4888, 29#, 28#, 2#, 2999#\r
','Sun Jun 29, 2003 10:42:04','Kalwant Singh'),
(60,'Awara Paagal Deewana','Awara Paagal Deewana\r
Jise Hasna Rona Hain \r
(Tempo 125)\r
\r
688#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 19#, 48, 5#, 29#, 28#, 2#, \r
2999#, 6888#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 1999#, 4888, 29#, \r
28#, 2#, 2999#, 6888#, 6#, 59#, 6#, 5#, 4, 58#, 4, 2#, 1999#, \r
4888, 29#, 28#, 2#, 2999#\r
\r
','Sun Jun 29, 2003 10:42:19','Kalwant Singh'),
(61,'Nighaon Mein Ho Tum - Bharat Bhagya Vidhata','Bharat Bhagya Vidhata:\r
Nighaon Mein Ho Tum \r
\r
Nokia: \r
Tempo: 100bpm\r
8#c2 8d2 8#c2 8b1 8a1 4#c2 8- 4#c2 8- 4#c2 4- 16- 8#c2 8d2 8#c2 8b1 8a1 \r
4b1 8- 4b1 8- 4b1 4- 16- 8b1 8#c2 8b1 8a1 8#g1 8#f1 4#g1 4.#f1 2#f1 4#f1 \r
4b1 4#c2 4.a1 4.a1 2b1 4#f1 4b1 4#c2 4.a1 4.a1 4.a1\r
','Sun Jun 29, 2003 10:43:10','Kalwant Singh'),
(62,'Atee Atee - Chori Chori','Chori Chori\r
Atee Atee (Tempo 100 Bmps)\r
\r
\r
(hold 3)8*, (hold 3), 399, 588#, 6, (hold 4)#, 499#, 188#, 2#, (hold 3), \r
(hold 5)#, 6, (hold 4)#, (hold 1)#, 2#, 399, 588#, 6#, (hold 7), 799, \r
688#, 7, 58#, 69#, (hold 6)#, 599#, 588#, 6#, (hold 7), 799, 688#, 7, 58#, \r
69#, (hold 6)#, 599#, 588#, 4#, (hold 6)#, (hold 6)#, 1*#, (hold 6)**#, \r
(hold 5)#, 4#, 69# \r
\r
OR \r
\r
8e.6, 8e.6, 2e6, 8g#6, 8a6, 8f#.6, 2f#6, 8c#6, 8d#6, 8e.6, 8g#.6, 8a6, \r
8f#.6, 8c#.6, 8d#6, 2e6, 8g#6, 8a#6, 8b.6, 2b6, 8a#6, 8b6, 16g#6, 8a#6, \r
8a#.6, 2g#6, 8g#6, 8a#6, 8b.6, 2b6, 8a#6, 8b6, 16g#6, 8a#6, 8a#.6, 2g#6, \r
8g#6, 8f#6, 8a#.6, 8a#.6, 8c#7, 8a#.6, 8g#.6, 8f#6, a#6\r
\r
','Sun Jun 29, 2003 10:43:40','Kalwant Singh'),
(63,'Kahna Hai - Chori Chori','Kahna Hai (Tempo 90 Bmps)\r
\r
8d#, 8d, 8d#., 2g, 8g, 8g#, 8f., 8g#., 8g, g, 8g, 8g#, 8c.6, 8c.6, 8c6, \r
8c.6, 8d#.6, 8d6, 8a#, 8a, 2a#, 8g, 8g#, 8c.6, 8c.6, 8c6, 8c.6, 8d#.6, \r
8d6, 8a#, 8a, 2a#, 8d#6, 8c6, 8a., 8a., 8a, 8f., 8g#., 8g, 2g\r
\r
OR\r
\r
28#, 2, (hold 2)#, 599, 588, 5#, (hold 4), (hold 5)#, 5, 59, 58, 5#, \r
(hold 1)*, (hold 1), 1, (hold 1), (hold 2)#, 2, 6**#, 6, 699#, 588, 5#, \r
(hold 1)*, (hold 1), 1, (hold 1), (hold 2)#, 2, 6**#, 6, 699#, 288*#, 1, \r
(hold 6)**, (hold 6), 6, (hold 4), (hold 5)#, 5, 599 \r
','Sun Jun 29, 2003 10:44:01','Kalwant Singh'),
(64,'Aja Re Tu - Company','Company \r
Aja Re Tu (Tempo 124)\r
(Keypresses) \r
28*, 2#, (hold 3)9, (hold 2)#, 28, 2#, (hold 2)9, (hold 1)#, 28, 2#, \r
(hold 3)9, (hold 2)#, 28, 2#, (hold 2)9, (hold 1)#, 28, 5, (hold 2)9, \r
09, 48, 4#, (hold 5)9, (hold 4)#, 48, 4#, (hold 4)9, (hold 3), 48, 4#, \r
(hold 5)9, (hold 4)#, 48, 4#, (hold 4)9, (hold 3), 48, 6#, (hold 4)9 \r
\r
Composer Notes \r
8d6 8d#6 e.6 d#.6 8d6 8d#6 d.6 c#.6 8d6 8d#6 e.6 d#.6 8d6 \r
8d#6 d.6 c#.6 8d6 8g6 d.6 2p6 8f6 8f#6 g.6 f#.6 8f6 8f#6 \r
f.6 e.6 8f6 8f#6 g.6 f#.6 8f6 8f#6 f.6 e.6 8f6 8a#6 f.6\r
','Sun Jun 29, 2003 10:44:22','Kalwant Singh'),
(65,'Khallas - Company','Company\r
Khallas (Tempo 125)\r
\r
\r
16g1, 8a1, 16g1, 8a1, 8a1, 8.d2, 8.#c2, 8#a1, 16g1, 8a1, 16g1, 8a1, \r
8d2, 2#c2, 16g1, 8a1, 16g1, 8a1, 8a1, 8.d2, 8.#c2, 8#a1, 16g1, 8a1, \r
16g1, 8a1, 8d2, 2#c2, 4.a1, 8#a1, 4.a1, 8#a1, 4a1, 8#a1, 4a1, 4g1, \r
2a1, 4-, 4g1, 2a1 \r
\r
','Sun Jun 29, 2003 10:44:36','Kalwant Singh'),
(66,'Tumse Kitna Pyaar - Company','Company\r
Tumse Kitna Pyaar Tempo: 140bpm\r
Keypresses \r
5, 6, 6#, 2, (hold 1), 6#, 6, 6888, 688, 5, 4, 5, 4, 2, 6, 5, 5, 59, \r
2, 2, 2, 2, 2, 2#, 2, 2#, 2, 1, (hold 2)888, (hold 1), 6999#, \r
(hold 1)888, (hold 2)999, (hold 2), 2, 2, 2, 2, 2#, 2, 2#, 2, 1, 288, \r
1, 699#, 6, 6, 6, 6, 6, 6#, 6, 5, 4\r
\r
OR\r
4#f2 8#g2 4a2 4#c3 4#g2 8a2 8#g2 8#f2 2e2 4#c2 4c2 8#c2 4c2 4a2 4#g2 8#f2 \r
2#f2 2#c3 4#c3 4d3 8#c3 8#c3 8#g2 8a2 8#g2 8#c3 2#c3 4#c3 2#c3 4d3 8#c2 \r
4a2 4#g2 8#g2 4#g2 4#g2 4a2 8#g2 4#f2 8#f2 4#c2\r
','Sun Jun 29, 2003 10:45:00','Kalwant Singh'),
(67,'Ganda Hai Par - Company','Company\r
Ganda Hai Par Dhanda Hai \r
Tempo 112 \r
\r
\r
16f3 8#g1 32a1 8- 16a1 8- 16#a1 8#a1 8g1 32#a1 2- 32#a3 4- 16#a1 8- 16#a1 \r
8#a1 8#g1 32#a1 4- 32#a3 4- 16a1 8- 16#a1 8#a1 8#g1 32#a1 4- 32#a3 2- 16f3 \r
8#g1 32#a1 8- 8#a1 8#a1 8#a1 16#a1 16#g1 8#a1 8#a1 8#a1 8#a3 4- 32#a3 \r
2- 32#a3','Sun Jun 29, 2003 10:45:22','Kalwant Singh'),
(68,'Pyar Pyar Pyar Mein - Company','Company\r
Pyar Pyar Pyar Mein \r
(Tempo 100)\r
\r
4g2, 16#a2, 8#a2, 8#a2, 8#f2, 8g2, 8a2, 8#f2, 8a2, 8a2, 8g2, \r
8#f2, 8e2, 8#f2, 8.g2, 8.#a1, 16#a1, 8.g1, 16g1, 8.#d1, 16d1, \r
8f1, 16#d1, 16f1, 8g1, 2d1, 8.#a1, 16#a1, 8.g1, 16g1, 8.#d1, \r
16d1, 8f1, 16#d1, 16f1, 4g1\r
\r
','Sun Jun 29, 2003 10:45:42','Kalwant Singh'),
(69,'Aa Pyar Karein - CIL','Chalo Ishq Laraein \r
Aa Pyar Karein \r
(Tempo 160 bmps) \r
\r
\r
48**#, 088, 49#, (hold 2)8, 08, 399, 088, 08888, 488#, 088, (hold 4)#, \r
08, 29, (hold 5)88, 0, (hold 4)99#, 088, 0888, 48#, 088, 49#, (hold 2)8, \r
08, 3, 088, 2, 49#, 088, 0888, 48#, 08, (hold 4)#, 08, 2, 08, 088, 5, \r
088, (hold 4)9#\r
\r
','Sun Jun 29, 2003 10:46:02','Kalwant Singh'),
(70,'Tujh Ko Hi Dulhan - CIL','Chalo Ishq Laraein\r
Tujh Ko Hi Dulhan \r
(Tempo 160 bmps) \r
\r
(hold 2)88*, 5999, 0888, 58, (hold 6)#, (hold 6)88, (hold 5), (hold 6)99, \r
5888, 499999, (hold 6)8, 1*, 6888**, 69#, (hold 6)8, 599, 088, 188*, \r
(hold 7)**, 1*, 7**, 6, 7, 59, (hold 2)9, 59, 0888, 5888, (hold 6)99#, 6, \r
(hold 5)88, 49999, 68, 1*, 68888**#, 69, 69#, (hold 6)8, 599, 088, 188*, \r
7**, 19*, 088, 6**\r
\r
','Sun Jun 29, 2003 10:46:20','Kalwant Singh'),
(71,'Ankhien Hain Teri - CMS','Chor Machaey Shor \r
Ankhien hain teri \r
(Tempo 125 bmps) \r
\r
1*#, 7**, 19*#, 188#, 79**, 19*#, 18#, 38, 19#, 6**, 18*#, 799**, 1888*#, \r
799**, 48#, 699, 188*#, 7**, 4#, 6, 799, 18*#, 79**, 1888*#, 799**, 48#, 699\r
','Sun Jun 29, 2003 10:46:34','Kalwant Singh'),
(72,'Chor Machaey Shor - Title Song','Chor Machaey Shor - Title Song \r
(Tempo 125 bmps) \r
\r
\r
68, 6, 78, 69, 5, 6, 7, 7, 7, 7, 28*, 19, 7**, 6, 6, 6, 78, 69, 5, 6, 7, \r
7, 7, 7, 28*, 19, 7**, 6, 6, 5, 69, 58, 79, 7, 78, 28*, 19, 7**, 69, 18*, \r
7**, 69, 58, 79, 7, 78, 28*, 19, 7**, (hold 6)99\r
\r
','Sun Jun 29, 2003 10:46:54','Kalwant Singh'),
(73,'Cher Gai Cher Gai - CMS','Chor Machaey Shor \r
Cher gai cher gai (Tempo 125 bmps)\r
\r
58, 58#, 6#, 59, 58#, 6#, 59, 58#, 6#, 59, 58#, 6#, 59, 58#, 6#, 49, 6#, \r
599, 18, 588#, 6#, 5999, 58, 48, 5, 5, 5, 4, 59, 58, 4, 6999#, 6888#, 5#, \r
6#, 6#, 6#, 5#, 6#, 6#, 5#, 5, 4, 599\r
\r
','Sun Jun 29, 2003 10:47:05','Kalwant Singh'),
(74,'Ishqana Ishqana - CMS','Chor Machaey Shor \r
Ishqan Ishqan (Tempo 125 bmps)\r
\r
\r
688, 6, 69, 7, 6, 5, 6, 79, 688, 7, 19*, 18, 1, 79**, 7, 6, 699, 6888, 69, \r
7, 6, 5, 6, 79, 688, 7, 19*, 18, 1, 79**, 7, 6, 69, 28*, 29, 2, 18#, 79**, \r
28*, 2, 29, 28, 1#, 79**, 688, 6, 69, 7, 6\r
\r
','Sun Jun 29, 2003 10:47:19','Kalwant Singh'),
(75,'Kaan Kay Nechay - CMS','Chor Machaey Shor \r
Kaan kay neechay (Tempo 140 bmps) \r
\r
6*#, 68#, 69#, (hold 6)8#, (hold 6)#, 6#, (hold 5), (hold 6), 7, 199*, 788**, \r
(hold 2)8*, (hold 1)9, 1#, (hold 7)**, 1*, (hold 7)8**, 29*, 1#, (hold 1)88, \r
(hold 1)9, 79**, 699#\r
','Sun Jun 29, 2003 10:47:53','Kalwant Singh'),
(76,'Pehan Ke Chola - CMS','Chor Machaey Shor \r
Pehan kay chola (Tempo 225 bmps) \r
\r
(hold 2)9*#, (hold 1)88#, (hold 1)8#, (hold 2)#, 799**, (hold 5)8#, (hold 6), \r
(hold 7), (hold 7)8, 699, 599#, (hold 3)888*, 39, (hold 1)88#, (hold 1)99#, \r
79**, (hold 7)88, (hold 1)88*#, (hold 5)999**#, 59#, (hold 7)88, (hold 2)8*#, \r
(hold 3), (hold 4)#, 599#, (hold 5)8#, 4#, (hold 2)8#, (hold 1)#, (hold 7)9**, \r
199*#, 1#, (hold 7)**, (hold 1)88*#, (hold 7)9**, 1*#, 6**, (hold 5)8#, (hold 6)8, \r
(hold 7)9, (hold 5)8#, 699, 58#, 699, 68, 58, 788, 6, (hold 7)99, (hold 5)99#, 78, 6, \r
(hold 4)8#, (hold 7), (hold 5)8#, 69999, (hold 7)8888, 699, 599#\r
','Sun Jun 29, 2003 10:48:42','Kalwant Singh'),
(77,'Dil Hay Tumhara Title Song','Dil Hay Tumhara \r
Dil Hay Tumhara Title Song\r
(Tempo 140 bmps) \r
\r
\r
78, 6#, 7, 2*, 799**, 788, 6#, 7, 2*, 799**, 78, (hold 2)*, 18, 79**, 7, 69, \r
48#, 58, (hold 6)99, 788, 69, 19*, 788**, 69, 3, 48#, (hold 4)#, 59, 2*, 3, \r
28, (hold 1)9, 79**\r
\r
','Sun Jun 29, 2003 10:48:59','Kalwant Singh'),
(78,'Kasam Kha Ke Kaho - DHT','Dil Hay Tumhara \r
Kasam kha ke kaho \r
(Tempo 112 bmps)\r
68, 7, 19*, 78**, 6, (hold 7)99, 688, 7, 19*, 78**, 6, (hold 7)99, 788, \r
1*, 29, 18, 7**, 6, 78, 6, 5999, 788, 1*, 29, 18, 7**, 6, 78, 6, (hold 5)999, \r
388, 6, 6, 7, 59, 48#, (hold 5)99, 288, 5, 5, 6, (hold 4), (hold 6), 4, 399\r
\r
OR\r
(Tempo 45 bpms)\r
32.a1 32b1 16.c2 32.b1 32.a1 4b1 32.a1 32b1 16.c2 32.b1 32.a1 4b1 32.c2 32.d2 \r
16.e2 32.d2 32.c2 16b1 4a1 32.d2 16.e2 32.d2 32.c2 16b1 4a1 32.#e1 32.a1 32.a1 \r
32.b1 8#g1 32.#g1 8.#g1 8#g1 32.e1 32.#g1 32.#g1 32.#a1 16g1 16a1 32.g1 \r
16#f1 8.#f1\r
','Sun Jun 29, 2003 10:53:25','Kalwant Singh'),
(79,'Dil Laga Liya Maine - DHT','Dil Hay Tumhara \r
Dil Laga Liya Maine \r
(Tempo 90 bpms)\r
8#c3 16#c3 32.#d3 16#c3 32.#d3 16.#d3 8.#d3 16#d3 16.f3 16.#f3 16#g3 32.#a3 \r
16#g3 4#f3 8f3 32.#d3 16f3 32.#d3 4#c3 16.#c3 16#f3 32.#f3 8f3 16.#d3 16.#d3 \r
16#d3 32.f3 16#d3 16#c3 16#c3 16.#f3 16.f3 16.#d3 16.#d3 16#d3 8.#d3 8#c3 \r
16.#c3 32.#d3 16#c3 32.#d3 8#d3 8.#d3 16#d3 16.f3 8#f3 32.#g3 16#a3 32.#g3 16.#f3','Sun Jun 29, 2003 10:53:50','Kalwant Singh'),
(80,'Mohabbat Dil Ka - DHT','Dil Hay Tumhara \r
Mohabbat dil ka \r
(Tempo 125 bmp) \r
\r
48#, 3, 49#, 08, 48#, 4#, 4#, 29*, 18#, 7**, 69, 78, 599, 588, 4#, 599, \r
588, 5, 5, 19*#, 78**, 6, 59, 68, 499#, 288*, 1#, 2, 39, 28, 1#, 79**, 18*#, \r
699**, 18*#, 18#, (hold 1)#, 79**, 18*#, 299\r
\r
','Sun Jun 29, 2003 10:54:05','Kalwant Singh'),
(81,'O Sahiba - DHT','Dil Hay Tumhara \r
O Sahiba \r
(Tempo 225 bmps) \r
\r
5*, 49, 28#, (hold 5)99, 18*, 6**#, 1*, (hold 6)9**#, 08, 088888, 2*, 18, \r
(hold 2)#, 2, (hold 1)9, (hold 2)8, 08888, 18, (hold 2)99#, 0, 088, 188, 29, \r
18, (hold 6)99**#\r
\r
','Sun Jun 29, 2003 10:54:24','Kalwant Singh'),
(82,'Pyar Se Pyare - Deewangee','Deewangee \r
Pyar Se Pyare \r
(Tempo 140 bmps) \r
(hold 2)*, 6, 088, 5, 0888, 6, (hold 4)8, 59, 288*, 08, \r
(hold 1)999#, 08, 0888, (hold 2)8**, 6, 088, 5, 6, 0888, 49, \r
(hold 6)88#, (hold 4), 399\r
\r
OR\r
8.#d2 8.#d2 8.#a2 8.#a2 4#g2 4.#a2 16.g2 16.g2 8.#g2 4d3 2.#c3 \r
16.#d2 4e2 16.#a2 16.b2 8.b2 16.#g2 16.#a2 4.b2 4g2 16.a2 16.a2 \r
16.#g2 8g2 8.#f2 8.#f2 2#f2\r
','Sun Jun 29, 2003 10:55:45','Kalwant Singh'),
(83,'Hay Ishq Khata - Deewangee','Deewangee \r
Hay Ishq Khata \r
Hindi:\r
(Tempo 140 bmps)\r
78, 6, (hold 1)8*, (hold 7)**, (hold 7)999, 788, 6, (hold 1)8*, \r
(hold 7)**, (hold 7)999, 288*#, 1, (hold 1)8#, (hold 7)**, \r
(hold 1)999*, 388, 7**, (hold 1)8*, (hold 7)**, 79999, 7888, 28*#, 49, \r
(hold 4)8, (hold 4), 2#, (hold 2), 1#, 79**, (hold 7), (hold 1)8*#, \r
199, (hold 1)8, 1999\r
\r
OR\r
\r
8b1 8a1 16.c2 16.b1 2.b1 8b1 8a1 16.c2 16.b1 2.b1 8#d2 8c2 16.#c2 \r
16.b1 2.c2 8e2 8b1 16.c2 16.b1 1b1 8b1 16#d2 8f2 16.f2 16.f2 16#d2 \r
16.d2 16#c2 8b1 8.b1 16.#c2 4c2 8.c2 1c2\r
\r
Hai Ishq Khatta - Version 2 \r
8c3 8#a2 16.#c3 16.c3 2.c3 8c3 8#a2 16.#c3 16.c3 2.c3 8e3 8#c3 \r
16.d3 16.c3 2.#c3 8f3 8c3 16.#c3 16.c3 2.c3 8c3 16e3 8#f3 16.#f3 \r
16.#f3 16e3 16.#d3 16d3 8c3 8.c3 16.d3 4#c3 8.#c3 1#c3','Sun Jun 29, 2003 10:56:16','Kalwant Singh'),
(84,'Bairi Piya - Devdas','Devdas\r
Bairi Piya \r
Nokia:\r
(Tempo 140 Bmp)\r
Keypresses \r
3*, 4, 78, (hold 6)99, 588#, 6, 5#, 4, 6, 5#, (hold 4)9, 39, 188, \r
3, 4, 3, 1, 3, 4, 3, 1, 3, 4, 3, 69, 6, 5#, 7, 7, 6, 3, 3, (hold 3), \r
38, 39, (hold 1)9*, 688**, 7, 1*, 39, 28, 38, (hold 4)8, (hold 3), \r
29, 1999 \r
\r
OR\r
\r
4e2 4f2 8b2 2.a2 8#g2 8a2 8#g2 8f2 8a2 8#g2 4.f2 2e2 8c2 8e2 8f2 \r
8e2 8c2 8e2 8f2 8e2 8c2 8e2 8f2 8e2 4a2 4a2 4#g2 4b2 4b2 4a2 4e2 \r
4e2 4.e2 8e2 4e2 2.c3 8a1 8b1 8c2 4e2 8d2 16e2 32.f2 32.e2 16d2 2c2','Sun Jun 29, 2003 10:57:22','Kalwant Singh'),
(85,'Maar Dala - Devdas','Devdas\r
Mar Dhala (Tempo 160 bmps)\r
2**, 28, 29, 2, 78**, (hold 2)99*, 188#, 29, 1#, 68**, 69, 19*#, \r
488**#, 5#, 6, 7, 29*, 28, 29, 2, 78**, (hold 2)99*, 188#, 29, 1#, \r
68**, 69, (hold 1)9*#, 188#, 29, 7**, 68, 69, (hold 5)#, 68, 799, \r
78, 7, 7, 7, 78, 099, 69, 48#, 19#, 299, 688, 48#, 79**, \r
(hold 1)9*# \r
\r
OR\r
4d3 8d3 4d3 4d3 8b2 2.d3 8#c3 4d3 4#c3 8a2 4a2 2#c3 8#f2 8#g2 8a2 \r
8b2 4d3 8d3 4d3 4d3 8b2 2.d3 8#c3 4d3 4#c3 8a2 4a2 2.#c3 8#c3 4d3 \r
4b2 8a2 4a2 4.#g2 8a2 2b2 4b2 4b2 4b2 4b2 8b2 2- 4a2 8#f2 4#c2 1d2 \r
4a2 8#f2 4b1 2.#c2\r
','Sun Jun 29, 2003 10:57:52','Kalwant Singh'),
(86,'Chalak Chalak - Devdas','Devdas\r
Chalak Chalak\r
(Tempo 100 bpm)\r
16d1 8e1 16#f1 16e1 16#f1 16e1 16d1 16d1 8e1 16#f1 16e1 16#f1 16e1 \r
16d1 16d1 8e1 16#f1 16e1 16#f1 16e1 16d1 16#c1 16d1 16#c1 16e1 4d1 \r
16#c2 16b1 16#c2 16d2 16#c2 16b1 8a1 16a1 16#g1 16a1 16b1 16a1 \r
16#g1 8#f1 16#f1 16e1 16#f1 16g1 16#f1 16e1 16d1 16#c1 16.e1','Sun Jun 29, 2003 10:58:22','Kalwant Singh'),
(87,'Dola Re - Devdas','Devdas \r
Dola Re \r
(Tempo 180 bmp)\r
\r
16d, 8e, 16f#, 16e, 16f#, 16e, 16d, 16d, 8e, 16f#, 16e, 16f#, 16e, \r
d.6, a.6, g.6, e.6, e.6, g6, f6, d.6, d.6, f.6, e.6, c.6, c.6, \r
d.6, d.6\r
\r
','Sun Jun 29, 2003 10:58:47','Kalwant Singh'),
(88,'Gum Hain Kisi Ke - DVPV','Dil Vil Pyar Vyar \r
Gum Hain Kisi Ke Pyar Main \r
(Tempo 180 bmp)\r
\r
\r
(hold 6)8*#, (hold 6)8, (hold 6)#, (hold 6)9, (hold 5)8, \r
(hold 5), (hold 5)9, (hold 5)8, (hold 5), (hold 5)9, 599, \r
(hold 6)88, (hold 6)#, (hold 1)8, 59999#, 48888, 499, \r
(hold 5)8, 499, (hold 4)888, (hold 4), (hold 5)9, (hold 4)8, \r
(hold 6)9#, (hold 5)8#, 6#, , (hold 6)#, 6#, , (hold 6)9#, \r
(hold 6)8#, 69999, (hold 5)888, 4\r
','Sun Jun 29, 2003 10:59:10','Kalwant Singh'),
(89,'Tum Bin Jaon - DVPV','Dil Vil Pyar Vyar\r
Tum Bin Jaon \r
(Tempo 140 bmp) \r
\r
(hold 6)*, 69, (hold 7)888, 69, 599#, 0888, 588#, 4#, \r
(hold 5)#, 4#, 39, 28, (hold 3), 2, (hold 1)9, 0888, 18, 2, \r
(hold 3), 599#, (hold 7)88, 5#, 699, (hold 7)8, (hold 7), \r
2*, 7**, (hold 1)*, 788**, 699, 0888, (hold 6), 0888, 6\r
','Sun Jun 29, 2003 10:59:31','Kalwant Singh'),
(90,'Mere Samne Wali Khirki - DVPV','Dil Vil Pyar Vyar\r
Mere samne wali khirki mein \r
(Tempo 200 bmp)\r
\r
58*#, 69#, (hold 1)*, 6**#, 5#, (hold 5)8, 49, 6#, 088, \r
6#, (hold 5)8#, 69#, 1*, 6**#, 58#, 59, 49, (hold 5)88#, \r
59#, 0888, (hold 5)#, (hold 1)*, 78**, 19*, (hold 5)**#, \r
(hold 1)*#, 18, 19#, (hold 4)9**, (hold 5)88, 59#, \r
(hold 6)8#, 1*, 59**#, (hold 5)#\r
','Sun Jun 29, 2003 10:59:48','Kalwant Singh'),
(91,'O Haseena Zulfoon Wali - DVPV','Dil Vil Pyar Vyar\r
O Haseena zulfoon wali \r
(Tempo 225 bmp)\r
\r
(hold 5)8*, 299, (hold 2)88, (hold 2), (hold 2), 499, 3, \r
(hold 2)88, (hold 1), (hold 1), (hold 2), (hold 6)99#, \r
(hold 1), (hold 5)88, (hold 2)99, (hold 2)88, (hold 2), \r
(hold 2), 499, 3, (hold 2)88, (hold 1), (hold 1), \r
(hold 2), 699#, (hold 1), (hold 6)88#, (hold 6)#, \r
(hold 6), (hold 4), (hold 5), (hold 6)9#, (hold 6)8#, \r
(hold 6)#, (hold 6), (hold 4), (hold 5), (hold 2), \r
(hold 6)8#, (hold 6)#, (hold 6), (hold 4), (hold 5), 699, \r
(hold 6)8#, (hold 6)8#, (hold 6)#, (hold 6), (hold 4)99, (hold 5)\r
','Sun Jun 29, 2003 11:00:18','Kalwant Singh'),
(92,'Raat Kali Ik Khwaab - DVPV','Dil Vil Pyar Vyar\r
Raat Kali Ik Khwaab \r
(Tempo 200 bmp)\r
\r
(hold 3)88*, 499#, 5#, (hold 6), (hold 5)8#, 49#, (hold 5)#, \r
(hold 4)8#, 39, (hold 4)#, (hold 3)8, 299, 28, (hold 3)8, \r
(hold 4)8#, (hold 4)99#, 088, (hold 3)8, 49#, (hold 5)#, \r
(hold 4)8#, 3999, (hold 4)8888#, (hold 5)9#, (hold 6)9, \r
(hold 5)8#, 49#, (hold 5)#, (hold 4)8#, 39, (hold 4)#, \r
(hold 3)8, 08, (hold 2)9, 2, (hold 3)8, (hold 4)8#, (hold 4)99#, \r
3, (hold 4)8#, (hold 6)9, (hold 5)8#, (hold 4), (hold 3)99\r
','Sun Jun 29, 2003 11:00:34','Kalwant Singh'),
(93,'Simti Si Sharmai Si - DVPV','Dil Vil Pyar Vyar\r
Simti Si Sharmai Si \r
(Tempo 180 bmp)\r
\r
(hold 6)8*#, (hold 5)#, (hold 6)#, (hold 5)#, (hold 4)99#, \r
(hold 5)88#, (hold 4)#, (hold 4)#, (hold 4), (hold 2)99#, \r
(hold 1)88#, (hold 1)#, (hold 4)#, (hold 5)#, (hold 5)99#, \r
(hold 6)88#, (hold 5)#, (hold 6)#, (hold 5)#, (hold 4)99#, \r
(hold 6)88#, (hold 5)#, (hold 6)#, (hold 5)#, (hold 4)99#, \r
(hold 5)88#, (hold 4)#, (hold 4), (hold 2)#, (hold 2)99#, \r
(hold 1)88#, (hold 1)#, (hold 4)#, (hold 5)#, (hold 5)99#, \r
6888#, (hold 5)9#, 68#, (hold 5)9#, (hold 4)99#\r
','Sun Jun 29, 2003 11:00:48','Kalwant Singh'),
(94,'Ye Jo Mohabbat Hai - DVPV','Dil Vil Pyar Vyar\r
Ye Jo Mohabbat Hay \r
(Tempo 125 bmp)\r
\r
1*, (hold 1), 68**#, 19*#, 18, 1, 199, 188, 19, (hold 4), 18, \r
1, 18#, 1, 6999**#, 188*, 1, 1, 1, (hold 1)9, 68**#, 19*#, \r
19, 188, 1, 19, 4, 18, 1, 1, 18#, 1, 6999**#, 688#, 6#, 69#, \r
69#, 188*#, 1, 18, 1#, 19, 699**#, 188*, 6**#, 68#, 1*, \r
69**#, 59#\r
\r
','Sun Jun 29, 2003 11:01:01','Kalwant Singh'),
(95,'Chalo Acha Juda - EH','Eik Hindustani \r
Chalo Acha Juda \r
(Tempo 140 bmp)\r
\r
(hold 4)*, (hold 6), (hold 5), 188*, 59**#, (hold 6)88#, 49#, \r
(hold 6)8#, (hold 4), (hold 6)#, 29999#, (hold 5)88, (hold 6)8, \r
4#, 699, 4, 19*, (hold 2)8888#, 199, (hold 2)88#, (hold 1), \r
69**#, 59#, (hold 5)88#, 69#, 19*, (hold 6)88**#, 599#, \r
(hold 4)88#, 4999, 4, 6, 19*#, 6**#, (hold 1)8888*, 599**#, \r
488#, (hold 6)#, (hold 4)#, 49#, (hold 6)8#, (hold 4), 69#, \r
2999#, 588#, 48#, 499, (hold 4), 1*#, (hold 6)**#, 18*, \r
(hold 4)88**#, (hold 6)#, 49, 6#, (hold 2)99#, (hold 5)888#, \r
599#, (hold 4)8#, 699, 4\r
\r
','Sun Jun 29, 2003 11:01:28','Kalwant Singh'),
(96,'Dilruba Nekhray Wali - EH','Eik Hindustani \r
Dilruba Nekhray Wali \r
(Tempo 160 bmp)\r
\r
1*#, 78**, 699#, (hold 5)88#, 19*#, 78**, 699#, 2*#, 18888#, \r
(hold 2)#, 19#, 199#, (hold 7)888**, (hold 1)999*#, 788**, \r
199*#, 69**#, 78, (hold 7)88, (hold 6)8#, 59#, (hold 6)8#, \r
(hold 5)9#, 6999#, 5888#, (hold 6)8#, 59#, (hold 6)9#, 79, \r
688#, (hold 5)8#, 69#, (hold 5)8#, (hold 6)999#\r
','Sun Jun 29, 2003 11:01:41','Kalwant Singh'),
(97,'Mohabbat Ko Hum - EH','Eik Hindustani \r
Mohabbat Ko Hum \r
(Tempo 56 bmp)\r
\r
4888*, (hold 4)#, (hold 5)#, 6#, 699#, 588#, 7, 6, 6999#, 4888, \r
(hold 7), (hold 7), 6#, 699#, 588#, 7, 6, 6999#, 2888, (hold 4), \r
(hold 5), (hold 6), 699, (hold 5)88, 4#, 599, (hold 4)8, 48, \r
4999, 2888, (hold 4), (hold 5), (hold 6), 699, (hold 5)88, 4#, \r
599, (hold 4)8, 48, 4999\r
','Sun Jun 29, 2003 11:01:53','Kalwant Singh'),
(98,'Sonay Wali Neend - EH','Eik Hindustani \r
Sonay Wali Neend \r
(Tempo 225 bmp)\r
\r
59#, 48#, (hold 5)#, 6#, 7, 3888*, 5999**#, 4#, (hold 5)9#, 5#, \r
48#, (hold 5)#, 6#, 78, 699#, 58#, 4#, 59#, (hold 5)8#, 688#, \r
199*#, (hold 2)#, 1#, 7**, 3888*, 19999#, 78**, (hold 1)*#, 7**, \r
6#, (hold 5)9#, (hold 5)8#, 4#, 59#, 68#, 78, 388*, 6999**#, 38*, \r
59**#, 4#, (hold 5)9#\r
','Sun Jun 29, 2003 11:02:05','Kalwant Singh'),
(99,'Hum Ne Tumko Dil - Gunaah','Gunaah \r
Hum Ne Tumko Dil \r
(Tempo 180 bmp) \r
\r
3, 38, 1*, 79**, 6, 78, 6, 6, 69, 68, 69, 3, 48, 5, 59, 48, 3, \r
2, 3, 1, 4, 399, 38*, 38, 1*, 79**, 6, 78, 6, 6, 69, 68, 69, \r
3, 48, 5, 59, 48, 3, 2, 3, 1, 4, 399\r
','Sun Jun 29, 2003 11:02:19','Kalwant Singh'),
(100,'Jab Dil Churaye - Gunaah','Gunaah\r
Jab Dil Churaye \r
(Tempo 90 bmp)\r
\r
(hold 4)88*#, (hold 5)#, 68, (hold 7)9, (hold 6)8, (hold 5)9#, \r
6999, (hold 4)888#, (hold 5)#, (hold 6)8, (hold 7)999, \r
(hold 6)888, 79, (hold 1)9*#, (hold 3)8, 29, (hold 7)88**, 6, \r
(hold 5)#, 4999#, (hold 5)88#, 68, (hold 7)9, (hold 6)8, \r
(hold 5)9#, 69, 48#, (hold 5)#, 68, (hold 7)9, (hold 5)#, 69, \r
(hold 4)8#, (hold 5)#, 68, (hold 7)999, (hold 6)888, 79, \r
(hold 1)9*#, (hold 3)8, 2, (hold 1)8#, (hold 7)**, 6, (hold 5)#, \r
499#\r
','Sun Jun 29, 2003 11:02:37','Kalwant Singh'),
(101,'Mere Dil Pe Kisi Ne - Gunaah','Gunaah\r
Mere Dil Pe Kisi Ne \r
(Tempo 70 bmp)\r
\r
(hold 6)888*#, 5999, (hold 4)888, 59, (hold 5)8#, (hold 6)#, \r
5999, (hold 4)888, 59, (hold 5)8#, 699#, 39, (hold 5)888#, 59, \r
(hold 3), 499#, (hold 6)888#, 5999, 488, (hold 5)8, (hold 5)#, \r
699#, 59, (hold 4)888, (hold 5), 59#, (hold 6)8#, 3999, \r
(hold 5)888#, (hold 5), (hold 4)9, 59\r
','Sun Jun 29, 2003 11:03:00','Kalwant Singh'),
(102,'Rooth Kar Hum - Gunaah','Gunaah\r
Rooth Kar Hum \r
(Tempo 125 bmp)\r
\r
2**, 3, (hold 2), 688**#, 68, (hold 5)9, 699#, 688, 599, 2*, \r
3, (hold 2), 68**#, (hold 5)8, (hold 6)99#, 688, (hold 5)99, \r
6, 68, 69#, (hold 6)888, (hold 5)9, (hold 6)99#, (hold 6)888, \r
59999, 58, 68, 69#, 688, (hold 5), 699#, 688, 5999\r
','Sun Jun 29, 2003 11:03:19','Kalwant Singh'),
(103,'Sajna Sajna - Gunaah','Gunaah\r
Sajna Sajna \r
(Tempo 90 bmp)\r
\r
(hold 4)88#, (hold 5)#, 699, (hold 5)88#, 699, 588#, 499#, \r
(hold 6)8, (hold 5)8#, 499#, (hold 4)88#, (hold 5)#, (hold 6)9, \r
58#, (hold 6)9, (hold 5)8#, 499#, 6, (hold 5)88#, 499#, \r
(hold 3)88, (hold 4)#, 599#, (hold 4)88#, 599#, (hold 4)88#, \r
399, 5#, 488#, 3999, (hold 4)888#, (hold 5)#, (hold 6), 599#, \r
(hold 4)88#, 4999#, (hold 6)888, (hold 6), 5999#, (hold 4)888#,\r
3999, (hold 6)88, 58#, (hold 4)9999#, 688, 688, 5999#, \r
(hold 4)888#, 3999\r
\r
','Sun Jun 29, 2003 11:03:32','Kalwant Singh'),
(104,'Yeh Dil Deewana - Hathyar','Hathyar \r
Yeh Dil Deewana \r
(Tempo 125 bmp)\r
\r
(hold 1)8*, 7**, 6, 5#, 5#, (hold 6)8, (hold 1)99*, 188, 78**, \r
(hold 7)9, 79, 58#, 59#, 6, (hold 7)9, (hold 1)8*, 7**, 6, 5#, \r
5#, (hold 6)8, (hold 1)99*, 188, 78**, 79, 79, 58#, 59#, 6, \r
(hold 7)9, 28*, (hold 7)8**, 69, 58, 2*, (hold 1)99, 788**, \r
(hold 7), 19*, 28, 7**, (hold 6), (hold 7)9, 6, 7, 78, 6, \r
(hold 5), 499\r
','Sun Jun 29, 2003 11:03:46','Kalwant Singh'),
(105,'Yeh Kia Ho Raha Hai - HKSKN','Hum Kisi Se Kam Nahi\r
Yeh Kia Ho Raha Hai Ver. 1 \r
(Tempo 180) (Keypresses)\r
18*#, 19#, 2, (hold 3), 28, 19#, 1#, (hold 3), 28, 19#, 1#, \r
(hold 3), 28, 19#, 19#, 788**, 79, 1*#, (hold 2), 18#, 79**, \r
6, (hold 1)*#, 78**, 69, 5#, (hold 5)#, 78, 69, (hold 6), 0, \r
48#, 5, 5, 4#, 3, 6, 6, 6, 5, 6, 6, 5, 4#, 49# \r
\r
Yeh Kia Ho Raha Hai Ver.2 \r
Tempo 180 Bmps (Keypresses)\r
4*#, 58, 69, 78, (hold 1)9*#, 28, 79**, 6, (hold 5), 78, \r
(hold 6)9, 58, 499#, (hold 4)#, 18*#, 18#, 19#, 18#, 1#, \r
2, 4#, 3, 299, 18#, 28, 19#, 78**, 6, 7, 2*, 1#, 799**, 48#, \r
58, 69, 78, 199*#, 7**, (hold 5)8, 78, (hold 6)9, 58, 499#, 4# ','Sun Jun 29, 2003 11:03:59','Kalwant Singh'),
(106,'Dil Ne Kar Liya - Humraaz','Humraaz\r
Dil Ne Kar Liya \r
(Tempo 100 Bmp)Key presses \r
\r
28*, 28, 29#, 28, (hold 6)9**#, (hold 5), (hold 4)8#, \r
(hold 6)99, 28*, 28**, 29*#, 28, 69**#, 588, 499#, 68, 599 \r
','Sun Jun 29, 2003 11:04:17','Kalwant Singh'),
(107,'Sanam Mere Humraaz - Humraaz','Humraaz - Sanam Mere Humraaz \r
Nokia:\r
(Tempo 125bmp) \r
3*, 48**, 3*, 2**, 49*, 088, 58, 4**, 5*, 4**, 3*, 39**, \r
088, 3*, 48**, 3*, 2**, 49, 088, 58*, 4**, 5*, 4**, 3*, \r
39**, 088, 3*, (hold 7)**, 6, 5, 3*, 4**, (hold 4)*, 088, \r
3, (hold 7)**, 6, 5, 3, 4, (hold 4)*, 088, 6**, 68, 4*, \r
69**, 4*, 28**, (hold 3)9 \r
\r
OR\r
4e2 8f1 8e2 8d1 4f2 16- 8g2 8f1 8g2 8f1 8e2 4e1 16- 4e2 \r
8f1 8e2 8d1 4f1 16- 8g2 8f1 8g2 8f1 8e2 4e1 16- 4e2 4.b1 \r
4a1 4g1 4e2 4f1 4.f2 16- 4e2 4.b1 4a1 4g1 4e1 4f1 4.f2 \r
16- 4a1 8a1 8f2 4a1 4f2 8d1 4.e1','Sun Jun 29, 2003 11:04:37','Kalwant Singh'),
(108,'Pyar Kar - Humraaz','Humraaz \r
Pyar Kar \r
(Tempo 160bmp)\r
4.g1 8#g1 8.#a1 4.#a1 32#g1 32#a1 32#g1 4.g1 4.#g1 4.#a1 4.g1 \r
4.#g1 8.#a1 32.#a1 4#g1 4#g1 4g1 4.#g1 4#a1 4d1 4d2 4d2 4f2 \r
4d2 8d2 32c2 32#a1 16d1 4c2 8d2 16d2 32c2 16c2 8.#a1 8.#a1 \r
8.#g1 16#g1 8.g1 16g1 8f1 16f1 8d1 16.#a1 8.#g1 4g1 8d1 16d1 32d1','Sun Jun 29, 2003 11:05:01','Kalwant Singh'),
(109,'Life Ban Jayengi - Humraaz','Humraaz \r
Life Ban Jayengi \r
(Tempo 225bmp)\r
\r
8g#., a#, 8a#., 8a#., a#, 2c6, 8g#., 8a#., 8a#., a#, a#, 2c6, \r
8c, 8d#, 8f, 8d#, c6, 8f, c6, 8a#., c6, 8a#., g#, d#6, 8c6, \r
8a#., 8a#., 2a#, 8c6, 8a#., 8c6, 8a#., 8c6, a#.\r
','Sun Jun 29, 2003 11:05:14','Kalwant Singh'),
(110,'Hum Tumhare Hain Sanam','Hum Tumhare Hain Sanam \r
(Tempo 180 bmp)\r
4d2 8c2 2c2 4d2 4d2 4- 8d2 4d2 4e2 8f2 4e2 4d2 4- 4d2 8e2 4f2 \r
8a2 4.a2 8g2 4f2 32- 4g2 8f2 4e2 4f2 4e2 4d2 8d2 4e2 4- 4d2 \r
8f2 2f2 4e2 8d2 4d2 4- 4d2 8c2 2c2 4d2 4d2 4- 8d2 4d2 4e2 \r
8f2 4e2 4d2 \r
\r
Hum Tumhare Hain Sanam Ver.2 \r
(Tempo 140bmp)\r
6, 58, 5, 6, 5, 6, 69, (hold 6), 68, 69, 7, 1*, 18, 7**, \r
18*, 7**, 6999, 688, 7, 1*, 2, 3, 68, 29, 199, 78**, 6, 78, \r
68, (hold 5)99, 0999, 5, 1*, 188, 79**, 69, 6, 78, 6, \r
(hold 7)9, 5, 1*, 188, 79**, 69, 7, 68 ','Sun Jun 29, 2003 11:05:59','Kalwant Singh'),
(111,'Sab Kuch Bhula Dia - HTHS','Hum Tumhare Hain Sanam\r
Sab Kuch Bhula Dia \r
Nokia: (Tempo 160bpm)\r
4d2 8c2 4c2 4d2 8c2 4d2 8f2 4e2 8- 4d2 8c2 4c2 4d2 8c2 4d2 \r
8f2 4e2 8- 8f2 4f2 4f2 2f2 2e2 4d2 8d2 4c2 8- 4c2 4d2 8e2 \r
4e2 8d2 4d2 32- 4d2 8d2 8d2 4d2 4d2 4c2 4d2 8e2 4e2 8d2 4d2\r
\r
OR\r
2*, 18, 19, 2, 18, 29, 48, 39, 08, 2, 18, 19, 2, 18, 29, 48, \r
39, 08, 48, 49, 49**, 28*, 28, 19, 08, 1, 2, 38, 2, 29, 0888, \r
2, 28, 2, 29, 2, 1, 2, 38, 39, 28, 29 ','Sun Jun 29, 2003 11:06:25','Kalwant Singh'),
(112,'Sab Kuch Bhula Dia - HTHS','Hum Tumhare Hain Sanam\r
Sab Kuch Bhula Dia \r
(Tempo 160bpm)\r
4d2 8c2 4c2 4d2 8c2 4d2 8f2 4e2 8- 4d2 8c2 4c2 4d2 8c2 4d2 \r
8f2 4e2 8- 8f2 4f2 4f2 2f2 2e2 4d2 8d2 4c2 8- 4c2 4d2 8e2 \r
4e2 8d2 4d2 32- 4d2 8d2 8d2 4d2 4d2 4c2 4d2 8e2 4e2 8d2 4d2\r
\r
OR\r
2*, 18, 19, 2, 18, 29, 48, 39, 08, 2, 18, 19, 2, 18, 29, 48, \r
39, 08, 48, 49, 49**, 28*, 28, 19, 08, 1, 2, 38, 2, 29, 0888, \r
2, 28, 2, 29, 2, 1, 2, 38, 39, 28, 29 \r
','Sun Jun 29, 2003 11:07:20','Kalwant Singh'),
(113,'Sab Kuch Bhula Dia - HTHS','Hum Tumhare Hain Sanam\r
Sab Kuch Bhula Dia \r
(Tempo 160bpm)\r
4d2 8c2 4c2 4d2 8c2 4d2 8f2 4e2 8- 4d2 8c2 4c2 4d2 8c2 4d2 \r
8f2 4e2 8- 8f2 4f2 4f2 2f2 2e2 4d2 8d2 4c2 8- 4c2 4d2 8e2 \r
4e2 8d2 4d2 32- 4d2 8d2 8d2 4d2 4d2 4c2 4d2 8e2 4e2 8d2 4d2\r
\r
OR\r
2*, 18, 19, 2, 18, 29, 48, 39, 08, 2, 18, 19, 2, 18, 29, 48, \r
39, 08, 48, 49, 49**, 28*, 28, 19, 08, 1, 2, 38, 2, 29, 0888, \r
2, 28, 2, 29, 2, 1, 2, 38, 39, 28, 29 ','Sun Jun 29, 2003 11:45:39','Kalwant Singh'),
(114,'Sab Kuch Bhula Dia - HTHS','Hum Tumhare Hain Sanam\r
Sab Kuch Bhula Dia \r
(Tempo 160bpm)\r
4d2 8c2 4c2 4d2 8c2 4d2 8f2 4e2 8- 4d2 8c2 4c2 4d2 8c2 4d2 \r
8f2 4e2 8- 8f2 4f2 4f2 2f2 2e2 4d2 8d2 4c2 8- 4c2 4d2 8e2 \r
4e2 8d2 4d2 32- 4d2 8d2 8d2 4d2 4d2 4c2 4d2 8e2 4e2 8d2 4d2\r
\r
OR\r
2*, 18, 19, 2, 18, 29, 48, 39, 08, 2, 18, 19, 2, 18, 29, 48, \r
39, 08, 48, 49, 49**, 28*, 28, 19, 08, 1, 2, 38, 2, 29, 0888, \r
2, 28, 2, 29, 2, 1, 2, 38, 39, 28, 29','Sun Jun 29, 2003 11:46:41','Kalwant Singh'),
(115,'Deewana Main Hogia - Indian','Indian\r
Deewana Main Hogia \r
(Tempo 70 BMP)\r
78* 7 78 0 79 199* 688** 68 0 69 6 5 799 788 78 0 79 7 6 7 \r
199* 6888** 6 0 69 6 5 7.9 588 4# 3 4# 0 4# 49# 68 5 4# 5 \r
0 5 5 0 5 4# 3 4# 0 4# 4# 1* 0 1 1 2 7.99** \r
\r
OR\r
8b6, 8b6, 16b6, 16p, 8b6, 2c7, 8a6, 16a6, 16p, 8a6, 8a6, 8g6, \r
2b6, 8b6, 16b6, 16p, 8b6, 8b6, 8a6, 8b6, 2c7, 16a6, 16a6, 16p, \r
8a6, 8a6, 8g6, b6, 16g6, 16f#6, 16e6, 16f#6, 16p, 16f#6, 8f#6, \r
16a6, 16g6, 16f#6, 16g6, 16p, 16g6, 16g6, 16p, 16g6, 16f#6, \r
16e6, 16f#6, 16p, 16f#6, 16f#6, 16c7, 16p, 16c7, 16c7, 16d7, b6','Sun Jun 29, 2003 11:47:17','Kalwant Singh'),
(116,'Roop Salona Tera - JD','Jani Dushman\r
Roop Salona Tera \r
(Tempo 160bpm)\r
4#g2 8.#g1 4#f1 8.#g1 16.#g1 8.#g1 4#f1 8.#g1 16.#g1 8.#g1 \r
8.#f1 16.#a1 16.b1 16.#a1 16.b1 16.#a1 16.b1 2#a1 8.#d3 \r
16.#d1 8.#d1 16.#c1 8b2 8.#c3 32.#c1 32.b2 16#a1 8.b1 \r
16.b1 8.b1 32.#a1 16.#g1 8.#g1 2.#a1 16.#f1 16.#g1 16.#g1 \r
8.#a1 16.#a1 16.b1 16.#a1 16.#g1 16.#g1 4.#g116.#f1 16.#g1 \r
16.#g1 8.#a1 16.#a1 16.b1\r
\r
OR\r
Keypresses \r
258*, 58, 59, 4, 5, 5, 4, 5, 58, 59, 4, 68, 6#, 6#, 6, 6#, \r
6999, 288*, 2, 18, 6**#, 19*, 18, 19, 68**#, 6, 6#, 69#, \r
68#, 69#, 68, 5, 59, 699, 4888, 5, 5, 6, 09, 6, 6#, 6, 5, \r
5, 599, 488, 5, 6 ','Sun Jun 29, 2003 11:47:39','Kalwant Singh'),
(117,'Janeman Tu Khoob Hai - JD','Jani Dushman\r
Jaaneman Tu Khoob Hai \r
(Tempo 125bpm)\r
\r
\r
4f#2 16g#.2 2a2 4b2 4c#3 32b.2 32a.2 4g#.2 16b.2 8c#.3 32b.2 \r
32a.2 8g#.2 8e.2 8a.2 16g#.2 2f#2 8f#.2 16g#.2 4a.2 16b.2 \r
8c#.3 32b.2 4g#.2 16b.2 8c#.3 32b.2 8g#.2 16f#.2 8e.2 8a.2 \r
16g#.2 4f#2\r
\r
','Sun Jun 29, 2003 21:39:15','Kalwant Singh'),
(118,'Chal Kudiye - JD','Jani Dushman\r
Chal Kudiye \r
(Tempo 125bpm)\r
\r
\r
\r
8a#2 8c3 16c#.3 2c3 16a#.2 8c3 8c#3 2c3 16a#.2 8c3 16c#.3 \r
4c.3 8c3 8a#2 8c3 16c#.3 4c3 8c3 8d#3 8c#3 8d#.3 8d#3 16d3 \r
8d#.3 8d#3 8f3 8d#3 16c#.3 4c.3 8c.3 8a#2 8c3 4c#.3 8c#.3 \r
32a#.2 2c.3 8c3 8a#2 32a#.2 8c3 4c#.3 8d.3 16a#2 8c.3 4c.3\r
\r
','Sun Jun 29, 2003 21:39:41','Kalwant Singh'),
(119,'Gyaarah Baje Ya Baarah Baje - JD','Jaani Dushman\r
Gyaarah Baje Ya Baarah Baje \r
(Tempo 90)\r
\r
58*, 58, 59, 4, 5, 5, 4, 5, 58, 59, 4, 68, 6#, 6#, 6, 6#, 6999, \r
288*, 2, 18, 6**#, 19*, 18, 19, 68**#, 6, 6#, 69#, 68#, 69#, 68, \r
5, 59, 699, 4888, 5, 5, 6, 09, 6, 6#, 6, 5, 5, 599, 488, 5, 6 \r
','Sun Jun 29, 2003 21:40:04','Kalwant Singh'),
(120,'Ik Larki Bas Gai - Jaal','Jaal \r
Ik Larki Bas Gai \r
(Tempo 125 bmp)\r
\r
\r
68, 5#, 68#, 19*, 78**, 599#, 18*, 18#, 199, 688**#, (hold 1)*, \r
6999**#, (hold 6)888, 69#, 49#, (hold 6)8#, 1*, 1#, 69**, 59#, \r
(hold 5)88, (hold 5)8#, 69#, (hold 1)8*, 6**#, 59#, 6#, 19*, \r
(hold 1)8, 18#, 19, 199, (hold 5)888**#, (hold 6)#, 599#, 18*, \r
(hold 1)9#, 58**#, 59#\r
\r
','Sun Jun 29, 2003 21:40:26','Kalwant Singh'),
(121,'Pehla Pehla Pyar Hogya - Jaal','Jaal \r
Pehla Pehla Pyar Hogya \r
(Tempo 160 bmp) \r
\r
(hold 5)*, 68, (hold 6)8#, 59, (hold 6)9#, 69, (hold 1)88*, \r
(hold 6)8**#, 69, (hold 2)9*, 0888, 5**, 088, 68, (hold 6)8#, \r
59, (hold 6)9#, 69, 18*, 688**#, 69, (hold 2)9*, (hold 6)9**#, \r
(hold 6)888, 1*, (hold 6)**#, 69, (hold 6)8#, 59, (hold 6)99#, \r
688, 1*, 68**#, 69, (hold 6)8#, 59, (hold 2)*, 1, 6**#, 69, 58, \r
(hold 6)9#, 69, (hold 1)88*, 68**#, 69, (hold 5)9, 088, 59, \r
688, (hold 6)8#, 59, (hold 6)9#, 69, 18*, 688**#, 69\r
','Sun Jun 29, 2003 21:40:57','Kalwant Singh'),
(122,'Jeena Sirf Mere Liye','Jeena Sirf Mere Liye \r
Jeena sirf mere liye \r
(Tempo 225 bmp) \r
\r
\r
7*, 2*, 399, 288, 3, 2, 6**, 799, 08, 088, 78, 3*, 48#, 0888, \r
3, 2, 7**, 6, 799, 08, 088, 38, 7, 18*, 7**, 69, 5, 69, 08, 088, \r
388, 4#, 3, 0888, 29, 3, 68, (hold 4)99#, 08, 488#, 6, 7, 6, \r
(hold 4)9#, (hold 3), 08, 08888, 78, 6, 7, 69, 38, 4#, 3, 29, \r
3, 68, (hold 4)99#, 08, 488#, 6, 7, 6, (hold 4)9#, (hold 3)9\r
\r
','Sun Jun 29, 2003 21:41:34','Kalwant Singh'),
(123,'Dupatta - JSML','Jeena Sirf Meray Liyay\r
Dupatta \r
(Tempo 125 bmp) \r
\r
\r
688*, 08, 79, 19*#, 28, 088, 1#, 088, 78**, (hold 1)*#, 7**, \r
(hold 6)9, 7, 088, 19*#, 0888, 28, 1#, 088, 788**, (hold 1)9*#, \r
7**, (hold 6)99, (hold 7)8, 19*, (hold 7)88**, (hold 6)9, 088, \r
59, 688, 6999\r
','Sun Jun 29, 2003 21:42:01','Kalwant Singh'),
(124,'Soola Satra Saal - JSML','Jeena Sirf Meray Liyay\r
Soola Satra Saal \r
(Tempo 225 bmp) \r
\r
68*, 59, 6, 69#, 6, 58, 4, 5, 6, 69#, 6, 588, (hold 4)9, 69, \r
0888, 08888, 688, 19*, 6**#, 5, 29#, 4, (hold 5), 6, (hold 6)88, \r
19*, 6**#, 5, 29#, (hold 4)8, (hold 5)\r
','Sun Jun 29, 2003 21:42:25','Kalwant Singh'),
(125,'Ishq Samander - Kaante','Kaante\r
Ishaq Samander \r
(Tempo 100 BMP)\r
5, (hold 5), (hold 5)888#, 5999, 4, 5, 5, 5#, 5888, (hold 4)999, \r
(hold 5)888, 5999#, 5, 5, 5, 188, 1*, 288, 1, 199, 1, 1, 288, 1, \r
199, 188, 2#, 2, 299, 1, **, 5#, , (hold 5)88, (hold 4)99, \r
(hold 5)888, 5999#, 5, 5, 5, 5, 4888, 29, (hold 4)99, 588, 599#, \r
(hold 5)88, 599, (hold 5)88 \r
\r
OR\r
8.#g2 16.#g1 16.#f1 16.#g1 8.c3 16.a2 8#f1 16#g1 16a1 16.#g1 \r
16.#g1 8.#g1 16.#c3 8#c1 16#c1 16.#c1 16.#c1 32.#c1 16#c1 \r
32.#c1 8#c1 32.e1 16.e1 16.#d1 16.#c1 16.c1 8a2 8.c3 16.#g2 \r
16.#f1 32.#f1 32#g1 16.a1 16.#g1 16.#g1 16.#g1 16.#g1 32.#f1 \r
32.#d1 8.#f1 32#g1 16.a1 16.#g1 16.#g1 16#g1\r
\r
Ishq Samunder \r
Version 2 (Tempo 90bpm)\r
8g#.2 16g#.2 16f#.2 16g#.2 8c.3 16a.2 8f#2 16g#2 16a2 16g#.2 \r
16g#.2 8g#.2 16c#.3 8c#3 16c#3 16c#.3 16c#.3 32c#.3 16c#3 \r
32c#.3 8c#3 32e.3 16e.3 16d#.3 16c#.3 16c.3 8a2 8c.3 16g#.2 \r
16f#.2 32f#.2 32g#2 16a.2 16g#.2 16g#.2 16g#.2 16g#.2 32f#.2 \r
32d#.2 8f#.2 32g#2 16a.2 16g#.2 16g#.2 16g#2\r
\r
','Sun Jun 29, 2003 21:42:58','Kalwant Singh'),
(126,'Mahi Ve - Kaante','Kaante\r
Mahi Ve \r
(Tempo 100 Bmp)\r
\r
6, 5#, 488#, 5#, (hold 4)99#, 588#, 4#, 5#, 4#, 5#, 399, 4#, 599#, \r
(hold 4)88#, 4#, 488#, (hold 3)8, 2999, (hold 2), (hold 3)888, \r
4999#, (hold 3)888, (hold 4)999#, 388, 299, 1#, (hold 1)#','Sun Jun 29, 2003 21:43:22','Kalwant Singh'),
(127,'Yaar Mangia Si - Kaante','Kaante\r
Yaar Mangia Si \r
(Tempo 100 Bmp)\r
\r
(hold 5)88#, (hold 6), 99, , 1*#, 288, 1#, 1#, (hold )88**, \r
(hold 6), 599#, 4#, 3, 2#, (hold 2)88#, 399, 4#, (hold 4)88#, \r
599#, 5#, , 6888, 5#, (hold 6)9, (hold 5)99#, 688, (hold 5)#, \r
499#, 3, 2#, (hold 2)88#, 399, 4#, (hold )88, 699, 688, 99, 6888, \r
5#, (hold 6)9, (hold 5)#, 5999#\r
','Sun Jun 29, 2003 21:43:46','Kalwant Singh'),
(128,'Rama Re - Kaante','Kaante\r
Rama Re \r
(Tempo 100 bmp)\r
\r
16g.,16b.,16c#.6,16d.6,16c#.6,16b.,16d.6,2c#6,8p6,16a.,16a.,16a.,\r
16c#.6,16b.,16a.,8c#.6,2b,p,16g.,16b.,16c#.6,16d.6,16c#.6,16b.,e6,\r
2c#6,p6,16a.,16a.,16a.,16c#.6,16b.,16a.,16c#.6,b.\r
','Sun Jun 29, 2003 21:44:10','Kalwant Singh'),
(129,'Socha Nahin Tha - Kaante','Kaante \r
Socha Nahin Tha \r
(Tempo 100bmp)\r
8b1, 8b1, 8a1, 8b1, 8b1, 8a1, 8.g1, 4a1, 8a1, 8g1, 8a1, 8g1, 32.a1, 4.b1, 8#f1, 8#f1, 8#f1, 8#f1, 8#f1, 8g1, 8a1, 4b1, 8g1, 8.#f1, 16g1, 16#f1, 8e1, 4e1\r
','Sun Jun 29, 2003 21:44:59','Kalwant Singh'),
(130,'Dil Main Dard - Kranti','Kranti\r
Dil Main Dard \r
(Tempo 180 Bmps)\r
4#f1, 4#g1, 4a1, 8#c2, 4b1, 8b1, 8a1, 8#g1, 4a1, 4-, 4#f1, 4#g1, \r
4a1, 8#c2, 4b1, 8b1, 8a1, 8#g1, 4a1, 8-, 8e1, 4e1, 4#c1, 4#g1, 8#g1, \r
4#g1, 8#g1, 8a1, 8b1, 4.#g1, 8-, 8#g1, 8#f1, 4e1, 1#f1, 4-, 8#g1, \r
8#f1, 4e1, 8#f1, 4#g1, 2.#f1, 4-, 8-, 4#f1, 4#g1, 4a1, 8#c2, 4b1, 8b1','Sun Jun 29, 2003 21:45:35','Kalwant Singh'),
(131,'Deewano Ko Pata Hai - KHDBB','Kehtaa Hai Dil Bar Bar\r
Deewano Ko Pata Hai \r
(Tempo 112bpm)\r
8.#f1 8.g1 8a1 4.#a1 8d1 4c1 2.d1 8.#f1 8.g1 8a1 4.#a1 8#d1 \r
4d1 2#d1 16c2 16d2 4#d2 4#d2 8.#a1 8.c2 8#a1 4a1 2a1 16#a1 \r
16c2 4d2 4d2 8.a1 8.#a1 8a1 4g1 4f1 2g1 8d1 8g1 8a1 8.#a1 \r
8.d2 8c2 4.a1 8a1 4g1 4.f1 8f1 8a1 8#a1 8.c2 8.d2 8a1 2#a1\r
','Sun Jun 29, 2003 21:46:01','Kalwant Singh'),
(132,'Kitne Door Kitne Paas Title Song','Kitne door kitne Paas Title Song \r
(Tempo 112bpm)\r
8#f2 8.#f1 8.#g1 8#g1 32a1 32b1 8a1 8.#g1 8#g1 8.#f1 8.#g1 8#g1 \r
32a1 32b1 8a1 2#g1 8#d1 8#f1 16#d1 8b1 16#g1 8a1 8#g1 4#g1 \r
8#d1 8#f1 16#d1 8b1 16#g1 8a1 8#g1 4#g1 16#d3 16#c1 16#c1 \r
16b2 16#d3 16#c1 16#c1 16b2 8.#d3 16#c1 8e1 16#d1 8#f1 16e1 \r
16#d1 16#c1 8b2 4a1\r
','Sun Jun 29, 2003 21:46:36','Kalwant Singh'),
(133,'Jabse Dekha - KTKKHK','Kuch Tum Kaho Kuch Hum Kahein \r
Jabse Dekha \r
Nokia:\r
(Tempo 100bpm)\r
8g2 16a2 8#a2 16a2 8f2 4.f2 4f2 8d2 8#d2 8g2 8f2 8a2 8f2 8g2 \r
8f2 8a2 8f2 8g2 8g2 2g2 8f2 16a2 8a2 16a2 4a2 16g2 16f2 16g2 \r
8.f2 8f2 16a2 8a2 16a2 4a2 4.d3 8d3 16d3 8c3 16#a2 4c3 8a2 8f2 \r
8g2 8f2 8a2 8f2 8g2 8g2 4g2\r
','Sun Jun 29, 2003 21:47:05','Kalwant Singh'),
(134,'Kya Dil Ne Kaha Title Song','Kya Dil Ne Kaha\r
Kya Dil Ne Kaha Title Song \r
(Tempo 90bpm)\r
8c2 16#c2 16c2 16c2 8#c2 16c2 8c2 16#c2 16c2 16c2 8#c2 16c2 \r
8#a1 8c2 16#c2 8#d2 16f2 8#c2 4.c2 16#d2 16#c2 16#d2 16#c2 \r
16c2 16#a1 16#c2 16c2 4#a1 8- 8c2 16#a1 16c2 16#a1 16#g1 2#a1 \r
16#g1 16g1 8.f1 8#a1 16#g1 2#g1\r
','Sun Jun 29, 2003 21:47:51','Kalwant Singh'),
(135,'Nikamma Kiya - KDNK','Kya Dil Ne Kaha\r
Nikamma Kiya\r
(Tempo 112bpm)\r
8a1 8.a1 8.#c2 8b1 4a1 8d2 8#c2 8.a1 2b1 8d2 8e2 8.e2 8.e2 \r
8d2 4#c2 8b1 8a1 8.a1 2a1 8a1 16g1 8#f1 8.#f1 16#f1 8#f1 \r
8.d1 16- 8d1 16#f1 8d1 16#f1 32g1 8.a1 16g1 8e1 2e1 8.d1 \r
8.#f1 8d1 8.#f1 8.#f1 8a1 8.b1 16a1 4.g1 4d2 8#c2 8.g1 4.a1','Sun Jun 29, 2003 21:48:45','Kalwant Singh'),
(136,'Sajna Tere - KDNK','Kya Dil Ne Kaha\r
Sajna Tere\r
(Tempo 90bpm)\r
8c2 8c2 8c2 4.c2 4- 8c2 8c2 8c2 8c2 16#a1 16#c2 16c2 16#a1 \r
16#g1 16g1 8f1 8#a1 16#a1 16#g1 16c2 16#a1 8#g1 8#g1 16#g1 \r
16g1 8f1 8#d1 8#a1 16#a1 16#g1 16c2 16#a1 8#g1 8#g1 8#g1 \r
4.#g1 2.#g1 4.c2 4.d2 4.#d2 8d2 2.#d2 8c2 4#c2 4c2 8#a1 \r
1#a1 4.#g1 4.#a1 4c2\r
','Sun Jun 29, 2003 21:49:14','Kalwant Singh'),
(137,'Maine Dil Tujko Dia Title Song','Maine Dil Tujko Dia Title Song\r
(Tempo 100 Bmp)\r
(hold 2)88*#, (hold 2)#, (hold 2)#, (hold 2)#, (hold 2)9#, \r
(hold 3), (hold 2)8#, (hold 1)#, 19#, (hold 1)8#, (hold 1)#, \r
19#, (hold 2)#, 1#, 78**, 7, 7, 6#, 78, 199*#, 7**, 588#, \r
69, 5999# \r
\r
OR\r
8e3 8e3 8e3 8e3 8e.3 4f3 16e3 8d3 8d3 8d3 8d3 8d.3 8e.3 \r
8d3 8c3 8c3 2c3 8d3 8c.3 4a#2 1a2 16- 8e3 8e3 8e3 8e3 8e.3 \r
4f3 16e3 8d3 8d3 8d3 8d3 8d.3 8e.3 8d3 8c3 8c3 2c3 8d3 \r
8c.3 4a#2 1a2\r
\r
','Sun Jun 29, 2003 21:49:50','Kalwant Singh'),
(138,'Kuch Bi Nehi - MDTD','Main Ne Dil Tujku Dia\r
Kuch Bi Nahi \r
(Tempo 100 BMP)\r
1*#, 1, (hold 6)8**#, (hold 6)#, 4, (hold 4)#, (hold 4)99#, \r
18*, 6**#, (hold 5)8#, (hold 5)#, 2#, (hold 4), 499, 488, \r
(hold 4)8#, 59#, 48#, 49, 4#, 4#, 49#, 28#, 48, 49#, 48, \r
29#, 4, 4, (hold 4)8 \r
\r
Kuch Bhi Nahi Ver 1 \r
(Tempo 40bpm)\r
16d.3 16c#.3 32b2 16b2 16b2 32f#.2 16g2 2g2 16c#.3 32b2 \r
8b2 16a2 8a2 32e.2 16f#2 4f#2 32f#.2 32g2 32a.2 16f#2 \r
16g2 32g.2 16g.2 16e2 32f#2 32g.2 32f#2 32e.2 32f#.2 \r
32f#.2 32f#2\r
\r
Kuch Bhi Nahi Ver 2 \r
(Tempo 80bpm)\r
8d.3 8c#.3 8b2 8b2 16f#.2 8g2 4g.2 4c#3 4b2 8a2 8a2 \r
16e.2 8f#2 2f#2 8f#2 16a.2 16f#.2 16g.2 16g.2 8g.2 \r
16e.2 8f#2 16g2 32f#.2 16e.2 16f#.2 16f#.2','Sun Jun 29, 2003 21:51:06','Kalwant Singh'),
(139,'Shanana Na - MDTD','Maine Dil Tujko Dia\r
Shanana Na \r
(Tempo 100 Bmp)\r
28, 28, (hold 2), 2, (hold 3)999, (hold 4)888#, 4#, 48#, \r
(hold 4)9#, (hold 6)8, 3, (hold 3)9999, 2888, 2, (hold 2), \r
2, 3999, 4888#, 4#, 49#, 68, 38 \r
\r
OR\r
8d2 32c1 8d#.2 32c1 16d#.2 32c.1 16f.2 1c1 8g.2 32c1 8g2 \r
32c1 8g.2 16c.1 16f.2 1c1 8d#.2 32c1 16d#.2 32c1 8d#.2 \r
32c1 16d#.2 32c.1 16f.2 1c1 8g.2 32c1 8g2 32c1 8g2\r
','Sun Jun 29, 2003 21:51:42','Kalwant Singh'),
(140,'Thodha Sa Pyar Huwa Hai - MDTD','Maine Dil Tujko Dia\r
Thodha Sa Pyar Huwa Hai \r
(Tempo 100 Bmp)\r
68#, 18*, 6**#, 5#, 69#, 68#, 2*, 2, 1, 199, 68**#, 18*, \r
6**#, 5#, 59#, 6#, 699#, 588, (hold 7)8, 1*, 3, 2, 39, 28, \r
1, 1, 199, 28, 18, (hold 7)**, (hold 6), 79, 79, 68, 4 \r
\r
OR (Tempo 140)\r
8g#.2 16a#.2 16g#.2 16f#.2 2g#2 16c.3 8a#.2 2a#2 8g#.2 \r
16a#2 16g#.2 16f#.2 8g#.2 2g#.2 8g#.2 8c3 16c#.3 16f.3 \r
16d#3 4f3 16d#3 16c#.3 16c#.3 2c#3 8d#3 8c#.3 32c3 \r
16a#.2 8c.3 4c.3 8a#2\r
\r
Thoda Sa Pyar Hua Hai Ver 2 \r
(Tempo 170bpm)\r
8g#2 32a#.2 32f#.2 32g#.2 16f#2 8g#.2 32c3 16a#.2 4a#2 \r
8g#2 32a#2 32f#.2 16g#2 16f#2 8g#2 4g#.2 16g#.2 16c3 \r
32c#.3 16f3 32d#3 32d#.3 8f3 16d#3 16c#3 4c#3 8d#3 32c#.3 \r
16c3 16a#2 16c.3 8c3 16c3 16a#.2 16f#2','Mon Jun 30, 2003 15:01:12','Kalwant Singh'),
(141,'Ik Deewana - MDTD','Maine Dil Tujko Dia\r
Ik Deewana \r
(Tempo 100bpm)\r
\r
\r
8e.3 16d.3 32c.3 8d3 8d3 4d.3 8g.2 8c3 16g2 8a2 8a2 4a.2 \r
4e3 8d3 16c3 8d3 8d3 4d.3 4g2 8c3 32g.2 8a2 8a2 4a.2 16e.3 \r
16d3 32c.3 16d3 16e.3 32d.3 8e3 16d3 4c.3 16e.3 32e.3 \r
16d3 32c.3 16d3 16e3 16d3 8e.3 4g2 8g2 16g2 2a.2 4g2 \r
16g.2 16g2 2a2\r
\r
','Mon Jun 30, 2003 15:01:27','Kalwant Singh'),
(142,'Sharara Sharara - MYKSH','Mere Yaar Ki Shadi Hai\r
Sharara Sharara \r
(Tempo 200bpm)\r
48#, 5#, 699, 688, 5*#, 6, 3*, 5**#, 6, 3*, 5**#, 6, 4**#, \r
5#, 699, 68, 09, 088, 38, 49#, 4#, 4#, 48#, 3, 4#, 6, 5#, \r
6, 5#, 4#, 3, 3, 49#, 4#, 4#, 48#, 3, 4#, 6, 5#, 6, 5#, \r
4#, 3, 3, (hold 4)# \r
\r
OR\r
8#f1 8#g1 2a1 8a1 8#g2 8a2 8e3 8#g2 8a2 8e3 8#g2 8a2 8#f1 \r
8#g1 2a1 4a1 2- 16- 8e1 4#f1 4#f1 4#f1 8#f1 8e1 8#f1 8a1 \r
8#g1 8a1 8#g1 8#f1 8e1 8e1 4#f1 4#f1 4#f1 8#f1 8e1 8#f1 \r
8a1 8#g1 8a1 8#g1 8#f1 8e1 8e1 8.#f1','Mon Jun 30, 2003 15:02:14','Kalwant Singh'),
(143,'Jaage Jaage - MYKSH','Mere Yaar Ki Shadi Hai\r
Jaage Jaage \r
(Tempo 200bpm)\r
4.d2 16.c2 4.d2 8c2 4.#a1 4.a1 4g1 8a1 4#a1 4.c2 4d2 1c2 \r
4.d2 16.c2 4.d2 8c2 4.#a1 4.a1 4g1 8a1 4#a1 4.c2 4#a1 4.a1 \r
2- 8g1 4a1 4.#a1 4f1 8g1 4a1 4.#a1 4f1 8g1 4a1 4.#a1 4f1 \r
4g1 8a1 8#a1 4a1 8g1 8f1\r
','Mon Jun 30, 2003 15:02:27','Kalwant Singh'),
(144,'Humne Suna Hai - MYKSH','Mere Yaar Ki Shadi Hai\r
Humne Suna Hai \r
(Tempo 225bpm)\r
4d1 8d1 8a1 4a1 4a1 4- 4a1 8#a1 4c1 4d1 4c1 8c1 8#a1 4#a1 \r
4#a1 4- 4#a1 8c1 4d1 4f1 4e1 8e1 8c1 4c1 4c1 8- 2e1 4e1 \r
2e1 4d1 4c1 2.d1','Mon Jun 30, 2003 15:02:41','Kalwant Singh'),
(145,'Hum Dono - MYKSH','Mere Yaar Ki Shadi Hai\r
Hum Dono\r
(Tempo 112bpm)\r
\r
8.e2 16.e2 16.c2 16.c2 8.d2 16.d2 16.d2 16.c2 16.d2 16.e2 \r
16.c2 16a1 16a1 16b1 8.c2 16.c2 16a1 16a1 8b1 16b1 16b1 \r
16a1 16b1 16.c2 8a1 8.e2 16.e2 32.f2 32.e2 2d2 16.d2 16.d2 \r
32.e2 32d2 2c2 16.c2 16.c2 32.d2 32c2 2b1 8.e2 8.e2 8.e2 8.e2\r
','Mon Jun 30, 2003 15:02:54','Kalwant Singh'),
(146,'Mujhe Dosti Karoge Title Song','Mujhe Dosti Karoge Title Song \r
Nokia:\r
(Tempo 140bpm)\r
8g1 4a1 8#a1 8g1 4a1 8#a1 8g1 4a1 8#a1 2f1 8- 8f1 4g1 8a1 \r
8f1 4g1 8a1 2g1 8- 8d2 8c2 8c2 2d2 8c2 8#a1 8#a1 2c2 8a1 \r
4#a1 8#a1 8a1 4#a1 8#a1 8a1 4#a1 8a1 2g1','Mon Jun 30, 2003 15:03:09','Kalwant Singh'),
(147,'Andekhi Anjaani Si - MDK','Mujhe Dosti Karoge\r
Andekhi Anjaani Si \r
Nokia:\r
(Tempo 100bpm)\r
8c2 8c2 8c2 8c2 8d2 8#d2 4#d2 8d2 8c2 8#a1 8#a1 8c2 8d2 4d2 \r
8#a1 8#a1 8#a1 8c2 4#d2 8d2 1c2 8c2 8c2 8c2 8c2 8d2 8#d2 4#d2\r
8d2 8c2 8#a1 8#a1 8c2 8d2 4d2 8#a1 8#a1 8#a1 8c2 4#d2 8d2 2.c2\r
\r
OR\r
(Tempo 160bpm)\r
8a#.2 4a#2 4a#2 4a#2 16c.3 8c#3 4c#3 2c#3 16c.3 4a#2 4g#2 \r
4g#2 16a#.2 16c.3 4c3 4c.3 8g#.2 4g#2 4g#2 8g#.2 8a#.2 32c3 \r
4c#3 16c.3 1a#.2 16- 8a#.2 4a#2 4a#2 4a#2 16c.3 8c#3 4c#3 \r
2c#3 16c.3 4a#2 4g#2 4g#2 16a#.2 16c.3 4c3 4c.3 8g#.2 4g#2 \r
4g#2 8g#.2 8a#.2 32c3 4c#3 16c.3 1a#.2','Mon Jun 30, 2003 15:03:27','Kalwant Singh'),
(148,'Jaane Dil Mein - MDK','Mujhe Dosti Karoge\r
Jaane Dil Mein \r
(Tempo 180bpm)\r
8.g2 8.g2 16a2 8#a2 2g2 2a2 8.#a2 1d2 8- 8.g2 8.g2 8.a2 32#a2 \r
2g2 2#a2 8.a2 2g2 1f2 4- 8.f2 8.f2 8.g2 8a2 8.f2 2g2 8.#a2 \r
1c2 8- 8.f2 8.f2 8.g2 8a2 8.f2 2#a2 8.a2 1g2 8- 2a2 8.f2 \r
8.f2 8.g2 8a2 8.f2 2#a2 8.a2 1g2','Mon Jun 30, 2003 15:03:47','Kalwant Singh'),
(149,'Oh My Darling - MDK','Mujhe Dosti Karoge\r
Oh My Darling \r
(Tempo 65bpm)\r
\r
16g#.2 32g#.2 32g#.2 16g#.2 16a.2 16f#.2 32f#.2 16f#2 8f#.2 \r
16f#.2 16f#.2 16f#.2 16a.2 16g#.2 32g#.2 32g#.2 8g#.2 32g#.2 \r
16c#.3 32g#.2 16c#.3 16c#.3 32g#.2 32c#.3 16c#.3 8d#.3 32d#.3 \r
32c#.3 32c#.3 32b.2 32b.2 32c#.3 32d#.3 32e.3 16d#.3 16c#.3 \r
16c#.3 16- 32d#.3 32c#.3 32c#.3 32b.2 32b.2 32c#.3 32d#.3 \r
32e.3 16d#.3 16c#.3 16c#.3\r
','Mon Jun 30, 2003 15:03:59','Kalwant Singh'),
(150,'Saanwali Si Ek Ladki - MDK','Mujhe Dosti Karoge\r
Saanwali Si Ek Ladki \r
(Tempo 180 or 200bpm)\r
\r
4f#.2 8c#.3 8b.2 4a.2 8g#.2 4f#2 8g#2 4g#2 2f#.2 2e2 4b2 \r
8a2 2g#2 2f#2 2g#2 2a.2 4c#2 4f2 4g#2 8c#.3 32c#3 8d.2 4f#2 \r
8a.2 4d3 1d3 32c#.3 32c.3 8b2 8a.2 2c#3 2g#2 16a.2 16g#2 1f#2\r
','Mon Jun 30, 2003 15:04:17','Kalwant Singh'),
(151,'Dil Lay Ke - NTJNH','Na Tum Jano Na Hum \r
Dil Lay Ke \r
Nokia:\r
(Tempo 180 Bpm)\r
7,6#,5#,0,888,79,6#88,5#9,0,888,6#,5#,4#,0,888,6#9,5#88,4#9,\r
0,888,5#,4#, 3,5#9,5#88,4#9,3,0,888,(hold2)#,6#9,4#8,5#9 \r
\r
OR\r
4b1 4#a1 4#g1 32- 2b1 8#a1 4#g1 32- 4#a1 4#g1 4#f1 32- 2#a1 \r
8#g1 4#f1 32- 4#g1 4#f1 4e1 2#g1 8#g1 4#f1 4e1 32- 4.#d1 \r
2#a1 4#f1 2#g1\r
','Mon Jun 30, 2003 15:04:33','Kalwant Singh'),
(152,'Tum - NTJNH','Na Tum Jano Na Hum\r
Tum \r
(Tempo 100bpm)\r
4#a1 8d3 8f3 8d3 4a1 8a1 4g1 8g2 8#a2 8d3 4f1 8f1 2#d1 4d1 \r
8#d1 4f1 8a2 8#a2 8a2 8g2 8f2 8g2 4.d2 8d2 16d2 4.c2 4c2 \r
8c2 16d2 4.#d2 8f2 16f2 2c2 4.d2 8f2 16d2 4.c2 8c2 16d2 \r
4.#d2 8f2 16f2 4c2 16#a1 16c2 16d2 16c2 2#a1\r
','Mon Jun 30, 2003 15:47:10','Kalwant Singh'),
(153,'Hai Rama - NTJNH','Na Tum Jano Na Hum\r
Hai Rama \r
Nokia: \r
(Tempo 100bpm)\r
8.#g1 8#d2 16#d2 32#d2 8c2 16#d2 8c2 8#d2 16#d2 8#d2 16#d2 \r
8c2 16#d2 8c2 16#d2 16c2 32#a1 16.#g1 2.#a1 2#a1 16.#g1 8g1 \r
8f1 8g1 8f1 8#a1 8#a1 8#a1 4c2 16#a1 8#g1 8f1 2#g1 8#g1','Mon Jun 30, 2003 15:47:24','Kalwant Singh'),
(154,'Ja Sanam - NTJNH','Na Tum Jano Na Hum\r
Ja Sanam\r
Nokia:\r
(Tempo 100bpm)\r
8c1 4.c1 8c1 8c1 4c1 4.d1 4c1 4.d1 8#d1 4.#d1 8#d1 4#d1 4f1 \r
4.#d1 4.d1 4#d1 4.d1 8c1 4.c1 8c1 8c1 4c1 4d1 8.f1 8#d1 8d1 \r
4- 8#d1 8d1 4.c1\r
','Mon Jun 30, 2003 15:47:37','Kalwant Singh'),
(155,'Chunariya - NTJNH','Na Tum Jano Na Hum\r
Chunariya \r
Nokia: \r
(Tempo 100bpm)\r
8.f1 8.g1 32a1 4#a1 16.a1 4g1 16a1 32g1 32f1 16.g1 16.f1 8.f1 \r
8.f1 8.g1 32a1 8.#a1 16.#a1 8.g1 8g1 16.a1 32g1 32f1 16g1 \r
16.f1 2f1 16c2 8c2 32f2 16f2 16f2 8#d2 32#d2 16d2 16c2 16c2 \r
16#d2 16#d2 16d2 8d2 16c2 16c2 16.#a1 16.#a1 16.a1 8a1','Mon Jun 30, 2003 15:47:49','Kalwant Singh'),
(156,'Om Jai Jagadish Title Song','Om Jai Jagadish Title Song \r
Nokia:\r
(Tempo 180bpm)\r
4f2 4f2 8g2 8f2 4#d2 4#d2 8#d2 8f2 2g2 8c3 8g2 4g2 8c3 8g2 \r
4g2 4f2 2.f2 4c3 8#d3 8#c3 4#c3 4#c3 4#a2 8#c3 8c3 4c3 4c3 \r
4#g2 4#g2 4g2 4f2 4g2 4#g2 2- 4g2 8#g2 4f2 8#d2 4#c2 4.#c2 \r
4g2 8f2 1f2\r
','Mon Jun 30, 2003 15:48:02','Kalwant Singh'),
(157,'Jeena Kya - OJJ','Om Jai Jagadish\r
Jeena Kya \r
Nokia: \r
(Tempo 160bpm)\r
4c3 4#d3 4#g3 16g3 32.#g3 16.g3 2.f3 8.f3 16.#g3 8g3 \r
16.#a3 32.#g3 32g3 16.#g3 16.g3 16.f3 4.#d3 8#c3 16.#d3 \r
32#c3 32c3 8.#c3 2.c3 4f2 4.#g2 16#d3 1#c3 8.#a2 8c3 \r
8.#a2 16#d3 16#c3 32c3 8.#c3 16.c3 8#a2 4.#g2 8g2 2.f2\r
','Mon Jun 30, 2003 15:48:16','Kalwant Singh'),
(158,'Pyar Ka Matlab - OJJ','Om Jai Jagadish\r
Pyar Ka Matlab \r
(Tempo 63bpm)\r
\r
16.d3 16d3 16.c3 4#d3 32.f3 16.#f3 16#d3 4d3 16d3 16.d3 \r
16.c3 16f3 4#d3 16.#f3 16a3 32.#f3 16.#d3 8d3\r
','Mon Jun 30, 2003 15:48:31','Kalwant Singh'),
(159,'Shaadi - OJJ','Om Jai Jagadish\r
Shaadi \r
(Tempo 90bpm)\r
\r
8f2 4.f2 16c3 16c3 32.c3 32.#g2 8#a2 4.#a2 16c3 16c3 32.c3 \r
32.#g2 8#a2 4.#a2 8g2 16.#g2 16.c3 32.c3 4.f2\r
','Mon Jun 30, 2003 15:48:49','Kalwant Singh'),
(160,'Chori Chori - OJJ','Om Jai Jagadish\r
Chori Chori \r
(Tempo 160bpm)\r
4#d2 8.f2 2.#a2 8#g2 8c3 16.#a2 4#g2 4.g2 32f2 8.#d2 8f2 \r
1#a2 4#g2 8.#g2 32.#a2 2.c3 4c3 8.c3 4#c3 8.f3 32#g2 8.#d3 \r
32#g2 4#c3 16.c3 1.#a2\r
\r
Chori Chori - Ver 2 \r
(Tempo 225bpm)\r
32.#g2 16#a2 32.#g2 4#a2 16#g2 16.#a2 16#c3 8.c3 32.#g2 \r
32.#a2 16#g2 4#a2 16f2 8#g2 16c3 8.#a2 16#g2 16#a2 16#g2 \r
8.#a2 16.#g2 16.#a2 16#c3 4c3 32#d3 32.f3 8#d3 16#c3 16c3 \r
8#c3 32#d3 32#c3 4c3 8#g2 16.#a2 16#c3 4c3\r
','Mon Jun 30, 2003 15:49:04','Kalwant Singh'),
(161,'Happy Days - OJJ','Om Jai Jagadish\r
Happy Days \r
(Tempo 100bpm)\r
8#a2 16.#a2 16.#a2 16.#a2 8#a2 16.#a2 8c3 8#c3 16.#a2 16.#a2 \r
16c3 16.#a2 32#c3 32c3 32#g2 16#g2 32#f2 16f2 16.f2 16.f2 \r
16.#f2 16.#f2 16.#g2 8#g2 8#a2 8c3 16.#g2 16.#g2 8#a2 16c3 \r
8#a2 16#a2 32#a2\r
','Mon Jun 30, 2003 15:49:25','Kalwant Singh'),
(162,'Love Story - OJJ','Om Jai Jagadish\r
Love Story \r
(Tempo 160bpm)\r
\r
8.#a2 4#c3 16.#c3 2#d3 4#c3 8.c3 32#c3 32#a2 32.c3 4.#a2 \r
4.#g2 4.#a2 4.c3 8.#a2 4#c3 32.#c3 2#d3 8.#c3 4.c3 8.#c3 \r
4#d3 4.f3 4.f3 4f3','Mon Jun 30, 2003 15:49:40','Kalwant Singh'),
(163,'Kya Din - Paanch','Paanch \r
Kya Din \r
(Tempo 90Bmp)\r
16d2 8#f2 16a2 2g2 8d2 16b1 8d2 4.e2 16g2 8g2 16a2 2g2 8d2 16b1 \r
8d2 4.e2 8b2 16b2 8b2 16b2 8a2 16a2 8a2 16a2 8g2 16a2 8g2 16#f2 \r
8g2 16d2 8#f2 16a2 2g2 8d2 16b1 8d2 4e2\r
\r
Keypresses:\r
288*, 49#, 68, 5999, 288, 78**, 29*, (hold 3)9, 588, 59, 68, 5999, \r
288, 78**, 29*, (hold 3)9, 78, 78, 79, 78, 69, 68, 69, 68, 59, 68, \r
59, 68, (hold 7)99, 78, 78, 79, 78, 69, 68, 69, 68, 59, 68, 59, 48#, \r
59, 28, 49#, 68, 5999, 288, 78**, 29*, 39\r
','Mon Jun 30, 2003 15:50:02','Kalwant Singh'),
(164,'Akhiyan Chipki - Paanch','Paanch \r
Akhiyan Chipki \r
(Tempo 100bmp)\r
16.a1, 16.a1, 16.a1, 16.a1, 16.g1, 16.g1, 16.f1, 4f1, 16.g1, 16.f1, \r
16.g1, 16.f1, 8.#d1, 16.a1, 16.a1, 16.a1, 16.a1, 16.g1, 16.g1, 16.f1, \r
1f1, 8d2, 16d2, 16c2, 16d2, 16c2, 4#a1, 8d2, 16d2, 16c2, 16d2, 8c2, \r
8.#a1, 16d2, 16d2, 16d2, 8f2, 16e2, 16d2, 8c2, 8d2, 16c2, 16.a1, \r
16.g1, 32.a1, 32g1, 8.f1\r
\r
Keypresses:\r
(hold 6)88, (hold 6), (hold 6), (hold 6), (hold 5), (hold 5), (hold 4), \r
499, (hold 5)88, (hold 4), (hold 5), (hold 4), (hold 2)9#, (hold 6)8, \r
(hold 6), (hold 6), (hold 6), (hold 5), (hold 5), (hold 4), 49999, \r
2888*, 28, 1, 2, 1, 699**#, 28*, 28, 1, 2, 19, (hold 6)**#, 28*, 2, \r
2, 49, 38, 2, 19, 2, 18, (hold 6)**, (hold 5), (hold 6)8, 5, (hold 4)99 ','Mon Jun 30, 2003 15:50:33','Kalwant Singh'),
(165,'Theme of Road','Road \r
Theme of Road \r
(Tempo 160 bmp)\r
\r
4, 288, 1, (hold 2)9999, 18888, 2, 499, 288, 1, 29999, \r
488, 288, 1, (hold 2)9999, 18888, 2, 499, 288, 1, 29999','Mon Jun 30, 2003 15:51:09','Kalwant Singh'),
(166,'Khullam Khulla Pyar Karein - Road','Road \r
Khullam Khulla Pyar Karein \r
(Tempo 160 bmp)\r
\r
188*, (hold 2)9, 28, (hold 2)9, (hold 2), 18, (hold 2)9, \r
(hold 2)8, (hold 2)9, (hold 2), 18, (hold 2)9, 28, \r
(hold 2)9, (hold 2), (hold 3)9, (hold 2), (hold 1)88, \r
(hold 2)9, (hold 2)8, (hold 2)9, (hold 2), 18, (hold 2)9, \r
28, (hold 2)9, 2, 18, (hold 2)9, 28, (hold 2)9, (hold 2), \r
(hold 3), (hold 3), (hold 2)9, 188, (hold 2)9, 28, \r
(hold 2)9, 2, 18, (hold 2)9, 28, (hold 2)9, (hold 2), \r
18, (hold 2)9','Mon Jun 30, 2003 15:51:29','Kalwant Singh'),
(167,'Makhmali Badan - Road','Road \r
Makhmali Badan \r
(Tempo 225 bmp) \r
\r
5*#, (hold 5)#, (hold 7)8, 588#, 69999#, (hold 5)8#, 088, \r
5#, 5#, (hold 6)8#, 088, 699#, 48#, 28#, 0, 088, 49#, 59#, \r
(hold 5)88#, 088, (hold 5)99#, 288*#, 08, 28#, 19#, 08, \r
19#, 29#, (hold 7)88**, 088, (hold 7)9, (hold 1)*#, \r
(hold 7)8**, 699#, (hold 6)#, (hold 6)88#, 59#, 4#, 79, \r
(hold 7)88, 088, (hold 7)99, 288*#, 08, 29#, 28#, 1#, 0, \r
08, 088, 19#, 79**, (hold 6)88#, 088, 699#, 6#, 088, \r
0888, 08888, 7, 18*#, (hold 2)#','Mon Jun 30, 2003 15:51:58','Kalwant Singh'),
(168,'Nikal Lay Bhaiya - Road','Road \r
Nikal lay bhaiya \r
(Tempo 200 bmp)\r
\r
188*, (hold 2)9, 28, (hold 2)9, (hold 2), 18, (hold 2)9, \r
(hold 2)8, (hold 2)9, (hold 2), 18, (hold 2)9, 28, \r
(hold 2)9, (hold 2), (hold 3)9, (hold 2), (hold 1)88, \r
(hold 2)9, (hold 2)8, (hold 2)9, (hold 2), 18, (hold 2)9,\r
28, (hold 2)9, 2, 18, (hold 2)9, 28, (hold 2)9, (hold 2), \r
(hold 3), (hold 3), (hold 2)9, 188, (hold 2)9, 28, (hold 2)9, \r
2, 18, (hold 2)9, 28, (hold 2)9, (hold 2), 18, (hold 2)9\r
','Mon Jun 30, 2003 15:52:14','Kalwant Singh'),
(169,'Raste Raste - Road','Road \r
Raste Raste\r
(Tempo 80 bmp)\r
\r
48, 48, 49, 48, 2#, 4, 0, 49, 48, 49, 28#, 4, 49, 4, 2#, \r
18#, (hold 1)99, 48*, 5, 5#, 58, 2999#, 488, 5, 5#, 58, \r
2999#, 188*, 1, 6**#,58#, 499, 0, 48**, 48, 49, 48, 2#, \r
4, 0, 49, 48, 49, 28#, 4, 49, 4, 2#, 18#, 1999\r
','Mon Jun 30, 2003 15:52:27','Kalwant Singh'),
(170,'Rehna Hai Tere Dil Main Theme','Rehna Hai Tere Dil Main Theme \r
Nokia:\r
(Tempo 200 bmp)\r
2e2 4a2 4e2 2e2 4a2 4e2 4f2 4e2 4d2 4c2 4d2 4e2 4c2 4d2 \r
2e2 4a2 4e2 2e2 4a2 4e2 4f2 4e2 4d2 4c2 4d2 4e2 4c3 4d3 \r
2e3 2d3 2c3 4a2 4g2 1a2 4c3 4d3 4e3 1e3 4c3 4d3 4c3 4e3 \r
1e3 4c3 4d3 2e3 2d3 2c3 4b2 1a2 ','Mon Jun 30, 2003 15:52:41','Kalwant Singh'),
(171,'Sach Keh Raha Hai Deewana - RHTDM','Rehna Hai Tere Dil Main\r
Sach Keh Raha Hai Deewana \r
Nokia:\r
(Tempo 125bmp)\r
8#a1 8#a1 8a1 8a1 8g1 8g1 8#f1 8#f1 8g1 2g1 8a1 4- 8#a1 \r
8#a1 8a1 8a1 8g1 8g1 8#f1 8#f1 8g1 4g1 4- 8c2 8c2 4c2 \r
4b1 4c2 8- 8c2 8b1 8c2 8d2 8#d2 4c2 8- 8#d2 8#d2 8d2 \r
8d2 8c2 8c2 8#a1 8#a1 8a1 4g1 2a1 16#a1 16a1 16g1','Mon Jun 30, 2003 15:52:59','Kalwant Singh'),
(172,'Saathiya','Saathiya \r
(Tempo 140 bmp) \r
\r
2, 68, 5, 6, 5, 6, 5, 6, 7, 1*, 7**, 69, 0, 2, 68, 5, 6, \r
5, 6, 5, 6, 7, 6, 5, 39, 0, 2, 68, 5, 6, 5, 6, 5, 6, 7, 1*, \r
7**, 69, 0, 58, 6, 5, 3, 5, 3, 2, 1, 299\r
','Mon Jun 30, 2003 15:53:49','Kalwant Singh'),
(173,'Chupkay Se - Saathiya','Saathiya \r
Chupkay Se \r
(Tempo 112 bmp) \r
\r
\r
3, 38, 4, 699, 38, 38, 4, 699, 388, 4, 3, 2, 1, 2, 1, 4, \r
3999, 3888, 3, 3, 4, 699, 388, 3, 3, 4, 699, 388, 4, 3, 2, \r
1, 2, 1, 4, 399\r
','Mon Jun 30, 2003 15:54:03','Kalwant Singh'),
(174,'Aey Chand - Shakti','Shakti \r
Aey Chand \r
(Tempo 125 bmp)\r
\r
\r
(hold 1)8*, 79**, (hold 5)88#, (hold 5)9#, (hold 7)9, \r
(hold 5)8#, 5999, (hold 2)888#, (hold 5), (hold 5)9#, \r
(hold 1)88*, (hold 6)**#, (hold 6)9#, 5999#, (hold 5)888, \r
28*#, 28, 1, (hold 2)999, (hold 1)88, 79999**\r
','Mon Jun 30, 2003 15:54:17','Kalwant Singh'),
(175,'Damru Bajay - Shakti','Shakti \r
Damru Bajay \r
(Tempo 125 bmp)\r
\r
\r
(hold 6)88#, (hold 1), 29, (hold 1)8, (hold 1), (hold 1), \r
69**#, (hold 5)8*, (hold 5), (hold 6)#, (hold 1), (hold 2), \r
18, 299999, (hold 6)8888#, 19, (hold 4)8, 39, (hold 2)8, \r
(hold 4), (hold 3), (hold 2), (hold 2), 6**#, (hold 1)999*\r
','Mon Jun 30, 2003 15:54:29','Kalwant Singh'),
(176,'Dil Nay Pukara - Shakti','Shakti \r
Dil Nay Pukara \r
(Tempo 100 bmp)\r
\r
(hold 1)88#, 19#, 58#, 599, 588#, (hold 5), 59, 58#, \r
(hold 5), 29#, 38, 19999#\r
\r
','Mon Jun 30, 2003 15:54:45','Kalwant Singh'),
(177,'Hum Tum Mile - Shakti','Shakti \r
Hum Tum Mile \r
(Tempo 70 bmp)\r
\r
68, 58, (hold 6)99#, 588, 69, (hold 4)#, 0, 6, 58, \r
(hold 6)99#, 588, 69, (hold 4)#, 0, 48#, 39, 59, (hold 4)8#, \r
(hold 3), 1, (hold 2)9, 08, 48#, 3, 28, 4999#, 488#, 5, \r
68, 6999#, 688#, 1*, 28#, 1999#, 688**#, 1*, 68**#, 6999\r
','Mon Jun 30, 2003 15:54:57','Kalwant Singh'),
(178,'Isqh Kamina - Shakti','Shakti \r
Ishq Kamina \r
(Tempo 125 bmp)\r
\r
\r
68, 6, 69, 28, 28, 2, 29, 2, 6, 6, 69, 28, 28, 2, 29, 29, \r
68, 1*, 6**#, 6, 5, 4, 2, 39, (hold 4)9, 28, 28, 29, 38, 2, \r
19, 38, 0, 49, 38, 1, 29, 29\r
\r
','Mon Jun 30, 2003 15:55:10','Kalwant Singh'),
(179,'Mere Munna - Shakti','Shakti \r
Mere Munna \r
(Tempo 125 bmp)\r
\r
(hold 3)88, 49, 5, 58, 18*, (hold 6)9**#, 69, (hold 5)8, \r
(hold 5), (hold 3), 49, 599, (hold 3)888, (hold 4), (hold 5), \r
(hold 3), 49, (hold 2)8, (hold 3), (hold 1), (hold 2), \r
(hold 7)*, 1999**, (hold 1)8888*, 199, (hold 1)8, (hold 3), \r
39, 28**, 29*, (hold 1)8, (hold 1), (hold 7)**, (hold 7), \r
(hold 1)9*, (hold 6)**#, (hold 5), 4, (hold 5)88, (hold 4), \r
(hold 3)999','Mon Jun 30, 2003 15:55:24','Kalwant Singh'),
(180,'Aa Bhi Jaa - Sur','Sur \r
Aa Bhi Jaa \r
(Tempo 112bmp)\r
\r
\r
8c6, 8b, 32a, 32b, 8a, 2p, 16b, 16a, 8g, \r
8b, 8a., 2p, e, 8g,2b., 8d6, 8a, 8g, 2g., 8e, 8e, 2f., a, 8a, \r
2g#., 8g#, 8b,8d6, 2f.6, 16d6, 16e6, 8f6, 8d6, 8e.6, 16d6, \r
8c.6, 16b, 8a\r
','Mon Jun 30, 2003 15:55:38','Kalwant Singh'),
(181,'Yaar Badal Na Jana - Talaash','Talaash \r
Yaar Badal Na Jana \r
(Tempo 160 bmp)\r
\r
58*, 68#, 299*, 2#, (hold 2), 58**, 68#, 299*, 2#, (hold 2), \r
58**, 68#, 299*, 2#, (hold 2)8, (hold 1)8, 6999**#, 6, \r
(hold 6)888#, 29*, 09, 6**, 5, 6, (hold 1)8*, 6**#, 69, 5, 4, \r
(hold 2)9#, (hold 4)88, (hold 5)999, 688, 4, 6, (hold 1)8*, \r
6**#, 69, 5, (hold 4), 299#, 4888, 699\r
','Mon Jun 30, 2003 15:55:50','Kalwant Singh'),
(182,'Mere Rang De Basanti - TLOBS','The Legend Of Bhagat Singh \r
Mere Rang De Basanti \r
Nokia:\r
(Tempo 100Bmp)\r
16a1 16#a1 16c2 16d2 4f2 16f2 16f2 8e2 16g2 16f2 16e2 16d2 4d2 16d2 \r
8c2 8e2 16d2 4.d2 16#a1 16a1 16a1 16#a1 4#a1 16#a1 16#a1 8#a1 16#a1 \r
16a1 16c2 16#a1 16#a1 16a1 16g1 16a1 4a1 16a1 16#a1 16c2 16b1 16c2\r
','Mon Jun 30, 2003 15:56:04','Kalwant Singh'),
(183,'Jogiya Jogiya - TLOBS','The Legend Of Bhagat Singh \r
Mere Rang De Basanti \r
Nokia:\r
(Tempo 100Bmp)\r
16a1 16#a1 16c2 16d2 4f2 16f2 16f2 8e2 16g2 16f2 16e2 16d2 4d2 16d2 \r
8c2 8e2 16d2 4.d2 16#a1 16a1 16a1 16#a1 4#a1 16#a1 16#a1 8#a1 16#a1 \r
16a1 16c2 16#a1 16#a1 16a1 16g1 16a1 4a1 16a1 16#a1 16c2 16b1 16c2\r
','Mon Jun 30, 2003 15:56:25','Kalwant Singh'),
(184,'Jogiya Jogiya - TLOBS','The Legend Of Bhagat Singh \r
Jogiya Jogiya \r
(Tempo 125Bmp)\r
\r
16.e1, 16.#g1, 16.#g1, 16a1, 32#c2, 16#c2, 16.a1, 16.#g1, 4a1, 32#g1, \r
16.#f1, 16.#g1, 32#f1, 8.e1, 16.e1, 16.#g1, 16.#g1, 16a1, 32#c2, \r
16.a1, 8#g1, 2.a1, 16.b1, 16.b1, 16e2, 8e2, 16.b1, 16#c2, 16.a1, \r
8#g1, 8a1, 8#c2, 16#c2, 16#c2, 32d2, 4b1, 16e2, 16e2, 16.b1, 16b1, \r
32#c2, 16b1, 16.a1, 16.#g1, 16a1, 32#g1, 8#f1, 16.#g1, 8#f1, 16.#g1 \r
','Mon Jun 30, 2003 15:56:40','Kalwant Singh'),
(185,'MujheTeri Nazar - WTKK','Wah Tera Kya Kehna \r
Mujhe Teri Nazar \r
(Tempo 80 bmp)\r
\r
(hold 6)88*#, (hold 3), 59#, (hold 6)9#, (hold 6)88#, \r
(hold 1)*#, (hold 7)8**, 7999, 58#, 6#, (hold 7)8, 19*#, \r
7**, (hold 5)8#, 6999#, (hold 6)888#, (hold 3), 59#, \r
(hold 6)9#, (hold 6)88#, (hold 1)*#, (hold 7)8**, 7999, \r
58#, 6#, (hold 7)8, 19*#, 7**, (hold 5)8#, 6999#\r
','Mon Jun 30, 2003 15:57:01','Kalwant Singh'),
(186,'Ye Kia Ho Raha Hay Title Song','Ye Kia Ho Raha Hay \r
(Tempo 112 bmp)\r
\r
(hold 2)8*, (hold 2)8, 0, 0, 59**, 6, 68, 7, 6, (hold 5)9, \r
(hold 2)*, (hold 2)8, 0, 0, 59**, 6, 68, 7, 6, 599, 28*, \r
4#, 5, (hold 2), 38, 29, 1, 7**, 69, 68, (hold 6), 7, \r
68, 59, 59\r
\r
','Mon Jun 30, 2003 15:57:14','Kalwant Singh'),
(187,'Charon Ka Ye Hal - YKHRH','Ye Kya Ho Raha Hay \r
Charon Ka Ye Hal \r
(Tempo 125 bmp)\r
08 088 488#* (hold 3) 2 78 0 29 0 2 08 6999 088 4888# 3 2 08 \r
78 0 29 0 28 09 29999 0888 08888 48888# 0 39 2 08 78 0 \r
29 0 2 08 6999 088 48888# 0 39 2 08 78 0 29 0 28 09 (hold 2)999\r
\r
Charon Ka Ye Hal Ver 2 \r
(Tempo 125 bmp)\r
08 088 2888* 099 09 2 09 0 2 09 2 0 7 0 29 0 08 28 09 0 \r
(hold 2)9 3 09 08 3 09 0 38 099 3 0 3 0 29 08 38 099 3 09 0 3 \r
09 (4)9# 0 08 5 0 48# 09 3 09 5 09 4# 09 39 08 58 09 4# \r
09 39 08 5 0 08 0 38 0 5 09 4# 09 0 3 0 59 08 48# 09 0 3 \r
0 59 08 48# 09 0 3 0 39 0 08 (hold 2)999','Mon Jun 30, 2003 15:57:32','Kalwant Singh'),
(188,'Dil Ne Yeh - YKHRH','Ye Kya Ho Raha Hay \r
Dil Ne Yeh \r
(Tempo 125 bmp)\r
\r
08 088 0888 088 0888 (3)88* 09 (hold 2)# 399 0888 1888 09 \r
09999 099 09 0 (hold 3)9 0 0 08 (hold 2)# 399 0888 788 08 (hold 7)999 \r
38888 09 0 09 0 29# 08 399 588 08 599 0888 0888 088 4# \r
088 0888 088 0888 (hold 4)88# (hold1) 08 6 0 08 09 49 488 39999\r
','Mon Jun 30, 2003 15:57:45','Kalwant Singh'),
(189,'Ghungta Hai - YKHRH','Ye Kya Ho Raha Hay \r
Ghungta Hai \r
(Tempo 125 bmp)\r
\r
\r
08 088 0888 08 488#* 08 5 0 58 0 (hold 5)9 0 09 (hold 4)# 5 0 08 \r
0 5 0 09 08 29 (hold 4)99 0888 588 (hold 4)8# (hold 5) 08 58 09 \r
59 0 09 08 48# 0 (hold 5)9 0 58 0 59 0 09 19 399\r
','Mon Jun 30, 2003 15:57:59','Kalwant Singh'),
(190,'Mann Kyun - YKHRH','Ye Kya Ho Raha Hay \r
Mann Kyun \r
(Tempo 125 bmp)\r
\r
08 088 0888 28* 08 2 08 (hold 5)8 08 6 0 6 0 0 (hold 5) 09 (hold 2) 0 \r
29 08 5 (hold 6)8 08 (hold 6) 0 68 (hold 5)99 0 2 0 4# (hold 2) 088 0 0 0 \r
(hold 6) 08 68 0 (hold 6)9 7 088 6 088 (hold 5)99\r
','Mon Jun 30, 2003 15:58:09','Kalwant Singh'),
(191,'Palko Pe - YKHRH','Ye Kya Ho Raha Hay \r
Palko Pe \r
(Tempo 125 bmp)\r
\r
08 088 0888 688* 08 68 09 699 58 68 0 (hold 6)9 08 5 68 0 \r
699 58 08 68 0 099 09 09 (hold 4)9 0 2 4 0 09 0 08 499 088 \r
688 0 68 0 (hold 6)9 08 58 0 6 0 (hold 6)9 08 58 0 6 0 (hold 6)9 08 \r
58 0 6 09 099 09 09 (hold 4)9 0 2 4 0 09 0 08 19\r
','Mon Jun 30, 2003 15:58:19','Kalwant Singh'),
(192,'Humne Ki Aarzo - YKHRH','Ye Kya Ho Raha Hay \r
Humne Ki Aarzo \r
(Tempo 125 bmp)\r
\r
08 088 088 088 0888 788* 08 099 09 0 (hold 4)9 6 (hold 5)9 088 \r
0888 288 (hold 1) 7 08 099 09 0 (hold 4)9 (hold 6)8 (hold 5)99 \r
088 (hold 7)88 008 (hold 1) 3999 088 0888 08888 (hold 2)8 088 \r
0888 088 788 08 (hold 5) 6999 088 (hold 6)888 (hold 5)99\r
','Mon Jun 30, 2003 15:58:30','Kalwant Singh'),
(193,'Yeh Hai Jalwa Title Song','Yeh Hai Jalwa Title Song \r
(Tempo 140bpm)\r
\r
4.e3 4c3 4#g2 8#g2 2.#f2 8e3 8#c3 4.e3 4#g2 8#g2 2.#f2 \r
4#c3 8b2 8a2 4b2 8a2 8#g2 4a2 8#g2 8#f2 8.#g2 8,#f2 8e2 \r
1#g2 4- 16- 8#f2 8a2 8#g2 2.e2 8#c2 8d2 2#f2 8#f2 8a2 \r
8#g2 2.e2 8#c2 8d2 2.#f2\r
\r
','Mon Jun 30, 2003 15:58:47','Kalwant Singh'),
(194,'O Jaan-e-Jigar - YHJ','Yeh Hai Jalwa\r
O Jaan-e-Jigar \r
(Tempo 140Bmp)\r
\r
(hold 3)**, 1#, 5**#, 58#, (hold 4)99#, 388*, 1#, (hold 3)9, 5**#, \r
58#, (hold 4)99#, 18*#, 78**, 6, 79, 68, 5#, 69, 58#, 4#, (hold 5)#, \r
(hold 4)#, 3, 5999#, 088, 08888, 4888#, 6, 5#, (hold 3)99, 188#, 2, \r
499#, 488#, 6, 5#, (hold 3)99, 188#, 2, (hold 4)99#\r
','Mon Jun 30, 2003 15:58:59','Kalwant Singh'),
(195,'Aankhen Pyari Hay - YHJ','Yeh Hai Jalwa\r
Aankhen Pyari Hay\r
(Tempo 125Bmp)\r
\r
1#, (hold 4)8, (hold 5)#, (hold 6), (hold 4)99#, (hold 1)88#, (hold 4), \r
(hold 5)9#, (hold ), (hold 6), 58#, 499#, 18, (hold )8, 18, 48*#, 1, \r
(hold 7)**, (hold 6)9, (hold 6)8, (hold ), 59#, (hold 5)#, (hold 6)8, \r
(hold 5)9#, (hold 4)#, (hold 5)8#, (hold 4)9#, (hold 3), (hold 5)99#, \r
(hold 3)88, (hold 3), (hold 4)#, (hold 5)#, (hold 4)#, (hold 4)9#\r
','Mon Jun 30, 2003 15:59:15','Kalwant Singh'),
(196,'Choori Khankayi Re - YHJ','Yeh Hai Jalwa\r
Choori Khankayi Re \r
(Tempo 200Bmp)\r
\r
5#, 688#, (hold 7)8, (hold 6)#, 79, (hold 5)9#, (hold 6)#, 59#, \r
(hold 4)9, (hold 5)88#, 68#, (hold 7)8, (hold 6)#, 79, (hold 5)9#, \r
(hold 6)#, (hold 5)8#, 59#, (hold 4)99, 2888*#, 29#, 28#, 19#, \r
(hold 7)8**, 69#, 6#, 7, 7, 599#\r
','Mon Jun 30, 2003 15:59:29','Kalwant Singh'),
(197,'Carbon Copy - YHJ','Yeh Hai Jalwa \r
Carbon Copy \r
(Tempo 100bmp) \r
\r
688 6#9 1*99 (1)888 29 188 299 6#**9 588 69 6# 6# 6#8 6# 6# \r
6#9 (1)*8 19 6**99 (1)*888 (1) (1) (1) (1) (1)9 (1) 1 (1) \r
(1) (1)8 49999 (1)888 6** 5 4 ','Mon Jun 30, 2003 15:59:44','Kalwant Singh'),
(198,'Dheere Dheere - THJ','Yeh Hai Jalwa\r
Dheere Dheere \r
(Tempo 100Bmp)\r
\r
2#, 5#, 5#, 5#, (hold 5)#, 6#, 6#, , 58#, 59#, (hold 6)#, 5#, 4#, 4#, \r
2#, (hold 2)#, 5#, 5#, 5#, 5#, 6#, 6#, , 58#, 59#, (hold 6)#, 5#, \r
(hold 4)#, (hold 4)#, 2#, 2, 48*#, 2#, 19#, 1, 2#, 28#, 1#, 69**#, \r
(hold 6)#, 18*#, 6**#, (hold 5)9#, 68#, 6#, 59#, (hold 6)888#, 5#, \r
4999#, (hold 4)#, 58#, 6#, 59#, 68#, 699#, 488#, (hold 5)9#, 68#, \r
(hold 5)9#, 58#, 5#, 19*, 1#, 6**#, 1, 5#, 6#, (hold 4)#, 58#, 6#, \r
59#, 68#, 699#, 488#, (hold 5)9#, 68#, 59#, 5#, 5#\r
','Mon Jun 30, 2003 15:59:57','Kalwant Singh'),
(199,'Zindegi Khubsorat Hai Title','Zindagi Khubsorat Hay \r
Zindagi Khubsorat Hay Title Song\r
(Tempo 112 bmp)\r
\r
18**#, 1#, 2, 3, 5#, 38, 29, 1#, 1#, 1#, 2, 3, 588#, 39, \r
2, (hold 1)9#, 1#, 1#, 1#, 7**, 18*#, (hold 1)#, (hold 1)9#, \r
(hold 2)8, 19#, 28, 19#, 28, 19#, 28, (hold 1)9#, (hold 1)#, \r
4#, 5#, 58#, 5#, 5#, 59#, 58#, (hold 7)9**, 7, 38*, \r
(hold 2)99, (hold 1)#, 18#, 58#, 49#, 59#, 78**, 7, 38*, \r
2999, 288, (hold 1)9#\r
','Mon Jun 30, 2003 16:00:10','Kalwant Singh'),
(200,'Yara Dildara - ZKH','Zindagi Khubsorat Hay \r
Yara Dildara \r
(Tempo 160 bmp)\r
\r
58*#, 6#, 7, 69#, 18*#, 7**, 6#, (hold 5)8#, 69#, (hold 7)8, \r
6999#, 588#, 6#, 7, 69#, 18*#, 7**, 6#, 5#, 6#, 7, \r
(hold 6)99#, (hold 2)*#, 488, 2#, (hold 1)99#, 288#, \r
(hold 1)8#, 78**, 199*#, (hold 4)8#, 2#, 19#, 7**, 699#, \r
588#, 6#, 7, 69#, 18*#, 7**, (hold 6)8#, 59#, 6#, 7, 699#\r
','Mon Jun 30, 2003 16:00:21','Kalwant Singh'),
(201,'Haan Main Nay Be Pyar Kia Hai','Haan Main Nay Be Pyar Kia Hai\r
Title Song (Tempo 160 Bmp) Key presses \r
\r
3*, 49, 38, 2, 2, 38, 29, 1, 08, 3, 49, 38, 2, 2, 38, 2, \r
19, 08, 1, 2, 38, 39, 28, 29, 08, 3, 38, 499, 38, 2, 2, \r
38, 2, 19, 08, 3, 38, 499, 38, 2, 2, 38, 2, 19, 08, 1, \r
2, 38, 39, 29 \r
\r
Haan Main Nay Be Pyar Kia Hai Ver. 2 \r
Tempo 160 Bmp (Key Presses)\r
\r
58, 6, 6, 599, 488, 6, 5, 499, 2#, 28#, 28#, 49, 2, 28#, \r
599, 088, 588, 6#, 6, 599, 488, 6, 5, 499, 2#, 28#, 28#, \r
49, 2, 28#, 599, 088, 58, 68#, 299*, 188, 29#, 28, 199, \r
68**, 5, 4, 48, 69, 68#, 2*, 6**#, 59 \r
\r
','Mon Jun 30, 2003 16:00:41','Kalwant Singh'),
(202,'Zindgi Ko Bina Pyar Koi Kasay','Haan Main Nay Be Pyar Kia Hai\r
Zindgi Ko Bina Pyar Koi Kasay \r
(Tempo 112 Bmp) (Key Presses)\r
\r
18, 1, 699, 588, 6, 5, 4, 599, 588, 68, 5, 49, (hold 2)9, \r
5, 68, 1*, 6**, 5, 499, 488, 5, 6, (hold 1)9*, 18, 1, 2, \r
1, 29, 28, 19, 18, 2, 1, 29, 28, 19, 68**, 5, 4, 699 \r
','Mon Jun 30, 2003 16:00:53','Kalwant Singh'),
(203,'Kabhi Kushi Kabhi Gham - K3G','Kabhi Kushi Kabhi Gham\r
Tempo: 200bpm\r
\r
7*, 7, (hold 7), 788, (hold 1)99*#, 7**, (hold 6), (hold 5)#, \r
5#, 69, (hold 6), 08, 68, 6, (hold 6), 688, (hold 7)99, 6, (hold 5)#, \r
(hold 4)#, 4#, 59#, 5#, 08, 38, 4#, (hold 2), 388, (hold 4)99#, \r
4#, 49#, 48#, 5, 68, 7, 49#, 5, 4#, 39, 48#, 5, (hold 6)8, 19*, \r
79**, 08, 5, (hold 4)8#, (hold 6), 39\r
','Mon Jun 30, 2003 16:01:03','Kalwant Singh'),
(204,'Suraj Hua Madham - K3G','Kabhi Kushi Kabhi Gham\r
Suraj Hua Madham \r
Tempo: 180 (Keypress)\r
\r
2,58,5,29,5,2,0,5,68,6#9,6,5,68,49,0,2,58,29,5,2,0,5,68,\r
6#9,6,5,68,49,0,5,5,58,49,5,0,888,6,6,4,2,(4),58,599\r
\r
Suraj Hua Madham \r
Tempo=125 (Composer)\r
4d1, 8g1, 8g1, 4d1, 4g1, 4d1, 4-, 4g1, 8a1, 4#a1, 4a1, 4g1, \r
8a1, 4f1, 4-, 4d1, 8g1, 4d1, 4g1, 4d1, 4-, 4g1, 8a1, 4#a1, \r
4a1, 4g1, 8a1, 4f1, 4-, 4g1, 4g1, 8g1, 4f1, 4g1, 32-, 4a1, \r
4a1, 4f1, 4d1, 4.f1, 8g1, 2g1\r
','Mon Jun 30, 2003 16:01:17','Kalwant Singh'),
(205,'Bole Chudiyaan - K3G','Kabhi Kushi Kabhi Gham\r
Bole Chudiyaan - (Tempo 200bpm)\r
Composer\r
\r
4e2, 8c2, 4d2, 8f2, 1e2, 4d2, 8e2, 4c2, 8e2, 1d2, 4e2, 8c2, \r
4d2, 8f2, 8f2, 8g2, 1e2, 4d2, 8e2, 4c2, 8e2, 1d2, 4.a1, 4a1, \r
8a1, 8c2, 8b1, 4.b1, 4b1, 8b1, 8d2, 8c2, 4.c2, 4c2, 8c2, \r
8e2, 8d2, 8d2, 2-, 2e2, 4e2, 8a1, 4b1, 8.a1, 2-, 2e2, 4e2, \r
8a1, 4b1, 2a1 \r
\r
Keypress (Tempo 200bpm)\r
\r
3*, 18, 29, 48, 3999, 288, 38, 19, 38, 2999, 388, 18, 29, 48, \r
4, 5, 3999, 288, 38, 19, 38, 2999, (hold 6)88**, 6, 68, 1*, \r
7**, (hold 7)9, 7, 78, 2*, 1, (hold 1)9, 1, 18, 3, 2, 2, 099, \r
399, 38, 68**, 79, (hold 6)8, 099, 399*, 38, 68**, 79, 69 \r
','Mon Jun 30, 2003 16:01:34','Kalwant Singh'),
(206,'You Are My Sonia - K3G','Kabhi Kushi Kabhi Gham\r
You Are My Sonia\r
Composer (Tempo 180 bmp)\r
\r
8.g1, 8.a1, 8.b1, 8.g1, 8.e1, 2e1, 8.g1, 8.a1, 8.b1, 8.g1, \r
8.g1, 4.g1, 8.g1, 8.a1, 8.b1, 8.g1, 8.e1, 2e1, 8.g1, 8.a1, \r
8.b1, 8.g1, 8.g1, 2g1, 8.a1, 8.a1, 8.a1, 8.a1, 8.b1, 8.c2, \r
2a1, 8.d2, 8.d2, 8.d2, 8.e2, 8.d2, 8.b1, 8.a1, 8.g1, 8.a1, \r
4.b1, 8.g1, 8.a1, 4.b1, 8.g1, 4.b1, 8.g1, 8.a1, 8.g1, 4g1 \r
\r
Keypress (Tempo 225) Version 2\r
(hold 5)8, (hold 6), (hold 7), (hold 5), (hold 3), 399, \r
(hold 5)88, (hold 6), (hold 7), (hold 5), (hold 5), (hold 5)9, \r
(hold 5)8, (hold 6), (hold 7), (hold 5), (hold 3), 399, \r
(hold 5)88, (hold 6), (hold 7), (hold 5), (hold 5), 599, \r
(hold 6)88, (hold 6), (hold 6), (hold 6), (hold 7), (hold 1)*, \r
699**, (hold 2)88*, (hold 2), (hold 2), (hold 3), (hold 2), \r
(hold 7)**, (hold 6), (hold 5), (hold 6), (hold 7)9, (hold 5)8, \r
(hold 6), (hold 7)9, (hold 5)8, (hold 7)9, (hold 5)8, (hold 6), \r
(hold 5), 59\r
\r
','Mon Jun 30, 2003 16:01:46','Kalwant Singh'),
(207,'Mehbooba Mehbooba - Ajnabee','Ajnabee\r
Mehbooba Mehbooba\r
Tempo:120bpm (Keypress)\r
\r
688,7,79,78,7,69,68,2*,(7)9**,68,5,4#,29,3,3,4#8,5,(6)99,588,\r
5,5,5,5,59,5,5,3,(2),58,5,5,5,5,59,5,5,6,(7),68,6,6,6,6,69,\r
6,6,1*,6**,(7),(5)\r
\r
Mehbooba Mehbooba \r
Tempo=100\r
16a1 16b1 8b1 16b1 16b1 8a1 16a1 16d2 8.b1 16a1 16g1 16#f1 8d1 \r
8e1 8e1 16#f1 16g1 4.a1 16g1 16g1 16g1 16g1 16g1 8g1 8g1 8g1 8e1 \r
8.d1 16g1 16g1 16g1 16g1 16g1 8g1 8g1 8g1 8a1 8.b1 16a1 16a1 \r
16a1 16a1 16a1 8a1 8a1 8a1 8c2 8a1 8.b1 8.g1\r
\r
','Mon Jun 30, 2003 16:01:59','Kalwant Singh'),
(208,'Meri Zindgi Main - Ajnabee','Ajnabee\r
Meri Zindgi Main \r
Tempo: 125bpm (Keypress)\r
\r
68,1*,(2)9,38,2,3,2,1,0,1,1,2,3,6,3,2,(2)9,28,29,0,8,68**,1*,\r
(2)9,58,3,2,38,2,1,0,9,19,1,2,3,6,3,2,(2)9,28,29\r
\r
','Mon Jun 30, 2003 16:02:10','Kalwant Singh'),
(209,'Haan Mera Deewanapan','Deewanapan\r
Haan Mera Deewanapan\r
Tempo: 45bpm\r
\r
388*, 39, 4#, (hold 4)9#, 188#, 79**, 7, (hold 7)9, 688*, \r
6#, (hold 4)9#, 68, 1*#, (hold 7)9**, 68, 5#, (hold 4)9#, \r
68, 1*#, 799**, 388, 39, 4#, (hold 4)#\r
','Mon Jun 30, 2003 16:02:32','Kalwant Singh'),
(210,'Ek Dil Hai- Ek Rishta','Ek Rishta\r
Ek Dil Hai\r
\r
8#d2 8#f2 4#g2 8#g2 8#g2 16- 16#f2 8#g2 16#f2 8#d2 8#c2 8#d2 \r
2- 8#d2 8#f2 4#g2 8#g2 8#g2 16- 16#a2 8#g2 16#f2 8#d2 8#c2 \r
4#d2 16#c2 8b1 16#a1 8#g1 8#g1 8#a1 16#g1 2#a1 8#g1 8#f1 8#g1 \r
8#a1 16#g1 2#a1 8#g1 8#f1 8#g1 8b1 16#g1 2b1 4#a1 8#g1 2#g1\r
','Mon Jun 30, 2003 16:02:46','Kalwant Singh'),
(211,'Dil Lagane Ki Saza - Ek Rishta','Ek Rishta\r
Dil Lagane Ki Saza (Tempo 140 Bmp)\r
\r
4.e2 8a1 4a1 4b1 4.c2 8c2 4b1 8a1 8#g1 32#a1 8.b1 32#a1 4b1 \r
1.a1 4.e2 8a1 4a1 4b1 16b1 16d2 4c2 8c2 4b1 8a1 8#g1 32#a1 \r
8.b1 32#a1 4b1 1.a1 8d1 8e1 8f1 8a1 8e1 8f1 4e1 8d1 8e1 8f1 8a1 \r
','Mon Jun 30, 2003 16:02:58','Kalwant Singh'),
(212,'Banda Yeah Bin Das Hai - Aks','AKS \r
Banda yeah bin das hai Tempo=180\r
\r
4e1 32- 4c1 8e1 16- 4f1 8a1 16- 8f1 8g1 4- 8c2 16- 8f1 16- \r
8a1 16- 4g1 16- 8f1 16- 8e1 8c1 16- 4e1 32- 4c1 8e1 16- 4f1 \r
8a1 16- 8f1 8g1 4- 8c2 16- 8f1 16- 8a1 16- 4g1 16- 8a1 16- \r
4g1 16- 8f1 16- 8e1 8c1 16- 8f1 8g1 4- 8c2 16- 8f1 16- 8a1 \r
16- 4g1 16- 8f1 16- 8e1 8c1 16-\r
\r
','Mon Jun 30, 2003 16:05:45','Kalwant Singh'),
(213,'Aaja Gufaon Mein - Aks','AKS\r
Aaja Gufaon Mein (Tempo=200)\r
\r
4e1 4f1 4e1 4.a1 4.g1 4f1 1.e1 2- 4e1 4f1 4e1 4.c2 4.g1 \r
4a1 1.b1 2- 4b1 4c2 4b1 4.d2 4.c2 4b1 1.a1 2- 4a1 4b1 4a1 \r
2c2 8.b1 8.a1 4#g1 2- 2g1 2f1 4e1 4- 4e1 4f1 4e1 4.a1 4.g1 \r
4f1 1.e1\r
\r
','Mon Jun 30, 2003 16:05:58','Kalwant Singh'),
(214,'O Re Kanchi - Ashoka','Ashoka\r
O Re Kanchi - Tempo 200 bpm\r
\r
1*, 1, 1, (hold 4)9, 18, 1, 18, 69**#, 69, 08, 18*, 1, 1, \r
(hold 4)9, 18, 1, 18, 69**#, 69, 58, 6, 68#, 1*, 6**#, 6, \r
59, 68, 6#, 6, 5, 49, (hold 4), 5, 0, 5, 6, 68#, 1*, 6**#, \r
6, 59, 68, 6#, 6, 5, 49, 49\r
\r
','Mon Jun 30, 2003 16:06:09','Kalwant Singh'),
(215,'Rat Ka Nasha - Ashoka','Ashoka\r
Rat Ka Nasha\r
Tempo 180\r
\r
4.g1 8f1 2e1 8.e1 8.g1 8b1 2a1 4.g1 8f1 2e1 8.e1 8.g1 8b1 \r
4a1 4- 8.g2 8.g2 8g2 8.g2 8.f2 8e2 4.f2 2- 8.f2 8.f2 8f2 \r
8.f2 8.e2 8c2 4e2 2- 8.e1 8.e1 8e1 8.a1 8a1 8.c2 8.c2 8c2 \r
8.e2 8.e2 8e2 8.b1 8d2 8.b1 8.e2 8.b1 8g1 4a1\r
\r
','Mon Jun 30, 2003 16:09:15','Kalwant Singh'),
(216,'San Sanana - Ashoka','Ashoka\r
San Sanana Tempo 140 bpm\r
\r
38*, 09, 4#, 3, 2, 7**, 2*, 0, 3, 0, 4#, 3, 0, 7, 09, 3, \r
3, 4#, 3, 2, 7**, 2*, 0, 4#, 3, 4#, 3, 09, 3, 3, 3, 5, 399, \r
488#, 4#, 4#, 6, (hold 4)9#, 78**, 1*, 3, 4#, (hold 5), \r
(hold 6), 6, (hold 7), (hold 7), 7, 79\r
','Mon Jun 30, 2003 16:09:25','Kalwant Singh'),
(217,'Roshni Se - Ashoka','Ashoka\r
Roshni Se Keypresses\r
\r
2**#, (hold 2)8#, (hold 4)8, (hold 2)9#, (hold 1)9, 18, 29#, \r
(hold 2)8#, (hold 4)8, (hold 2)9#, 19, 18, 29#, (hold 2)8#, \r
(hold 4)8, (hold 2)9#, (hold 1)8#, (hold 1)9, 6**#, (hold 1)*#, \r
(hold 1)8, (hold 6)9**#, 5#, (hold 5)#, 29#, 48, 688#, 599999#, \r
288#, (hold 4)8, 6999#, 288#, (hold 4)8, 5999#, 288*#, (hold 2)8#, \r
(hold 4)8, (hold 2)9#, (hold 1)9, 18, 29#, (hold 2)8#, (hold 4)8, \r
(hold 2)9#, 19, 18\r
','Mon Jun 30, 2003 16:09:36','Kalwant Singh'),
(218,'Main Nikla Ghadi Lay Ker-Gadar','Gadar \r
Main Nikla Guddi Lay Ker (Tempo = 70 bpm)\r
\r
16a1,16a1,16#a1,16a1,8a1,8-,16a1,16a1,16#a1,16a1,8a1,8-,16a1,\r
32a1,32a1,16#a1,16a1,8a1,8-,16a1,32a1,32a1,16#a1,16a1,8a1,8-16f1,\r
16d1,16d1,16f1,16f1,16f1,16g1,8a2,16a2,8g1,16-,16f1,16f1,16g2,\r
16f1,16e1,8g2,16g2,16f1,8.e1,16d1,4d1\r
','Mon Jun 30, 2003 16:09:47','Kalwant Singh'),
(219,'Ghar Aaja Mere Pardesi - Gadar','Gadar \r
Ghar Aaja Mere Pardesi (Tempo 112) \r
Keypress\r
\r
3*, 4, 5, 688, 7, 699, 088, 788, 1*, 79**, 6, 59, 688, 7, 699, \r
088, 788, 1*, 79**, 6, 5, 68, 7, 69, 5, 4, 58, 6, 59, 4, 69, \r
588, 4, (hold 3)9, 0, 59, 68, 58, 6, 799, 68, 5, 5, 6, 5, 4, \r
(hold 6)9, 08, 4, 58, 48, 5, 699, 58, 4, 4, 5, 4, 3, 3, 4, 5, 3\r
','Mon Jun 30, 2003 16:09:58','Kalwant Singh'),
(220,'Dil Chahta hai- Title Song','Dil Chahta hai \r
Title Song Tempo=125\r
\r
16g1 16- 16a1 16- 8c2 8d2 8- 8- 8f2 8f2 8f2 8e2 4g2 16f2 \r
16e2 16d2 16- 8g1 8a1 8c2 8d2 8- 8- 8f2 8f2 8e2 4g2 16f2 \r
16e2 16d2 16- 8g1 8a1 8c2 8d2 8- 8c2 8d2 8f2 8a2 8g2 8- \r
8f2 8e2 8- 4c2 8d2\r
\r
','Mon Jun 30, 2003 16:10:14','Kalwant Singh'),
(221,'Dil Chahta Hai Theme','Dil Chahta Hai Theme Tempo=125\r
\r
8d2 8e2 8g2 8b2 4a2 8g2 4#f2 4d2 4e2 4#f2 8d2 8e2 8g2 8b2 \r
4a2 8g2 4#f2 4d2 4.e2 8- 8d3 8e3 8g3 8b3 4a3 8g3 4#f3 4d3 \r
4e3 4#f3 8d3 8e3 8g3 8b3 4a3 8g3 4#f3 4d3 4.e3 4- 8d2 8e2 \r
8g2 8a2 2- 16- 8d2 8e2 8g2 8a2\r
\r
','Mon Jun 30, 2003 16:10:26','Kalwant Singh'),
(222,'Janey Kyoon Log - Dil Chahta hai','Dil Chahta hai \r
Janay Kyoon Log (Tempo 180)\r
\r
4f2 8f2 8#f2 8#a2 4.#a2 8f2 4f2 8d2 4.d2 4.c2 4.d2 8- 4f2 \r
8f2 8#f2 8#a2 4.#a2 8f2 4f2 8d2 4.d2 4.c2 4.d2 4- 8d2 4d2 \r
4d2 2.#d2 2.#f2 8f2 8#d2 2d2 4- 8d2 4d2 4d2 4.#d2 8#d2 4.c2 \r
8c2 4.d2 8c2 4.#a1 8a1 4.a#1\r
\r
','Mon Jun 30, 2003 16:10:38','Kalwant Singh'),
(223,'Koi Kahay Kahta - Dil Chahta hai','Dil Chahta hai \r
Koi Kahay Kahta Rahay (Tempo 200)\r
\r
7,1*,(hold 5)8**,599,(hold 7)88,79,1*,(hold 5)8**,(hold 5)9,\r
688,5,4,09,499,4,(hold 4)8,49,(hold 6)88,69,(hold 4),59,088,\r
58,09,(hold 4)99,48,3,(hold 1)8,299,08,48,3,(hold 1)8,29,1,\r
(hold 2)8,18,(hold 2)9,199\r
','Mon Jun 30, 2003 16:10:48','Kalwant Singh'),
(224,'Tanhai - Dil Chahta hai','Dil Chahta hai \r
Tanhai (Version 1 Tempo 100 bmp)\r
\r
8g1,4g2,8g2,16g2,8g2,4a2,32-,8a2,8a2,4#a2,8g2,16g2,16f2,16g2,\r
16e2,16f1,16e2,8-,8g1,4g1,8g2,16g2,8g2,8a2 16-,8a2,8a2,4#a2,\r
8g2,8g2,8g2,8f2,8e2,8-,8d1,16d1,4f2,4e1,4-,8d1,16d2,4f2,4e1\r
','Mon Jun 30, 2003 16:11:10','Kalwant Singh'),
(225,'Ehsaas Title Song','Ehsaas Title Song \r
Tempo 100 Bmp (Key Presses)\r
\r
68* 58 6.9 6 08 6.9 58 68 19* 08 6** 6.9 688 0 6 1.9*# 1# 1.9# \r
68** 18*# 6.9** 6 6.9 188*# 0 1# 0 29 2 2.9 38 2 18# 0 19# 08 \r
1.9# 088 688** 1.9* 1 08 1. 68** 1* 68** 5.9 4.99 \r
','Mon Jun 30, 2003 16:11:26','Kalwant Singh'),
(226,'Love Me Just 4 a Day','Hum ho gay aap kay\r
Love me just 4 a day (tempo=140)\r
\r
4g1 8a1 8g1 4a1 8g1 8f1 4g1 8f1 8e1 8d1 16e1 16d1 4.c1 8d1 \r
8a1 8g1 4a1 8g1 8f1 4g1 8f1 8e1 8d1 16e1 16d1 4.c1 8d1 8d1 \r
8c1 8d1 8e1 4.f1 8d1 8d1 8c1 8d1 8e1 4.f1 8.g1 8.g1 8.g1 \r
8.g1 16a1 8#a1 8#a1 4.a1','Mon Jun 30, 2003 16:11:41','Kalwant Singh'),
(227,'Ishq Hai Kia','Hum ho gay aap kay\r
Ishaq Hai Kia \r
(Tempo 160 Bmp)Key presses\r
\r
5, 68, 5, 69, 58, 4, 59, 48, 3, 2, 38, 2, (hold 1)99, 28, \r
6, 5, 69, 58, 4, 59, 48, 3, 2, 38, 2, (hold 1)99, 28, 2, \r
1, 2, 3, (hold 4)9, 28, 2, 1, 2, 3, (hold 4)9, (hold 5)8, \r
(hold 5), (hold 5), (hold 5), 68, 69#, 6#, (hold 6)9 \r
\r
','Mon Jun 30, 2003 16:11:54','Kalwant Singh'),
(228,'Sab Kuch Bhula Dia','Sab Kuch Bhula Dia \r
Tempo=160\r
\r
2*, 18, 19, 2, 18, 29, 48, 39, 08, 2, 18, 19, 2, 18, 29, \r
48, 39, 08, 48, 49, 49**, 28*, 28, 19, 08, 1, 2, 38, 2, \r
29, 0888, 2, 28, 2, 29, 2, 1, 2, 38, 39, 28, 29 \r
\r
','Mon Jun 30, 2003 16:12:03','Kalwant Singh'),
(229,'Kitni Bechain Ho Ke - Kasoor','Kasoor - \r
Kitni Bechain Ho Ke (Tempo=125bpm) \r
\r
\r
4e2 2f2 4- 4e2 2f2 8- 4e2 4e2 4f2 4g2 4e2 4f2 2- 4e2 4e2 4f2 \r
4g2 4e2 4f2 2- 2f2 4a2 4g2 4a2 2f2 2e2 32- 2d2 2- 2d2 4f2 4e2 \r
2c2 2- 2c2 4e2 4d2 2#a1 2- 2#a1 4c2 4a1 1a1 1e2 2d2\r
','Mon Jun 30, 2003 16:12:13','Kalwant Singh'),
(230,'Mohabbat Ho Na Jaaye - Kasoor','Kasoor - \r
Mohabbat Ho Na Jaaye \r
(Tempo 160)\r
\r
8f1 4f1 8g1 8f1 4e1 8e1 8f1 4f1 2f1 8f1 4f1 8g1 8f1 4e1 8e1 \r
8f1 4f1 2f1 8f1 4f1 8g1 8f1 4e1 8e1 8f1 8f1 2f1 8c1 4f1 4c1 \r
8d1 1d1 1e1 8f1 8e1 8f1 2c2 8f1 8e1 8f1 2c2 8f1 8e1 8f1 2c2 \r
8f1 8e1 8f1 4g1 1a1 \r
\r
','Mon Jun 30, 2003 16:12:22','Kalwant Singh'),
(231,'Zindagi Ban Gaye Ho Tum - Kasoor','Kasoor - \r
Zindagi Ban Gaye Ho Tum \r
(Tempo 160) Keypress\r
\r
6, 18*, (hold 3)99, 48, 38, (hold 3)99, 68**, 18*, (hold 3)99, \r
48, 38, (hold 2)99, 28, 38, 2, 3, 799**, 78, 78, 7, 2*, 199, \r
788**, (hold 6)99, 68, 78, 6, 7, 599, 78, 78, 7, 2*, 19, 18, \r
79**, 78, 699\r
','Mon Jun 30, 2003 16:12:32','Kalwant Singh'),
(232,'Kuch Khatti Kuch Meethi','Kuch Khatti Kuch Meethi \r
(Tempo 90) \r
\r
16c#.2, 16c#.2, 16c#.2, 16a.1, 16b.1, 4b1,16b.1, 8b1, 16e.2, \r
32b.1, 4c#.2, 16c#.2, 16c#.2, 16c#.2, 16a.1, 16b.1, 4b1, 16g#.1, \r
8g#1,16b.1, 32g#.1, 4a.1, 32f#.1, 32a.1, 32f#.1, 32a.1, 16f#.1, \r
2e1, 32g#.1, 32b.1, 32g#.1, 32b.1, 16g#.1, 2f#1, 32f#.1, 32a.1, \r
32f#.1, 32a.1, 16f#.1, 2e1, 32g#.1, 32b.1, 32g#.1, 32b.1, \r
16g#.1, 2f#1. \r
\r
','Mon Jun 30, 2003 16:12:43','Kalwant Singh'),
(233,'Deewana Tera Hi','Koi Mare Dil Say Poche\r
Deewana tera hi\r
Tempo 150 bmp \r
\r
\r
8g1 8g1 8.#f1 2g1 8g1 16g1 8g1 16a1 8b1 2a1 16a1 16b1 16a1 8g1 \r
8.#f1 2g1 16d1 8e1 2d1 8- 16d1 8e18.g1 8.g1 4- 8.b1 8.c2 8d2 \r
8.b1 8.a116g1 16a1 2b1 16- 8.b1 8c2 8d2 8.e2 8.c2 8b1 16c2 \r
16 b1 2a1\r
\r
','Mon Jun 30, 2003 16:12:52','Kalwant Singh'),
(234,'Kyo Ke Main Jhoot Nahi Bolta','Kyo ke main jhoot nahi bolta\r
Udd Gai (Key presses) Tempo 90 \r
\r
58* 68 0 6 0 199* 788** 1* 6** 7 6 5 59 68 0 6 0 1.9* 7** 18 68 \r
5 69 6# 6 5 6 6# 6 5 6 6# 6 5 599 2888* 0 2 2 3 3.9 18 09 1 2 29 \r
18 29 18 69**# 5 6. 68# 6999\r
\r
','Mon Jun 30, 2003 16:13:03','Kalwant Singh'),
(235,'Aajayee - Lajja','Lajja \r
Aajayee (Tempo=200)\r
\r
\r
(hold 7)*,68,7,7,6,6(hold 7)9,68,7,7,6,6,09,(hold 7)9,6,68,\r
(hold 7)9,0,(hold 7),(hold 7),6,68,79,08,(hold 7),(hold 2)*,3,\r
199#,088,78**,78,7,7,2*,1#,6**,4#,0,4#,6,4#,6,4#,48#,49#,\r
(hold 1)*#,6**,79.\r
','Mon Jun 30, 2003 16:13:13','Kalwant Singh'),
(236,'Mujhe Sajjan Ke Ghar - Lajja','Lajja \r
Mujhe sajjan ke ghar \r
(Tempo 140)\r
\r
16a1 16a1 8a1 8a1 8#g1 8#g1 8a1 8a1 8- 16a1 16a1 8a1 8a1 8#g1 \r
8#g1 8a1 8a1 2c2 8d2 8d2 8a1 8d2 8d2 8d2 4d2 4d2 8c2 8d2 4e2 \r
4c2 4- 8c2 8d2 4e2 4c2 4- 8f1 8f1 8f1 8g1 8g1 8a1 4a1 8g1 8f1 \r
8g1 8f1 4f1 8f1\r
','Mon Jun 30, 2003 16:13:29','Kalwant Singh'),
(237,'Style Main Rahne Ka - Style','Style\r
Style Main Rahne Ka Tempo 90\r
\r
48*#, 588#, 6, 5#, 49#, 39, 48#, (hold 1)#, 0, 48#, 5#, 6, 5#, \r
49#, 39, 48#, 1#, 49#, 588#, 6, 5#, 49#, 39, 48#, (hold 1)#, 0, \r
48#, 5#, 6, 5#, 49#, 39, 48#, 1#, (hold 4)9#, 38, 4#, 5#, 4#,\r
3, (hold 1)99#, (hold 7)8, 68, 7, 1*#, 7**, 6, 499#\r
','Mon Jun 30, 2003 16:13:45','Kalwant Singh'),
(238,'Jaan Leva - Moksha','Moksha\r
Jaan Leva (Tempo 140 Bmp)\r
\r
4g1,8g2,8g1,8f2,8g1,4.#a2,8c1,8d2,4c2,8#a1,4g1,8g1,8g1,8f1,\r
4.g1,8a2,4.f1,8g2,4.d1,16-,4g2,8g1,8g2,8f1,8g1,4.#a2,8c2,8d3,\r
4c2,8#a1,4g1,8g1,8g1,8f1,4.g1,8a2,4.f1,8g2\r
','Mon Jun 30, 2003 16:13:53','Kalwant Singh'),
(239,'Nari Nari - Moksha','Moksha\r
Nari Nari \r
(Tempo 225 )\r
\r
4g2 4g2 4g2 16f2 2g2 2-4f2 4g2 4f2 4g2 8f2 8g2 8f2 8#d2 2d2 \r
4- 4g2 4g2 4g2 16f2 2g2 2- 4g2 4g2 4f2 4g2 8f2 8g2 8f2 8#d2 \r
2d2 4- 4g2 4g2 4g2 4f2 8g2 8f2 4#d2 8d2 8- 4f2 8g2 8f2 4#d2 \r
4#d2 4d2 4d2 4#d2 4#d2. \r
\r
','Mon Jun 30, 2003 16:14:01','Kalwant Singh'),
(240,'Mujhe Kuch Kehna Hai Title Song','Mujhe Kuch Kehna Hai Title song\r
Keypress (Set tempo to your liking)\r
\r
4c3 4d3 4f3 4g3 4f3 1#g3 4g3 2f3 4- 4c3 4d3 4f3 4g3 4f3 4f3 \r
1g3 4f3 2d3 4- 4#g3 4g3 4f3 4d3 4g3 4f3 2f3 1f3 4d3 2c3 4-4d3 \r
4d3 4#63 4f3 4g3 4c3 2c3 1c3\r
\r
','Mon Jun 30, 2003 16:14:08','Kalwant Singh'),
(241,'Aankhiyon Ne Raat - MKKH','Mujhe Kuch Kehna Hai\r
Aankhiyon Ne Raat (Tempo 100) \r
Keypress\r
\r
\r
16f1 16e1 8b1 16b1 8a1 16a1 16g1 16#f1 16e1 16#f1 16#f1 16g1 \r
2g1 16#f1 16e1 16d1 16e1 16e1 16g1 2#f1 16#f1 16b1 16b1 16e1 \r
16e1 16e1 2e1 16d1 16e1 16#f1 16g1 16#f1 16e1 16d1 16d1 16d1 \r
16e1 2- 16d1 16e1 16#f1 16g1 16#f1 16e1 16d1 16d1 16e1\r
','Mon Jun 30, 2003 16:14:20','Kalwant Singh'),
(242,'Dupatta Mera - MKKH','Mujhe Kuch Kehna Hai\r
Dupatta Mera (Tempo 100) Keypress\r
\r
68, 7, 7, 28, 1*#, 7**, 6, 79, 78, 18*#, 7**, 6, 1, 2, 2, 7, \r
3, (hold 2), 7, 1, 2, 2, 2, 3, 2, 3, 3, 3, 3, 1, 7, 6, 1, 1, \r
7, 6, 7, 6, 5, 5, 4, 0, 4, 4, 6, 7, 7\r
\r
Mujhe Kuch Kehna Hai \r
Dupata Mera (Tempo 100) \r
8a1, 8b1, 8b1, 16d1, 16#c2, 16b1, 16a1, 8b1, 16b1, 32#c2, 32b1, \r
4a1, 16b1, 8#c2, 16d2, 8d2, 8b2, 8e2, 4.d2, 16b1, 8#c2, 16d2, \r
8d2, 8d2, 8e2, 4d2, 8e2, 16e2, 8e2, 16e2, 8#c2, 8b1, 8a1, 4#c, \r
8#c2, 8b1, 32a1, 32b1, 32a1, 32g1, 16g1, 8#f1, 16-, 16#f1, \r
8#f1, 8a1, 8b1, 4b1\r
\r
','Mon Jun 30, 2003 16:14:38','Kalwant Singh'),
(243,'Jab Say Dekha Hai - MKKH','Mujhe Kuch Kehna Hai \r
Jabse Dekha Hai (Tempo 125) Keypress\r
\r
28, 3, 49, 28, 3, 49, 5, 38, 2, 199, 188, 2, 39, 18, 2, 39, 5, \r
48, 3, 28, 38, 3, 2999, 088, 58, 6, 69#, 088, 48, 5, 69, 088, \r
58, 6, 69#, 088, 48, 5, 69, 78, 4, 4, 3, 3, 4, 5, 3, 4\r
\r
Mujhe Kuch Kehna Hai \r
Jab Say Dekha Hai (Tempo 125) \r
\r
8d1, 8e1, 4f1, 8d1, 8e1, 4f1, 4g1, 8e1, 8d1, 2c1, 8c1, 8d1, 4e1, \r
8c1, 8d1, 4e1, 4g1, 8f1, 8e1, 16d1, 32e1, 32e1, 4d1, 16-, 8g1, \r
8a1, 4#a1, 16-, 8f1, 8g1, 4a1, 16-, 8g1, 8a1, 4#a1, 16-, 8f1, \r
8g1, 4a1, 8b1, 8f1, 8f1, 8e1, 8e1, 8f1, 8g1, 8e1, 8f1\r
','Mon Jun 30, 2003 16:14:49','Kalwant Singh'),
(244,'Rabba Mere Rabba - MKKH','Mujhe Kuch Kehna Hai \r
Rabba Mere Rabba \r
(Tempo 160) \r
\r
8b1, 8a1, 8b1, 4e2, 8e2, 32.d2, 32c2, 32.d2, 8c2, 8d2, 8b1, 8a1, \r
8#f1, 8#f1, 8-, .8#f1, 32b1, 8.a1, 32.a1, 32.b1, 32.a1, 2b1, 2-, \r
8.#f2, 8.#f2, 8#f2, 8.g2, 8#f2, 8e2, 8d2, 16e2, 16d2, 8#c2, 8-, \r
8#c2, 4d2, 8c2, 2b1, 8b1, 8a1, 8b1, 4e2, 8e2, 32.d2, 32.c2, \r
32.d2, 8c2, 8d2\r
\r
','Mon Jun 30, 2003 16:14:59','Kalwant Singh'),
(245,'Chalo Chalain Mitwa - Nayak','Nayak \r
Chalo Chalain Mitwa \r
(Tempo 160)\r
\r
\r
8c1,8.c1,8a2,4g2,8g2,8f1,4f1,8g2,4a2,8a2,8a2,8g1,8g1,8g1,8a2,\r
4g2,4f1,4f1,4-,8g2,8f1,8f1,8g1,8g2,8f2,8f1,8g2,8g2,8f1,8f1,\r
8g2,8g2,8f1,8f1,8g2,8#a2,8a2,4g2,4f2,8f2,8g2,8f2,8e2,4d2\r
','Mon Jun 30, 2003 16:15:10','Kalwant Singh'),
(246,'Rookhi Sookhi - Nayak','Nayak\r
Rookhi Sookhi \r
(Tempo 112)\r
\r
16d2 16d2 16d2 16d2 16e2 16#f2 8#f2 16d2 16d2 8d2 16e2 16#f2 \r
8#f2 8d2 8d2 16e2 16#f2 8#f2 16d2 8d2 16e2 8#c2 8- 16d2 16d2 \r
16d2 16d2 16e2 16#f2 8#f2 16d2 16d2 8d2 16e2 16#f2 8#f2 16d2 \r
16d2 8d2 16e2 16#f2 8#f2 8d2 8d2 16e2 16g2 8.g2 8a2 8b2 2d3\r
','Mon Jun 30, 2003 16:15:19','Kalwant Singh'),
(247,'Shaka Laka Babe - Nayak','Nayak\r
Shaka Laka Babe \r
(Tempo 180)\r
\r
\r
8c2 8b2 8c2 8b2 4a2 4e2 8c2 8b2 8c2 8b2 4a2 4e2 8b1 8a1 8b1 \r
8a1 8b1 8a1 8#g1 8a1 2b1 4- 8c2 8b2 8c2 8b2 4a2 4e2 8c2 8b2 \r
8c2 8b2 4a2 4e2 8b1 8a1 8b1 8a1 8b1 8a1 8#g1 8a1 2b1 4-\r
','Mon Jun 30, 2003 16:15:30','Kalwant Singh'),
(248,'Pyar Ho Gaya','Pyar Ho Gaya \r
(Tempo 200)\r
\r
(hold 3), (hold 7)8, (hold 6), 7999, (hold 7)888, (hold 7), \r
(hold 1)*, (hold 7)**, (hold 6), (hold 5), (hold 4)#, (hold 3), \r
(hold 7), (hold 6), 7999, (hold 7)888, (hold 1)*, (hold 2), \r
(hold 3), (hold 2), (hold 1), (hold 2)9, (hold 2)8, (hold 1)999, \r
(hold 1)888, (hold 1), (hold 2), (hold 3), (hold 5), (hold 4)#, \r
(hold 3), (hold 4)9#, (hold 4)8#, 3999, 7**, (hold 3)88, (hold 7)8, \r
(hold 6), 7999, (hold 7)888, (hold 7), (hold 1)*, (hold 7)**, \r
(hold 6), (hold 5), (hold 4)#, (hold 3), (hold 7), 6\r
\r
','Mon Jun 30, 2003 16:15:42','Kalwant Singh'),
(249,'Pyar Ho Na Ja','Pyar Ho Na Ja \r
(Tempo 40)\r
\r
6.*882*34.93.823.5992884224.4.3299286.**6.82.*3.4.93.823.\r
5992884224.4.3299286*9 \r
\r
','Mon Jun 30, 2003 16:15:52','Kalwant Singh'),
(250,'Pyaar Ishq Aur Mohabbat Title Song','Pyaar Ishq Aur Mohabbat \r
Title Song (Tempo 225) \r
\r
599*#, 7, 68#, 58#, 49#, 68#, 69#, (hold 5) 9#, 28*#, 78**, \r
19*#, (hold 1)#, 7**, 48#, (hold 5)99#, 488#, 5#, 7, 19*#, \r
(hold 1)#, 2#, 78**, (hold 1)99*#, 58**#, 78, 1*#, 2#, (hold 2)9#, \r
18#, 3, 2#, 1#, 79**, 68#, 6#, 6#, (hold 6)99#, 688#, 7, 2*#, \r
1#, 2#, 1#, 7**, 599#\r
','Mon Jun 30, 2003 16:16:03','Kalwant Singh'),
(251,'Main Bewafa - PIAM','Pyaar Ishq Aur Mohabbat \r
Main Bewafa \r
(Tempo 160) \r
\r
(hold 6), 3*, 28, 39, 2, 1, 18, 29, 799**, 0888, (hold 5)88, \r
2*, 18, 29, 1, 7**, 78, 19*, 699**, 088, 188*, 7**, 68, 79, \r
699, 788, 6, 58, 69, 599, 188*, 7**, 68, 79, 699, 788, 6, 58, \r
69, 599, 388, 3, (hold 3), (hold 1)*, 1, (hold 1), (hold 2), 3, \r
(hold 7)**, 699\r
\r
','Mon Jun 30, 2003 16:16:16','Kalwant Singh'),
(252,'Ghanan Ghanan - Lagaan','Laggan\r
Ghanan Ghanan \r
(Tempo 90)\r
\r
\r
16a1 16a1 16a1 16e2 16e2 16e2 16e2 16e2 16#c2 16d2 16g2 16e2 \r
16c2 32d2 32c2 16b1 16a1 16a1 16a1 16a1 16e2 16e2 16e2 16e2 \r
16e2 16#c2 16d2 16g2 16e2 16c2 32d2 32c2 16b1 16a1\r
\r
','Mon Jun 30, 2003 16:16:28','Kalwant Singh'),
(253,'Likkhe Jo Khat Tujhe - Lagaan','Laggan\r
Likkhe Jo Khat Tujhe \r
(Tempo 56)\r
\r
16c3 16b2 16a2 16b2 16g2 8.a2 16c3 16b2 16a2 16b2 16g2 8.a2 \r
16b2 16a2 16g2 16e2 16g2 8.f2 16f2 16f2 16e2 16c2 16e2 8.d2 \r
16c3 16b2 16a2 16b2 16g2 4a2 \r
','Mon Jun 30, 2003 16:16:39','Kalwant Singh'),
(254,'Raadha Kaise Na Jalay - Lagaan','Laggan\r
Raadha Kaise Na Jalay \r
(Tempo 160)\r
\r
8g1 8g1 4a1 4c2 8c2 8a1 4g1 8a1 8c2 8c2 8a1 4g1 8a1 8f1 4d1 \r
4- 8f1 8f1 4g1 4a1 8a1 8f1 4d1 4- 8f1 8f1 4g1 4a1 8a1 8a1 \r
4a1 4- 8f1 8f1 4g1 4b1 8b1 8b1 16c2 16b1 16a1 16g1 4f1 8f1 \r
8f1 4g1 4a1 8a1 8a1 4a1 8g1 8g1 4a1 4c2 8c2 8a1 4g1 8a1 8c2 \r
8c2 8a1 4g1 8a1 8f1 4d1 4- 8f1 8f1 4g1 4a1 8a1 8f1 4d1 4- \r
8f1 8f1 4g1 4a1 8a1 8a1 4a1 4- 8f1 8f1 4g1 4b1 8b1 8b1 16c2 \r
16b1 16a1 16g1 4f1 8f1 8f1 4g1 4a1 8a1 8a1 4a1 8g1 8g1 4a1 \r
4c2 8c2 8a1 4g1 8a1 8c2 8c2 8a1 4g1 8a1 8f1 4d1 4- 8f1 8f1 \r
4g1 4a1 8a1 8f1 4d1 4- 8f1 8f1 4g1 4a1 8a1 8a1 4a1 4- 8f1 8\r
f1 4g1 4b1 8b1 8b1 16c2 16b1 16a1 16g1 4f1 8f1 8f1 4g1 4a1 \r
8a1 8a1 4a1\r
\r
','Mon Jun 30, 2003 16:16:50','Kalwant Singh'),
(255,'Chale Chalo - Lagaan','Laggan\r
Chale Chalo (Tempo 225)\r
\r
8g1 8- 8g1 4d2 4d2 8d2 4d2 8d2 8f2 2.d2 8c2 4d2 8b1 2c2 8c2 \r
4d2 8b1 4.c2 4- 4g1 8g1 4#a1 8#a1 4#a1 4f1 8f1 4g1 8g1 4g1 \r
4g1 8g1 4#a1 8#a1 4#a1 4f1 8f1 4g1 8g1 4g1 4g1 8g1 4d2 8d2 \r
4d2 4f1 8f1 4g1 8g1 4g1 \r
\r
Laggan\r
Mitwa (Tempo 225)\r
58, , 5, 29, 2, 28, 29, 28, 4, 299, 188, 29, 78, 199, 188, 29, \r
78, 19, , 5, 58, 9, 8, 9, 4, 48, 59, 58, 59, 5, 58, 9, 68, 9, 4, \r
48, 59, 58, 59 , 5, 58, 29, 28, 49, 48, 59, 58, 59 \r
','Mon Jun 30, 2003 16:17:06','Kalwant Singh'),
(256,'Kitne Door Kitne Pass - Title Song','Kitne Door Kitne Pass\r
Title Song \r
\r
8#f2 8.#f1 8.#g1 8#g1 32a1 32b1 8a1 8.#g1 8#g1 8.#f1 8.#g1 8#g1 \r
32a1 32b1 8a1 2#g1 8#d1 8#f1 16#d1 8b1 16#g1 8a1 8#g1 4#g1 8#d1 \r
8#f1 16#d1 8b1 16#g1 8a18#g1 4#g1 16#d3 16#c1 16#c1 16b2 16#d3 \r
16#c1 16#c1 16b2 8.#d3 16#c1 8\'e1 16#d1 8\'#f1 16e1 16#d1 16#c1 \r
8b2 4a1 \r
\r
','Mon Jun 30, 2003 16:17:17','Kalwant Singh'),
(257,'Kia Howa Tujay','Tum Ko Na Bhool Pain Ge\r
Kia Howa Tujay (Tempo 100)\r
\r
588#, 6, 7, 1*#, 7999**, (hold 7)88, (hold 3)*, 3, (hold 7)**, \r
(hold 1)*#, 7**, (hold 6), 599#, 5888#, 6, 7, 1*#, 7999**, \r
(hold 7)88, (hold 3)*, 3, (hold 7)**, (hold 1)*#, 7**, \r
(hold 6), 599#, 6888, 5#, 4#, 3, 4999#, (hold 7)88, 7, (hold 6), \r
599#, 6888, 5#, 4#, 3, 4999#, (hold 7)88, 7, (hold 6), 599#\r
','Mon Jun 30, 2003 16:17:26','Kalwant Singh'),
(258,'Apkey Pyar Main - Raaz','Raaz \r
Apkey Pyar Main (Tempo 160)\r
\r
\r
8g1, 8a1, 8a1, 2g1, 8f1, 8a1, 8g1, 2f1, 2#d1, 4#d1, 8#d1, 4f1, 4d1, \r
8#d1, 2g1, 8-, 8g1, 8#a1, 8a1, 2g1, 8f1, 8a1, 8g1, 2f1, 2#d1, 4#d1, \r
8#d1, 4f1, 4d1, 8#d1, 2g1, 8-, 4g1, 8#a1, 2d2, 8c2, 4#d2, 8d2, 2c2, \r
4a1, 4g1, 4f1, 8f1, 4a1, 8#a1, 8d2, 8#a1, 4g1\r
','Mon Jun 30, 2003 16:17:35','Kalwant Singh'),
(259,'Jo Bhi Kasmain - Raaz','Raaz \r
Jo Bhi Kasmain (Tempo 112)\r
\r
8b1, 8d2, 8g1, 8#f1, 8e1, 8#f1, 8e1, 8e1, 4e1, 4e1, 4.e1, 8-, 8b1, \r
8d2, 8g1, 8#f1, 8e1, 8#f1, 8e1, 8e1,4e1, 4e1, 8d1, 4c1, 8-, 8.e1, \r
8.#f1, 8e1, 8.e1,8.#f1, 8e1, 8.e1, 8.#e1, 8e1, 8.e1, 8.#f1, 8e1, \r
16d1, 16c1, 16d1, 16c1, 4.c1, 8-, 4g1, 8#f1, 8#f1, 8e1, 4.e1, \r
8e1, 4.e1 \r
\r
Raaz\r
Jo Bhi Kasmain (Tempo 112)\r
\r
78, 2*, 5**, 4#, 3, 4#, 3, 3, 39, 3, (hold 3), 08, 78, 2*, 5**, \r
4#, 3, 4#, 3, 3, 39, 3, 28, 19, 08, (hold 3)8, (hold 4)#, 3, \r
(hold 3), (hold 4)#, 3, (hold 3), (hold 3)#, 3, (hold 3), \r
(hold 4)#, 3, 28, 1, 2, 1, (hold 1)99, 08, 5, 48#, 4#, 3, \r
(hold 3)9, 38, (hold 3)9 \r
\r
','Mon Jun 30, 2003 16:17:50','Kalwant Singh'),
(260,'Rehna Hai Teray Dil Main - Theme','Rehna Hai Teray Dil Main\r
Theme (Tempo 200)\r
\r
2e2 4a2 4e2 2e2 4a2 4e2 4f2 4e2 4d2 4c2 4d2 4e2 4c2 4d2 2e2 4a2 \r
4e2 2e2 4a2 4e2 4f2 4e2 4d2 4c2 4d2 4e2 4c3 4d3 2e3 2d3 2c3 4a2 \r
4g2 1a2 4c3 4d3 4e3 1e3 4c3 4d3 4c3 4e3 1e3 4c3 4d3 2e3 2d3 2c3 \r
4b2 1a2\r
\r
','Mon Jun 30, 2003 16:18:01','Kalwant Singh'),
(261,'Dil Ko - RHTDM','Rehna Hai Teray Dil Main\r
Dil Ko (Tempo = 200)\r
\r
\r
39*, 68, 3, 39, 68, 3, 4, 3, 2, 1, 2, 3, 1, 2, 39, 68, 3, 39, \r
68, 3, 4, 3, 2, 1, 2, 3, 1*, 2, 39, 2, 1, 68**, 5, 699, 188*, \r
2, 3, 399, 188, 2, 1, 3, 399, 188, 2, 39, 2, 1, 78**, 699\r
','Mon Jun 30, 2003 16:18:12','Kalwant Singh'),
(262,'Sach Keh Raha Hai Dewana-RHTDM','Rehna Hai Tere Dil Mein - \r
Sach Keh Raha Hai Deewana \r
(Tempo 125) \r
\r
\r
8#a1 8#a1 8a1 8a1 8g1 8g1 8#f1 8#f1 8g1 2g1 8a1 4- 8#a1 8#a1 \r
8a1 8a1 8g1 8g1 8#f1 8#f1 8g1 4g1 4- 8c2 8c2 4c2 4b1 4c2 8- 8c2 \r
8b1 8c2 8d2 8#d2 4c2 8- 8#d2 8#d2 8d2 8d2 8c2 8c2 8#a1 8#a1 \r
8a1 4g1 2a1 16#a1 16a1 16g1\r
','Mon Jun 30, 2003 16:18:23','Kalwant Singh'),
(263,'Zara Zara - RHTDM','Rehna Hai Tere Dil Mein \r
Zara Zara (Tempo 225)\r
Keypress\r
\r
3*, 49, 08, 38, 49, 088, 38, 3, 4, 5, 3, 4, 09, 3, 3, 4, 5, 3, 4, \r
09, 49, 68, 5, 6, 49, 3, 08888, 2, 0, 2, 48, 3, 19, 0, 1, 38, 2, \r
69**#, 0, 6#, 18*, 6**#, 699, 3*, 28\r
\r
OR\r
Rehna Hai Teray Dil Main\r
Zara Zara (Tempo=225)\r
4e2 2f2 4- 4e2 2f2 8- 4e2 4e2 4f2 4g2 4e2 4f2 2- 4e2 4e2 4f2 4g2 \r
4e2 4f2 2- 2f2 4a2 4g2 4a2 2f2 2e2 32- 2d2 2- 2d2 4f2 4e2 2c2 2- \r
2c2 4e2 4d2 2#a1 2- 2#a1 4c2 4#a1 1a1 1e2 2d2\r
','Mon Jun 30, 2003 16:18:33','Kalwant Singh'),
(264,'Dil Hi Dil Mein - Roja','Roja\r
Dil Hi Dil Mein \r
(Tempo 160)\r
\r
2g1 2#a1 4a1 4g1 2#f1 2g1 2#a1 4a1 4g1 2#f1 2g1 2b1 8g1 8b1 8c2 \r
8b2 2d2 2#a1 2a1 4- 4b1 4b1 2c2 4#a1 4a1 4- 4b1 4b1 2c2 4#a1 \r
4a1 4- 8g1 4a1 8#a1 4g1 4- 8c2 4d2 8#d2 4c2 4- 1a2 4a2 \r
','Mon Jun 30, 2003 16:18:43','Kalwant Singh'),
(265,'Kadhal Rojave - Roja','Roja \r
Kadhal Rojave \r
(Tempo 180)\r
\r
2g1 2#a1 4a1 4g1 2#f1 2g1 2#a1 4a1 4g1 2#f1 2g1 2b1 8g1 8b1 8c2 \r
8b2 2d2 2#a1 2a1 1- 4b1 4b1 2c2 4#a1 4a1 2- 4b1 4b1 2c2 4#a1 \r
4a1 2- 8g1 4a1 8#a1 4g1 4- 8c2 4d2 8#d2 4c2 4- 1a2 4a2\r
','Mon Jun 30, 2003 16:18:53','Kalwant Singh'),
(266,'Choti Choti Ratein - Tum Bin','Tum Bin\r
Choti Choti Ratein 1(Tempo 140)\r
4f1 4#a1 4c2 4#c2 4c2 4#c2 4- 4f1 4#a1 4c2 4#c2 4c2 4#c2 4- \r
4f1 8#a1 4c2 8c2 4#c2 4c2 4#c2 4- 4f1 4#a1 4c2 4#c2 4c2 2#c2 \r
4- 4f1 4#a1 4c2 4#c2 4c2 4#c2 4- 4f1 8#a1 4c2 8c2 4#c2 4c2 \r
4#c2 4- 4f1 4#a1 4c2 4#c2 4c2 2#c2 4-\r
','Mon Jun 30, 2003 16:19:01','Kalwant Singh'),
(267,'Daro Vich - Tum Bin','Tum Bin\r
Daro Vich (Tempo 125 )\r
28, 2, 6#, 6#, 5, 69, 68, 1*, (hold 6)**, 499, 288, 2, 6#, \r
6#, 6#, 5, 69, 68, 1*, (hold 6)**, 4, 08, 4, 4, 5, 6, 1*, \r
6**, 5, (hold 5), 58, 59, 5, 6, 1*, 68**, 5, 4, 09, 49, 4, \r
5, 6, 1*, 6**, 5, (hold 5), 58, 599\r
\r
Tum Bin\r
Daro Vich (Version 2)\r
(Tempo 100)\r
16.g1 16.e1 16.e1 16.c2 16.c1 16.c1 16.b1 16.b1 16.b1 16.a1 \r
16.a1 8a1 4b1 16- 16.g1 16.e1 16.e1 16.c2 16.c1 16.c1 16.b1 \r
16.b1 16.b1 16.a1 16.a1 8a1 8b1 16- 16.g1 16.g1 16.a1 16.b1 \r
16.d2 8b1 32.a1 16.a1 16.a1 4.a1 4g1 16.g1 16.g1 16.a1 16.b1 \r
16.d2 8b1 32.a1 16.a1 16.a1\r
\r
','Mon Jun 30, 2003 16:19:16','Kalwant Singh'),
(268,'Koyi Faryad - Tum Bin','Tum Bin\r
Koyi Faryad (Tempo=80)\r
8a1 8c2 8g2 8e2 4f2 8- 8f2 8e2 8d2 4f2 8f2 32- 8a2 8a2 8b2 \r
8g2 4b2 4f2 4e2 32- 8a2 8b2 4g2 8.b2 16- 8b2 8a2 8g2 8.b2 \r
16- 8b2 8c3 8a2 4c3 4f2 4e2\r
\r
Tum Bin\r
Koyi Faryad (Tempo 80) \r
Keypress\r
68, 1*, 5, 3, 49, 08, 48, 3, 2, 49, 48, 088, 6, 6, 7, 5, 79, \r
4, 3, 0888, 68, 7, 59, (hold 7)8, 08, 7, 6, 5, (hold 7), 08, \r
7, 7, 1*, 6**, 19*, 4**, 3\r
\r
','Mon Jun 30, 2003 16:19:24','Kalwant Singh'),
(269,'Tum Bin Theme','Tum Bin Theme \r
(Tempo=160)\r
\r
2.e2 4f2 8a2 4.g2 4- 4e2 8c2 2.f2 4a2 8c3 4b2 2- 8.g2 8.b2 \r
8c3 2d3 4b2 8a2 8.g2 4- 16- 8.g2 8.#a2 8g2 8.f2 8.g2 8f2 4e2\r
','Mon Jun 30, 2003 16:19:33','Kalwant Singh'),
(270,'Tumharay Siwa Kuch Na - Tum Bin','Tum Bin\r
Tumharay Siwa Kuch Na \r
(Tempo 140)\r
8b1,8.b1,8.b1,8g2,4.#f2,8.e2,8.e2,8-8#f2,8.e2,8.d2,8c2,4.d2,\r
16.c2,16.b2,4a1,4-,8a1,8.a1,8.a1,8a1,4.d2,8.e2,8.#f2,8-,8e2,\r
8.#f2,8.e2,8d2,4c2,8d2\r
\r
Tum Bin \r
Tumharay Siwa Kuch Na \r
(Tempo 140) Keypress\r
78, (hold 7), (hold 7), 5*, (hold 4)9#, (hold 3)8, (hold 3), 0, \r
4#, (hold 3), (hold 2), 1, (hold 2)9, (hold 1)88, (hold 7), 699**, \r
0, 68, (hold 6), (hold 6), 6, (hold 2)9*, (hold 3)8, (hold 4)#, \r
0, 3, (hold 4)#, (hold 3), 2, 19, 28\r
\r
','Mon Jun 30, 2003 16:19:43','Kalwant Singh'),
(271,'Is Dil Main Sapnay - Tum Bin','Tum Bin\r
Is Dil Main Sapnay (Tempo 220) \r
\r
\r
8e2 8d1 4e1 8d1 8#c1 4d1 8#c1 8#a1 4#c2 8#a1 8a1 4g1 8e2 8d1 \r
4e1 8d1 8#c1 4d1 8#c1 8#a1 4#c2 8#a1 8a1 4g1 8f2 8e1 4f1 8e1 \r
8f1 4g1 8f1 8e1 4f1 4e1 8d1 8#c1 8g1 8f1 4g1 8f1 8e1 4f1 8e1 \r
8d1 4e1 8d1 8#c1 8#a1 8a1\r
','Mon Jun 30, 2003 16:19:53','Kalwant Singh'),
(272,'Zoom Bumbro - Tum Bin','Tum Bin\r
Zoom Bumbro (Tempo 225) \r
Keypress\r
\r
38*, 2**, 39, 28, 8#, 29, 18#, 6#, 19*#, 68**#, 6, 59, 38*, 2**, \r
39, 28, 1#, 29, 18#, 6#, 19*#, 68**#, 6, 59, 48*, 3**, 49, 38, \r
4, 59, 48, 3, 49, 3, 28, 1#, 5, 4, 59, 48, 3, 49, 38, 2, 39, \r
28, 1#, 6#, 6\r
\r
','Mon Jun 30, 2003 16:20:02','Kalwant Singh'),
(273,'Jab Dil Milay - Yaadein','Yaadein\r
Jab Dil Milay \r
Tempo 180\r
8G1,8G1,4A1,8A1,8A1,8A1,8A1,8A1,8A1,4A1,8#A1,8A1,4-,8G1,8G1,\r
4A1,8A1,8A1,8A1,8A1,8A1,8A1,4A1,8#A1,8A1,8-,8A1,8#A1,4.D2,\r
8C2,8#A1,8A1,8A1,8#A1,4.D2,4C2,8#A1,8A1,8A1,8#A1,4.E2,8D2,\r
8C2,8#A1,8A1,8#A1,4.E2,8D2,8#A1,4A1\r
\r
Dil Mile (Tempo 160/180) \r
Keypress\r
28*, 2, 39, 38, 3, 3, 3, 3, 3, 39, 48, 3, 09, 2, 2, 39, 38, \r
3, 3, 3, 3, 3, 39, 48, 3, 09, 3, 4, (hold 6)9, 48, 3, 0, 3, \r
4, (hold 7)9, 68, 3, 0, 2, 2, 39, 38, 3, 3, 3, 3, 3, 39, 48, \r
3, 2, 2, 39, 38, 3, 3, 3, 3, 3, 39, 48, 3, 09\r
\r
Dil Mile (Tempo 180) \r
Keypress\r
8d1 8d1 4e1 8e1 8e1 8e1 8e1 8e1 8e1 4e1 8f1 8e1 4- 8d1 8d1 4e1 \r
8e1 8e1 8e1 8e1 8e1 8e1 4e1 8f1 8e1 4- 8e1 8f1 4.a1 8f1 8e1 8- 8e1 \r
8f1 4.b1 8a1 8e1 8- 8d1 8d1 4e1 8e1 8e1 8e1 8e1 8e1 8e1 4e1 8f1 8e1\r
\r
','Mon Jun 30, 2003 16:20:21','Kalwant Singh'),
(274,'Yaadein Title Song','Yaddein Title Song \r
Tempo 140\r
\r
\r
4- 8c2 8c2 4e2 4.g2 4- 8b1 4d2 4.g2 4- 8b1 8b1 4d2 4.g2 4- \r
8a1 8a1 4c2 4.f2 4- 2g2 4g2 8- 2c2 2d2 4- 4c2 16.b1 4.g1 2- \r
2g1 2c2 4- 2f2 2d2 16c2 16c2 4.b1\r
\r
','Mon Jun 30, 2003 16:20:29','Kalwant Singh'),
(275,'Eli Eli - Yaadein','Yaadein \r
Eli Eli (Tempo Unknown) \r
Keypress\r
\r
\r
(hold 6), 3*, 28, 39, 2, 1, 18, 29, 799**, 0888, (hold 5)88, 2*, \r
18, 29, 1, 7**, 78, 19*, 699**, 088, 188*, 7**, 68, 79, 699, 788, \r
6, 58, 69, 599, 188*, 7**, 68, 79, 699, 788, 6, 58, 69, 599, 388, \r
3, (hold 3), (hold 1)*, 1, (hold 1), (hold 2), 3, (hold 7)**, 699\r
','Mon Jun 30, 2003 16:21:48','Kalwant Singh'),
(276,'Yaad Aati Hai - Yaadein','Yaadein \r
Yaad Aati Hai V1\r
\r
4, 0, 58, 5#, 5, 4, 19*#, 0, 18, 6**#, 5#, 5, 29#, 0, 48, 5, 4, \r
2#, 19*, 0, 68**#, 5#, 5, 5#, 49, 0, 58, 5#, 5, 4, 69#, 0, 58, \r
4, 5, 29#, 0, 48, 5, 5#, 5, 49 \r
\r
Yaad Aati Hai V2\r
0, 18*, 1, 39, (hold 5), 0, 79**, 29*, (hold 5), 0, 78**, 7, 29*, \r
(hold 5), 0, 68**, 6, 19*, (hold 4), 0, 59, 58, 08, 19, 2, 08, 18, \r
(hold 7)88**, (hold 5)99, 09, 59, 1*, 08, 4, 2, 1888, (hold 7)99** \r
','Mon Jun 30, 2003 16:21:58','Kalwant Singh'),
(277,'Yeh Tera Ghar Yeh Mera Ghar Title','Yeh Tera Ghar Yeh Mera Ghar\r
Sarswati Yeh Tera Ghar Hai Mera Ghar \r
(Tempo 112)\r
\r
8g2 8#a2 8d3 8.c3 16g2 8#a2 8d3 8.c3 16g2 8#a2 8e3 2.d3 8f2 \r
8a2 8d3 8.c3 16g2 8#a2 8d3 8.c3 16g2 8#a2 8d3 2.c3 8g2 8#a2 \r
8d3 8.c3 16g2 8#a2 8d3 8.c3 16g2 8#a2 8e3 2.d3 8f2 8a2 8d3 \r
8.c3 16g2 8#a2 8d3 8.c3 16g2 8#a2 8d3 4.c3\r
\r
','Mon Jun 30, 2003 16:22:07','Kalwant Singh'),
(278,'Ankein Kuli - Mohabbatein','Aankhen Khuli - Tempo: 140 bpm \r
Keypresses: \r
\r
6, 1, 78, 19*, 38, (3)9, 68**, 699, 68, 7, 68, 29*, 78**,\r
59, 6, 79, 78, 2*, 28, 39, 28, 19, 1, 1, 288, 099, (1)99,\r
78**, 59, 7, 6, 6, 69, 0888, 6888, 6, 699, 58, (6), 78, \r
19*, 38, 0, (7)9**, 28*, 79**, 5, (6)9\r
','Mon Jun 30, 2003 16:22:17','Kalwant Singh'),
(279,'Chalte Chalte -Mohabbatein','Chalte Chalte - Key Presses \r
\r
(hold 5)888*, (hold 5)999#, (hold 5)99#, (hold 5)8888#, (hold 7)99, \r
7, (hold 5)99#, 588#, (hold 6)8#, 79, (hold 1)8*#, 78**, 1*#, \r
(hold 7)999**, 18888*#, 29999#, 28#, 1#, 29#, 58**#, (hold 6)8#, 799, 78, (hold 7)8, 69#, 78, 6#, 59#, 68#, 5#, (hold 4)999#, 288888, 2999#, (hold 2)8#, 588#, 79999, 7, (hold 1)88*#, (hold 7)8**, (hold 6)#, 599#, 5#, 5#, 5#, (hold 7), ','Mon Jun 30, 2003 16:22:26','Kalwant Singh'),
(280,'Hum Ko -Mohabbatein','Hum Ko Humein Se - Tempo: 160 bpm \r
Keypresses: \r
(6), 3*, 28, 39, 2, 1, 18, 29, 799**, 0888, (5)88, 2*, \r
18, 29, 1, 7**, 78, 19*, 699**, 088, 188*, 7**, 68, 79, \r
699, 788, 6, 58, 69, 599, 188*, 7**, 68, 79, 699, 788, \r
6, 58, 69, 599, 388, 3, (3), (1)*, 1, (1), (2), 3, \r
(7)**, 699\r
\r
','Mon Jun 30, 2003 16:22:35','Kalwant Singh'),
(281,'Pero Me - Mohabattien','Pero Me (Mohabattien)- (Tempo 100bpm) \r
3, 48, 6, 4, 3, 3, 3, 3, 3, 4, 5, 1*, 1, 7**, 0, 78, 2*, 2, 2, 29, 38, 4, \r
3, 2, 2, 2, 1, 7**, 09, 7, 2*, 2, 2, 29, 38, 4, 3, 2, 2, 2, 1, 7**, 09, \r
79, 2*, 2, 3, 1, 7**, 69 \r
\r
','Mon Jun 30, 2003 16:22:52','Kalwant Singh'),
(282,'Mehboob Mere - Fiza','Fiza - Mehboob Mere- tempo 120\r
\r
Keypresses: \r
\r
28*, 6, 4#, 2#, 28, 69, 68, 49#, 2#, 2, 6, 4#, 2#, 08, 2, \r
18, 299, 28, 6#, 6, 59, 68#, 68#, 69, 59, 68#, 6, 59, 48#, 28#,\r
499#, 28, 6, 4#, 2#, 28, 69, 68, 49#, 2#, 2, 6, 4#, 2#, \r
08, 2, 18, 299\r
','Mon Jun 30, 2003 16:23:01','Kalwant Singh'),
(283,'Tum Dil Ki - Dhadkan','Dhadkan - Tum Dil Ki - Tempo: 140 bpm \r
Keypresses: \r
\r
\r
4, 6, 19, 78, 68, 5, 699, 08888, 38, 5, 79, 68, 5, 49, 08888,\r
48*, 3, 19, 38, 2, 79**, 188*, 1, 7**, 6, 799, 18*, 6**, 49\r
','Mon Jun 30, 2003 16:23:11','Kalwant Singh'),
(284,'Dil Ne Yeh Kaha - Dhadkan','Dil Ne Yeh Kaha (Tempo 125)\r
\r
8d1, 4d1, 4e1, 4g1, 8e1, 4d1, 8#c1, 4e1, 4d1, 8d1, \r
4d1, 4e1, 4g1, 8e1, 4d1, 8#c1, 4e1, 4d1, 8d1, 4d1, \r
4e1, 4f1, 8a1, 4g1, 8f1, 8g1, 8a1, 4g1, 8c1, 4c1, 4d1, \r
4e1, 8g1, 4f1, 8e1, 8f1, 8g1, 4f1, 8d1, 4e1, 4f1, 8a1, \r
4g1, 8f1, 8#a1, 8a1, 4g1 ','Mon Jun 30, 2003 16:23:22','Kalwant Singh'),
(285,'Hai Mera Dil - Josh','Hai Mera Dil - Key Presses\r
\r
4#g1,8#a1,8c2,8#c2,2.c2,4-,4c2,8f2,4c2 2.#a1,4-,8c2,8c2,8f2, 4c2,2.#a1,4c2,4#a1,8,4#g1,8c2,8#g1,8g1,2.f1 4-,4#g1,8#a1,8c2,8#c2,2.c2,4-,4c2,8f2,4c2,2.#a1,4-,8c2,8c2,8f2, 4c2,2.#a1,4c2,4.a1,8-,4#g1,8c2,8#g1,8g1,2.f1\r
','Mon Jun 30, 2003 16:23:31','Kalwant Singh'),
(286,'Zindai Hai Hum - Josh','Josh - Zindai Hai Hum - Tempo: 140 bpm Keypresses: \r
\r
68, 6, 7, (1)+, 39, 08, 58++, 5, 6, (7), 29+, 08, 68++, 6, \r
7, (1)+, 39, 08, 58++, 5, 6, (7), 29+, 08, 1, 78++, (1)+, \r
69++, 08, 7, 68, (7), 59, 08, 38, 1+, 7++, 6999, 48, 188, \r
7++, 68, 7, 699, 78, 6999 \r
\r
','Mon Jun 30, 2003 16:23:40','Kalwant Singh'),
(287,'Sailaru Sailare - Josh','Josh - Sailaru Sailare - Tempo: 160 bpm Keypresses: \r
\r
8, 088, 6, (7)9, 68, 088, 7, (5)9, 68, 088, 6, 088, 1+, \r
088, 1, 088, 7++, 088, 1+, (6)9++\r
\r
','Mon Jun 30, 2003 16:23:48','Kalwant Singh'),
(288,'Ghar Kab Aaoge - Border','Ghar Kab Aaoge - (Tempo 90bpm) \r
4-, 16c1, 8c1, 8c1, 4a1, 4g1, 4a1, 16c1, 8c1, 8c1, \r
4a1, 4g1, 4a1, 16f1, 16f1, 16e1, 16d1, 16c1, 4d1, 8e1,\r
8c1, 4d1, 16f1, 16f1, 16e1, 16d1, 16c1, 4d1, 8e1, 8c1,\r
4d1, 16g1, 8g1, 8g1, 4g1, 16a1, 8a1, 8g1, 4g1, 16a1, 8a1,\r
8g1, 4c2, 4#a1, 4a1\r
\r
','Mon Jun 30, 2003 16:23:57','Kalwant Singh'),
(289,'Chand Tarey - Yes Boss','Chand Tarey - Yes Boss (Tempo 80bpm) Keypresses:\r
\r
(hold 2)*#, (hold 5)88**#, (hold 6)9#, 299*#, (hold 2)8#, (hold 5)88**#, \r
6#, (hold 1)*#, 6999**#, (hold 2)8*#, 58**#, (hold 6)#, 29*#, (hold 2)#, \r
(hold 5)88**#, 6#, (hold 1)*#, 699**#, (hold 2)*#, (hold 5)88**#, (hold 6)9#,\r
29*#, (hold 2)#, (hold 5)88**#, 6#, 19*#, 69**#, (hold 4)8*, (hold 1)8#, 1#, \r
(hold 1), (hold 6)9**#, (hold 1)*#, 2#, 199#, (hold 4)88, 1#, (hold 1)88#, \r
(hold 1)9, (hold 6)9**#, (hold 1)*#, 4, 488, 29999#\r
','Mon Jun 30, 2003 16:24:14','Kalwant Singh'),
(290,'Sunheeyey Tow - Yes Boss','Sunheeyey Tho - Yes Boss \r
Keypresses: \r
\r
(hold 2)888*, (hold 2)#, 29, (hold 1)8, 29999, (hold 2)8888, (hold 2)#,\r
29, (hold 1)8, 29999, 2888, (hold 2)8#, 29, (hold 1)8, 29999, (hold 2)8888,(hold 2)#, 29, (hold 1)8, (hold 2)999, (hold 2)8, (hold 1)8, (hold 1), (hold 1), (hold 1), (hold 1), (hold 2), (hold 2)#, (hold 1), (hold 1)8, \r
(hold 2)#, (hold 2)99, (hold 6)8**#, (hold 1)*, 6**#, 6, (hold 5)9, (hold 1)8*, (hold 1), (hold 1)8, 29, (hold 2)8#, (hold 2), (hold 1)999, (hold 6)88**#, (hold 6)#, (hold 6)8#, (hold 1)*, (hold 2), (hold 1), (hold 6)99**#, (hold 6)#,(hold 2)8*#, (hold 1), 69**#, 69, (hold 6)88#, (hold 6), (hold 6)8#, (hold 6),59999, (hold 2)8888* \r
\r
','Mon Jun 30, 2003 16:24:24','Kalwant Singh'),
(291,'Baadshah- Baadshah','Baadshah - Baadshah (Tempo 200bpm) \r
\r
(hold 1)8**, (hold 1)#, (hold 1), 2999#, (hold 1)888, (hold 1)#, 1, \r
(hold 1)88#, 19, (hold 6)99**#, (hold 6)8#, (hold 6)9#, (hold 1)8*, \r
(hold 1)#, (hold 1), 388, 5**, (hold 3)9999*, (hold 1)88, (hold 1)#, \r
1, 18#, 69**#, 1999*, (hold 1)888, (hold 1)#, (hold 1), 2999#, \r
(hold 1)888, (hold 1)#, (hold 4)8, 1#, 4, 1#, 69999**#, (hold 1)888*,\r
(hold 1)#, (hold 1), 388, 3, 3, 199, 1, 19#, (hold 6)8**#, 1999*, \r
(hold 1)888, (hold 1), (hold 1)#, (hold 1)#, (hold 1)88, 19#, 1, \r
69999**#, ','Mon Jun 30, 2003 16:24:34','Kalwant Singh'),
(292,'Bazzigar- Bazzigar','Bazzigar - Key Presses \r
\r
19**, (hold 1)888, (hold 1), (hold 6)*#, (hold 1)**#, (hold 1),\r
(hold 6)*#, (hold 5)#, (hold 1)**, (hold 6)*#, (hold 5)#, 59, \r
(hold 6)88#, (hold 5)9#, (hold 5), (hold 4), 59#, 58, (hold 4), \r
(hold 2)#, (hold 5), (hold 4), (hold 2)#, (hold 1)9#, (hold 2)8#, \r
(hold 1)#, 1999, (hold 1)888, (hold 3), (hold 5), (hold 6)9#, \r
(hold 5)8#, (hold 5), (hold 5)#, 4999, (hold 1)888, (hold 3), \r
(hold 5), (hold 6)9#, (hold 5)8#, \r
\r
','Mon Jun 30, 2003 16:24:42','Kalwant Singh'),
(293,'Bholee See Soorat - Pardes','Bholee See Soorat - Key Presses \r
6*, (hold 7)88, 1*, (hold 7)9**, (hold 6), (hold 5), (hold 6)8, 7, \r
(hold 6)9, (hold 5), 49, (hold 5)88, 6, 599, 48, 3, (hold 3)8, \r
(hold 6)99, (hold 3)88, (hold 3), 399, 69, 68, (hold 7)88, 19*, \r
(hold 7)**, (hold 6)8, (hold 5), (hold 5)9, (hold 6)8, 7, (hold 6)9, \r
(hold 5)8, (hold 4), 499, (hold 5)88, 69, (hold 5), (hold 4)8, \r
(hold 3), (hold 3)9, (hold 6)9, (hold 3)88, 39, (hold 3), 699\r
\r
','Mon Jun 30, 2003 16:24:54','Kalwant Singh'),
(294,'Zara Tasveer - Pardes','Zara Tasveer (Tempo 170bpm) \r
38, 69, 7, 1*, **, 1*, **, 1*, 8**, 1*, 19, 6**, 7, , 7, , 7, 8, 7, \r
79, 1*, 2, **, 2*, **, 2*, 8**, 4*, 49, 2, 3, **, 3*, **, 38*, 9**,\r
38, 69, 7, 1*, **, 1*, **, 1*, 8**, 1*, 19, 6**, 7, , 7, , 7, 8, 7, \r
79, 1*, 2, **, 2*, **, 2*, 8**, 4*, 49, 2, 3, **, 3*, **, 38*\r
','Mon Jun 30, 2003 16:25:11','Kalwant Singh'),
(295,'Dil Se Rey - Dil Se','Dil Se Rey - Dil Se (Tempo 160bpm) \r
\r
Keypresses:\r
\r
4888*#, (hold 6)999#, 799, 688888#, (hold 4)99#, 788, (hold 6)99#, 4999#,\r
688888#, (hold 4)99#, (hold 6)9#, 799, (hold 6)888#, (hold 1)*#, (hold 1)#,\r
(hold 1)#, 788**, 19*#, 79**, (hold 7), (hold 7)9, (hold 7)8, (hold 7), \r
(hold 7), (hold 7), (hold 1)*#, (hold 7)88**, 1*#, 799**, (hold 6)#, (hold 6)#,\r
(hold 6)#, (hold 1)8*#, 78**, 19*#, (hold 7)9**, (hold 6)#, (hold 6)#, \r
(hold 4)99#, (hold 6)888#, (hold 7), (hold 1)99*#, (hold 7)888**, (hold 1)*#,\r
(hold 7)9**, 7999, (hold 6)88#, (hold 6)# \r
','Mon Jun 30, 2003 16:25:26','Kalwant Singh'),
(296,'Chaiya Chaiya - Dil Se','Chaiya Chaiya - Dil Se (Tempo 225bpm) Keypresses:\r
\r
(hold 6)*#, (hold 6)#, 699#, 58#, (hold 5)88#, 199*, (hold 1)88, \r
(hold 1)9, (hold 1), (hold 1), (hold 1), 1, (hold 1)8, 599**#, (hold 5)88#,\r
188*, 69999**#, (hold 6)88#, 688#, (hold 6)999#, (hold 6)#, 699#, (hold 5)88#, (hold 5)8#, 19*, (hold 1)8, 199, (hold 1)8, 2888#, 49999, 28888#, \r
(hold 1)999, 1, 18, 599**#, (hold 5)88#, 699#, (hold 6)88#, 699#, 69#, \r
(hold 4)888*, 4, (hold 4), 29#, (hold 4)8, 2#, (hold 2)#, (hold 1), (hold 1),\r
69**#, 69#, 18888*, (hold 6)99**#, ','Mon Jun 30, 2003 16:25:37','Kalwant Singh'),
(297,'Kaho Na Pyar Hai - KNPH','Kaho Na Pyar Hai - Tempo: 140 bpm \r
Keypresses: \r
4+, 0888, 38, 29, 3, 088, 48, 4, 3, 29, 3, 088, 4, 0888, 38, \r
29, 3, 38, 5, 49, 38, 299, 08, 788++, 79, 1+, (2), 78++, (1)9+,\r
78++, (6)9, 78, 79, 1+, 2, 3, (1)9\r
\r
','Mon Jun 30, 2003 16:25:46','Kalwant Singh'),
(298,'Ek Pal Ka Jeena - KNPH','Ek Pal Ka Jeena (Tempo 100) Keypresses: \r
\r
588*#, (hold 6)#, 79, 68#, (hold 6)8#, (hold 6)#, (hold 5)#, (hold 6)9#, \r
79, (hold 6)88#, (hold 6)#, (hold 6)#, (hold 5)#, (hold 6)9#, (hold 7), \r
(hold 6)8#, (hold 6)#, 69#, (hold 5)8#, 699#, 1*#, (hold 6)88**#, 69#, \r
6#, 5#, (hold 6)#, 79, 68#, (hold 6)8#, (hold 6)#, (hold 5)#, (hold 6)9#, \r
79, (hold 6)88#, (hold 6)#, (hold 6)#, (hold 5)#, (hold 6)9#, (hold 7),\r
(hold 6)8#, (hold 6)#, 69#, (hold 5)8#, 699#,','Mon Jun 30, 2003 16:26:00','Kalwant Singh'),
(299,'Aye Dil -KNPH','Aye Dil (Kaho Na Pyar Hai) - (Tempo140bpm )\r
\r
5*, 3, 8**, 3*, 4, 3, 2, 3, 2, 19, 8**, 3*, 2, 1, 3, 29, 8**, 2*, 1, 7**,\r
1*, 29, **, 58*, 5, 39, 8**, 3*, 4, 3, 2, 3, 2, 19, 8**, 3*, 2, 1, 3, 29, \r
8**, 2*, 1, 7**, 2*, 19, 8**, 5*, 6, 6, 5, 5, 6, 6, 5, 6, 59, 8**, 5*, 6,\r
5, 4, 5, 4, 39, 8**, 5*, 4, 3, 5, 49, 8**, 4*, 3, 2, 3, 49, 8**, 5*, 6, 6,\r
5, 5, 6, 6, 5, 6, 59, 8**, 5*, 6, 5, 4, 5, 4, 39, 8**, 5*, 4, 3, 5, 49, 8**, \r
2*, 1, 7**, 2*, 19 ','Mon Jun 30, 2003 16:26:11','Kalwant Singh'),
(300,'Kahin Pyar Ho Na Jaye','Kahin Pyar Na Ho Jaye Theme - Tempo: 140 bpm \r
Keypresses: \r
5, 7, 68, 19*, 78**, 5, 5, 79, 68, 19*, 78**, 5, 5, 79, 68,\r
19*, 78**, 5, 5, 599, 08, 288*, 2, 1, 2, 1, 79**, 6, 58, 7,\r
699, 08, 288*, 2, 1, 2, 1, 79**, 6, 58, 599\r
','Mon Jun 30, 2003 16:26:21','Kalwant Singh'),
(301,'Mushkil Par Jayen','Mushkil Par Jayen (Tempo 100) Keypresses:\r
\r
48*, 4, (hold 6), 68, 59, 4, 69, 58, 4, 5, 6, (hold 5)8, 49, 488,\r
(hold 5), 4, 2999, 288, 4, 59, 6, 58, (hold 4), (hold 4), 29, 1, \r
18, 29, 48, 499, 48, 4, (hold 6), 68, 59, 4, 69, 58, 4, 5, 6, (hold 5)8,\r
(hold 4), 48, (hold 5), 4, 2999, 288, 4, 59, 6, 58, (hold 4), (hold 4), \r
29, 1, 18, 29, 48, 499 \r
\r
','Mon Jun 30, 2003 16:26:29','Kalwant Singh'),
(302,'Dum Dum Dhola Dhola','Dum Dum Dhola Dhola - (Tempo 160bpm) Keypresses:\r
\r
499*#, 588888, (hold 3)99, (hold 5), (hold 6), (hold 7)99, (hold 2)888*, \r
(hold 1), (hold 7)**, (hold 6)99, (hold 6)88, (hold 5)9#, (hold 6)99, \r
(hold 1)888*, (hold 7)**, 69, (hold 5)9, (hold 5)88, (hold 4)9#, (hold 5)99,\r
(hold 7)888, (hold 6), (hold 5), (hold 4)99#, (hold 4)88#, (hold 4)9, \r
(hold 4)99#, (hold 3)888, (hold 2)#, (hold 3)9, (hold 4)8#, (hold 4)9#, \r
(hold 4)8#, (hold 4)9#, (hold 4)9#, (hold 3)888, 4#, (hold 3)9, (hold 2)9#,\r
(hold 3), (hold 5)8, (hold 5)9, (hold 5)8','Mon Jun 30, 2003 16:26:39','Kalwant Singh'),
(303,'Dil Dewana Kehta Hai Ke - HPKJ','Dil Deewana Kehta Hai Key Pyyar Kur - (Tempo 160bpm) Keypresses:\r
\r
(hold 1)**#, (hold 1)88#, (hold 1)9#, (hold 1)#, (hold 1)#, (hold 1)#, \r
(hold 1)#, (hold 1)88#, (hold 2)#, 199#, 79**, (hold 1)88*#, 29999#, \r
(hold 2)8888#, (hold 4)9#, (hold 4)8#, (hold 4)9#, (hold 4)8#, (hold 2)#, \r
(hold 2)9#, (hold 2)8#, (hold 1)#, (hold 7)**, (hold 1)*#, (hold 2)8#, \r
(hold 3), 299#, (hold 2)8#, (hold 1)9#, (hold 1)8#, (hold 1)999#, (hold 7)8888**, 1*#, 7999**, (hold 7)888, 1*, 1999#, (hold 1)88#, (hold 1)9#, (hold 1)#, (hold 1)#, (hold 1)#, (hold 1)88#','Mon Jun 30, 2003 16:26:51','Kalwant Singh'),
(304,'Man Tera Mera Man -Aghaz','Man Tera Mera Man Keypresses:- \r
\r
Tempo: 140 bpm \r
\r
59, 08, 588, 6#, 2*, 6**#, 199*, 08, 688**#, 6, 5, 6, 499, 08,\r
288, 4, 6, 4, 599, 0, 5, 08, 588, 6#, 2*, 6**#, 199*, 08, \r
688**#, 6, 5, 6, 499, 08, 288, 4, 6, 4, 599\r
','Mon Jun 30, 2003 16:27:02','Kalwant Singh'),
(305,'Bar Bar Dekho','Bar Bar Dekho (Tempo 160) Keypresses:\r
\r
2**#, (hold 2)8#, (hold 4)8, (hold 2)9#, (hold 1)9, 18, 29#, (hold 2)8#, \r
(hold 4)8, (hold 2)9#, 19, 18, 29#, (hold 2)8#, (hold 4)8, (hold 2)9#, (hold 1)8#,(hold 1)9, 6**#, (hold 1)*#, (hold 1)8, (hold 6)9**#, 5#, (hold 5)#, 29#, 48,688#, 599999#, 288#, (hold 4)8, 6999#, 288#, (hold 4)8, 5999#, 288*#,\r
(hold 2)8#, (hold 4)8, (hold 2)9#, (hold 1)9, 18, 29#, (hold 2)8#, (hold 4)8,\r
(hold 2)9#, 19, 18, 29#, (hold 2)8#, (hold 4)8, (hold 2)9#, (hold 1)8#,\r
(hold 1)9, 6**#, \r
\r
','Mon Jun 30, 2003 16:27:12','Kalwant Singh'),
(306,'Kuch Kuch Hota Hai -KKHH','Kuch Kuch Hota Hai (Tempo 90pm) \r
4-,8e2,16f2,8e2,16d2,8c2,4e2,8-,8e2,16f2,8e2,16d2,\r
8c2,4e2,8-,8d2,16e2,8d2,16c2,8b1,8d2,4g1,16-,8d2,16c2,\r
8d2,16c2,4c2,16-,8c2,8c2,8d2,16e2,4a2,4g2,16-,4c2,\r
8d2,16e2,8a2,8a2,4g2,16-,8d2,16e2,8d2,16c2,8b1,8a1,4g1. \r
','Mon Jun 30, 2003 16:27:27','Kalwant Singh'),
(307,'Ladki Bari Anjani Hai - KKHH','Ladki Bari Anjani Hai (Tempo 125bpm ) \r
6, 78, 19*, 78**, 6, 7, 1*, 399, 88**, 69, 78, 19*, 78**, 6, 7, 2*, \r
599**, 8, 58, 4*, 3, 48, 3, 299, 8**, 5, 4*, 3, 48, 3, 299, 8**, 5, \r
4*, 3, 29, 78**, 6, 7, 2*, 59**, 8, 7, 18*, 7**, 6999, 588, 7, \r
18*, 7**, 6999 \r
\r
','Mon Jun 30, 2003 16:27:41','Kalwant Singh'),
(308,'Tujhe Yaad Aana Meri - KKHH','Tujhe Yaad Aana Meri (Tempo 90bpm) \r
38, 3, 39, 48, 5, 49, 3, 28, 29, 28, 2, 3, 4, 3, 59, 48, 3, 399, 388,\r
4, 69, 68, 6, 6, 5, 7, 6, 6, 59, 78, 7, 1*, 7**, 199*, 388, 29, 1, \r
68**, 599, 388, 3, 39, 48, 5, 49, 3, 28, (hold 2)9 \r
\r
','Mon Jun 30, 2003 16:27:51','Kalwant Singh'),
(309,'O O Janne Jana- PKTDK','O \' O Janne Jana -Key Presses \r
\r
(hold 6)88, 68, 69, (hold 3)8*, 2, 3, (hold 1)99, 28, (hold 2)8, 7**, 69, 78, 59,(hold 5)9, 58, 7, 78, 79, 78, 799, 7, (hold 6)8, 68, 69, 3*, 28, 3, 1, 2, 7**, 1*,69**, (hold 6), 68, 69, 3*, 28, 3, 1999, 288, 2, 78**, (hold 6), (hold 7), 59, (hold 5)9, 58, 7, 78, 79, 78, 799, 7, \r
\r
','Mon Jun 30, 2003 16:28:03','Kalwant Singh'),
(310,'Raat Ki Hateli Par - Refugee','Refugee Raat Ki Hateli Par \r
\r
Tempo: 80 bpm Keypresses: \r
\r
6, 7, 1*, 28, 3, (4)99, 08, 58**, 6, 7, 18*, 2, (3)99,\r
08, 48**, 5, 6, 78, 1999*, 38888, 39, 299, 08, 1888, \r
7**, 6, 3, (6)999, 0888, 1888*, 7**, 6, 5, 699, 5, 4, 3\r
','Mon Jun 30, 2003 16:28:17','Kalwant Singh'),
(311,'Panchi Nadiya- Refugee','Panchi Nadiya Pavan- Refugee (Tempo 100)\r
\r
4a2 4g2 2#f2 4e2 4#f2 4- 4g2 4#f2 2.e2 4#f2 4#f2 4e2 8- 4b1 8#c2 4d2 4.d2 8.d2 16- 8#f2 4e2 4- 4b1 4#c2 2d2 4e2 4#c2 2d2\r
\r
','Mon Jun 30, 2003 16:28:31','Kalwant Singh'),
(312,'Taal Pe Jab Ye - Refugee','Taal Pe Jab Ye Zindagani (Refugee) - 160bpm \r
(hold 1)*, 0, 7**, 68, 59, 4, 08, 4, 48, 3, 2, (hold 1)9, 5, 48, 399,\r
08, 38, 48, 69, 78, 79, 5, 08, 5, 78, 1*, 3, 2, 3, 2, 19, 78**, \r
(hold 1)9*, 78**, 69, 58#, 6, 199*, 28, 1, (hold 7)**, 58, 49, 5, 69\r
\r
','Mon Jun 30, 2003 16:28:41','Kalwant Singh'),
(313,'Aey Kya Boltee Tu- Gulam','Aey Kya Boltee Tu - Key Presses \r
\r
59*#, (hold 7)888, (hold 6)#, (hold 5)#, (hold 2)99#, \r
59#, (hold 7)888, (hold 6)#, (hold 5)#, (hold 2)99#, \r
(hold 2)*#, (hold 7)888**, (hold 1)999*#, 788**, 7, \r
(hold 7)8, (hold 6)9#, (hold 5)#, (hold 5)99#, (hold 2)*#, \r
(hold 7)888**, (hold 1)999*#, 788**, 7, (hold 7)8, (hold 6)9#, \r
(hold 6)#, (hold 5)99#, (hold 1)888*#, (hold 2)9#, \r
\r
','Mon Jun 30, 2003 16:28:54','Kalwant Singh'),
(314,'Pucho Zaara Pucho- RH','Pucho Zarra Pucho (Tempo 100bpm) \r
8d1, 8d1, 8e1, 8d1, 8d1, 8a1, 8-, 8a1, 8d1, 8e1, 8d1,\r
8d1, 8a1, 8-, 4a1, 4g1, 4f1, 8f1, 8f1, 8e1, 8f1, 8f1, \r
8a1, 8g1, 8e1, 8d1\r
','Mon Jun 30, 2003 16:29:02','Kalwant Singh'),
(315,'Raja Ko Rani Sey Pyar','Raja Ko Rani Sey Pyaar Ho Gaya - Key Presses\r
\r
29*, (hold 5)8, 69#, 6, 5, 6#, 6, (hold 2)#, (hold 4)888, 299#, \r
(hold 2)99, 28, 58, 69#, 6, 5, (hold 2)8*, 6**#, 199*, 188, 18, \r
(hold 1)999, 18, 2, 29#, 28#, 2, 6**#, 6#, (hold 1)8*, (hold 2)99, \r
(hold 4)88, (hold 2), 69**#, (hold 6)88, 2*, 699**, 6, 68#, 188*, \r
2999, 1888, (hold 6)**, 6999#, (hold 5)888, 68, 69#, (hold 6), \r
(hold 5)99, 29, (hold 5)8, 69#, 6, 5 ','Mon Jun 30, 2003 16:29:12','Kalwant Singh'),
(316,'Raju Chacha- Raju Chacha','Raju Chacha - Tempo: 200 bpm \r
Keypresses: \r
\r
69, 38+, 29, 0, 188, 7++, 699, 38+, 29, 0, 68++, 7, \r
19+, 28, 79++, 58, 3, 699, 088, 688, 7, 19+, 28, \r
79++, 58, 3, 699\r
\r
','Mon Jun 30, 2003 16:29:23','Kalwant Singh'),
(317,'Rangeela- Rangeela','Rangeela - Key Presses\r
\r
58*#, (hold 7)88, (hold 7)99, 5#, (hold 7)88, (hold 7)99, 5#, \r
(hold 7)88, (hold 1)9*#, (hold 2)#, (hold 1)#, (hold 7)**, (hold 5)#,\r
7999, 588#, (hold 7)88, (hold 7)99, 5#, (hold 7)88, (hold 7)99, 5#, \r
(hold 7)88, (hold 1)9*#, (hold 2)#, (hold 1)#, (hold 7)**, (hold 5)#, \r
7999, (hold 7)888, (hold 6)#, (hold 6)8#, (hold 7), (hold 6)9#, \r
(hold 5)#, (hold 6)8#, (hold 5)#, (hold 4)99#, (hold 7)8, (hold 6)#, \r
(hold 6)8#, (hold 7), (hold 6)9#, (hold 5)#, (hold 6)8# ','Mon Jun 30, 2003 16:29:39','Kalwant Singh'),
(318,'Teri Chunariya- Hello Brother','Teri Chunaria (Tempo 125)\r
\r
8c2, 8c2, 8d2, 8b1, 8a1, 8b1, 8g1, 8a1, 8a1, 2b1,\r
8-, 8d2, 8d2, 8e2, 8#c2, 8d2, 8#c2, 8b1, 8b1, 8c2, \r
8b1, 2a1, 8-, 8c2, 8b1, 8c2, 8b1, 8a1, 8b1, 16b1, \r
8b1, 16b1, 8b1, 8b1, 8d2, 8b1, 8a1, 8g1, 4f1, 4f1,\r
4g1, 8g1, 1a1 ','Mon Jun 30, 2003 16:29:50','Kalwant Singh'),
(319,'Ajnabi- PTHHT','Ajnabi (Tempo 200bpm) Keypresses:\r
\r
18**#, 7**, 6, 5#, (hold 4)9#, (hold 1)*#, 1#, (hold 1)8#, 79**, 7888, 199*#,29, 1#, (hold 7)9**, 188*#, 7**, (hold 5)8#, 49#, 39, 4#, (hold 5)8#, 48#, 3999,4#, 58#, 48#, (hold 3)9, (hold 5)888#, (hold 6)999, 5#, 488#, 5#, (hold 4)9999#,58888#, (hold 6)9, 59#, (hold 4)#, (hold 1)*#, 1#, (hold 1)8#, 79**, 78, (hold 1)88*#, 2999, 1#, (hold 7)9**, 188*#, 7**, (hold 5)8#, 49#, 39, 4#, \r
\r
','Mon Jun 30, 2003 16:30:00','Kalwant Singh'),
(320,'Bareesh Mey Sona','Bareesh Mey Sona (Tempo 160) Keypresses:\r
\r
(hold 7)888*, (hold 1)99*, 79**, (hold 6)8, 19*, 788**, (hold 6)9,\r
(hold 1)*, 79**, 688, (hold 5)999#, 78, (hold 6)888, (hold 5)99#, 79,\r
(hold 6)888, 5#, 3999, 7, 688, 7, (hold 6)999, 78888, 1999*, \r
(hold 7)88**, (hold 6)9, 188*, 7999**, (hold 6)88, (hold 7)99,\r
(hold 2)8*, (hold 7)8**, 6, 78, (hold 5)9999#, 78, (hold 6)888, \r
(hold 5)99#, 79, (hold 6)888, 5#, 3999, 7, (hold 6)888 ','Mon Jun 30, 2003 16:30:11','Kalwant Singh'),
(321,'Tujhe Dekha To Jana Sanam','Tujhe Dekha Tho Yeh Jana Sanam (Tempo 100bpm) \r
8d1, 8d1, 8d1, 8a1, 8g1, 8a1, 8.f1, 8g1, 8#a1, 4a1,\r
4-, 8d1, 8d1, 8d1, 8a1, 8g1, 8a1, 8.f1, 8g1, 4e1, 4-, \r
8d1, 8e1, 4c1, 8d1, 8e1, 4c1, 8d1, 8e1, 4c1, 8d1, 8f1,\r
4e1, 4-, 8d1, 8e1, 8c1, 8d1, 8e1, 8c1, 8e1, 8d1, 4d1\r
','Mon Jun 30, 2003 16:30:26','Kalwant Singh'),
(322,'Hamara Dil Aap Ke Pas Hai','Hamara Dil Aap Ke Paas Hai - (Tempo: 140 bpm) Keypresses:\r
\r
1+, 4, 28#, 1999#, 6888#++, 6#, 29*#, 68#++, 6#, 1999+, 188, \r
18, 1#, 1, 59++, 68#, 18+, 6#++, 59, (2)9#, 59, 58, 48, 4999,\r
088, 188, 18, 1#, 1, (5)999#, 5888#, 59#, 6#, 18*, 59++, \r
58, 5999, 5888, 59, 6#, 58, 2999#, 5888, 09, 59, 5#, 58, 49, \r
4, (4)9\r
\r
','Mon Jun 30, 2003 16:30:46','Kalwant Singh'),
(323,'Are Re Are Re Kya- DTPH','Are Re Are Re Kya Hoowa - (Tempo 63bpm) Keypresses:\r
\r
588*, 6, 6#, 59, 2*, (hold 1), (hold 6)88**#, (hold 6)999, (hold 5)888, 69, 6#, 59, 2*#, (hold 2)9, (hold 5)888**, 69, 6#, 59, 2*, (hold 1), 68**#, 699, 688#, 1*, 2, (hold 6)8**, 699#, 6, (hold 5)9, (hold 5)888, 69, (hold 6)8#, 599, 2*, (hold 1), (hold 6)88**#, (hold 6)999, (hold 5)888, 69, (hold 6)8#, 599,2*#, (hold 2)9, (hold 5)888**, 69, 6#, 59, 2*, (hold 1), (hold 6)88**#, 6999, 68#, \r
\r
','Mon Jun 30, 2003 16:30:55','Kalwant Singh'),
(324,'Dilbar Dilbar- Sirf Tum','Dilbar Dilbar - (Tempo 80bpm) \r
\r
Keypresses\r
\r
(hold 1)8*#, (hold 1)8, 6999**#, (hold 1)88*#, (hold 1)8, (hold 6)**#, 18*,\r
6999**#, (hold 1)8*#, (hold 1)8, (hold 6)**#, (hold 1)8*, 6999**#, (hold 1)8*#, (hold 1)8, (hold 6)**#, 1*, 699**#, (hold 5)88#, (hold 6)#, (hold 1)*, \r
(hold 2)#, (hold 1)9, 6**#, (hold 6)8#, 19*, 699**#, (hold 5)888#, (hold 6)#, \r
(hold 1)*, (hold 2)#, (hold 1)9, 6**#, (hold 6)8#, 19*, 699**#, (hold 5)888#, \r
(hold 6)#, (hold 5)#, (hold 6)#, (hold 5)#, (hold 6)#, (hold 1)9*#, (hold 1)8, \r
\r
','Mon Jun 30, 2003 16:31:06','Kalwant Singh'),
(325,'Duppata Tera Saat Rang Da','Duppata Tera Saat Rang Da - (Tempo: 90 bpm) \r
\r
Keypresses:\r
\r
7, 688, 7, 79, 68, 79, 68, 499#, 4#, 388, 4#, 49#, 38, 49#, \r
28, 399, 0, 7, 688, 7, 79, 68, 79, 68, 499#, 4#, 388, 4#, \r
49#, 38, 49#, 28, 399\r
','Mon Jun 30, 2003 16:31:14','Kalwant Singh'),
(326,'Akhiya Milawo Akhiya Chooraw- Raja','Akhiya Milawo Akhiya Chooraw - Key Presses \r
288*, 5, 5, 5, 5, 6, 6, 6, 5, 5, 5, 4, 49, 2, 28, 5, 5, 5,\r
58, 5, 69, 69, 68, 5, 5, 5, 599, 288*, 2, 2, 2, 1, 1, 1, 1, \r
6**#, 6#, 6#, 6#, 6, 5, 4, 6, 6, 1*, 1, 1, 69**#, 68, 5, 69,\r
58, 4, 6, 6, 6#, 6, 59, 5, 59, 6888, 5, 499, 68, 6, 6, 6, 1*,\r
59**, 5, 599\r
\r
','Mon Jun 30, 2003 16:31:25','Kalwant Singh'),
(327,'Amar Akhbar Anthony','Amar Akhbar Anthony (Tempo 70bpm)\r
\r
69*, 688, 7, 58, (hold 6), (hold 7)99, 79, (hold 7)888, 19*, 68**, \r
(hold 7), (hold 1)99*, (hold 6)8**, 6, 6, 7, 588, 699, (hold 7)9, 79,\r
(hold 7)888, 19*, 688**, (hold 7)9, (hold 1)99*, (hold 6)88**, 69,\r
(hold 7)8, 19*, 2, 3, 28, (hold 1)8, 29999, 188, (hold 7)8**, 69, \r
5, 5, 58, 69, (hold 7)8, 79, 1*, 7**, 68, (hold 6)99, (hold 3)888, 399 ','Mon Jun 30, 2003 16:31:35','Kalwant Singh'),
(328,'Avara Bhawarey','Avara Bhawarey - Keypresses (Tempo125bpm) \r
(hold 2)8**, (hold 2)8, 29, (hold 2), 2, (hold 1)8, (hold 1)9, (hold 1)9,\r
18, (hold 7)8**, (hold 6)9, 79, (hold 6)8, (hold 2)*, (hold 1),\r
(hold 7)**, (hold 6), (hold 5)9, (hold 2)88*, 2, (hold 2)9, 2, \r
(hold 1)8, (hold 1)9, (hold 1)9, (hold 1)88, (hold 7)**, (hold 6)9,\r
(hold 7), (hold 6), (hold 2)*, (hold 1), 79**, (hold 6)8, (hold 5)9,\r
(hold 2)88*, (hold 2), (hold 2)9, 18, (hold 7)**, 199*, (hold 7)8**,\r
(hold 1)*, (hold 2)9, (hold 2)88, 29, (hold 2), (hold 1)8, (hold 7)**\r
','Mon Jun 30, 2003 16:31:45','Kalwant Singh'),
(329,'Choli Ke Peeche -K-Nayak','Choli Ke Peeche (Khal Nayak) - (Tempo 200bpm)\r
\r
4, 5, 5#, 5, 5, 5, 0, 4, 5, 5#, 5, 5, 19*, 08, 18, 1, 1, 7**, 5#, 5, 5,\r
0, 1*, 1, 1, 7**, 5#, 5, 5, 0, 2*#, 2#, 2#, 2, 1, 1, 1, 0, 79**, 58#, \r
5#, 79, 0, 7, 58#, 59 ','Mon Jun 30, 2003 16:31:56','Kalwant Singh'),
(330,'Chori Chori Chupke Chupke','Chori Chori Chupke Chupke (Tempo 160bpm)\r
\r
3*, 28, 399, 28, 18, 299, 18, 78**, 6, 7, 2*, 7**, 69, 59, 08, 388, \r
4, 69, 48, 3, (hold 2) 9, 0, 2, 5, 2, (hold 3), 0, 38, 4, 69, 48, 3, (hold 2)\r
9, 0, 2, 5, 2, (hold 3) ','Mon Jun 30, 2003 16:32:05','Kalwant Singh'),
(331,'Dholi Taro Dhol Baje','Dholi Taro Dhol Baje (Tempo 180bpm)\r
\r
1*, 2, 3, 08, 48, 3, 2, 1, 2, 0, 3, 0, 4, 3, 2, 1, 2, 0, 3, 0, 4, 3, 2, 1, \r
7**, 6, 09, 6, 6, 0, 2*, 0, 188, 2999, 18, 0, 1\r
','Mon Jun 30, 2003 16:32:16','Kalwant Singh'),
(332,'Do Lafzoon Ki','Do Lafzoon Ki (Tempo 160bpm)\r
\r
2, 3, 4, 69, (2)+, 688++, 2+, 69++, 5, 59, (1)+, 588++, 1+, 59++, \r
4, 49, 68#, 69#, 488, 6#, 49, 3, 48, 3, 2, 3, (2)99, 28, 3, 4, 599, 588, \r
58, 088, 59, 499# ','Mon Jun 30, 2003 16:32:26','Kalwant Singh'),
(333,'E Mere Humsafer -QSQT','E Mere Humsafer (Qayamat Se Qayamat Tak) (Tempo 112bpm )\r
\r
6, 58#, 49#, 0, 6, 58#, 49#, 0, 68, 6, 6, 19*#, 7**, 68, 58#, 4#, 5#,\r
4#, 399, 0, 3, 38, 4#, 5#, 4#, 3, 0, 39, 38, 4#, 5#, 4#, 3, 19#, 6, 08, \r
5#, 48#, 49# ','Mon Jun 30, 2003 16:32:37','Kalwant Singh'),
(334,'Ek Pyar Ka Naghma','Ek Pyar Ka Naghma - (Tempo 100bpm)\r
\r
18*, 2, 39, 48, 59, 4, 3, 8**, 1*, 2, 3, 3, 4, 59, 4, 3, 8**, 3*, 4, 5, 79, \r
888**, 699*, 5, 4, 69, 888**, 499*, 3, 2, 5, 5, 4, 58, 49, 3, 39\r
','Mon Jun 30, 2003 16:32:47','Kalwant Singh'),
(335,'Hadh Kar Di Aapne','Hadh Kar Di Aapne Theme (Tempo 200bpm)\r
\r
3, 6, 5#, 7, 6, 08, 58, 4, 5, 39, 3, 6, 5#, 7, 69, 08, 38*, 08, 28, 29, 2, 2,\r
08, 18, 19, 1, 18, 2, 2, 1, 79**, 6, 79, 18*, 09, 1, 7**, 6, 18*, 19, 78, \r
799, 78, 5, 7, 6, 08, 68, 69 ','Mon Jun 30, 2003 16:32:55','Kalwant Singh'),
(336,'Har Dil Jo Pyaar','Har Dil Jo Pyaar Theme (Tempo 180bpm )\r
\r
6, 7, 6, 7, 6, 78, 6, 599, 58, 68, 5, 59, 7, 699, 288*, 2, 2, 3, (hold 4),\r
48, 39, 2, 1, 1, 1, 2, (hold 3), 38, 29, 1, 7**, 7, 7, 1*, (hold 2), 28, 1, \r
2, 7**, 6, (hold 7)9, 08, 3, 4, 5, 58, 79, 68, 69, 69 ','Mon Jun 30, 2003 16:33:06','Kalwant Singh'),
(337,'Hum Apke Dil Meh Rehte Hain','Hum Apke Dil Meh Rehte Hain - (Tempo 170bpm)\r
\r
28*, **, 29*, 18, 6**#, 6, 599, 68#, 2*, 18, 699**, 188*, **, 19*, \r
68**#, 6, 5, 499, 6#, 188*, 2, 699**, 688#, 1*, 5999**, 68#, 288*,\r
4, 699**, 588, 4, 5999 ','Mon Jun 30, 2003 16:33:15','Kalwant Singh'),
(338,'Hum To Mohabbat Karega','Hum To Mohabbat Karega Theme - \r
(Tempo 140bpm)\r
\r
78, 7, 7, 7, 2*, 7**, 0, 58, 5, 59, 6, 5, 4#, 3, 09, 2, 3, 4#, 5, 4#, 4#, 0, \r
48#, 4#, 59, 6, 5, 4#, 3, 09, (hold 2)*, 2, 08, (hold 7)**, 5, 08, 7, 08, \r
7, 499#, 088\r
','Mon Jun 30, 2003 16:33:24','Kalwant Singh'),
(339,'Jadu Teri Nazar','Jadu Teri Nazar - (Tempo 140bpm) \r
68, 399*, 888**, 29*, 3, 2, 18, 799**, , 58, 299*, 88**, 1*, 2, 1, 78**, \r
6999, 8, 48, 19*, 79**, 88, 3, 79, 69, 88, 6, 6, 499*, 4888, 5, 4, 3999, \r
88**, 6, 6, 499*, 4888, 5, 4, 3999\r
\r
','Mon Jun 30, 2003 16:33:33','Kalwant Singh'),
(340,'Jeevan Mein Jaane Jaana -Bichoo','Jeevan Mein Jaane Jaana (Tempo 225bpm)\r
\r
5, 5, 58, 2*, 19, 7**, 5, 5, 0, 5, (hold 5), 48, 59, 5, 58#, 7, 5#, (hold 7)99, 58, 5, 58, 2*, 19, 7**, 5, 69#, 68#, (hold 6), 68#, 5#, 6#, 5#, 5, (hold 5)99,08, 28*#, 28#, 29#, 2#, 2, 2, 2, 19, 28#, 28#, 29#, 2#, 29 ','Mon Jun 30, 2003 16:33:43','Kalwant Singh'),
(341,'Kabhie Kabhie Theme','Kabhie Kabhie Theme- (Tempo 225bpm)\r
\r
6#, 59, 18*, 69**#, 08, 68, 5, 5, 49, 5, 0, 58, 5, 1*, 6**#, 69#, 08, \r
58, 4, 4, 58, 4, 699#, 0, 58, 59, 58, 49, (hold 5), 58, 49, 5, 0, 48, 49, \r
28#, 2#, 4, 4, 4, 2#, 2#, 2#, 2, 19','Mon Jun 30, 2003 16:33:54','Kalwant Singh'),
(342,'Mera Mann - Mann','Mera Mann (Tempo 140bpm) \r
59, 08, 588, 6#, 2*, 6**#, 199*, 08, 688**#, 6, 5, 6, 499, 08, \r
288, 4, 6, 4, 599, 0, 5, 08, 588, 6#, 2*, 6**#, 199*, 08, \r
688**#, 6, 5, 6, 499, 08, 288, 4, 6, 4, 599 \r
\r
\r
','Mon Jun 30, 2003 16:34:03','Kalwant Singh'),
(343,'Meri Payal Bole - Gang','Meri Payal Bole- (Tempo 180bpm ) \r
5, 6, 5, 6, 08, 1*, 18, 1, 7**, 69, 0888, 1*, 18, 1, 7**, 7, 6, 59, \r
6, 7, 6, 0888, 3, 28, 39, 3, 38, 59, 38, 59, 5, 58, 69, 58, 69, 6, \r
68, 199*, 78** \r
\r
','Mon Jun 30, 2003 16:34:12','Kalwant Singh'),
(344,'Mere Sapno Ki Rani','Mere Sapno Ki Rani - (Tempo 160bpm )\r
\r
(hold 5)8*, (hold 5), (hold 1)*, 1, (hold 1), (hold 6)**#, (hold 2)*, \r
(hold 2), (hold 2), 6**#, 788, (hold 1)99*, (hold 1), (hold 1), \r
599**, (hold 5)88, 5, 788, (hold 1)99*, 1, (hold 1), (hold 6)**#, \r
(hold 2)*, (hold 2), (hold 2), 6**#, 788, (hold 1)99*, (hold 5)**#,\r
(hold 5)#, 599#, (hold 5)88, 5, 788, (hold 1)99*, (hold 1), \r
(hold 1), (hold 6)**#, (hold 2)*, (hold 2), (hold 2), 1, 288, \r
(hold 2)99#, (hold 2)#, (hold 2)#, (hold 2)99#, (hold 2)88, 299 ','Mon Jun 30, 2003 16:34:22','Kalwant Singh'),
(345,'Noorie','Bally Sagoo\r
Noorie \r
(Tempo 100 bmp)\r
69#, 68#, 5#, 68#, 1*#, 69**#, 5#, 4#, 0, 4#, 5#, 6#, 7, 6#, \r
5#, 59#, 58#, 5#, 59#, 58#, 48#, 29#, 08, 2#, 4#, 4#, 4#, 5#, \r
6#, 5#, 49#, 48#, 0888, 58#, 4#, 29#, 48#, 2#, 19#, 0, 6#, \r
2*#, 199#, 288#, 2#, 1#, 199#, 288#, 1#, 199#\r
\r
OR\r
2#a1 4#a1 4#g1 8#a1 8#c2 4#a1 4#g1 4#f1 4- 4#f1 4#g1 \r
4#a1 4b1 4#a1 4#g1 2#g1 4#g1 4#g1 2#g1 4#g1 8#f1 4#d1\r
8- 4#d1 4#f1 4#f1 4#f1 4#g1 4#a1 4#g1 2#f1 4#f1 \r
32- 8#g1 8#f1 4#d1 8#f1 8#d1 4#c1 4- 4#a1 4#d2 1#c2 \r
4#d2 4#d2 4#c2 1#c2 4#d2 4#c2 1#c2 ','Mon Jun 30, 2003 16:34:33','Kalwant Singh'),
(346,'Pehli Baar Jab Dekha -Jungle','Pehli Baar Jab Dekha (Tempo 140bpm) \r
58, 58, 5, 29*, 1, 19, 68**#, 6, 69#, 6#, 0, 58, 4, 5, 58, 5, 29*, \r
1, 1, 28, 1, 69**#, 6, 69#, 6#, 0, 58, 4, (hold 2)9#, 69#, 1888*, \r
6**#, 699, 08, 68, 6, 68#, 6, 59, 4, (hold 5)9, 58, 599 \r
','Mon Jun 30, 2003 16:34:44','Kalwant Singh'),
(347,'Pyar Dilon Ka Mela','Pyar Dilon Ka Mela Hai - (Tempo 125bpm) \r
6*, 38, 39, 38, 2, 19, 2, 3, 88**, 69*, 6, 6, 3, 3, 88**, 399*, 2, \r
1, 2, 1, 7**, 69, 8, 6, 6, 3*, 2, 1, 2, 1, 7**, 6, 7, 2*, 7**, 6, 78, \r
6, 599, 8, 39, 48, 5, 1*, 7**, 69, 888, 1999*, 68**, 59, 3, 48, \r
5, 1*, 7**, 69 \r
\r
','Mon Jun 30, 2003 16:34:53','Kalwant Singh'),
(348,'Pyar Kiya To Nibhana -MS','Pyar Kiya To Nibhana (Major Saab) \r
(Tempo 200bpm)\r
\r
68, 5, 69, 68, 5, 69, 68, 5, 69, (hold 6)9, 38, 58, 69, 7, 18*, \r
79**, (hold 7)9, 78, 2*, 38, 39, 28, 79**, 7, 5, 68, 5, 19*, 18, \r
29, 1, 78**, 69, 6, 5, 6, 7 \r
\r
','Mon Jun 30, 2003 16:35:05','Kalwant Singh'),
(349,'Sunta Hai Mera - Pukar','Sunta Hai Mera - Pukar (Tempo 140) \r
5, 5#, 69#, 688#, 7, 0, 6#, 5#, 6#, 5#, 09, 5#, 6#, 5#, 0, 6#, \r
1*#, 6**#, 5#, 5, 3, 299#, 5, 588, 5#, 5#, 69#, 5, 38, 299# \r
\r
','Mon Jun 30, 2003 16:35:14','Kalwant Singh'),
(350,'Taal Se Taal -Taal','Taal Se Taal (Taal) - (Tempo 225bpm) \r
(hold 5)*#, 1*#, (hold 7)**, (hold 6)8, (hold 5)99#, (hold 4)8#, \r
(hold 3), (hold 4)8#, 5999#, (hold 3)888, (hold 4)#, (hold 5)#, \r
(hold 6), (hold 7), (hold 5)999#, (hold 3)888, (hold 4)#, (hold 5)#, \r
(hold 1)*#, (hold 7)9**, (hold 6), (hold 5)#, (hold 4)#, (hold 3),\r
(hold 4)8#, (hold 5)999#, (hold 4)888#, (hold 5)#, (hold 6), 5999#\r
','Mon Jun 30, 2003 16:35:24','Kalwant Singh'),
(351,'Tum Meri Zindagi -Aashiqui','Tum Meri Zindagi (Tempo 150bpm) \r
48*, 48#, 4, 29#, 1#, 2#, 48, 2#, 19#, 1, 19#, 188, **, 19*, 18#, \r
1, 699**#, 68#, 1*, 1#, 2#, 18#, 2#, 1#, 1, 69**#, 5#, 699#, 8888, \r
199*, 1#, 2#, 4, 48#, 4, 29#, 1#, 2#, 48, 2#, 19#, 1, 19#, 188, **, \r
19*, 18#, 1, 69**#, 8, 69#, 1*, 1#, 2#, 18#, 2#, 1#, 1, 69**#, \r
5#, 699# \r
\r
','Mon Jun 30, 2003 16:35:34','Kalwant Singh'),
(352,'Woh Pehli Bar','Woh Pehli Bar - (Tempo 100bpm) \r
18*, 7**, 1*, 69**, , 18*, 7**, 1*, 59**, , 78, 6, 7, 59, 2*, 18, \r
7**, 1*, 69**, , 18*, 7**, 1*, 69**, 3*, 28, 1, 78**, 6, 5, 6, \r
799, 8, 7, 6, 7, 59, 2*, 18, 7**, 1*, 69**, , 18*, 2, 3, 3, 3, 59, \r
88**, 49*, 38, 29, 2, 3, 29, 8**, 7, 1*, 2, 2, 3, 29, 88**, 79, \r
7, 1*, 1, 7**, 69 \r
','Mon Jun 30, 2003 16:35:44','Kalwant Singh'),
(353,'Yeh Dil Kya Karen','Yeh Dil Kya Karen (Tempo 112bpm) \r
68, 7, 1*, 6**, 4*, 3, 299, 88**, 5, 6, 7, 5, 3*, 2, 199, 88**, \r
7, 1*, 2, 7**, 5, 3, 799, 88, 7, 299*, 8888**, 799, 1*, 7**, \r
699, 8, 78, 29*, 38, 79**, 888, 799, 1*, 7**, 699\r
','Mon Jun 30, 2003 16:35:56','Kalwant Singh'),
(354,'Yeh Vaada Raha Theme','Yeh Vaada Raha Theme (Tempo 160bpm) \r
4, 0, 58, 5#, 5, 4, 19*#, 0, 18, 6**#, 5#, 5, 29#, 0, 48, 5, 4, 2#, \r
19*, 0, 68**#, 5#, 5, 5#, 49, 0, 58, 5#, 5, 4, 69#, 0, 58, 4, 5, \r
29#, 0, 48, 5, 5#, 5, 49 \r
\r
','Mon Jun 30, 2003 16:36:03','Kalwant Singh');